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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA757F3F it is the complementary color #258A803F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA757F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA757F3F shade: #DF757A3F, #F0878D3F, #FF99A03F, #FFABB33F and #FFBDC63F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA757F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA757F3F shade: #DA757F3F, #C9636C3F, #B851593F, #A73F463F and #962D333F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA757F3F shade: #DB7680 and #DB7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA757F3F shade: #DB7680, #DB769B, #DB76B6, #DB76D1 and #C976DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA757F3F shade matches the following richer shades: #DB7680, #E96875 and #F75A69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA757F3F shade: #DB7680, #CD848B, #BF9296, #B1A0A2 and #A2AEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA757F3F shade: #DB76B6, #DB769B, #DB7680, #DB8776 and #DBA276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA757F3F shade: #C93544, #D25562, #DB7680, #E3979E and #ECB7BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA757F3F shade: #DA757F, #D1DB76 and #76A8DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA757F3F shade: #DA757F, #80DB76 and #7680DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA757F3F shade: #DA757F, #D1DB76, #76DBD1 and #8076DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA757F3F shade: #DA757F, #B2DB76, #76DBD1 and #9E76DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 10 / 4

HEX #DA757F3F

RGBA 218 117 127 0.25

HSLA 354.06, 0.58%, 0.66%, 0.25

LABA 60.92, 40.32, 12.41, 0.25

 

Complementary color

CMYK 18 / 0 / 2 / 11

HEX #258A803F

RGBA 37 138 128 0.25

HSLA 174.06, 0.58%, 0.34%, 0.25

LABA 51.98, -30.57, -2.9, 0.25

 

CMYK 0 / 12 / 11 / 3

HEX #DF757A3F

RGBA 223 117 122 0.25

HSLA 357.17, 0.62%, 0.67%, 0.25

LABA 61.49, 41.62, 16.18, 0.25

 

CMYK 0 / 11 / 10 / 1

HEX #F0878D3F

RGBA 240 135 141 0.25

HSLA 356.57, 0.78%, 0.74%, 0.25

LABA 67.86, 40.58, 14.6, 0.25

 

CMYK 0 / 10 / 9 / 0

HEX #FF99A03F

RGBA 255 153 160 0.25

HSLA 355.88, 1%, 0.8%, 0.25

LABA 73.92, 38.88, 12.83, 0.25

 

CMYK 0 / 8 / 7 / 0

HEX #FFABB33F

RGBA 255 171 179 0.25

HSLA 354.29, 1%, 0.84%, 0.25

LABA 78.25, 31.85, 8.58, 0.25

 

CMYK 0 / 6 / 6 / 0

HEX #FFBDC63F

RGBA 255 189 198 0.25

HSLA 351.82, 1%, 0.87%, 0.25

LABA 82.77, 25, 4.82, 0.25

 

CMYK 0 / 12 / 10 / 4

HEX #DA757F3F

RGBA 218 117 127 0.25

HSLA 354.06, 0.58%, 0.66%, 0.25

LABA 60.92, 40.32, 12.41, 0.25

 

CMYK 0 / 13 / 12 / 5

HEX #C9636C3F

RGBA 201 99 108 0.25

HSLA 354.71, 0.49%, 0.59%, 0.25

LABA 54.47, 41.35, 14.09, 0.25

 

CMYK 0 / 14 / 13 / 7

HEX #B851593F

RGBA 184 81 89 0.25

HSLA 355.34, 0.42%, 0.52%, 0.25

LABA 48, 42.39, 16.08, 0.25

 

CMYK 0 / 16 / 15 / 9

HEX #A73F463F

RGBA 167 63 70 0.25

HSLA 355.96, 0.45%, 0.45%, 0.25

LABA 41.55, 43.35, 18.5, 0.25

 

CMYK 0 / 18 / 17 / 10

HEX #962D333F

RGBA 150 45 51 0.25

HSLA 356.57, 0.54%, 0.38%, 0.25

LABA 35.2, 44.07, 21.53, 0.25

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 0 / 46 / 46 / 14

HEX #DB7676

RGB 219 118 118

HSL 0, 0.58%, 0.66%

LAB 61.07, 39.24, 17.79

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 0 / 46 / 29 / 14

HEX #DB769B

RGB 219 118 155

HSL 338.02, 0.58%, 0.66%

LAB 61.98, 43.51, -2.13

 

CMYK 0 / 46 / 17 / 14

HEX #DB76B6

RGB 219 118 182

HSL 321.98, 0.58%, 0.66%

LAB 62.84, 47.36, -16.27

 

CMYK 0 / 46 / 5 / 14

HEX #DB76D1

RGB 219 118 209

HSL 305.94, 0.58%, 0.66%

LAB 63.85, 51.76, -29.97

 

CMYK 8 / 46 / 0 / 14

HEX #C976DB

RGB 201 118 219

HSL 289.31, 0.58%, 0.66%

LAB 62.07, 48.36, -38.51

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 0 / 55 / 50 / 9

HEX #E96875

RGB 233 104 117

HSL 353.95, 0.75%, 0.66%

LAB 60.35, 51.05, 17.69

 

