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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7429 it is the complementary color #258BD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7429. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7429 shade: #DF7424, #F08637, #FF984A, #FFAA5D and #FFBC70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7429. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7429 shade: #DA7429, #C96216, #B85003, #A73E00 and #962C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7429 shade: #DB7529, #DB4529 and #DB2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7429 shade: #DB7529, #DBA429, #DBD429, #B1DB29 and #82DB29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7429 shade matches the following richer shades: #DB7529 and #EF7115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7429 shade: #DB7529, #C7783E, #B27B52, #9E7E66 and #8A817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7429 shade: #DB293E, #DB4429, #DB7329, #DBA329 and #DBD229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7429 shade: #984F1A, #BB6220, #DB7529, #E18B4D and #E7A270

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7429 shade: #DA7429, #6DDB29 and #2C29DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7429 shade: #DA7429, #29DB73 and #7329DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7429 shade: #DA7429, #6DDB29, #2991DB and #9729DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7429 shade: #DA7429, #38DB29, #2991DB and #CC29DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 81 / 15

HEX #DA7429

RGB 218 116 41

HSL 25.42, 0.71%, 0.51%

LAB 59.49, 34.91, 56.03

 

Complementary color

CMYK 83 / 35 / 0 / 16

HEX #258BD6

RGB 37 139 214

HSL 205.42, 0.71%, 0.49%

LAB 55.8, -1.87, -46.34

 

CMYK 0 / 48 / 84 / 13

HEX #DF7424

RGB 223 116 36

HSL 25.67, 0.75%, 0.51%

LAB 60.16, 36.77, 58.84

 

CMYK 0 / 44 / 77 / 6

HEX #F08637

RGB 240 134 55

HSL 25.62, 0.86%, 0.58%

LAB 66.41, 34.93, 57.78

 

CMYK 0 / 40 / 71 / 0

HEX #FF984A

RGB 255 152 74

HSL 25.86, 1%, 0.65%

LAB 72.37, 32.46, 55.99

 

CMYK 0 / 33 / 64 / 0

HEX #FFAA5D

RGB 255 170 93

HSL 28.52, 1%, 0.68%

LAB 76.56, 24.14, 51.62

 

CMYK 0 / 26 / 56 / 0

HEX #FFBC70

RGB 255 188 112

HSL 31.89, 1%, 0.72%

LAB 80.96, 16.05, 47.5

HEX #FFBC70

CMYK 0 / 47 / 81 / 15

HEX #DA7429

RGB 218 116 41

HSL 25.42, 0.71%, 0.51%

LAB 59.49, 34.91, 56.03

 

CMYK 0 / 51 / 89 / 21

HEX #C96216

RGB 201 98 22

HSL 25.47, 0.8%, 0.44%

LAB 53.18, 36.86, 56.63

 

CMYK 0 / 57 / 98 / 28

HEX #B85003

RGB 184 80 3

HSL 25.52, 0.97%, 0.37%

LAB 46.89, 38.93, 55.94

 

CMYK 0 / 63 / 100 / 35

HEX #A73E00

RGB 167 62 0

HSL 22.28, 1%, 0.33%

LAB 40.67, 41.03, 51.77

 

CMYK 0 / 71 / 100 / 41

HEX #962C00

RGB 150 44 0

HSL 17.6, 1%, 0.29%

LAB 34.57, 42.76, 46.89

 

CMYK 0 / 47 / 81 / 14

HEX #DB7529

RGB 219 117 41

HSL 25.62, 0.71%, 0.51%

LAB 59.84, 34.8, 56.4

 

CMYK 0 / 68 / 81 / 14

HEX #DB4529

RGB 219 69 41

HSL 9.44, 0.71%, 0.51%

LAB 51.24, 57.07, 48.44

 

CMYK 0 / 81 / 81 / 14

HEX #DB2929

RGB 219 41 41

HSL 0, 0.71%, 0.51%

LAB 48.01, 66.04, 45.36

 

CMYK 0 / 47 / 81 / 14

HEX #DB7529

RGB 219 117 41

HSL 25.62, 0.71%, 0.51%

LAB 59.84, 34.8, 56.4

 

CMYK 0 / 25 / 81 / 14

HEX #DBA429

RGB 219 164 41

HSL 41.46, 0.71%, 0.51%

LAB 70.71, 9.74, 66.09

 

CMYK 0 / 3 / 81 / 14

HEX #DBD429

RGB 219 212 41

HSL 57.64, 0.71%, 0.51%

LAB 83.08, -15.1, 76.77

 

CMYK 19 / 0 / 81 / 14

HEX #B1DB29

RGB 177 219 41

HSL 74.16, 0.71%, 0.51%

LAB 81.93, -35.73, 74.58

 

CMYK 41 / 0 / 81 / 14

HEX #82DB29

RGB 130 219 41

HSL 90, 0.71%, 0.51%

LAB 79.37, -52.9, 71.33

 

CMYK 0 / 47 / 81 / 14

HEX #DB7529

RGB 219 117 41

HSL 25.62, 0.71%, 0.51%

LAB 59.84, 34.8, 56.4

 

CMYK 0 / 53 / 91 / 6

HEX #EF7115

RGB 239 113 21

HSL 25.32, 0.87%, 0.51%

LAB 61.84, 44.22, 65.85

 

CMYK 0 / 47 / 81 / 14

HEX #DB7529

RGB 219 117 41

HSL 25.62, 0.71%, 0.51%

LAB 59.84, 34.8, 56.4

 

