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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA726C it is the complementary color #258D93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA726C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA726C shade: #DF7267, #F0847A, #FF968D, #FFA8A0 and #FFBAB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA726C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA726C shade: #DA726C, #C96059, #B84E46, #A73C33 and #962A20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA726C shade: #DA726C and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA726C shade: #DA726C, #DA8F6C, #DAAD6C, #DACB6C and #CBDA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA726C shade matches the following richer shades: #DA726C, #E9645D and #F7574E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA726C shade: #DA726C, #CB7F7A, #BC8C89, #AD9998 and #9EA7A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA726C shade: #DA6CA1, #DA6C83, #DA716C, #DA8F6C and #DAAC6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA726C shade: #C33830, #D2524B, #DA726C, #E2918D and #EAB1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA726C shade: #DA726C, #BEDA6C and #6C92DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA726C shade: #DA726C, #6CDA71 and #716CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA726C shade: #DA726C, #BEDA6C, #6CD4DA and #876CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA726C shade: #DA726C, #9DDA6C, #6CD4DA and #A86CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

Complementary color

CMYK 75 / 4 / 0 / 42

HEX #258D93

RGB 37 141 147

HSL 183.27, 0.6%, 0.36%

LAB 53.55, -26.28, -11.59

 

CMYK 0 / 49 / 54 / 13

HEX #DF7267

RGB 223 114 103

HSL 5.5, 0.65%, 0.64%

LAB 60.52, 41.4, 25.68

 

CMYK 0 / 45 / 49 / 6

HEX #F0847A

RGB 240 132 122

HSL 5.08, 0.8%, 0.71%

LAB 66.85, 40.23, 23.85

 

CMYK 0 / 41 / 45 / 0

HEX #FF968D

RGB 255 150 141

HSL 4.74, 1%, 0.78%

LAB 72.89, 38.39, 21.85

 

CMYK 0 / 34 / 37 / 0

HEX #FFA8A0

RGB 255 168 160

HSL 5.05, 1%, 0.81%

LAB 77.16, 31.1, 17.37

 

CMYK 0 / 27 / 30 / 0

HEX #FFBAB3

RGB 255 186 179

HSL 5.53, 1%, 0.85%

LAB 81.64, 23.99, 13.4

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 0 / 52 / 56 / 21

HEX #C96059

RGB 201 96 89

HSL 3.75, 0.51%, 0.57%

LAB 53.5, 41.15, 23.89

 

CMYK 0 / 58 / 62 / 28

HEX #B84E46

RGB 184 78 70

HSL 4.21, 0.45%, 0.5%

LAB 47.08, 42.35, 26.22

 

CMYK 0 / 64 / 69 / 35

HEX #A73C33

RGB 167 60 51

HSL 4.66, 0.53%, 0.43%

LAB 40.71, 43.47, 28.99

 

CMYK 0 / 72 / 79 / 41

HEX #962A20

RGB 150 42 32

HSL 5.08, 0.65%, 0.36%

LAB 34.49, 44.33, 32.26

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 0 / 34 / 50 / 15

HEX #DA8F6C

RGB 218 143 108

HSL 19.09, 0.6%, 0.64%

LAB 66.24, 24.67, 30.26

 

CMYK 0 / 21 / 50 / 15

HEX #DAAD6C

RGB 218 173 108

HSL 35.45, 0.6%, 0.64%

LAB 73.46, 8.54, 39.46

 

CMYK 0 / 7 / 50 / 15

HEX #DACB6C

RGB 218 203 108

HSL 51.82, 0.6%, 0.64%

LAB 81.13, -7.17, 48.82

 

CMYK 7 / 0 / 50 / 15

HEX #CBDA6C

RGB 203 218 108

HSL 68.18, 0.6%, 0.64%

LAB 83.93, -20.71, 51.87

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 0 / 57 / 60 / 9

HEX #E9645D

RGB 233 100 93

HSL 3, 0.76%, 0.64%

LAB 59.19, 51.05, 29.91

 

CMYK 0 / 65 / 68 / 3

HEX #F7574E

RGB 247 87 78

HSL 3.2, 0.91%, 0.64%

LAB 59.1, 60.53, 38.74

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 0 / 37 / 40 / 20

HEX #CB7F7A

RGB 203 127 122

HSL 3.7, 0.44%, 0.64%

LAB 61.03, 28.84, 15.13

 

