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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA73C3 it is the complementary color #258C3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA73C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA73C3 shade: #DF73BE, #F085D1, #FF97E4, #FFA9F7 and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA73C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA73C3 shade: #DA73C3, #C961B0, #B84F9D, #A73D8A and #962B77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA73C3 shade: #DA72C2, #DA72A6, #DA728B and #DA7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA73C3 shade: #DA72C2, #D572DA, #B972DA, #9D72DA and #8172DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA73C3 shade matches the following richer shades: #DA72C2, #E864CA and #F655D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA73C3 shade: #DA72C2, #CB80BA, #BD8FB2, #AE9DAA and #A0ACA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA73C3 shade: #B972DA, #D472DA, #DA72C3, #DA72A7 and #DA728C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA73C3 shade: #C534A4, #D151B4, #DA72C2, #E293D0 and #EBB3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA73C3 shade: #DA73C3, #DA9D72 and #72DAC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA73C3 shade: #DA73C3, #C3DA72 and #72C3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA73C3 shade: #DA73C3, #DA9D72, #72DA88 and #72AEDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA73C3 shade: #DA73C3, #DABC72, #72DA88 and #728FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 11 / 15

HEX #DA73C3

RGB 218 115 195

HSL 313.4, 0.58%, 0.65%

LAB 62.6, 50.61, -24.03

 

Complementary color

CMYK 74 / 0 / 57 / 45

HEX #258C3C

RGB 37 140 60

HSL 133.4, 0.58%, 0.35%

LAB 51.24, -46.48, 34.1

 

CMYK 0 / 48 / 15 / 13

HEX #DF73BE

RGB 223 115 190

HSL 318.33, 0.63%, 0.66%

LAB 63.07, 51.35, -20.42

 

CMYK 0 / 45 / 13 / 6

HEX #F085D1

RGB 240 133 209

HSL 317.38, 0.78%, 0.73%

LAB 69.4, 50.64, -21.23

 

CMYK 0 / 41 / 11 / 0

HEX #FF97E4

RGB 255 151 228

HSL 315.58, 1%, 0.8%

LAB 75.45, 49.28, -22.32

 

CMYK 0 / 34 / 3 / 0

HEX #FFA9F7

RGB 255 169 247

HSL 305.58, 1%, 0.83%

LAB 79.81, 43.26, -25.96

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 47 / 11 / 15

HEX #DA73C3

RGB 218 115 195

HSL 313.4, 0.58%, 0.65%

LAB 62.6, 50.61, -24.03

 

CMYK 0 / 52 / 12 / 21

HEX #C961B0

RGB 201 97 176

HSL 314.42, 0.49%, 0.58%

LAB 56.19, 51.27, -23.2

 

CMYK 0 / 57 / 15 / 28

HEX #B84F9D

RGB 184 79 157

HSL 315.43, 0.43%, 0.52%

LAB 49.76, 51.8, -22.18

 

CMYK 0 / 63 / 17 / 35

HEX #A73D8A

RGB 167 61 138

HSL 316.42, 0.46%, 0.45%

LAB 43.34, 52.1, -20.9

 

CMYK 0 / 71 / 21 / 41

HEX #962B77

RGB 150 43 119

HSL 317.38, 0.55%, 0.38%

LAB 37.01, 51.95, -19.2

 

CMYK 0 / 48 / 11 / 15

HEX #DA72C2

RGB 218 114 194

HSL 313.85, 0.58%, 0.65%

LAB 62.37, 50.94, -23.81

 

CMYK 0 / 48 / 24 / 15

HEX #DA72A6

RGB 218 114 166

HSL 330, 0.58%, 0.65%

LAB 61.39, 46.7, -9.34

 

CMYK 0 / 48 / 36 / 15

HEX #DA728B

RGB 218 114 139

HSL 345.58, 0.58%, 0.65%

LAB 60.61, 43.2, 5.05

 

CMYK 0 / 48 / 48 / 15

HEX #DA7272

RGB 218 114 114

HSL 0, 0.58%, 0.65%

LAB 60.03, 40.53, 18.63

 

CMYK 0 / 48 / 11 / 15

HEX #DA72C2

RGB 218 114 194

HSL 313.85, 0.58%, 0.65%

LAB 62.37, 50.94, -23.81

 

CMYK 2 / 48 / 0 / 15

HEX #D572DA

RGB 213 114 218

HSL 297.12, 0.58%, 0.65%

LAB 62.71, 53.61, -36.85

 

CMYK 15 / 48 / 0 / 15

HEX #B972DA

RGB 185 114 218

HSL 280.96, 0.58%, 0.65%

LAB 59.35, 45.73, -42.35

 

CMYK 28 / 48 / 0 / 15

HEX #9D72DA

RGB 157 114 218

HSL 264.81, 0.58%, 0.65%

LAB 56.35, 38.05, -47.29

 

CMYK 41 / 48 / 0 / 15

HEX #8172DA

RGB 129 114 218

HSL 248.65, 0.58%, 0.65%

LAB 53.78, 30.85, -51.54

 

CMYK 0 / 48 / 11 / 15

HEX #DA72C2

RGB 218 114 194

HSL 313.85, 0.58%, 0.65%

LAB 62.37, 50.94, -23.81

 

CMYK 0 / 57 / 13 / 9

HEX #E864CA

RGB 232 100 202

HSL 313.64, 0.74%, 0.65%

LAB 62.11, 62.85, -28.57

 

CMYK 0 / 65 / 15 / 4

HEX #F655D2

RGB 246 85 210

HSL 313.42, 0.9%, 0.65%

LAB 62.29, 73.79, -32.66

 

CMYK 0 / 48 / 11 / 15

HEX #DA72C2

RGB 218 114 194

HSL 313.85, 0.58%, 0.65%

LAB 62.37, 50.94, -23.81

 