CMYK 0 / 64 / 57 / 3

HEX #F75A69

RGB 247 90 105

HSL 354.27, 0.91%, 0.66%

LAB 59.98, 60.91, 24.51

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 0 / 36 / 32 / 20

HEX #CD848B

RGB 205 132 139

HSL 354.25, 0.42%, 0.66%

LAB 62.8, 28.98, 7.97

 

CMYK 0 / 24 / 21 / 25

HEX #BF9296

RGB 191 146 150

HSL 354.67, 0.26%, 0.66%

LAB 64.83, 17.55, 4.45

 

CMYK 0 / 10 / 8 / 31

HEX #B1A0A2

RGB 177 160 162

HSL 352.94, 0.1%, 0.66%

LAB 67.35, 6.55, 1.21

 

CMYK 7 / 0 / 1 / 32

HEX #A2AEAD

RGB 162 174 173

HSL 175, 0.07%, 0.66%

LAB 70.16, -4.38, -0.94

 

CMYK 0 / 46 / 17 / 14

HEX #DB76B6

RGB 219 118 182

HSL 321.98, 0.58%, 0.66%

LAB 62.84, 47.36, -16.27

 

CMYK 0 / 46 / 29 / 14

HEX #DB769B

RGB 219 118 155

HSL 338.02, 0.58%, 0.66%

LAB 61.98, 43.51, -2.13

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 0 / 38 / 46 / 14

HEX #DB8776

RGB 219 135 118

HSL 10.1, 0.58%, 0.66%

LAB 64.72, 30.31, 22.76

 

CMYK 0 / 26 / 46 / 14

HEX #DBA276

RGB 219 162 118

HSL 26.14, 0.58%, 0.66%

LAB 71.01, 15.8, 31.1

 

CMYK 0 / 74 / 66 / 21

HEX #C93544

RGB 201 53 68

HSL 353.92, 0.58%, 0.5%

LAB 46.15, 58.35, 26.86

 

CMYK 0 / 60 / 53 / 18

HEX #D25562

RGB 210 85 98

HSL 353.76, 0.58%, 0.58%

LAB 53.04, 50.37, 18.24

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 0 / 33 / 30 / 11

HEX #E3979E

RGB 227 151 158

HSL 354.47, 0.58%, 0.74%

LAB 70.13, 29.45, 8.09

 

CMYK 0 / 22 / 20 / 7

HEX #ECB7BC

RGB 236 183 188

HSL 354.34, 0.58%, 0.82%

LAB 79.23, 19.87, 4.85

 

CMYK 0 / 46 / 42 / 15

HEX #DA757F

RGB 218 117 127

HSL 354.06, 0.58%, 0.66%

LAB 60.92, 40.32, 12.41

 

CMYK 5 / 0 / 46 / 14

HEX #D1DB76

RGB 209 219 118

HSL 65.94, 0.58%, 0.66%

LAB 84.75, -17.89, 48.23

 

CMYK 46 / 23 / 0 / 14

HEX #76A8DB

RGB 118 168 219

HSL 210.3, 0.58%, 0.66%

LAB 67.26, -3.02, -30.98

 

CMYK 0 / 46 / 42 / 15

HEX #DA757F

RGB 218 117 127

HSL 354.06, 0.58%, 0.66%

LAB 60.92, 40.32, 12.41

 

CMYK 42 / 0 / 46 / 14

HEX #80DB76

RGB 128 219 118

HSL 114.06, 0.58%, 0.66%

LAB 79.93, -46.77, 41.19

 

CMYK 46 / 42 / 0 / 14

HEX #7680DB

RGB 118 128 219

HSL 234.06, 0.58%, 0.66%

LAB 56.49, 20.14, -47.84

 

CMYK 0 / 46 / 42 / 15

HEX #DA757F

RGB 218 117 127

HSL 354.06, 0.58%, 0.66%

LAB 60.92, 40.32, 12.41

 

CMYK 5 / 0 / 46 / 14

HEX #D1DB76

RGB 209 219 118

HSL 65.94, 0.58%, 0.66%

LAB 84.75, -17.89, 48.23

 

CMYK 46 / 0 / 5 / 14

HEX #76DBD1

RGB 118 219 209

HSL 174.06, 0.58%, 0.66%

LAB 81.36, -31.94, -4.26

 

CMYK 42 / 46 / 0 / 14

HEX #8076DB

RGB 128 118 219

HSL 245.94, 0.58%, 0.66%

LAB 54.72, 28.52, -50.61

 

CMYK 0 / 46 / 42 / 15

HEX #DA757F

RGB 218 117 127

HSL 354.06, 0.58%, 0.66%

LAB 60.92, 40.32, 12.41

 

CMYK 19 / 0 / 46 / 14

HEX #B2DB76

RGB 178 219 118

HSL 84.36, 0.58%, 0.66%

LAB 82.61, -29.77, 45.12

 

CMYK 46 / 0 / 5 / 14

HEX #76DBD1

RGB 118 219 209

HSL 174.06, 0.58%, 0.66%

LAB 81.36, -31.94, -4.26

 

CMYK 28 / 46 / 0 / 14

HEX #9E76DB

RGB 158 118 219

HSL 263.76, 0.58%, 0.66%

LAB 57.41, 36.31, -46.18

 

Description

Color code: HEX #DA757F3F | qconv.com Color code: HEX #DA757F3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 117 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 117 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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