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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7246 it is the complementary color #258DB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7246 shade: #DF7241, #F08454, #FF9667, #FFA87A and #FFBA8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7246 shade: #DA7246, #C96033, #B84E20, #A73C0D and #962A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7246 shade: #DA7044, #DA4844 and #DA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7246 shade: #DA7044, #DA9944, #DAC144, #CADA44 and #A1DA44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7246 shade matches the following richer shades: #DA7044, #EC6931 and #FE621F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7246 shade: #DA7044, #C87856, #B67F68, #A4867A and #918E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7246 shade: #DA4469, #DA4644, #DA6E44, #DA9644 and #DABE44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7246 shade: #AA4A22, #CC5928, #DA7044, #E18B66 and #E8A589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7246 shade: #DA7246, #91DA44 and #4455DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7246 shade: #DA7246, #44DA6E and #6E44DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7246 shade: #DA7246, #91DA44, #44AFDA and #8C44DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7246 shade: #DA7246, #64DA44, #44AFDA and #B944DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 68 / 15

HEX #DA7246

RGB 218 114 70

HSL 17.84, 0.67%, 0.56%

LAB 59.33, 37.2, 42.17

 

Complementary color

CMYK 80 / 24 / 0 / 27

HEX #258DB9

RGB 37 141 185

HSL 197.84, 0.67%, 0.44%

LAB 55.02, -13.52, -31.16

 

CMYK 0 / 49 / 71 / 13

HEX #DF7241

RGB 223 114 65

HSL 18.61, 0.71%, 0.56%

LAB 59.98, 38.89, 45.68

 

CMYK 0 / 45 / 65 / 6

HEX #F08454

RGB 240 132 84

HSL 18.46, 0.84%, 0.64%

LAB 66.27, 37.36, 43.71

 

CMYK 0 / 41 / 60 / 0

HEX #FF9667

RGB 255 150 103

HSL 18.55, 1%, 0.7%

LAB 72.26, 35.19, 41.49

 

CMYK 0 / 34 / 52 / 0

HEX #FFA87A

RGB 255 168 122

HSL 20.75, 1%, 0.74%

LAB 76.48, 27.32, 36.82

 

CMYK 0 / 27 / 45 / 0

HEX #FFBA8D

RGB 255 186 141

HSL 23.68, 1%, 0.78%

LAB 80.91, 19.65, 32.6

 

CMYK 0 / 48 / 68 / 15

HEX #DA7246

RGB 218 114 70

HSL 17.84, 0.67%, 0.56%

LAB 59.33, 37.2, 42.17

 

CMYK 0 / 52 / 75 / 21

HEX #C96033

RGB 201 96 51

HSL 18, 0.6%, 0.49%

LAB 52.97, 38.79, 44.24

 

CMYK 0 / 58 / 83 / 28

HEX #B84E20

RGB 184 78 32

HSL 18.16, 0.7%, 0.42%

LAB 46.64, 40.47, 46.23

 

CMYK 0 / 64 / 92 / 35

HEX #A73C0D

RGB 167 60 13

HSL 18.31, 0.86%, 0.35%

LAB 40.37, 42.14, 47.53

 

CMYK 0 / 72 / 100 / 41

HEX #962A00

RGB 150 42 0

HSL 16.8, 1%, 0.29%

LAB 34.27, 43.57, 46.72

 

CMYK 0 / 49 / 69 / 15

HEX #DA7044

RGB 218 112 68

HSL 17.6, 0.67%, 0.56%

LAB 58.89, 38.12, 42.72

 

CMYK 0 / 67 / 69 / 15

HEX #DA4844

RGB 218 72 68

HSL 1.6, 0.67%, 0.56%

LAB 51.79, 56.63, 34.46

 

CMYK 0 / 69 / 69 / 15

HEX #DA4444

RGB 218 68 68

HSL 0, 0.67%, 0.56%

LAB 51.22, 58.19, 33.78

 

CMYK 0 / 49 / 69 / 15

HEX #DA7044

RGB 218 112 68

HSL 17.6, 0.67%, 0.56%

LAB 58.89, 38.12, 42.72

 

CMYK 0 / 30 / 69 / 15

HEX #DA9944

RGB 218 153 68

HSL 34, 0.67%, 0.56%

LAB 68.1, 16.37, 52.86

 

CMYK 0 / 11 / 69 / 15

HEX #DAC144

RGB 218 193 68

HSL 50, 0.67%, 0.56%

LAB 78.15, -4.82, 63.33

 

CMYK 7 / 0 / 69 / 15

HEX #CADA44

RGB 202 218 68

HSL 66.4, 0.67%, 0.56%

LAB 83.5, -24, 68.28

 

CMYK 26 / 0 / 69 / 15

HEX #A1DA44

RGB 161 218 68

HSL 82.8, 0.67%, 0.56%

LAB 80.82, -40.09, 64.7

 

CMYK 0 / 49 / 69 / 15

HEX #DA7044

RGB 218 112 68

HSL 17.6, 0.67%, 0.56%

LAB 58.89, 38.12, 42.72

 

CMYK 0 / 56 / 79 / 7

HEX #EC6931

RGB 236 105 49

HSL 17.97, 0.83%, 0.56%

LAB 60.03, 47.59, 54.05

 

CMYK 0 / 61 / 88 / 0

HEX #FE621F

RGB 254 98 31

HSL 18.03, 0.99%, 0.56%

LAB 61.57, 56.74, 63.73

 

CMYK 0 / 49 / 69 / 15

HEX #DA7044

RGB 218 112 68

HSL 17.6, 0.67%, 0.56%

LAB 58.89, 38.12, 42.72

 

