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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA742C it is the complementary color #258BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA742C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA742C shade: #DF7427, #F0863A, #FF984D, #FFAA60 and #FFBC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA742C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA742C shade: #DA742C, #C96219, #B85006, #A73E00 and #962C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA742C shade: #DA732B, #DA442B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA742C shade: #DA732B, #DAA22B, #DAD12B, #B3DA2B and #83DA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA742C shade matches the following richer shades: #DA732B and #EE6F16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA742C shade: #DA732B, #C5763F, #B17A53, #9D7D67 and #89817B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA742C shade: #DA2B42, #DA422B, #DA712B, #DA9F2B and #DACE2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA742C shade: #974E1B, #BA6021, #DA732B, #E08A4E and #E6A171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA742C shade: #DA742C, #71DA2B and #2B2BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA742C shade: #DA742C, #2BDA71 and #712BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA742C shade: #DA742C, #71DA2B, #2B94DA and #942BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA742C shade: #DA742C, #3CDA2B, #2B94DA and #C82BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 80 / 15

HEX #DA742C

RGB 218 116 44

HSL 24.83, 0.7%, 0.51%

LAB 59.51, 35.01, 54.8

 

Complementary color

CMYK 82 / 34 / 0 / 17

HEX #258BD3

RGB 37 139 211

HSL 204.83, 0.7%, 0.49%

LAB 55.65, -2.98, -44.9

 

CMYK 0 / 48 / 83 / 13

HEX #DF7427

RGB 223 116 39

HSL 25.11, 0.74%, 0.51%

LAB 60.18, 36.86, 57.71

 

CMYK 0 / 44 / 76 / 6

HEX #F0863A

RGB 240 134 58

HSL 25.05, 0.86%, 0.58%

LAB 66.43, 35.05, 56.49

 

CMYK 0 / 40 / 70 / 0

HEX #FF984D

RGB 255 152 77

HSL 25.28, 1%, 0.65%

LAB 72.4, 32.6, 54.62

 

CMYK 0 / 33 / 62 / 0

HEX #FFAA60

RGB 255 170 96

HSL 27.92, 1%, 0.69%

LAB 76.59, 24.33, 50.2

 

CMYK 0 / 26 / 55 / 0

HEX #FFBC73

RGB 255 188 115

HSL 31.29, 1%, 0.73%

LAB 81, 16.28, 46.05

 

CMYK 0 / 47 / 80 / 15

HEX #DA742C

RGB 218 116 44

HSL 24.83, 0.7%, 0.51%

LAB 59.51, 35.01, 54.8

 

CMYK 0 / 51 / 88 / 21

HEX #C96219

RGB 201 98 25

HSL 24.89, 0.78%, 0.44%

LAB 53.19, 36.93, 55.66

 

CMYK 0 / 57 / 97 / 28

HEX #B85006

RGB 184 80 6

HSL 24.94, 0.94%, 0.37%

LAB 46.9, 38.97, 55.2

 

CMYK 0 / 63 / 100 / 35

HEX #A73E00

RGB 167 62 0

HSL 22.28, 1%, 0.33%

LAB 40.67, 41.03, 51.77

 

CMYK 0 / 71 / 100 / 41

HEX #962C00

RGB 150 44 0

HSL 17.6, 1%, 0.29%

LAB 34.57, 42.76, 46.89

 

CMYK 0 / 47 / 80 / 15

HEX #DA732B

RGB 218 115 43

HSL 24.69, 0.7%, 0.51%

LAB 59.29, 35.49, 55.02

 

CMYK 0 / 69 / 80 / 15

HEX #DA442B

RGB 218 68 43

HSL 8.57, 0.7%, 0.51%

LAB 50.94, 57.19, 47.1

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 47 / 80 / 15

HEX #DA732B

RGB 218 115 43

HSL 24.69, 0.7%, 0.51%

LAB 59.29, 35.49, 55.02

 

CMYK 0 / 26 / 80 / 15

HEX #DAA22B

RGB 218 162 43

HSL 40.8, 0.7%, 0.51%

LAB 70.12, 10.44, 64.87

 

CMYK 0 / 4 / 80 / 15

HEX #DAD12B

RGB 218 209 43

HSL 56.91, 0.7%, 0.51%

LAB 82.21, -13.97, 75.48

 

CMYK 18 / 0 / 80 / 15

HEX #B3DA2B

RGB 179 218 43

HSL 73.37, 0.7%, 0.51%

LAB 81.78, -34.41, 73.99

 

CMYK 40 / 0 / 80 / 15

HEX #83DA2B

RGB 131 218 43

HSL 89.83, 0.7%, 0.51%

LAB 79.12, -52.08, 70.6

 

CMYK 0 / 47 / 80 / 15

HEX #DA732B

RGB 218 115 43

HSL 24.69, 0.7%, 0.51%

LAB 59.29, 35.49, 55.02

 

CMYK 0 / 53 / 91 / 7

HEX #EE6F16

RGB 238 111 22

HSL 24.72, 0.86%, 0.51%

LAB 61.31, 44.83, 65.15

 

CMYK 0 / 47 / 80 / 15

HEX #DA732B

RGB 218 115 43

HSL 24.69, 0.7%, 0.51%

LAB 59.29, 35.49, 55.02

 

CMYK 0 / 40 / 68 / 23

HEX #C5763F

RGB 197 118 63

HSL 24.63, 0.54%, 0.51%

LAB 57.26, 26.19, 42.67

 

