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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7ED8 it is the complementary color #258127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7ED8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7ED8 shade: #DF7ED3, #F090E6, #FFA2F9, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7ED8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7ED8 shade: #DA7ED8, #C96CC5, #B85AB2, #A7489F and #96368C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7ED8 shade: #D97CD7, #D97CBE, #D97CA5, #D97C8C and #D97C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7ED8 shade: #D97CD7, #C27CD9, #A97CD9, #907CD9 and #7C7CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7ED8 shade matches the following richer shades: #D97CD7, #E66EE4 and #F461F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7ED8 shade: #D97CD7, #CB8ACA, #BD97BD, #B0A5B0 and #A2B3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7ED8 shade: #A97CD9, #C17CD9, #D97CD7, #D97CBE and #D97CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7ED8 shade: #C63CC3, #CF5CCD, #D97CD7, #E29CE0 and #EBBCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7ED8 shade: #DA7ED8, #D9907C and #7CD9B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7ED8 shade: #DA7ED8, #D7D97C and #7CD7D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7ED8 shade: #DA7ED8, #D9907C, #7CD97E and #7CC5D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7ED8 shade: #DA7ED8, #D9AC7C, #7CD97E and #7CA9D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 1 / 15

HEX #DA7ED8

RGB 218 126 216

HSL 301.3, 0.55%, 0.67%

LAB 65.58, 48.65, -31.22

 

Complementary color

CMYK 71 / 0 / 70 / 49

HEX #258127

RGB 37 129 39

HSL 121.3, 0.55%, 0.33%

LAB 47.29, -45.07, 39.56

 

CMYK 0 / 43 / 5 / 13

HEX #DF7ED3

RGB 223 126 211

HSL 307.42, 0.6%, 0.68%

LAB 65.99, 49.27, -27.75

 

CMYK 0 / 40 / 4 / 6

HEX #F090E6

RGB 240 144 230

HSL 306.25, 0.76%, 0.75%

LAB 72.35, 48.55, -28.3

 

CMYK 0 / 36 / 2 / 0

HEX #FFA2F9

RGB 255 162 249

HSL 303.87, 1%, 0.82%

LAB 78.43, 47.21, -29.16

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 42 / 1 / 15

HEX #DA7ED8

RGB 218 126 216

HSL 301.3, 0.55%, 0.67%

LAB 65.58, 48.65, -31.22

 

CMYK 0 / 46 / 2 / 21

HEX #C96CC5

RGB 201 108 197

HSL 302.58, 0.46%, 0.61%

LAB 59.13, 49.36, -30.68

 

CMYK 0 / 51 / 3 / 28

HEX #B85AB2

RGB 184 90 178

HSL 303.83, 0.4%, 0.54%

LAB 52.64, 50.01, -30.04

 

CMYK 0 / 57 / 5 / 35

HEX #A7489F

RGB 167 72 159

HSL 305.05, 0.4%, 0.47%

LAB 46.11, 50.52, -29.22

 

CMYK 0 / 64 / 7 / 41

HEX #96368C

RGB 150 54 140

HSL 306.25, 0.47%, 0.4%

LAB 39.61, 50.76, -28.13

 

CMYK 0 / 43 / 1 / 15

HEX #D97CD7

RGB 217 124 215

HSL 301.29, 0.55%, 0.67%

LAB 65.02, 49.19, -31.54

 

CMYK 0 / 43 / 12 / 15

HEX #D97CBE

RGB 217 124 190

HSL 317.42, 0.55%, 0.67%

LAB 64.07, 44.92, -18.97

 

CMYK 0 / 43 / 24 / 15

HEX #D97CA5

RGB 217 124 165

HSL 333.55, 0.55%, 0.67%

LAB 63.25, 41.11, -6.01

 

CMYK 0 / 43 / 35 / 15

HEX #D97C8C

RGB 217 124 140

HSL 349.68, 0.55%, 0.67%

LAB 62.56, 37.81, 7.26

 

