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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7B4D it is the complementary color #2584B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7B4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7B4D shade: #DF7B48, #F08D5B, #FF9F6E, #FFB181 and #FFC394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7B4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7B4D shade: #DA7B4D, #C9693A, #B85727, #A74514 and #963301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7B4D shade: #DA7B4D, #DA554D and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7B4D shade: #DA7B4D, #DAA14D, #DAC74D, #C7DA4D and #A1DA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7B4D shade matches the following richer shades: #DA7B4D, #EB753B and #FD6F2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7B4D shade: #DA7B4D, #C9815E, #B7876F, #A68D81 and #959392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7B4D shade: #DA4D6B, #DA544D, #DA794D, #DA9F4D and #DAC54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7B4D shade: #B15224, #D3622B, #DA7B4D, #E1946F and #E8AE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7B4D shade: #DA7B4D, #91DA4D and #4D58DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7B4D shade: #DA7B4D, #4DDA79 and #794DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7B4D shade: #DA7B4D, #91DA4D, #4DADDA and #964DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7B4D shade: #DA7B4D, #67DA4D, #4DADDA and #C04DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

Complementary color

CMYK 79 / 26 / 0 / 30

HEX #2584B2

RGB 37 132 178

HSL 199.57, 0.66%, 0.42%

LAB 51.96, -10.95, -31.91

 

CMYK 0 / 45 / 68 / 13

HEX #DF7B48

RGB 223 123 72

HSL 20.26, 0.7%, 0.58%

LAB 61.93, 34.63, 44.29

 

CMYK 0 / 41 / 62 / 6

HEX #F08D5B

RGB 240 141 91

HSL 20.13, 0.83%, 0.65%

LAB 68.26, 33.16, 42.45

 

CMYK 0 / 38 / 57 / 0

HEX #FF9F6E

RGB 255 159 110

HSL 20.28, 1%, 0.72%

LAB 74.31, 31.04, 40.36

 

CMYK 0 / 31 / 49 / 0

HEX #FFB181

RGB 255 177 129

HSL 22.86, 1%, 0.75%

LAB 78.63, 23.22, 35.92

 

CMYK 0 / 24 / 42 / 0

HEX #FFC394

RGB 255 195 148

HSL 26.36, 1%, 0.79%

LAB 83.14, 15.66, 31.89

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 0 / 48 / 71 / 21

HEX #C9693A

RGB 201 105 58

HSL 19.72, 0.57%, 0.51%

LAB 54.89, 34.49, 42.75

 

CMYK 0 / 53 / 79 / 28

HEX #B85727

RGB 184 87 39

HSL 19.86, 0.65%, 0.44%

LAB 48.45, 36.19, 44.7

 

CMYK 0 / 59 / 88 / 35

HEX #A74514

RGB 167 69 20

HSL 20, 0.79%, 0.37%

LAB 42.03, 37.99, 46.25

 

CMYK 0 / 66 / 99 / 41

HEX #963301

RGB 150 51 1

HSL 20.13, 0.99%, 0.3%

LAB 35.7, 39.73, 47.09

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 0 / 61 / 65 / 15

HEX #DA554D

RGB 218 85 77

HSL 3.4, 0.66%, 0.58%

LAB 53.96, 51.64, 31.95

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 0 / 26 / 65 / 15

HEX #DAA14D

RGB 218 161 77

HSL 35.74, 0.66%, 0.58%

LAB 70.13, 12.59, 50.89

 

CMYK 0 / 9 / 65 / 15

HEX #DAC74D

RGB 218 199 77

HSL 51.91, 0.66%, 0.58%

LAB 79.78, -7.39, 61.35

 

CMYK 9 / 0 / 65 / 15

HEX #C7DA4D

RGB 199 218 77

HSL 68.09, 0.66%, 0.58%

LAB 83.35, -24.69, 64.63

 

CMYK 26 / 0 / 65 / 15

HEX #A1DA4D

RGB 161 218 77

HSL 84.26, 0.66%, 0.58%

LAB 80.88, -39.46, 61.28

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 0 / 50 / 75 / 8

HEX #EB753B

RGB 235 117 59

HSL 19.77, 0.81%, 0.58%

LAB 62.25, 41.75, 51.57

 

CMYK 0 / 56 / 83 / 1

HEX #FD6F2A

RGB 253 111 42

HSL 19.62, 0.98%, 0.58%

LAB 63.69, 50.81, 61.32

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 0 / 36 / 53 / 21

HEX #C9815E

RGB 201 129 94

HSL 19.63, 0.5%, 0.58%

LAB 60.72, 24.12, 30.41

 

