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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7DA4 it is the complementary color #25825B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7DA4 shade: #DF7D9F, #F08FB2, #FFA1C5, #FFB3D8 and #FFC5EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7DA4 shade: #DA7DA4, #C96B91, #B8597E, #A7476B and #963558

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7DA4 shade: #DA7CA3, #DA7C8A and #DA7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7DA4 shade: #DA7CA3, #DA7CBD, #DA7CD6, #C47CDA and #AB7CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7DA4 shade matches the following richer shades: #DA7CA3, #E86EA1 and #F5609F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7DA4 shade: #DA7CA3, #CC89A5, #BF97A8, #B1A5AA and #A4B2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7DA4 shade: #DA7CD7, #DA7CBE, #DA7CA5, #DA7C8B and #DA857C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7DA4 shade: #C83B76, #D15C8D, #DA7CA3, #E39CBA and #ECBCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7DA4 shade: #DA7DA4, #DAC47C and #7CCADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7DA4 shade: #DA7DA4, #A5DA7C and #7CA5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7DA4 shade: #DA7DA4, #DAC47C, #7CDAB1 and #7C92DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7DA4 shade: #DA7DA4, #D4DA7C, #7CDAB1 and #827CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 25 / 15

HEX #DA7DA4

RGB 218 125 164

HSL 334.84, 0.56%, 0.67%

LAB 63.55, 40.79, -4.98

 

Complementary color

CMYK 72 / 0 / 30 / 49

HEX #25825B

RGB 37 130 91

HSL 154.84, 0.56%, 0.33%

LAB 48.4, -36.67, 13.47

 

CMYK 0 / 44 / 29 / 13

HEX #DF7D9F

RGB 223 125 159

HSL 339.18, 0.6%, 0.68%

LAB 64.05, 41.83, -1.33

 

CMYK 0 / 40 / 26 / 6

HEX #F08FB2

RGB 240 143 178

HSL 338.35, 0.76%, 0.75%

LAB 70.44, 40.98, -2.4

 

CMYK 0 / 37 / 23 / 0

HEX #FFA1C5

RGB 255 161 197

HSL 337.02, 1%, 0.82%

LAB 76.55, 39.48, -3.72

 

CMYK 0 / 30 / 15 / 0

HEX #FFB3D8

RGB 255 179 216

HSL 330.79, 1%, 0.85%

LAB 80.99, 32.93, -7.47

 

CMYK 0 / 23 / 8 / 0

HEX #FFC5EB

RGB 255 197 235

HSL 320.69, 1%, 0.89%

LAB 85.6, 26.56, -10.81

 

CMYK 0 / 43 / 25 / 15

HEX #DA7DA4

RGB 218 125 164

HSL 334.84, 0.56%, 0.67%

LAB 63.55, 40.79, -4.98

 

CMYK 0 / 47 / 28 / 21

HEX #C96B91

RGB 201 107 145

HSL 335.74, 0.47%, 0.6%

LAB 57.05, 41.63, -3.89

 

CMYK 0 / 52 / 32 / 28

HEX #B8597E

RGB 184 89 126

HSL 336.63, 0.4%, 0.54%

LAB 50.5, 42.47, -2.61

 

CMYK 0 / 57 / 36 / 35

HEX #A7476B

RGB 167 71 107

HSL 337.5, 0.4%, 0.47%

LAB 43.92, 43.24, -1.05

 

CMYK 0 / 65 / 41 / 41

HEX #963558

RGB 150 53 88

HSL 338.35, 0.48%, 0.4%

LAB 37.36, 43.82, 0.91

 

CMYK 0 / 43 / 25 / 15

HEX #DA7CA3

RGB 218 124 163

HSL 335.11, 0.56%, 0.67%

LAB 63.31, 41.17, -4.76

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C8A

RGB 218 124 138

HSL 351.06, 0.56%, 0.67%

LAB 62.64, 37.93, 8.53

 

CMYK 0 / 43 / 43 / 15

HEX #DA7C7C

RGB 218 124 124

HSL 0, 0.56%, 0.67%

LAB 62.32, 36.36, 16.07

 

CMYK 0 / 43 / 25 / 15

HEX #DA7CA3

RGB 218 124 163

HSL 335.11, 0.56%, 0.67%

LAB 63.31, 41.17, -4.76

 

CMYK 0 / 43 / 13 / 15

HEX #DA7CBD

RGB 218 124 189

HSL 318.51, 0.56%, 0.67%

LAB 64.16, 45.08, -18.25

 

CMYK 0 / 43 / 2 / 15

HEX #DA7CD6

RGB 218 124 214

HSL 302.55, 0.56%, 0.67%

LAB 65.1, 49.31, -30.85

 

CMYK 10 / 43 / 0 / 15

HEX #C47CDA

RGB 196 124 218

HSL 285.96, 0.56%, 0.67%

LAB 62.69, 43.56, -37.04

 

CMYK 22 / 43 / 0 / 15

HEX #AB7CDA

RGB 171 124 218

HSL 270, 0.56%, 0.67%

LAB 60.01, 36.32, -41.42

 

CMYK 0 / 43 / 25 / 15

HEX #DA7CA3

RGB 218 124 163

HSL 335.11, 0.56%, 0.67%

LAB 63.31, 41.17, -4.76

 

CMYK 0 / 53 / 31 / 9

HEX #E86EA1

RGB 232 110 161

HSL 334.92, 0.73%, 0.67%

LAB 62.41, 52.57, -4.75

 

CMYK 0 / 61 / 35 / 4

HEX #F5609F

RGB 245 96 159

HSL 334.63, 0.88%, 0.67%

LAB 61.9, 62.68, -4.13

 

CMYK 0 / 43 / 25 / 15

HEX #DA7CA3

RGB 218 124 163

HSL 335.11, 0.56%, 0.67%

LAB 63.31, 41.17, -4.76

 