CMYK 0 / 37 / 8 / 20

HEX #CB80BA

RGB 203 128 186

HSL 313.6, 0.42%, 0.65%

LAB 63.08, 37.59, -18.37

 

CMYK 0 / 24 / 6 / 26

HEX #BD8FB2

RGB 189 143 178

HSL 314.35, 0.26%, 0.65%

LAB 64.71, 23.18, -11.54

 

CMYK 0 / 10 / 2 / 32

HEX #AE9DAA

RGB 174 157 170

HSL 314.12, 0.09%, 0.65%

LAB 66.53, 8.58, -4.49

 

CMYK 7 / 0 / 6 / 33

HEX #A0ACA2

RGB 160 172 162

HSL 130, 0.07%, 0.65%

LAB 69.17, -6.14, 3.69

 

CMYK 15 / 48 / 0 / 15

HEX #B972DA

RGB 185 114 218

HSL 280.96, 0.58%, 0.65%

LAB 59.35, 45.73, -42.35

 

CMYK 3 / 48 / 0 / 15

HEX #D472DA

RGB 212 114 218

HSL 296.54, 0.58%, 0.65%

LAB 62.59, 53.33, -37.05

 

CMYK 0 / 48 / 11 / 15

HEX #DA72C3

RGB 218 114 195

HSL 313.27, 0.58%, 0.65%

LAB 62.41, 51.11, -24.32

 

CMYK 0 / 48 / 23 / 15

HEX #DA72A7

RGB 218 114 167

HSL 329.42, 0.58%, 0.65%

LAB 61.42, 46.84, -9.86

 

CMYK 0 / 48 / 36 / 15

HEX #DA728C

RGB 218 114 140

HSL 345, 0.58%, 0.65%

LAB 60.63, 43.32, 4.51

 

CMYK 0 / 74 / 17 / 23

HEX #C534A4

RGB 197 52 164

HSL 313.66, 0.58%, 0.49%

LAB 48.27, 66.99, -28.47

 

CMYK 0 / 61 / 14 / 18

HEX #D151B4

RGB 209 81 180

HSL 313.59, 0.58%, 0.57%

LAB 54.8, 61.47, -27.56

 

CMYK 0 / 48 / 11 / 15

HEX #DA72C2

RGB 218 114 194

HSL 313.85, 0.58%, 0.65%

LAB 62.37, 50.94, -23.81

 

CMYK 0 / 35 / 8 / 11

HEX #E293D0

RGB 226 147 208

HSL 313.67, 0.58%, 0.73%

LAB 70.59, 38.79, -19.03

 

CMYK 0 / 24 / 6 / 8

HEX #EBB3DE

RGB 235 179 222

HSL 313.93, 0.58%, 0.81%

LAB 79.14, 27.15, -13.69

 

CMYK 0 / 47 / 11 / 15

HEX #DA73C3

RGB 218 115 195

HSL 313.4, 0.58%, 0.65%

LAB 62.6, 50.61, -24.03

 

CMYK 0 / 28 / 48 / 15

HEX #DA9D72

RGB 218 157 114

HSL 24.81, 0.58%, 0.65%

LAB 69.64, 17.69, 31.43

 

CMYK 48 / 0 / 9 / 15

HEX #72DAC7

RGB 114 218 199

HSL 169.04, 0.58%, 0.65%

LAB 80.65, -34.8, 0.01

 

CMYK 0 / 47 / 11 / 15

HEX #DA73C3

RGB 218 115 195

HSL 313.4, 0.58%, 0.65%

LAB 62.6, 50.61, -24.03

 

CMYK 11 / 0 / 48 / 15

HEX #C3DA72

RGB 195 218 114

HSL 73.27, 0.58%, 0.65%

LAB 83.42, -23.27, 48.29

 

CMYK 48 / 11 / 0 / 15

HEX #72C3DA

RGB 114 195 218

HSL 193.27, 0.58%, 0.65%

LAB 74.62, -18.69, -19.19

 

CMYK 0 / 47 / 11 / 15

HEX #DA73C3

RGB 218 115 195

HSL 313.4, 0.58%, 0.65%

LAB 62.6, 50.61, -24.03

 

CMYK 0 / 28 / 48 / 15

HEX #DA9D72

RGB 218 157 114

HSL 24.81, 0.58%, 0.65%

LAB 69.64, 17.69, 31.43

 

CMYK 48 / 0 / 38 / 15

HEX #72DA88

RGB 114 218 136

HSL 132.69, 0.58%, 0.65%

LAB 79.33, -47.61, 31.27

 

CMYK 48 / 20 / 0 / 15

HEX #72AEDA

RGB 114 174 218

HSL 205.38, 0.58%, 0.65%

LAB 68.69, -7.57, -28.24

 

CMYK 0 / 47 / 11 / 15

HEX #DA73C3

RGB 218 115 195

HSL 313.4, 0.58%, 0.65%

LAB 62.6, 50.61, -24.03

 

CMYK 0 / 14 / 48 / 15

HEX #DABC72

RGB 218 188 114

HSL 42.69, 0.58%, 0.65%

LAB 77.33, 1.15, 41.22

 

CMYK 48 / 0 / 38 / 15

HEX #72DA88

RGB 114 218 136

HSL 132.69, 0.58%, 0.65%

LAB 79.33, -47.61, 31.27

 

CMYK 48 / 34 / 0 / 15

HEX #728FDA

RGB 114 143 218

HSL 223.27, 0.58%, 0.65%

LAB 60.14, 10, -41.53

 

Description

Color code: HEX #DA73C3 | qconv.com Color code: HEX #DA73C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 115 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 115 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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