CMYK 0 / 26 / 39 / 28

HEX #B7876F

RGB 183 135 111

HSL 20, 0.33%, 0.58%

LAB 60.38, 15.19, 20.1

 

CMYK 0 / 15 / 22 / 35

HEX #A68D81

RGB 166 141 129

HSL 19.46, 0.17%, 0.58%

LAB 60.55, 7.46, 9.89

 

CMYK 0 / 1 / 2 / 42

HEX #959392

RGB 149 147 146

HSL 20, 0.01%, 0.58%

LAB 61.07, 0.54, 0.78

 

CMYK 0 / 65 / 51 / 15

HEX #DA4D6B

RGB 218 77 107

HSL 347.23, 0.66%, 0.58%

LAB 53.25, 57.22, 13.39

 

CMYK 0 / 61 / 65 / 15

HEX #DA544D

RGB 218 84 77

HSL 2.98, 0.66%, 0.58%

LAB 53.79, 52.08, 31.74

 

CMYK 0 / 44 / 65 / 15

HEX #DA794D

RGB 218 121 77

HSL 18.72, 0.66%, 0.58%

LAB 60.88, 33.98, 40.3

 

CMYK 0 / 27 / 65 / 15

HEX #DA9F4D

RGB 218 159 77

HSL 34.89, 0.66%, 0.58%

LAB 69.64, 13.67, 50.35

 

CMYK 0 / 10 / 65 / 15

HEX #DAC54D

RGB 218 197 77

HSL 51.06, 0.66%, 0.58%

LAB 79.26, -6.37, 60.8

 

CMYK 0 / 54 / 80 / 31

HEX #B15224

RGB 177 82 36

HSL 19.57, 0.66%, 0.42%

LAB 46.32, 35.86, 43.67

 

CMYK 0 / 54 / 80 / 17

HEX #D3622B

RGB 211 98 43

HSL 19.64, 0.66%, 0.5%

LAB 54.82, 41.36, 50.44

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 0 / 34 / 51 / 12

HEX #E1946F

RGB 225 148 111

HSL 19.47, 0.66%, 0.66%

LAB 68.27, 25.06, 31.42

 

CMYK 0 / 25 / 38 / 9

HEX #E8AE91

RGB 232 174 145

HSL 20, 0.65%, 0.74%

LAB 75.74, 17.45, 23.14

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 33 / 0 / 65 / 15

HEX #91DA4D

RGB 145 218 77

HSL 91.06, 0.66%, 0.58%

LAB 80.01, -45.21, 60.09

 

CMYK 65 / 60 / 0 / 15

HEX #4D58DA

RGB 77 88 218

HSL 235.32, 0.66%, 0.58%

LAB 43.68, 36.15, -68.01

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 65 / 0 / 44 / 15

HEX #4DDA79

RGB 77 218 121

HSL 138.72, 0.66%, 0.58%

LAB 77.93, -58.57, 36.81

 

CMYK 44 / 65 / 0 / 15

HEX #794DDA

RGB 121 77 218

HSL 258.72, 0.66%, 0.58%

LAB 44.85, 50.17, -65.95

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 33 / 0 / 65 / 15

HEX #91DA4D

RGB 145 218 77

HSL 91.06, 0.66%, 0.58%

LAB 80.01, -45.21, 60.09

 

CMYK 65 / 21 / 0 / 15

HEX #4DADDA

RGB 77 173 218

HSL 199.15, 0.66%, 0.58%

LAB 66.92, -14.51, -31.09

 

CMYK 31 / 65 / 0 / 15

HEX #964DDA

RGB 150 77 218

HSL 271.06, 0.66%, 0.58%

LAB 48.08, 56.06, -60.57

 

CMYK 0 / 44 / 65 / 15

HEX #DA7B4D

RGB 218 123 77

HSL 19.57, 0.66%, 0.58%

LAB 61.31, 32.94, 40.81

 

CMYK 53 / 0 / 65 / 15

HEX #67DA4D

RGB 103 218 77

HSL 108.94, 0.66%, 0.58%

LAB 78.21, -58.21, 57.61

 

CMYK 65 / 21 / 0 / 15

HEX #4DADDA

RGB 77 173 218

HSL 199.15, 0.66%, 0.58%

LAB 66.92, -14.51, -31.09

 

CMYK 12 / 65 / 0 / 15

HEX #C04DDA

RGB 192 77 218

HSL 288.94, 0.66%, 0.58%

LAB 53.57, 65.35, -51.45

 

Description

Color code: HEX #DA7B4D | qconv.com Color code: HEX #DA7B4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 123 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 123 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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