CMYK 0 / 40 / 57 / 22

HEX #C87856

RGB 200 120 86

HSL 17.89, 0.51%, 0.56%

LAB 58.4, 27.93, 31.86

 

CMYK 0 / 30 / 43 / 29

HEX #B67F68

RGB 182 127 104

HSL 17.69, 0.35%, 0.56%

LAB 58.15, 18.44, 21.03

 

CMYK 0 / 18 / 26 / 36

HEX #A4867A

RGB 164 134 122

HSL 17.14, 0.19%, 0.56%

LAB 58.37, 9.55, 10.76

 

CMYK 0 / 2 / 3 / 43

HEX #918E8C

RGB 145 142 140

HSL 24, 0.02%, 0.56%

LAB 59.21, 0.73, 1.45

 

CMYK 0 / 69 / 52 / 15

HEX #DA4469

RGB 218 68 105

HSL 345.2, 0.67%, 0.56%

LAB 51.9, 60.6, 12.72

 

CMYK 0 / 68 / 69 / 15

HEX #DA4644

RGB 218 70 68

HSL 0.8, 0.67%, 0.56%

LAB 51.5, 57.42, 34.11

 

CMYK 0 / 50 / 69 / 15

HEX #DA6E44

RGB 218 110 68

HSL 16.8, 0.67%, 0.56%

LAB 58.48, 39.14, 42.26

 

CMYK 0 / 31 / 69 / 15

HEX #DA9644

RGB 218 150 68

HSL 32.8, 0.67%, 0.56%

LAB 67.38, 17.98, 52.09

 

CMYK 0 / 13 / 69 / 15

HEX #DABE44

RGB 218 190 68

HSL 48.8, 0.67%, 0.56%

LAB 77.37, -3.26, 62.54

 

CMYK 0 / 56 / 80 / 33

HEX #AA4A22

RGB 170 74 34

HSL 17.65, 0.67%, 0.4%

LAB 43.59, 37.09, 41.6

 

CMYK 0 / 56 / 80 / 20

HEX #CC5928

RGB 204 89 40

HSL 17.93, 0.67%, 0.48%

LAB 51.99, 42.99, 48.73

 

CMYK 0 / 49 / 69 / 15

HEX #DA7044

RGB 218 112 68

HSL 17.6, 0.67%, 0.56%

LAB 58.89, 38.12, 42.72

 

CMYK 0 / 38 / 55 / 12

HEX #E18B66

RGB 225 139 102

HSL 18.05, 0.67%, 0.64%

LAB 66.08, 29.08, 33.49

 

CMYK 0 / 29 / 41 / 9

HEX #E8A589

RGB 232 165 137

HSL 17.68, 0.67%, 0.72%

LAB 73.46, 21.35, 24.36

 

CMYK 0 / 48 / 68 / 15

HEX #DA7246

RGB 218 114 70

HSL 17.84, 0.67%, 0.56%

LAB 59.33, 37.2, 42.17

 

CMYK 33 / 0 / 69 / 15

HEX #91DA44

RGB 145 218 68

HSL 89.2, 0.67%, 0.56%

LAB 79.94, -45.88, 63.53

 

CMYK 69 / 61 / 0 / 15

HEX #4455DA

RGB 68 85 218

HSL 233.2, 0.67%, 0.56%

LAB 42.44, 36.75, -70.05

 

CMYK 0 / 48 / 68 / 15

HEX #DA7246

RGB 218 114 70

HSL 17.84, 0.67%, 0.56%

LAB 59.33, 37.2, 42.17

 

CMYK 69 / 0 / 50 / 15

HEX #44DA6E

RGB 68 218 110

HSL 136.8, 0.67%, 0.56%

LAB 77.58, -61.9, 41.73

 

CMYK 50 / 69 / 0 / 15

HEX #6E44DA

RGB 110 68 218

HSL 256.8, 0.67%, 0.56%

LAB 42.02, 52.93, -70.61

 

CMYK 0 / 48 / 68 / 15

HEX #DA7246

RGB 218 114 70

HSL 17.84, 0.67%, 0.56%

LAB 59.33, 37.2, 42.17

 

CMYK 33 / 0 / 69 / 15

HEX #91DA44

RGB 145 218 68

HSL 89.2, 0.67%, 0.56%

LAB 79.94, -45.88, 63.53

 

CMYK 69 / 20 / 0 / 15

HEX #44AFDA

RGB 68 175 218

HSL 197.2, 0.67%, 0.56%

LAB 67.24, -16.97, -30.61

 

CMYK 36 / 69 / 0 / 15

HEX #8C44DA

RGB 140 68 218

HSL 268.8, 0.67%, 0.56%

LAB 45.32, 58.33, -65.09

 

CMYK 0 / 48 / 68 / 15

HEX #DA7246

RGB 218 114 70

HSL 17.84, 0.67%, 0.56%

LAB 59.33, 37.2, 42.17

 

CMYK 54 / 0 / 69 / 15

HEX #64DA44

RGB 100 218 68

HSL 107.2, 0.67%, 0.56%

LAB 78.03, -59.78, 60.95

 

CMYK 69 / 20 / 0 / 15

HEX #44AFDA

RGB 68 175 218

HSL 197.2, 0.67%, 0.56%

LAB 67.24, -16.97, -30.61

 

CMYK 15 / 69 / 0 / 15

HEX #B944DA

RGB 185 68 218

HSL 286.8, 0.67%, 0.56%

LAB 51.28, 67.46, -55.18

 

Description

Color code: HEX #DA7246 | qconv.com Color code: HEX #DA7246 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 114 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 114 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 68 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 68% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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