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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7D8A it is the complementary color #258275. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7D8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7D8A shade: #DF7D85, #F08F98, #FFA1AB, #FFB3BE and #FFC5D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7D8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7D8A shade: #DA7D8A, #C96B77, #B85964, #A74751 and #96353E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7D8A shade: #DA7C89 and #DA7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7D8A shade: #DA7C89, #DA7CA2, #DA7CBC, #DA7CD5 and #C57CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7D8A shade matches the following richer shades: #DA7C89, #E86E7F and #F56075

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7D8A shade: #DA7C89, #CC8993, #BF979D, #B1A5A6 and #A4B2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7D8A shade: #DA7CBC, #DA7CA3, #DA7C8A, #DA877C and #DAA07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7D8A shade: #C83B4F, #D15C6C, #DA7C89, #E39CA6 and #ECBCC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7D8A shade: #DA7D8A, #D5DA7C and #7CB0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7D8A shade: #DA7D8A, #8ADA7C and #7C8ADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7D8A shade: #DA7D8A, #D5DA7C, #7CDACC and #807CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7D8A shade: #DA7D8A, #B9DA7C, #7CDACC and #9D7CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 37 / 15

HEX #DA7D8A

RGB 218 125 138

HSL 351.61, 0.56%, 0.67%

LAB 62.85, 37.41, 8.83

 

Complementary color

CMYK 72 / 0 / 10 / 49

HEX #258275

RGB 37 130 117

HSL 171.61, 0.56%, 0.33%

LAB 49.06, -29.9, -0.76

 

CMYK 0 / 44 / 40 / 13

HEX #DF7D85

RGB 223 125 133

HSL 355.1, 0.6%, 0.68%

LAB 63.38, 38.67, 12.53

 

CMYK 0 / 40 / 37 / 6

HEX #F08F98

RGB 240 143 152

HSL 354.43, 0.76%, 0.75%

LAB 69.78, 37.69, 11.15

 

CMYK 0 / 37 / 33 / 0

HEX #FFA1AB

RGB 255 161 171

HSL 353.62, 1%, 0.82%

LAB 75.88, 36.05, 9.56

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BE

RGB 255 179 190

HSL 351.32, 1%, 0.85%

LAB 80.3, 29.13, 5.56

 

CMYK 0 / 23 / 18 / 0

HEX #FFC5D1

RGB 255 197 209

HSL 347.59, 1%, 0.89%

LAB 84.89, 22.42, 2.01

 

CMYK 0 / 43 / 37 / 15

HEX #DA7D8A

RGB 218 125 138

HSL 351.61, 0.56%, 0.67%

LAB 62.85, 37.41, 8.83

 

CMYK 0 / 47 / 41 / 21

HEX #C96B77

RGB 201 107 119

HSL 352.34, 0.47%, 0.6%

LAB 56.35, 38.4, 10.28

 

CMYK 0 / 52 / 46 / 28

HEX #B85964

RGB 184 89 100

HSL 353.05, 0.4%, 0.54%

LAB 49.8, 39.43, 11.96

 

CMYK 0 / 57 / 51 / 35

HEX #A74751

RGB 167 71 81

HSL 353.75, 0.4%, 0.47%

LAB 43.24, 40.45, 14

 

CMYK 0 / 65 / 59 / 41

HEX #96353E

RGB 150 53 62

HSL 354.43, 0.48%, 0.4%

LAB 36.7, 41.35, 16.53

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C89

RGB 218 124 137

HSL 351.7, 0.56%, 0.67%

LAB 62.61, 37.82, 9.07

 

CMYK 0 / 43 / 43 / 15

HEX #DA7C7C

RGB 218 124 124

HSL 0, 0.56%, 0.67%

LAB 62.32, 36.36, 16.07

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C89

RGB 218 124 137

HSL 351.7, 0.56%, 0.67%

LAB 62.61, 37.82, 9.07

 

CMYK 0 / 43 / 26 / 15

HEX #DA7CA2

RGB 218 124 162

HSL 335.74, 0.56%, 0.67%

LAB 63.28, 41.03, -4.23

 

CMYK 0 / 43 / 14 / 15

HEX #DA7CBC

RGB 218 124 188

HSL 319.15, 0.56%, 0.67%

LAB 64.12, 44.92, -17.74

 

CMYK 0 / 43 / 2 / 15

HEX #DA7CD5

RGB 218 124 213

HSL 303.19, 0.56%, 0.67%

LAB 65.06, 49.13, -30.35

 

CMYK 10 / 43 / 0 / 15

HEX #C57CDA

RGB 197 124 218

HSL 286.6, 0.56%, 0.67%

LAB 62.8, 43.85, -36.85

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C89

RGB 218 124 137

HSL 351.7, 0.56%, 0.67%

LAB 62.61, 37.82, 9.07

 

CMYK 0 / 53 / 45 / 9

HEX #E86E7F

RGB 232 110 127

HSL 351.64, 0.73%, 0.67%

LAB 61.52, 48.78, 13.53

 

CMYK 0 / 61 / 52 / 4

HEX #F56075

RGB 245 96 117

HSL 351.54, 0.88%, 0.67%

LAB 60.84, 58.65, 18.67

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C89

RGB 218 124 137

HSL 351.7, 0.56%, 0.67%

LAB 62.61, 37.82, 9.07

 

CMYK 0 / 33 / 28 / 20

HEX #CC8993

RGB 204 137 147

HSL 351.04, 0.4%, 0.67%

LAB 64.03, 26.96, 5.17

 