CMYK 0 / 26 / 27 / 26

HEX #BC8C89

RGB 188 140 137

HSL 3.53, 0.28%, 0.64%

LAB 62.72, 17.81, 8.73

 

CMYK 0 / 12 / 12 / 32

HEX #AD9998

RGB 173 153 152

HSL 2.86, 0.11%, 0.64%

LAB 64.91, 7.2, 3.22

 

CMYK 5 / 0 / 0 / 35

HEX #9EA7A7

RGB 158 167 167

HSL 180, 0.05%, 0.64%

LAB 67.8, -3.17, -1.11

 

CMYK 0 / 50 / 26 / 15

HEX #DA6CA1

RGB 218 108 161

HSL 331.09, 0.6%, 0.64%

LAB 60.07, 49, -8.43

 

CMYK 0 / 50 / 40 / 15

HEX #DA6C83

RGB 218 108 131

HSL 347.45, 0.6%, 0.64%

LAB 59.22, 45.31, 7.7

 

CMYK 0 / 48 / 50 / 15

HEX #DA716C

RGB 218 113 108

HSL 2.73, 0.6%, 0.64%

LAB 59.71, 40.48, 21.63

 

CMYK 0 / 34 / 50 / 15

HEX #DA8F6C

RGB 218 143 108

HSL 19.09, 0.6%, 0.64%

LAB 66.24, 24.67, 30.26

 

CMYK 0 / 21 / 50 / 15

HEX #DAAC6C

RGB 218 172 108

HSL 34.91, 0.6%, 0.64%

LAB 73.22, 9.07, 39.15

 

CMYK 0 / 71 / 75 / 24

HEX #C33830

RGB 195 56 48

HSL 3.27, 0.6%, 0.48%

LAB 45.14, 54.46, 37.13

 

CMYK 0 / 61 / 64 / 18

HEX #D2524B

RGB 210 82 75

HSL 3.11, 0.6%, 0.56%

LAB 52.11, 50.09, 30.52

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 0 / 36 / 38 / 11

HEX #E2918D

RGB 226 145 141

HSL 2.82, 0.59%, 0.72%

LAB 68.27, 30.16, 14.92

 

CMYK 0 / 24 / 26 / 8

HEX #EAB1AE

RGB 234 177 174

HSL 3, 0.59%, 0.8%

LAB 77.28, 20.32, 9.61

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 13 / 0 / 50 / 15

HEX #BEDA6C

RGB 190 218 108

HSL 75.27, 0.6%, 0.64%

LAB 83.01, -25.79, 50.55

 

CMYK 50 / 33 / 0 / 15

HEX #6C92DA

RGB 108 146 218

HSL 219.27, 0.6%, 0.64%

LAB 60.61, 6.84, -40.82

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA71

RGB 108 218 113

HSL 122.73, 0.6%, 0.64%

LAB 78.77, -52.72, 42

 

CMYK 48 / 50 / 0 / 15

HEX #716CDA

RGB 113 108 218

HSL 242.73, 0.6%, 0.64%

LAB 51.03, 30.68, -56

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 13 / 0 / 50 / 15

HEX #BEDA6C

RGB 190 218 108

HSL 75.27, 0.6%, 0.64%

LAB 83.01, -25.79, 50.55

 

CMYK 50 / 3 / 0 / 15

HEX #6CD4DA

RGB 108 212 218

HSL 183.27, 0.6%, 0.64%

LAB 79.24, -28.5, -12.26

 

CMYK 38 / 50 / 0 / 15

HEX #876CDA

RGB 135 108 218

HSL 254.73, 0.6%, 0.64%

LAB 52.88, 35.83, -52.94

 

CMYK 0 / 48 / 50 / 15

HEX #DA726C

RGB 218 114 108

HSL 3.27, 0.6%, 0.64%

LAB 59.91, 39.97, 21.91

 

CMYK 28 / 0 / 50 / 15

HEX #9DDA6C

RGB 157 218 108

HSL 93.27, 0.6%, 0.64%

LAB 80.96, -38.04, 47.61

 

CMYK 50 / 3 / 0 / 15

HEX #6CD4DA

RGB 108 212 218

HSL 183.27, 0.6%, 0.64%

LAB 79.24, -28.5, -12.26

 

CMYK 23 / 50 / 0 / 15

HEX #A86CDA

RGB 168 108 218

HSL 272.73, 0.6%, 0.64%

LAB 56.2, 44.31, -47.46

 

Description

Color code: HEX #DA726C | qconv.com Color code: HEX #DA726C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 114 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 114 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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