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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA780E it is the complementary color #2587F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA780E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA780E shade: #DF7809, #F08A1C, #FF9C2F, #FFAE42 and #FFC055

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA780E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA780E shade: #DA780E, #C96600, #B85400, #A74200 and #963000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA780E shade: #D8770E, #D8400E and #D80E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA780E shade: #D8770E, #D8AD0E, #CCD80E, #95D80E and #5FD80E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA780E shade matches the following richer shades: #D8770E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA780E shade: #D8770E, #C57620, #B37533, #A07545 and #8D7458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA780E shade: #D80E11, #D8400E, #D8760E, #D8AC0E and #CED80E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA780E shade: #8A4C09, #B1610B, #D8770E, #F18C1E and #F39F45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA780E shade: #DA780E, #47D80E and #250ED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA780E shade: #DA780E, #0ED876 and #760ED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA780E shade: #DA780E, #47D80E, #0E6FD8 and #9F0ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA780E shade: #DA780E, #0ED811, #0E6FD8 and #D80ED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 94 / 15

HEX #DA780E

RGB 218 120 14

HSL 31.18, 0.88%, 0.45%

LAB 60.22, 32.25, 64.88

 

Complementary color

CMYK 85 / 44 / 0 / 5

HEX #2587F1

RGB 37 135 241

HSL 211.18, 0.88%, 0.55%

LAB 56.16, 10.62, -60.84

 

CMYK 0 / 46 / 96 / 13

HEX #DF7809

RGB 223 120 9

HSL 31.12, 0.92%, 0.45%

LAB 60.91, 34.24, 66.54

 

CMYK 0 / 43 / 88 / 6

HEX #F08A1C

RGB 240 138 28

HSL 31.13, 0.88%, 0.53%

LAB 67.12, 32.11, 67.99

 

CMYK 0 / 39 / 82 / 0

HEX #FF9C2F

RGB 255 156 47

HSL 31.44, 1%, 0.59%

LAB 73.05, 29.36, 67.74

 

CMYK 0 / 32 / 74 / 0

HEX #FFAE42

RGB 255 174 66

HSL 34.29, 1%, 0.63%

LAB 77.24, 20.65, 64.46

 

CMYK 0 / 25 / 67 / 0

HEX #FFC055

RGB 255 192 85

HSL 37.76, 1%, 0.67%

LAB 81.63, 12.19, 60.95

 

CMYK 0 / 45 / 94 / 15

HEX #DA780E

RGB 218 120 14

HSL 31.18, 0.88%, 0.45%

LAB 60.22, 32.25, 64.88

 

CMYK 0 / 49 / 100 / 21

HEX #C96600

RGB 201 102 0

HSL 30.45, 1%, 0.39%

LAB 53.94, 34.51, 62.19

 

CMYK 0 / 54 / 100 / 28

HEX #B85400

RGB 184 84 0

HSL 27.39, 1%, 0.36%

LAB 47.66, 36.88, 57.15

 

CMYK 0 / 60 / 100 / 35

HEX #A74200

RGB 167 66 0

HSL 23.71, 1%, 0.33%

LAB 41.39, 39.13, 52.15

 

CMYK 0 / 68 / 100 / 41

HEX #963000

RGB 150 48 0

HSL 19.2, 1%, 0.29%

LAB 35.2, 41.06, 47.23

 

CMYK 0 / 45 / 94 / 15

HEX #D8770E

RGB 216 119 14

HSL 31.19, 0.88%, 0.45%

LAB 59.73, 31.94, 64.41

 

CMYK 0 / 70 / 94 / 15

HEX #D8400E

RGB 216 64 14

HSL 14.85, 0.88%, 0.45%

LAB 49.85, 57.45, 57.83

 

CMYK 0 / 94 / 94 / 15

HEX #D80E0E

RGB 216 14 14

HSL 0, 0.88%, 0.45%

LAB 45.56, 69.54, 55.23

 

CMYK 0 / 45 / 94 / 15

HEX #D8770E

RGB 216 119 14

HSL 31.19, 0.88%, 0.45%

LAB 59.73, 31.94, 64.41

 

CMYK 0 / 20 / 94 / 15

HEX #D8AD0E

RGB 216 173 14

HSL 47.23, 0.88%, 0.45%

LAB 72.57, 3.07, 73.66

 

CMYK 6 / 0 / 94 / 15

HEX #CCD80E

RGB 204 216 14

HSL 63.56, 0.88%, 0.45%

LAB 82.9, -23.93, 80.99

 

CMYK 31 / 0 / 94 / 15

HEX #95D80E

RGB 149 216 14

HSL 79.9, 0.88%, 0.45%

LAB 79.35, -45.8, 76.68

 

CMYK 56 / 0 / 94 / 15

HEX #5FD80E

RGB 95 216 14

HSL 95.94, 0.88%, 0.45%

LAB 77.03, -63, 73.84

 

CMYK 0 / 45 / 94 / 15

HEX #D8770E

RGB 216 119 14

HSL 31.19, 0.88%, 0.45%

LAB 59.73, 31.94, 64.41

 

CMYK 0 / 45 / 94 / 15

HEX #D8770E

RGB 216 119 14

HSL 31.19, 0.88%, 0.45%

LAB 59.73, 31.94, 64.41

 

CMYK 0 / 40 / 84 / 23

HEX #C57620

RGB 197 118 32

HSL 31.27, 0.72%, 0.45%

LAB 57.01, 24.85, 56.17

 