CMYK 0 / 21 / 18 / 25

HEX #BF979D

RGB 191 151 157

HSL 351, 0.24%, 0.67%

LAB 66.25, 15.88, 2.57

 

CMYK 0 / 7 / 6 / 31

HEX #B1A5A6

RGB 177 165 166

HSL 355, 0.07%, 0.67%

LAB 68.76, 4.51, 1.04

 

CMYK 8 / 0 / 1 / 30

HEX #A4B2B0

RGB 164 178 176

HSL 171.43, 0.08%, 0.67%

LAB 71.47, -5.25, -0.66

 

CMYK 0 / 43 / 14 / 15

HEX #DA7CBC

RGB 218 124 188

HSL 319.15, 0.56%, 0.67%

LAB 64.12, 44.92, -17.74

 

CMYK 0 / 43 / 25 / 15

HEX #DA7CA3

RGB 218 124 163

HSL 335.11, 0.56%, 0.67%

LAB 63.31, 41.17, -4.76

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C8A

RGB 218 124 138

HSL 351.06, 0.56%, 0.67%

LAB 62.64, 37.93, 8.53

 

CMYK 0 / 38 / 43 / 15

HEX #DA877C

RGB 218 135 124

HSL 7.02, 0.56%, 0.67%

LAB 64.71, 30.54, 19.37

 

CMYK 0 / 27 / 43 / 15

HEX #DAA07C

RGB 218 160 124

HSL 22.98, 0.56%, 0.67%

LAB 70.53, 17.09, 27.2

 

CMYK 0 / 71 / 61 / 22

HEX #C83B4F

RGB 200 59 79

HSL 351.49, 0.56%, 0.51%

LAB 46.94, 56.57, 21.17

 

CMYK 0 / 56 / 48 / 18

HEX #D15C6C

RGB 209 92 108

HSL 351.79, 0.56%, 0.59%

LAB 54.34, 47.64, 14.08

 

CMYK 0 / 43 / 37 / 15

HEX #DA7C89

RGB 218 124 137

HSL 351.7, 0.56%, 0.67%

LAB 62.61, 37.82, 9.07

 

CMYK 0 / 31 / 27 / 11

HEX #E39CA6

RGB 227 156 166

HSL 351.55, 0.56%, 0.75%

LAB 71.46, 27.85, 5.56

 

CMYK 0 / 20 / 17 / 7

HEX #ECBCC3

RGB 236 188 195

HSL 351.25, 0.56%, 0.83%

LAB 80.59, 18.27, 3.04

 

CMYK 0 / 43 / 37 / 15

HEX #DA7D8A

RGB 218 125 138

HSL 351.61, 0.56%, 0.67%

LAB 62.85, 37.41, 8.83

 

CMYK 2 / 0 / 43 / 15

HEX #D5DA7C

RGB 213 218 124

HSL 63.19, 0.56%, 0.67%

LAB 84.87, -15.23, 45.52

 

CMYK 43 / 19 / 0 / 15

HEX #7CB0DA

RGB 124 176 218

HSL 206.81, 0.56%, 0.67%

LAB 69.75, -6.21, -26.56

 

CMYK 0 / 43 / 37 / 15

HEX #DA7D8A

RGB 218 125 138

HSL 351.61, 0.56%, 0.67%

LAB 62.85, 37.41, 8.83

 

CMYK 37 / 0 / 43 / 15

HEX #8ADA7C

RGB 138 218 124

HSL 111.06, 0.56%, 0.67%

LAB 80.18, -42.42, 38.64

 

CMYK 43 / 37 / 0 / 15

HEX #7C8ADA

RGB 124 138 218

HSL 231.06, 0.56%, 0.67%

LAB 59.46, 15.4, -42.56

 

CMYK 0 / 43 / 37 / 15

HEX #DA7D8A

RGB 218 125 138

HSL 351.61, 0.56%, 0.67%

LAB 62.85, 37.41, 8.83

 

CMYK 2 / 0 / 43 / 15

HEX #D5DA7C

RGB 213 218 124

HSL 63.19, 0.56%, 0.67%

LAB 84.87, -15.23, 45.52

 

CMYK 43 / 0 / 6 / 15

HEX #7CDACC

RGB 124 218 204

HSL 171.06, 0.56%, 0.67%

LAB 81.17, -31.24, -1.84

 

CMYK 41 / 43 / 0 / 15

HEX #807CDA

RGB 128 124 218

HSL 242.55, 0.56%, 0.67%

LAB 56.15, 24.68, -47.76

 

CMYK 0 / 43 / 37 / 15

HEX #DA7D8A

RGB 218 125 138

HSL 351.61, 0.56%, 0.67%

LAB 62.85, 37.41, 8.83

 

CMYK 15 / 0 / 43 / 15

HEX #B9DA7C

RGB 185 218 124

HSL 81.06, 0.56%, 0.67%

LAB 82.87, -26, 42.6

 

CMYK 43 / 0 / 6 / 15

HEX #7CDACC

RGB 124 218 204

HSL 171.06, 0.56%, 0.67%

LAB 81.17, -31.24, -1.84

 

CMYK 28 / 43 / 0 / 15

HEX #9D7CDA

RGB 157 124 218

HSL 261.06, 0.56%, 0.67%

LAB 58.64, 32.38, -43.66

 

Description

Color code: HEX #DA7D8A | qconv.com Color code: HEX #DA7D8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 125 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 125 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 37 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 37% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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