CMYK 0 / 33 / 19 / 20

HEX #CC89A5

RGB 204 137 165

HSL 334.93, 0.4%, 0.67%

LAB 64.52, 29.61, -4.31

 

CMYK 0 / 21 / 12 / 25

HEX #BF97A8

RGB 191 151 168

HSL 334.5, 0.24%, 0.67%

LAB 66.55, 17.69, -3.16

 

CMYK 0 / 7 / 4 / 31

HEX #B1A5AA

RGB 177 165 170

HSL 335, 0.07%, 0.67%

LAB 68.87, 5.24, -1.03

 

CMYK 8 / 0 / 3 / 30

HEX #A4B2AC

RGB 164 178 172

HSL 154.29, 0.08%, 0.67%

LAB 71.36, -6.03, 1.38

 

CMYK 0 / 43 / 1 / 15

HEX #DA7CD7

RGB 218 124 215

HSL 301.91, 0.56%, 0.67%

LAB 65.14, 49.49, -31.34

 

CMYK 0 / 43 / 13 / 15

HEX #DA7CBE

RGB 218 124 190

HSL 317.87, 0.56%, 0.67%

LAB 64.19, 45.24, -18.77

 

CMYK 0 / 43 / 24 / 15

HEX #DA7CA5

RGB 218 124 165

HSL 333.83, 0.56%, 0.67%

LAB 63.37, 41.45, -5.81

 

CMYK 0 / 43 / 36 / 15

HEX #DA7C8B

RGB 218 124 139

HSL 350.43, 0.56%, 0.67%

LAB 62.66, 38.05, 8

 

CMYK 0 / 39 / 43 / 15

HEX #DA857C

RGB 218 133 124

HSL 5.74, 0.56%, 0.67%

LAB 64.27, 31.61, 18.76

 

CMYK 0 / 71 / 41 / 22

HEX #C83B76

RGB 200 59 118

HSL 334.89, 0.56%, 0.51%

LAB 47.9, 59.83, -1.31

 

CMYK 0 / 56 / 33 / 18

HEX #D15C8D

RGB 209 92 141

HSL 334.87, 0.56%, 0.59%

LAB 55.21, 51.21, -4.14

 

CMYK 0 / 43 / 25 / 15

HEX #DA7CA3

RGB 218 124 163

HSL 335.11, 0.56%, 0.67%

LAB 63.31, 41.17, -4.76

 

CMYK 0 / 31 / 18 / 11

HEX #E39CBA

RGB 227 156 186

HSL 334.65, 0.56%, 0.75%

LAB 72, 30.77, -4.73

 

CMYK 0 / 20 / 12 / 7

HEX #ECBCD0

RGB 236 188 208

HSL 335, 0.56%, 0.83%

LAB 80.93, 20.33, -3.46

 

CMYK 0 / 43 / 25 / 15

HEX #DA7DA4

RGB 218 125 164

HSL 334.84, 0.56%, 0.67%

LAB 63.55, 40.79, -4.98

 

CMYK 0 / 10 / 43 / 15

HEX #DAC47C

RGB 218 196 124

HSL 45.96, 0.56%, 0.67%

LAB 79.52, -2.04, 38.9

 

CMYK 43 / 7 / 0 / 15

HEX #7CCADA

RGB 124 202 218

HSL 190.21, 0.56%, 0.67%

LAB 77.03, -19.91, -15.49

 

CMYK 0 / 43 / 25 / 15

HEX #DA7DA4

RGB 218 125 164

HSL 334.84, 0.56%, 0.67%

LAB 63.55, 40.79, -4.98

 

CMYK 24 / 0 / 43 / 15

HEX #A5DA7C

RGB 165 218 124

HSL 93.83, 0.56%, 0.67%

LAB 81.62, -33.32, 40.76

 

CMYK 43 / 24 / 0 / 15

HEX #7CA5DA

RGB 124 165 218

HSL 213.83, 0.56%, 0.67%

LAB 66.72, -0.14, -31.24

 

CMYK 0 / 43 / 25 / 15

HEX #DA7DA4

RGB 218 125 164

HSL 334.84, 0.56%, 0.67%

LAB 63.55, 40.79, -4.98

 

CMYK 0 / 10 / 43 / 15

HEX #DAC47C

RGB 218 196 124

HSL 45.96, 0.56%, 0.67%

LAB 79.52, -2.04, 38.9

 

CMYK 43 / 0 / 19 / 15

HEX #7CDAB1

RGB 124 218 177

HSL 153.83, 0.56%, 0.67%

LAB 80.52, -37.25, 11.56

 

CMYK 43 / 33 / 0 / 15

HEX #7C92DA

RGB 124 146 218

HSL 225.96, 0.56%, 0.67%

LAB 61.57, 10.72, -39.24

 

CMYK 0 / 43 / 25 / 15

HEX #DA7DA4

RGB 218 125 164

HSL 334.84, 0.56%, 0.67%

LAB 63.55, 40.79, -4.98

 

CMYK 3 / 0 / 43 / 15

HEX #D4DA7C

RGB 212 218 124

HSL 63.83, 0.56%, 0.67%

LAB 84.79, -15.62, 45.41

 

CMYK 43 / 0 / 19 / 15

HEX #7CDAB1

RGB 124 218 177

HSL 153.83, 0.56%, 0.67%

LAB 80.52, -37.25, 11.56

 

CMYK 40 / 43 / 0 / 15

HEX #827CDA

RGB 130 124 218

HSL 243.83, 0.56%, 0.67%

LAB 56.31, 25.19, -47.51

 

Description

Color code: HEX #DA7DA4 | qconv.com Color code: HEX #DA7DA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 125 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 125 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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