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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7E2E it is the complementary color #2581D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7E2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7E2E shade: #DF7E29, #F0903C, #FFA24F, #FFB462 and #FFC675

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7E2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7E2E shade: #DA7E2E, #C96C1B, #B85A08, #A74800 and #963600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7E2E shade: #DA7E2E, #DA502E and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7E2E shade: #DA7E2E, #DAAC2E, #D9DA2E, #ABDA2E and #7DDA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7E2E shade matches the following richer shades: #DA7E2E and #EE7D1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7E2E shade: #DA7E2E, #C68042, #B28156, #9E826A and #8B847E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7E2E shade: #DA2E3D, #DA4E2E, #DA7C2E, #DAA92E and #DAD72E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7E2E shade: #9B561B, #BE6A21, #DA7E2E, #E09451 and #E6A975

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7E2E shade: #DA7E2E, #6ADA2E and #372EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7E2E shade: #DA7E2E, #2EDA7C and #7C2EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7E2E shade: #DA7E2E, #6ADA2E, #2E8DDA and #9E2EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7E2E shade: #DA7E2E, #37DA2E, #2E8DDA and #D12EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

Complementary color

CMYK 82 / 38 / 0 / 18

HEX #2581D1

RGB 37 129 209

HSL 207.91, 0.7%, 0.48%

LAB 52.62, 2.24, -48.58

 

CMYK 0 / 43 / 82 / 13

HEX #DF7E29

RGB 223 126 41

HSL 28.02, 0.74%, 0.52%

LAB 62.31, 31.73, 58.84

 

CMYK 0 / 40 / 75 / 6

HEX #F0903C

RGB 240 144 60

HSL 28, 0.86%, 0.59%

LAB 68.6, 29.94, 57.79

 

CMYK 0 / 36 / 69 / 0

HEX #FFA24F

RGB 255 162 79

HSL 28.3, 1%, 0.65%

LAB 74.61, 27.52, 56.09

 

CMYK 0 / 29 / 62 / 0

HEX #FFB462

RGB 255 180 98

HSL 31.34, 1%, 0.69%

LAB 78.92, 19.23, 51.93

 

CMYK 0 / 22 / 54 / 0

HEX #FFC675

RGB 255 198 117

HSL 35.22, 1%, 0.73%

LAB 83.41, 11.23, 48

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 0 / 46 / 87 / 21

HEX #C96C1B

RGB 201 108 27

HSL 27.93, 0.76%, 0.45%

LAB 55.3, 31.77, 56.69

 

CMYK 0 / 51 / 96 / 28

HEX #B85A08

RGB 184 90 8

HSL 27.95, 0.92%, 0.38%

LAB 48.91, 33.89, 56.03

 

CMYK 0 / 57 / 100 / 35

HEX #A74800

RGB 167 72 0

HSL 25.87, 1%, 0.33%

LAB 42.54, 36.16, 52.79

 

CMYK 0 / 64 / 100 / 41

HEX #963600

RGB 150 54 0

HSL 21.6, 1%, 0.29%

LAB 36.22, 38.33, 47.76

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 0 / 63 / 79 / 15

HEX #DA502E

RGB 218 80 46

HSL 11.86, 0.7%, 0.52%

LAB 52.77, 52.39, 47.41

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 0 / 21 / 79 / 15

HEX #DAAC2E

RGB 218 172 46

HSL 43.95, 0.7%, 0.52%

LAB 72.63, 5.22, 66.12

 

CMYK 0 / 0 / 79 / 15

HEX #D9DA2E

RGB 217 218 46

HSL 60.35, 0.7%, 0.52%

LAB 84.53, -18.75, 76.67

 

CMYK 22 / 0 / 79 / 15

HEX #ABDA2E

RGB 171 218 46

HSL 76.4, 0.7%, 0.52%

LAB 81.29, -37.44, 72.55

 

CMYK 43 / 0 / 79 / 15

HEX #7DDA2E

RGB 125 218 46

HSL 92.44, 0.7%, 0.52%

LAB 78.87, -53.9, 69.44

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 0 / 47 / 89 / 7

HEX #EE7D1B

RGB 238 125 27

HSL 27.87, 0.86%, 0.52%

LAB 64.1, 37.96, 65.84

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 0 / 35 / 67 / 22

HEX #C68042

RGB 198 128 66

HSL 28.18, 0.54%, 0.52%

LAB 59.74, 21.33, 43.98

 

CMYK 0 / 28 / 52 / 30

HEX #B28156

RGB 178 129 86

HSL 28.04, 0.37%, 0.52%

LAB 57.88, 13.8, 30.65

 

