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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7868 it is the complementary color #258797. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7868. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7868 shade: #DF7863, #F08A76, #FF9C89, #FFAE9C and #FFC0AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7868. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7868 shade: #DA7868, #C96655, #B85442, #A7422F and #96301C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7868 shade: #DA7767 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7868 shade: #DA7767, #DA9667, #DAB567, #DAD467 and #C1DA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7868 shade matches the following richer shades: #DA7767, #E96C58 and #F96149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7868 shade: #DA7767, #CB8276, #BC8D86, #AC9895 and #9DA3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7868 shade: #DA6795, #DA6776, #DA7667, #DA9567 and #DAB467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7868 shade: #C0432F, #D25A46, #DA7767, #E29588 and #EAB3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7868 shade: #DA7868, #B4DA67 and #6786DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7868 shade: #DA7868, #67DA76 and #7667DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7868 shade: #DA7868, #B4DA67, #67CBDA and #8D67DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7868 shade: #DA7868, #91DA67, #67CBDA and #B067DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 52 / 15

HEX #DA7868

RGB 218 120 104

HSL 8.42, 0.61%, 0.63%

LAB 61.08, 36.52, 25.73

 

Complementary color

CMYK 75 / 11 / 0 / 41

HEX #258797

RGB 37 135 151

HSL 188.42, 0.61%, 0.37%

LAB 51.79, -21.91, -16.57

 

CMYK 0 / 46 / 56 / 13

HEX #DF7863

RGB 223 120 99

HSL 10.16, 0.66%, 0.63%

LAB 61.67, 38.01, 29.44

 

CMYK 0 / 43 / 51 / 6

HEX #F08A76

RGB 240 138 118

HSL 9.84, 0.8%, 0.7%

LAB 68.03, 36.79, 27.64

 

CMYK 0 / 39 / 46 / 0

HEX #FF9C89

RGB 255 156 137

HSL 9.66, 1%, 0.77%

LAB 74.09, 34.91, 25.66

 

CMYK 0 / 32 / 39 / 0

HEX #FFAE9C

RGB 255 174 156

HSL 10.91, 1%, 0.81%

LAB 78.42, 27.52, 21.28

 

CMYK 0 / 25 / 31 / 0

HEX #FFC0AF

RGB 255 192 175

HSL 12.75, 1%, 0.84%

LAB 82.94, 20.34, 17.37

 

CMYK 0 / 45 / 52 / 15

HEX #DA7868

RGB 218 120 104

HSL 8.42, 0.61%, 0.63%

LAB 61.08, 36.52, 25.73

 

CMYK 0 / 49 / 58 / 21

HEX #C96655

RGB 201 102 85

HSL 8.79, 0.52%, 0.56%

LAB 54.63, 37.78, 27.67

 

CMYK 0 / 54 / 64 / 28

HEX #B85442

RGB 184 84 66

HSL 9.15, 0.47%, 0.49%

LAB 48.16, 39.11, 29.9

 

CMYK 0 / 60 / 72 / 35

HEX #A7422F

RGB 167 66 47

HSL 9.5, 0.56%, 0.42%

LAB 41.72, 40.46, 32.49

 

CMYK 0 / 68 / 81 / 41

HEX #96301C

RGB 150 48 28

HSL 9.84, 0.69%, 0.35%

LAB 35.36, 41.68, 35.4

 

CMYK 0 / 45 / 53 / 15

HEX #DA7767

RGB 218 119 103

HSL 8.35, 0.61%, 0.63%

LAB 60.85, 36.96, 25.99

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 45 / 53 / 15

HEX #DA7767

RGB 218 119 103

HSL 8.35, 0.61%, 0.63%

LAB 60.85, 36.96, 25.99

 

CMYK 0 / 31 / 53 / 15

HEX #DA9667

RGB 218 150 103

HSL 24.52, 0.61%, 0.63%

LAB 67.8, 20.45, 34.96

 

CMYK 0 / 17 / 53 / 15

HEX #DAB567

RGB 218 181 103

HSL 40.7, 0.61%, 0.63%

LAB 75.41, 3.85, 44.38

 

CMYK 0 / 3 / 53 / 15

HEX #DAD467

RGB 218 212 103

HSL 56.87, 0.61%, 0.63%

LAB 83.43, -12.15, 53.9

 

CMYK 11 / 0 / 53 / 15

HEX #C1DA67

RGB 193 218 103

HSL 73.04, 0.61%, 0.63%

LAB 83.16, -25.09, 53.11

 

CMYK 0 / 45 / 53 / 15

HEX #DA7767

RGB 218 119 103

HSL 8.35, 0.61%, 0.63%

LAB 60.85, 36.96, 25.99

 

CMYK 0 / 54 / 62 / 9

HEX #E96C58

RGB 233 108 88

HSL 8.28, 0.77%, 0.63%

LAB 60.56, 46.94, 34.45

 

CMYK 0 / 61 / 71 / 2

HEX #F96149

RGB 249 97 73

HSL 8.18, 0.94%, 0.63%

LAB 60.93, 56.78, 43.67

 

CMYK 0 / 45 / 53 / 15

HEX #DA7767

RGB 218 119 103

HSL 8.35, 0.61%, 0.63%

LAB 60.85, 36.96, 25.99

 