CMYK 0 / 35 / 72 / 30

HEX #B37533

RGB 179 117 51

HSL 30.94, 0.56%, 0.45%

LAB 54.6, 18.37, 45.04

 

CMYK 0 / 27 / 57 / 37

HEX #A07545

RGB 160 117 69

HSL 31.65, 0.4%, 0.45%

LAB 52.54, 11.26, 32.84

 

CMYK 0 / 18 / 38 / 45

HEX #8D7458

RGB 141 116 88

HSL 31.7, 0.23%, 0.45%

LAB 50.52, 5.58, 19.14

 

CMYK 0 / 94 / 92 / 15

HEX #D80E11

RGB 216 14 17

HSL 359.11, 0.88%, 0.45%

LAB 45.57, 69.57, 54.19

 

CMYK 0 / 70 / 94 / 15

HEX #D8400E

RGB 216 64 14

HSL 14.85, 0.88%, 0.45%

LAB 49.85, 57.45, 57.83

 

CMYK 0 / 45 / 94 / 15

HEX #D8760E

RGB 216 118 14

HSL 30.89, 0.88%, 0.45%

LAB 59.51, 32.47, 64.26

 

CMYK 0 / 20 / 94 / 15

HEX #D8AC0E

RGB 216 172 14

HSL 46.93, 0.88%, 0.45%

LAB 72.32, 3.6, 73.47

 

CMYK 5 / 0 / 94 / 15

HEX #CED80E

RGB 206 216 14

HSL 62.97, 0.88%, 0.45%

LAB 83.05, -23.09, 81.17

 

CMYK 0 / 45 / 93 / 46

HEX #8A4C09

RGB 138 76 9

HSL 31.16, 0.88%, 0.29%

LAB 38.88, 21.8, 45.52

 

CMYK 0 / 45 / 94 / 31

HEX #B1610B

RGB 177 97 11

HSL 31.08, 0.88%, 0.37%

LAB 49.4, 27.25, 55.23

 

CMYK 0 / 45 / 94 / 15

HEX #D8770E

RGB 216 119 14

HSL 31.19, 0.88%, 0.45%

LAB 59.73, 31.94, 64.41

 

CMYK 0 / 42 / 88 / 5

HEX #F18C1E

RGB 241 140 30

HSL 31.28, 0.88%, 0.53%

LAB 67.69, 31.52, 67.94

 

CMYK 0 / 35 / 72 / 5

HEX #F39F45

RGB 243 159 69

HSL 31.03, 0.88%, 0.61%

LAB 72.42, 23.69, 57.85

 

CMYK 0 / 45 / 94 / 15

HEX #DA780E

RGB 218 120 14

HSL 31.18, 0.88%, 0.45%

LAB 60.22, 32.25, 64.88

 

CMYK 67 / 0 / 94 / 15

HEX #47D80E

RGB 71 216 14

HSL 103.07, 0.88%, 0.45%

LAB 76.36, -68.49, 73.03

 

CMYK 83 / 94 / 0 / 15

HEX #250ED8

RGB 37 14 216

HSL 246.83, 0.88%, 0.45%

LAB 28.55, 67.64, -91.9

 

CMYK 0 / 45 / 94 / 15

HEX #DA780E

RGB 218 120 14

HSL 31.18, 0.88%, 0.45%

LAB 60.22, 32.25, 64.88

 

CMYK 94 / 0 / 45 / 15

HEX #0ED876

RGB 14 216 118

HSL 150.89, 0.88%, 0.45%

LAB 76.38, -65.48, 36.14

 

CMYK 45 / 94 / 0 / 15

HEX #760ED8

RGB 118 14 216

HSL 270.89, 0.88%, 0.45%

LAB 36.22, 72.42, -78.94

 

CMYK 0 / 45 / 94 / 15

HEX #DA780E

RGB 218 120 14

HSL 31.18, 0.88%, 0.45%

LAB 60.22, 32.25, 64.88

 

CMYK 67 / 0 / 94 / 15

HEX #47D80E

RGB 71 216 14

HSL 103.07, 0.88%, 0.45%

LAB 76.36, -68.49, 73.03

 

CMYK 94 / 49 / 0 / 15

HEX #0E6FD8

RGB 14 111 216

HSL 211.19, 0.88%, 0.45%

LAB 47.52, 14.71, -60.74

 

CMYK 26 / 94 / 0 / 15

HEX #9F0ED8

RGB 159 14 216

HSL 283.07, 0.88%, 0.45%

LAB 42.22, 77.12, -68.87

 

CMYK 0 / 45 / 94 / 15

HEX #DA780E

RGB 218 120 14

HSL 31.18, 0.88%, 0.45%

LAB 60.22, 32.25, 64.88

 

CMYK 94 / 0 / 92 / 15

HEX #0ED811

RGB 14 216 17

HSL 120.89, 0.88%, 0.45%

LAB 75.6, -75.18, 71.71

 

CMYK 94 / 49 / 0 / 15

HEX #0E6FD8

RGB 14 111 216

HSL 211.19, 0.88%, 0.45%

LAB 47.52, 14.71, -60.74

 

CMYK 0 / 94 / 2 / 15

HEX #D80ED4

RGB 216 14 212

HSL 301.19, 0.88%, 0.45%

LAB 51.46, 85.05, -51.19

 

Description

Color code: HEX #DA780E | qconv.com Color code: HEX #DA780E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 120 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 120 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 94 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 94% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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