CMYK 0 / 43 / 43 / 15

HEX #D97C7C

RGB 217 124 124

HSL 0, 0.55%, 0.67%

LAB 62.19, 35.99, 15.87

 

CMYK 0 / 43 / 1 / 15

HEX #D97CD7

RGB 217 124 215

HSL 301.29, 0.55%, 0.67%

LAB 65.02, 49.19, -31.54

 

CMYK 11 / 43 / 0 / 15

HEX #C27CD9

RGB 194 124 217

HSL 285.16, 0.55%, 0.67%

LAB 62.42, 42.77, -36.91

 

CMYK 22 / 43 / 0 / 15

HEX #A97CD9

RGB 169 124 217

HSL 269.03, 0.55%, 0.67%

LAB 59.76, 35.52, -41.26

 

CMYK 34 / 43 / 0 / 15

HEX #907CD9

RGB 144 124 217

HSL 252.9, 0.55%, 0.67%

LAB 57.42, 28.57, -45.11

 

CMYK 43 / 43 / 0 / 15

HEX #7C7CD9

RGB 124 124 217

HSL 240, 0.55%, 0.67%

LAB 55.8, 23.4, -47.79

 

CMYK 0 / 43 / 1 / 15

HEX #D97CD7

RGB 217 124 215

HSL 301.29, 0.55%, 0.67%

LAB 65.02, 49.19, -31.54

 

CMYK 0 / 52 / 1 / 10

HEX #E66EE4

RGB 230 110 228

HSL 301, 0.71%, 0.67%

LAB 64.62, 61.97, -39.28

 

CMYK 0 / 60 / 1 / 4

HEX #F461F1

RGB 244 97 241

HSL 301.22, 0.87%, 0.67%

LAB 65.07, 73.35, -45.66

 

CMYK 0 / 43 / 1 / 15

HEX #D97CD7

RGB 217 124 215

HSL 301.29, 0.55%, 0.67%

LAB 65.02, 49.19, -31.54

 

CMYK 0 / 32 / 0 / 20

HEX #CB8ACA

RGB 203 138 202

HSL 300.92, 0.38%, 0.67%

LAB 65.86, 35.07, -23.13

 

CMYK 0 / 20 / 0 / 26

HEX #BD97BD

RGB 189 151 189

HSL 300, 0.22%, 0.67%

LAB 67, 20.78, -14.27

 

CMYK 0 / 6 / 0 / 31

HEX #B0A5B0

RGB 176 165 176

HSL 300, 0.07%, 0.67%

LAB 68.95, 6, -4.24

 

CMYK 9 / 0 / 9 / 30

HEX #A2B3A3

RGB 162 179 163

HSL 123.53, 0.1%, 0.67%

LAB 71.26, -8.97, 6.16

 

CMYK 22 / 43 / 0 / 15

HEX #A97CD9

RGB 169 124 217

HSL 269.03, 0.55%, 0.67%

LAB 59.76, 35.52, -41.26

 

CMYK 11 / 43 / 0 / 15

HEX #C17CD9

RGB 193 124 217

HSL 284.52, 0.55%, 0.67%

LAB 62.31, 42.47, -37.09

 

CMYK 0 / 43 / 1 / 15

HEX #D97CD7

RGB 217 124 215

HSL 301.29, 0.55%, 0.67%

LAB 65.02, 49.19, -31.54

 

CMYK 0 / 43 / 12 / 15

HEX #D97CBE

RGB 217 124 190

HSL 317.42, 0.55%, 0.67%

LAB 64.07, 44.92, -18.97

 

CMYK 0 / 43 / 24 / 15

HEX #D97CA6

RGB 217 124 166

HSL 332.9, 0.55%, 0.67%

LAB 63.28, 41.25, -6.54

 