CMYK 0 / 36 / 42 / 20

HEX #CB8276

RGB 203 130 118

HSL 8.47, 0.45%, 0.63%

LAB 61.63, 26.76, 18.23

 

CMYK 0 / 25 / 29 / 26

HEX #BC8D86

RGB 188 141 134

HSL 7.78, 0.29%, 0.63%

LAB 62.9, 16.83, 10.68

 

CMYK 0 / 12 / 13 / 33

HEX #AC9895

RGB 172 152 149

HSL 7.83, 0.12%, 0.63%

LAB 64.48, 6.87, 4.27

 

CMYK 4 / 1 / 0 / 36

HEX #9DA3A4

RGB 157 163 164

HSL 188.57, 0.04%, 0.63%

LAB 66.55, -1.93, -1.27

 

CMYK 0 / 53 / 32 / 15

HEX #DA6795

RGB 218 103 149

HSL 336, 0.61%, 0.63%

LAB 58.77, 49.87, -3.42

 

CMYK 0 / 53 / 46 / 15

HEX #DA6776

RGB 218 103 118

HSL 352.17, 0.61%, 0.63%

LAB 57.96, 46.42, 13.46

 

CMYK 0 / 46 / 53 / 15

HEX #DA7667

RGB 218 118 103

HSL 7.83, 0.61%, 0.63%

LAB 60.64, 37.47, 25.72

 

CMYK 0 / 32 / 53 / 15

HEX #DA9567

RGB 218 149 103

HSL 24, 0.61%, 0.63%

LAB 67.56, 20.99, 34.66

 

CMYK 0 / 17 / 53 / 15

HEX #DAB467

RGB 218 180 103

HSL 40.17, 0.61%, 0.63%

LAB 75.16, 4.38, 44.08

 

CMYK 0 / 65 / 76 / 25

HEX #C0432F

RGB 192 67 47

HSL 8.28, 0.61%, 0.47%

LAB 46.21, 49, 38.69

 

CMYK 0 / 57 / 67 / 18

HEX #D25A46

RGB 210 90 70

HSL 8.57, 0.61%, 0.55%

LAB 53.45, 46.09, 34.99

 

CMYK 0 / 45 / 53 / 15

HEX #DA7767

RGB 218 119 103

HSL 8.35, 0.61%, 0.63%

LAB 60.85, 36.96, 25.99

 

CMYK 0 / 34 / 40 / 11

HEX #E29588

RGB 226 149 136

HSL 8.67, 0.61%, 0.71%

LAB 69.07, 27.46, 18.81

 

CMYK 0 / 24 / 27 / 8

HEX #EAB3AA

RGB 234 179 170

HSL 8.44, 0.6%, 0.79%

LAB 77.66, 18.7, 12.32

 

CMYK 0 / 45 / 52 / 15

HEX #DA7868

RGB 218 120 104

HSL 8.42, 0.61%, 0.63%

LAB 61.08, 36.52, 25.73

 

CMYK 17 / 0 / 53 / 15

HEX #B4DA67

RGB 180 218 103

HSL 79.83, 0.61%, 0.63%

LAB 82.28, -30.11, 51.87

 

CMYK 53 / 39 / 0 / 15

HEX #6786DA

RGB 103 134 218

HSL 223.83, 0.61%, 0.63%

LAB 57.07, 12.8, -46.42

 

CMYK 0 / 45 / 52 / 15

HEX #DA7868

RGB 218 120 104

HSL 8.42, 0.61%, 0.63%

LAB 61.08, 36.52, 25.73

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 46 / 53 / 0 / 15

HEX #7667DA

RGB 118 103 218

HSL 247.83, 0.61%, 0.63%

LAB 50.23, 34.77, -57.27

 

CMYK 0 / 45 / 52 / 15

HEX #DA7868

RGB 218 120 104

HSL 8.42, 0.61%, 0.63%

LAB 61.08, 36.52, 25.73

 

CMYK 17 / 0 / 53 / 15

HEX #B4DA67

RGB 180 218 103

HSL 79.83, 0.61%, 0.63%

LAB 82.28, -30.11, 51.87

 

CMYK 53 / 7 / 0 / 15

HEX #67CBDA

RGB 103 203 218

HSL 187.83, 0.61%, 0.63%

LAB 76.47, -25.13, -16.42

 

CMYK 35 / 53 / 0 / 15

HEX #8D67DA

RGB 141 103 218

HSL 259.83, 0.61%, 0.63%

LAB 52.31, 40.16, -53.81

 

CMYK 0 / 45 / 52 / 15

HEX #DA7868

RGB 218 120 104

HSL 8.42, 0.61%, 0.63%

LAB 61.08, 36.52, 25.73

 

CMYK 33 / 0 / 53 / 15

HEX #91DA67

RGB 145 218 103

HSL 98.09, 0.61%, 0.63%

LAB 80.26, -42.74, 48.97

 

CMYK 53 / 7 / 0 / 15

HEX #67CBDA

RGB 103 203 218

HSL 187.83, 0.61%, 0.63%

LAB 76.47, -25.13, -16.42

 

CMYK 19 / 53 / 0 / 15

HEX #B067DA

RGB 176 103 218

HSL 278.09, 0.61%, 0.63%

LAB 56.08, 49.08, -47.59

 

Description

Color code: HEX #DA7868 | qconv.com Color code: HEX #DA7868 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 120 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 120 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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