CMYK 0 / 40 / 69 / 22

HEX #C7783E

RGB 199 120 62

HSL 25.4, 0.55%, 0.51%

LAB 57.96, 25.88, 44.04

 

CMYK 0 / 31 / 54 / 30

HEX #B27B52

RGB 178 123 82

HSL 25.63, 0.38%, 0.51%

LAB 56.33, 16.79, 30.88

 

CMYK 0 / 20 / 35 / 38

HEX #9E7E66

RGB 158 126 102

HSL 25.71, 0.22%, 0.51%

LAB 55.23, 8.84, 17.76

 

CMYK 0 / 7 / 12 / 46

HEX #8A817A

RGB 138 129 122

HSL 26.25, 0.06%, 0.51%

LAB 54.56, 2.12, 5.01

 

CMYK 0 / 81 / 72 / 14

HEX #DB293E

RGB 219 41 62

HSL 352.92, 0.71%, 0.51%

LAB 48.25, 66.76, 33.79

 

CMYK 0 / 69 / 81 / 14

HEX #DB4429

RGB 219 68 41

HSL 9.1, 0.71%, 0.51%

LAB 51.1, 57.45, 48.31

 

CMYK 0 / 47 / 81 / 14

HEX #DB7329

RGB 219 115 41

HSL 24.94, 0.71%, 0.51%

LAB 59.42, 35.83, 56.02

 

CMYK 0 / 26 / 81 / 14

HEX #DBA329

RGB 219 163 41

HSL 41.12, 0.71%, 0.51%

LAB 70.47, 10.28, 65.87

 

CMYK 0 / 4 / 81 / 14

HEX #DBD229

RGB 219 210 41

HSL 56.97, 0.71%, 0.51%

LAB 82.55, -14.11, 76.32

 

CMYK 0 / 48 / 83 / 40

HEX #984F1A

RGB 152 79 26

HSL 25.24, 0.71%, 0.35%

LAB 41.75, 26.74, 42.58

 

CMYK 0 / 48 / 83 / 27

HEX #BB6220

RGB 187 98 32

HSL 25.55, 0.71%, 0.43%

LAB 51.16, 31.41, 50.5

 

CMYK 0 / 47 / 81 / 14

HEX #DB7529

RGB 219 117 41

HSL 25.62, 0.71%, 0.51%

LAB 59.84, 34.8, 56.4

 

CMYK 0 / 38 / 66 / 12

HEX #E18B4D

RGB 225 139 77

HSL 25.14, 0.71%, 0.59%

LAB 65.76, 27.3, 46.19

 

CMYK 0 / 30 / 52 / 9

HEX #E7A270

RGB 231 162 112

HSL 25.21, 0.71%, 0.67%

LAB 72.23, 20.08, 36.11

 

CMYK 0 / 47 / 81 / 15

HEX #DA7429

RGB 218 116 41

HSL 25.42, 0.71%, 0.51%

LAB 59.49, 34.91, 56.03

 

CMYK 50 / 0 / 81 / 14

HEX #6DDB29

RGB 109 219 41

HSL 97.08, 0.71%, 0.51%

LAB 78.51, -59.37, 70.23

 

CMYK 80 / 81 / 0 / 14

HEX #2C29DB

RGB 44 41 219

HSL 241.01, 0.71%, 0.51%

LAB 32.34, 59.53, -87.31

 

CMYK 0 / 47 / 81 / 15

HEX #DA7429

RGB 218 116 41

HSL 25.42, 0.71%, 0.51%

LAB 59.49, 34.91, 56.03

 

CMYK 81 / 0 / 47 / 14

HEX #29DB73

RGB 41 219 115

HSL 144.94, 0.71%, 0.51%

LAB 77.5, -65.11, 39.1

 

CMYK 47 / 81 / 0 / 14

HEX #7329DB

RGB 115 41 219

HSL 264.94, 0.71%, 0.51%

LAB 38.45, 65.86, -77

 

CMYK 0 / 47 / 81 / 15

HEX #DA7429

RGB 218 116 41

HSL 25.42, 0.71%, 0.51%

LAB 59.49, 34.91, 56.03

 

CMYK 50 / 0 / 81 / 14

HEX #6DDB29

RGB 109 219 41

HSL 97.08, 0.71%, 0.51%

LAB 78.51, -59.37, 70.23

 

CMYK 81 / 34 / 0 / 14

HEX #2991DB

RGB 41 145 219

HSL 204.94, 0.71%, 0.51%

LAB 57.88, -3.19, -45.85

 

CMYK 31 / 81 / 0 / 14

HEX #9729DB

RGB 151 41 219

HSL 277.08, 0.71%, 0.51%

LAB 43.18, 70.9, -69.08

 

CMYK 0 / 47 / 81 / 15

HEX #DA7429

RGB 218 116 41

HSL 25.42, 0.71%, 0.51%

LAB 59.49, 34.91, 56.03

 

CMYK 74 / 0 / 81 / 14

HEX #38DB29

RGB 56 219 41

HSL 114.94, 0.71%, 0.51%

LAB 77.08, -71.06, 68.4

 

CMYK 81 / 34 / 0 / 14

HEX #2991DB

RGB 41 145 219

HSL 204.94, 0.71%, 0.51%

LAB 57.88, -3.19, -45.85

 

CMYK 7 / 81 / 0 / 14

HEX #CC29DB

RGB 204 41 219

HSL 294.94, 0.71%, 0.51%

LAB 51.31, 79.76, -55.54

 

Description

Color code: HEX #DA7429 | qconv.com Color code: HEX #DA7429 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 116 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 116 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 81 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 81% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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