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Color name
HEX #DA7F68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7F68 it is the complementary color #258097. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7F68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7F68 shade: #DF7F63, #F09176, #FFA389, #FFB59C and #FFC7AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7F68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7F68 shade: #DA7F68, #C96D55, #B85B42, #A7492F and #96371C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7F68 shade: #DA7E67 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7F68 shade: #DA7E67, #DA9D67, #DABC67, #D9DA67 and #BADA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7F68 shade matches the following richer shades: #DA7E67, #E97558 and #F96C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7F68 shade: #DA7E67, #CB8776, #BC9186, #AC9A95 and #9DA3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7F68 shade: #DA678D, #DA676F, #DA7E67, #DA9D67 and #DABC67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7F68 shade: #C04C2F, #D26246, #DA7E67, #E29A88 and #EAB7AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7F68 shade: #DA7F68, #ACDA67 and #677EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7F68 shade: #DA7F68, #67DA7E and #7E67DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7F68 shade: #DA7F68, #ACDA67, #67C3DA and #9567DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7F68 shade: #DA7F68, #8ADA67, #67C3DA and #B867DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 52 / 15

HEX #DA7F68

RGB 218 127 104

HSL 12.11, 0.61%, 0.63%

LAB 62.58, 32.85, 27.7

 

Complementary color

CMYK 75 / 15 / 0 / 41

HEX #258097

RGB 37 128 151

HSL 192.11, 0.61%, 0.37%

LAB 49.58, -18.17, -19.94

 

CMYK 0 / 43 / 56 / 13

HEX #DF7F63

RGB 223 127 99

HSL 13.55, 0.66%, 0.63%

LAB 63.15, 34.38, 31.34

 

CMYK 0 / 40 / 51 / 6

HEX #F09176

RGB 240 145 118

HSL 13.28, 0.8%, 0.7%

LAB 69.53, 33.16, 29.62

 

CMYK 0 / 36 / 46 / 0

HEX #FFA389

RGB 255 163 137

HSL 13.22, 1%, 0.77%

LAB 75.61, 31.28, 27.71

 

CMYK 0 / 29 / 39 / 0

HEX #FFB59C

RGB 255 181 156

HSL 15.15, 1%, 0.81%

LAB 80.02, 23.85, 23.46

 

CMYK 0 / 22 / 31 / 0

HEX #FFC7AF

RGB 255 199 175

HSL 18, 1%, 0.84%

LAB 84.59, 16.67, 19.66

 

CMYK 0 / 42 / 52 / 15

HEX #DA7F68

RGB 218 127 104

HSL 12.11, 0.61%, 0.63%

LAB 62.58, 32.85, 27.7

 

CMYK 0 / 46 / 58 / 21

HEX #C96D55

RGB 201 109 85

HSL 12.41, 0.52%, 0.56%

LAB 56.1, 34.13, 29.54

 

CMYK 0 / 51 / 64 / 28

HEX #B85B42

RGB 184 91 66

HSL 12.71, 0.47%, 0.49%

LAB 49.58, 35.52, 31.63

 

CMYK 0 / 56 / 72 / 35

HEX #A7492F

RGB 167 73 47

HSL 13, 0.56%, 0.42%

LAB 43.04, 37, 34

 

CMYK 0 / 63 / 81 / 41

HEX #96371C

RGB 150 55 28

HSL 13.28, 0.69%, 0.35%

LAB 36.56, 38.48, 36.58

 

CMYK 0 / 42 / 53 / 15

HEX #DA7E67

RGB 218 126 103

HSL 12, 0.61%, 0.63%

LAB 62.34, 33.29, 27.95

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 42 / 53 / 15

HEX #DA7E67

RGB 218 126 103

HSL 12, 0.61%, 0.63%

LAB 62.34, 33.29, 27.95

 

CMYK 0 / 28 / 53 / 15

HEX #DA9D67

RGB 218 157 103

HSL 28.17, 0.61%, 0.63%

LAB 69.47, 16.68, 37.06

 

CMYK 0 / 14 / 53 / 15

HEX #DABC67

RGB 218 188 103

HSL 44.35, 0.61%, 0.63%

LAB 77.19, 0.17, 46.53

 

CMYK 0 / 0 / 53 / 15

HEX #D9DA67

RGB 217 218 103

HSL 60.52, 0.61%, 0.63%

LAB 84.93, -15.55, 55.62

 

CMYK 15 / 0 / 53 / 15

HEX #BADA67

RGB 186 218 103

HSL 76.7, 0.61%, 0.63%

LAB 82.68, -27.81, 52.43

 

CMYK 0 / 42 / 53 / 15

HEX #DA7E67

RGB 218 126 103

HSL 12, 0.61%, 0.63%

LAB 62.34, 33.29, 27.95

 

CMYK 0 / 50 / 62 / 9

HEX #E97558

RGB 233 117 88

HSL 12, 0.77%, 0.63%

LAB 62.3, 42.53, 36.59

 

CMYK 0 / 57 / 71 / 2

HEX #F96C49

RGB 249 108 73

HSL 11.93, 0.94%, 0.63%

LAB 62.8, 51.87, 45.78

 

CMYK 0 / 42 / 53 / 15

HEX #DA7E67

RGB 218 126 103

HSL 12, 0.61%, 0.63%

LAB 62.34, 33.29, 27.95

 

CMYK 0 / 33 / 42 / 20

HEX #CB8776

RGB 203 135 118

HSL 12, 0.45%, 0.63%

LAB 62.79, 24.04, 19.81

 