CMYK 0 / 31 / 53 / 31

HEX #B17A53

RGB 177 122 83

HSL 24.89, 0.38%, 0.51%

LAB 55.98, 17.02, 29.86

 

CMYK 0 / 20 / 34 / 38

HEX #9D7D67

RGB 157 125 103

HSL 24.44, 0.22%, 0.51%

LAB 54.88, 9.13, 16.7

 

CMYK 0 / 6 / 10 / 46

HEX #89817B

RGB 137 129 123

HSL 25.71, 0.06%, 0.51%

LAB 54.5, 1.91, 4.32

 

CMYK 0 / 80 / 70 / 15

HEX #DA2B42

RGB 218 43 66

HSL 352.11, 0.7%, 0.51%

LAB 48.29, 66.16, 31.43

 

CMYK 0 / 70 / 80 / 15

HEX #DA422B

RGB 218 66 43

HSL 7.89, 0.7%, 0.51%

LAB 50.66, 57.95, 46.83

 

CMYK 0 / 48 / 80 / 15

HEX #DA712B

RGB 218 113 43

HSL 24, 0.7%, 0.51%

LAB 58.87, 36.52, 54.64

 

CMYK 0 / 27 / 80 / 15

HEX #DA9F2B

RGB 218 159 43

HSL 39.77, 0.7%, 0.51%

LAB 69.38, 12.05, 64.21

 

CMYK 0 / 6 / 80 / 15

HEX #DACE2B

RGB 218 206 43

HSL 55.89, 0.7%, 0.51%

LAB 81.41, -12.47, 74.79

 

CMYK 0 / 48 / 82 / 41

HEX #974E1B

RGB 151 78 27

HSL 24.68, 0.7%, 0.35%

LAB 41.39, 26.9, 41.74

 

CMYK 0 / 48 / 82 / 27

HEX #BA6021

RGB 186 96 33

HSL 24.71, 0.7%, 0.43%

LAB 50.59, 32.09, 49.52

 

CMYK 0 / 47 / 80 / 15

HEX #DA732B

RGB 218 115 43

HSL 24.69, 0.7%, 0.51%

LAB 59.29, 35.49, 55.02

 

CMYK 0 / 38 / 65 / 12

HEX #E08A4E

RGB 224 138 78

HSL 24.66, 0.7%, 0.59%

LAB 65.42, 27.49, 45.26

 

CMYK 0 / 30 / 51 / 10

HEX #E6A171

RGB 230 161 113

HSL 24.62, 0.7%, 0.67%

LAB 71.9, 20.3, 35.13

 

CMYK 0 / 47 / 80 / 15

HEX #DA742C

RGB 218 116 44

HSL 24.83, 0.7%, 0.51%

LAB 59.51, 35.01, 54.8

 

CMYK 48 / 0 / 80 / 15

HEX #71DA2B

RGB 113 218 43

HSL 96, 0.7%, 0.51%

LAB 78.36, -57.75, 69.62

 

CMYK 80 / 80 / 0 / 15

HEX #2B2BDA

RGB 43 43 218

HSL 240, 0.7%, 0.51%

LAB 32.49, 58.26, -86.49

 

CMYK 0 / 47 / 80 / 15

HEX #DA742C

RGB 218 116 44

HSL 24.83, 0.7%, 0.51%

LAB 59.51, 35.01, 54.8

 

CMYK 80 / 0 / 48 / 15

HEX #2BDA71

RGB 43 218 113

HSL 144, 0.7%, 0.51%

LAB 77.19, -64.89, 39.69

 

CMYK 48 / 80 / 0 / 15

HEX #712BDA

RGB 113 43 218

HSL 264, 0.7%, 0.51%

LAB 38.38, 64.64, -76.57

 

CMYK 0 / 47 / 80 / 15

HEX #DA742C

RGB 218 116 44

HSL 24.83, 0.7%, 0.51%

LAB 59.51, 35.01, 54.8

 

CMYK 48 / 0 / 80 / 15

HEX #71DA2B

RGB 113 218 43

HSL 96, 0.7%, 0.51%

LAB 78.36, -57.75, 69.62

 

CMYK 80 / 32 / 0 / 15

HEX #2B94DA

RGB 43 148 218

HSL 204, 0.7%, 0.51%

LAB 58.75, -5.1, -43.92

 

CMYK 32 / 80 / 0 / 15

HEX #942BDA

RGB 148 43 218

HSL 276, 0.7%, 0.51%

LAB 42.89, 69.61, -69

 

CMYK 0 / 47 / 80 / 15

HEX #DA742C

RGB 218 116 44

HSL 24.83, 0.7%, 0.51%

LAB 59.51, 35.01, 54.8

 

CMYK 72 / 0 / 80 / 15

HEX #3CDA2B

RGB 60 218 43

HSL 114.17, 0.7%, 0.51%

LAB 76.85, -70.02, 67.67

 

CMYK 80 / 32 / 0 / 15

HEX #2B94DA

RGB 43 148 218

HSL 204, 0.7%, 0.51%

LAB 58.75, -5.1, -43.92

 

CMYK 8 / 80 / 0 / 15

HEX #C82BDA

RGB 200 43 218

HSL 293.83, 0.7%, 0.51%

LAB 50.77, 78.4, -55.87

 

Description

Color code: HEX #DA742C | qconv.com Color code: HEX #DA742C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 116 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 116 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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