CMYK 0 / 70 / 2 / 22

HEX #C63CC3

RGB 198 60 195

HSL 301.3, 0.55%, 0.51%

LAB 50.89, 69.21, -42.48

 

CMYK 0 / 56 / 1 / 19

HEX #CF5CCD

RGB 207 92 205

HSL 301.04, 0.55%, 0.59%

LAB 57.39, 60.14, -37.89

 

CMYK 0 / 43 / 1 / 15

HEX #D97CD7

RGB 217 124 215

HSL 301.29, 0.55%, 0.67%

LAB 65.02, 49.19, -31.54

 

CMYK 0 / 31 / 1 / 11

HEX #E29CE0

RGB 226 156 224

HSL 301.71, 0.55%, 0.75%

LAB 73.11, 36.84, -24

 

CMYK 0 / 20 / 0 / 8

HEX #EBBCEA

RGB 235 188 234

HSL 301.28, 0.54%, 0.83%

LAB 81.6, 24.5, -16.45

 

CMYK 0 / 42 / 1 / 15

HEX #DA7ED8

RGB 218 126 216

HSL 301.3, 0.55%, 0.67%

LAB 65.58, 48.65, -31.22

 

CMYK 0 / 34 / 43 / 15

HEX #D9907C

RGB 217 144 124

HSL 12.9, 0.55%, 0.67%

LAB 66.64, 25.33, 21.96

 

CMYK 43 / 0 / 17 / 15

HEX #7CD9B5

RGB 124 217 181

HSL 156.77, 0.55%, 0.67%

LAB 80.32, -35.95, 9.16

 

CMYK 0 / 42 / 1 / 15

HEX #DA7ED8

RGB 218 126 216

HSL 301.3, 0.55%, 0.67%

LAB 65.58, 48.65, -31.22

 

CMYK 1 / 0 / 43 / 15

HEX #D7D97C

RGB 215 217 124

HSL 61.29, 0.55%, 0.67%

LAB 84.76, -13.94, 45.42

 

CMYK 43 / 1 / 0 / 15

HEX #7CD7D9

RGB 124 215 217

HSL 181.29, 0.55%, 0.67%

LAB 80.68, -26.63, -9.5

 

CMYK 0 / 42 / 1 / 15

HEX #DA7ED8

RGB 218 126 216

HSL 301.3, 0.55%, 0.67%

LAB 65.58, 48.65, -31.22

 

CMYK 0 / 34 / 43 / 15

HEX #D9907C

RGB 217 144 124

HSL 12.9, 0.55%, 0.67%

LAB 66.64, 25.33, 21.96

 

CMYK 43 / 0 / 42 / 15

HEX #7CD97E

RGB 124 217 126

HSL 121.29, 0.55%, 0.67%

LAB 79.28, -45.97, 36.36

 

CMYK 43 / 9 / 0 / 15

HEX #7CC5D9

RGB 124 197 217

HSL 192.9, 0.55%, 0.67%

LAB 75.59, -17.61, -17.12

 

CMYK 0 / 42 / 1 / 15

HEX #DA7ED8

RGB 218 126 216

HSL 301.3, 0.55%, 0.67%

LAB 65.58, 48.65, -31.22

 

CMYK 0 / 21 / 43 / 15

HEX #D9AC7C

RGB 217 172 124

HSL 30.97, 0.55%, 0.67%

LAB 73.36, 10.24, 30.92

 

CMYK 43 / 0 / 42 / 15

HEX #7CD97E

RGB 124 217 126

HSL 121.29, 0.55%, 0.67%

LAB 79.28, -45.97, 36.36

 

CMYK 43 / 22 / 0 / 15

HEX #7CA9D9

RGB 124 169 217

HSL 210.97, 0.55%, 0.67%

LAB 67.78, -2.64, -29.05

 

Description

Color code: HEX #DA7ED8 | qconv.com Color code: HEX #DA7ED8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 126 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 126 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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