CMYK 0 / 23 / 29 / 26

HEX #BC9186

RGB 188 145 134

HSL 12.22, 0.29%, 0.63%

LAB 63.89, 14.61, 12.08

 

CMYK 0 / 10 / 13 / 33

HEX #AC9A95

RGB 172 154 149

HSL 13.04, 0.12%, 0.63%

LAB 65, 5.76, 5.03

 

CMYK 4 / 1 / 0 / 36

HEX #9DA3A4

RGB 157 163 164

HSL 188.57, 0.04%, 0.63%

LAB 66.55, -1.93, -1.27

 

CMYK 0 / 53 / 35 / 15

HEX #DA678D

RGB 218 103 141

HSL 340.17, 0.61%, 0.63%

LAB 58.54, 48.9, 0.89

 

CMYK 0 / 53 / 49 / 15

HEX #DA676F

RGB 218 103 111

HSL 355.83, 0.61%, 0.63%

LAB 57.8, 45.76, 17.32

 

CMYK 0 / 42 / 53 / 15

HEX #DA7E67

RGB 218 126 103

HSL 12, 0.61%, 0.63%

LAB 62.34, 33.29, 27.95

 

CMYK 0 / 28 / 53 / 15

HEX #DA9D67

RGB 218 157 103

HSL 28.17, 0.61%, 0.63%

LAB 69.47, 16.68, 37.06

 

CMYK 0 / 14 / 53 / 15

HEX #DABC67

RGB 218 188 103

HSL 44.35, 0.61%, 0.63%

LAB 77.19, 0.17, 46.53

 

CMYK 0 / 60 / 76 / 25

HEX #C04C2F

RGB 192 76 47

HSL 12, 0.61%, 0.47%

LAB 47.73, 44.97, 40.32

 

CMYK 0 / 53 / 67 / 18

HEX #D26246

RGB 210 98 70

HSL 12, 0.61%, 0.55%

LAB 54.95, 42.21, 36.78

 

CMYK 0 / 42 / 53 / 15

HEX #DA7E67

RGB 218 126 103

HSL 12, 0.61%, 0.63%

LAB 62.34, 33.29, 27.95

 

CMYK 0 / 32 / 40 / 11

HEX #E29A88

RGB 226 154 136

HSL 12, 0.61%, 0.71%

LAB 70.22, 24.78, 20.38

 

CMYK 0 / 22 / 27 / 8

HEX #EAB7AA

RGB 234 183 170

HSL 12.19, 0.6%, 0.79%

LAB 78.61, 16.57, 13.67

 

CMYK 0 / 42 / 52 / 15

HEX #DA7F68

RGB 218 127 104

HSL 12.11, 0.61%, 0.63%

LAB 62.58, 32.85, 27.7

 

CMYK 21 / 0 / 53 / 15

HEX #ACDA67

RGB 172 218 103

HSL 84, 0.61%, 0.63%

LAB 81.78, -33.12, 51.15

 

CMYK 53 / 42 / 0 / 15

HEX #677EDA

RGB 103 126 218

HSL 228, 0.61%, 0.63%

LAB 54.94, 17.6, -49.81

 

CMYK 0 / 42 / 52 / 15

HEX #DA7F68

RGB 218 127 104

HSL 12.11, 0.61%, 0.63%

LAB 62.58, 32.85, 27.7

 

CMYK 53 / 0 / 42 / 15

HEX #67DA7E

RGB 103 218 126

HSL 132, 0.61%, 0.63%

LAB 78.77, -52.07, 35.54

 

CMYK 42 / 53 / 0 / 15

HEX #7E67DA

RGB 126 103 218

HSL 252, 0.61%, 0.63%

LAB 50.92, 36.59, -56.13

 

CMYK 0 / 42 / 52 / 15

HEX #DA7F68

RGB 218 127 104

HSL 12.11, 0.61%, 0.63%

LAB 62.58, 32.85, 27.7

 

CMYK 21 / 0 / 53 / 15

HEX #ACDA67

RGB 172 218 103

HSL 84, 0.61%, 0.63%

LAB 81.78, -33.12, 51.15

 

CMYK 53 / 11 / 0 / 15

HEX #67C3DA

RGB 103 195 218

HSL 192, 0.61%, 0.63%

LAB 74.17, -21.11, -19.9

 

CMYK 32 / 53 / 0 / 15

HEX #9567DA

RGB 149 103 218

HSL 264, 0.61%, 0.63%

LAB 53.12, 42.14, -52.49

 

CMYK 0 / 42 / 52 / 15

HEX #DA7F68

RGB 218 127 104

HSL 12.11, 0.61%, 0.63%

LAB 62.58, 32.85, 27.7

 

CMYK 37 / 0 / 53 / 15

HEX #8ADA67

RGB 138 218 103

HSL 101.74, 0.61%, 0.63%

LAB 79.91, -45.07, 48.47

 

CMYK 53 / 11 / 0 / 15

HEX #67C3DA

RGB 103 195 218

HSL 192, 0.61%, 0.63%

LAB 74.17, -21.11, -19.9

 

CMYK 16 / 53 / 0 / 15

HEX #B867DA

RGB 184 103 218

HSL 282.26, 0.61%, 0.63%

LAB 57.03, 51.19, -46.03

 

Description

Color code: HEX #DA7F68 | qconv.com Color code: HEX #DA7F68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 127 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 127 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 52% 15% C M Y K

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Provide designers and agencies with accurate color values.

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