CMYK 0 / 18 / 33 / 38

HEX #9E826A

RGB 158 130 106

HSL 27.69, 0.21%, 0.52%

LAB 56.36, 7.1, 17.03

 

CMYK 0 / 5 / 9 / 45

HEX #8B847E

RGB 139 132 126

HSL 27.69, 0.05%, 0.52%

LAB 55.58, 1.52, 4.17

 

CMYK 0 / 79 / 72 / 15

HEX #DA2E3D

RGB 218 46 61

HSL 354.77, 0.7%, 0.52%

LAB 48.51, 65.14, 34.63

 

CMYK 0 / 64 / 79 / 15

HEX #DA4E2E

RGB 218 78 46

HSL 11.16, 0.7%, 0.52%

LAB 52.46, 53.24, 47.09

 

CMYK 0 / 43 / 79 / 15

HEX #DA7C2E

RGB 218 124 46

HSL 27.21, 0.7%, 0.52%

LAB 61.24, 30.9, 55.6

 

CMYK 0 / 22 / 79 / 15

HEX #DAA92E

RGB 218 169 46

HSL 42.91, 0.7%, 0.52%

LAB 71.88, 6.81, 65.44

 

CMYK 0 / 1 / 79 / 15

HEX #DAD72E

RGB 218 215 46

HSL 58.95, 0.7%, 0.52%

LAB 83.81, -16.86, 76.07

 

CMYK 0 / 45 / 83 / 39

HEX #9B561B

RGB 155 86 27

HSL 27.66, 0.7%, 0.36%

LAB 43.8, 24.17, 44.19

 

CMYK 0 / 44 / 83 / 25

HEX #BE6A21

RGB 190 106 33

HSL 27.9, 0.7%, 0.44%

LAB 53.35, 28.41, 52.22

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 0 / 34 / 64 / 12

HEX #E09451

RGB 224 148 81

HSL 28.11, 0.7%, 0.6%

LAB 67.74, 22.34, 46.43

 

CMYK 0 / 27 / 49 / 10

HEX #E6A975

RGB 230 169 117

HSL 27.61, 0.69%, 0.68%

LAB 73.86, 16.39, 35.53

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 51 / 0 / 79 / 15

HEX #6ADA2E

RGB 106 218 46

HSL 99.07, 0.7%, 0.52%

LAB 78.11, -59.61, 68.47

 

CMYK 75 / 79 / 0 / 15

HEX #372EDA

RGB 55 46 218

HSL 243.14, 0.7%, 0.52%

LAB 33.62, 57.55, -84.59

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 79 / 0 / 43 / 15

HEX #2EDA7C

RGB 46 218 124

HSL 147.21, 0.7%, 0.52%

LAB 77.39, -62.72, 34.49

 

CMYK 43 / 79 / 0 / 15

HEX #7C2EDA

RGB 124 46 218

HSL 267.21, 0.7%, 0.52%

LAB 40.08, 65, -73.72

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 51 / 0 / 79 / 15

HEX #6ADA2E

RGB 106 218 46

HSL 99.07, 0.7%, 0.52%

LAB 78.11, -59.61, 68.47

 

CMYK 79 / 35 / 0 / 15

HEX #2E8DDA

RGB 46 141 218

HSL 206.86, 0.7%, 0.52%

LAB 56.77, -0.73, -47.03

 

CMYK 28 / 79 / 0 / 15

HEX #9E2EDA

RGB 158 46 218

HSL 279.07, 0.7%, 0.52%

LAB 44.64, 70.25, -66.09

 

CMYK 0 / 42 / 79 / 15

HEX #DA7E2E

RGB 218 126 46

HSL 27.91, 0.7%, 0.52%

LAB 61.68, 29.84, 56.01

 

CMYK 75 / 0 / 79 / 15

HEX #37DA2E

RGB 55 218 46

HSL 116.86, 0.7%, 0.52%

LAB 76.77, -70.62, 66.72

 

CMYK 79 / 35 / 0 / 15

HEX #2E8DDA

RGB 46 141 218

HSL 206.86, 0.7%, 0.52%

LAB 56.77, -0.73, -47.03

 

CMYK 4 / 79 / 0 / 15

HEX #D12EDA

RGB 209 46 218

HSL 296.86, 0.7%, 0.52%

LAB 52.48, 79.3, -53.05

 

Description

Color code: HEX #DA7E2E | qconv.com Color code: HEX #DA7E2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 126 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 126 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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