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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7115 it is the complementary color #258EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7115 shade: #DF7110, #F08323, #FF9536, #FFA749 and #FFB95C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7115 shade: #DA7115, #C95F02, #B84D00, #A73B00 and #962900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7115 shade: #DA7115, #DA3C15 and #DA1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7115 shade: #DA7115, #DAA615, #D8DA15, #A3DA15 and #6EDA15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7115 shade matches the following richer shades: #DA7115 and #ED7002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7115 shade: #DA7115, #C67228, #B3733C, #9F754F and #8C7663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7115 shade: #DA1522, #DA3C15, #DA7115, #DAA515 and #DADA15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7115 shade: #8F4A0E, #B45D11, #DA7115, #EA862E and #EE9C54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7115 shade: #DA7115, #57DA15 and #2215DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7115 shade: #DA7115, #15DA71 and #7115DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7115 shade: #DA7115, #57DA15, #157EDA and #9815DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7115 shade: #DA7115, #1CDA15, #157EDA and #D315DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

Complementary color

CMYK 84 / 39 / 0 / 8

HEX #258EEA

RGB 37 142 234

HSL 208.02, 0.82%, 0.53%

LAB 57.73, 3.77, -54.44

 

CMYK 0 / 49 / 93 / 13

HEX #DF7110

RGB 223 113 16

HSL 28.12, 0.87%, 0.47%

LAB 59.47, 37.91, 64.27

 

CMYK 0 / 45 / 85 / 6

HEX #F08323

RGB 240 131 35

HSL 28.1, 0.87%, 0.54%

LAB 65.65, 35.87, 64.74

 

CMYK 0 / 42 / 79 / 0

HEX #FF9536

RGB 255 149 54

HSL 28.36, 1%, 0.61%

LAB 71.57, 33.19, 63.8

 

CMYK 0 / 35 / 71 / 0

HEX #FFA749

RGB 255 167 73

HSL 30.99, 1%, 0.64%

LAB 75.69, 24.62, 59.93

 

CMYK 0 / 27 / 64 / 0

HEX #FFB95C

RGB 255 185 92

HSL 34.23, 1%, 0.68%

LAB 80.03, 16.24, 56.03

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 53 / 99 / 21

HEX #C95F02

RGB 201 95 2

HSL 28.04, 0.98%, 0.4%

LAB 52.52, 38.12, 60.92

 

CMYK 0 / 58 / 100 / 28

HEX #B84D00

RGB 184 77 0

HSL 25.11, 1%, 0.36%

LAB 46.31, 40.37, 56.39

 

CMYK 0 / 65 / 100 / 35

HEX #A73B00

RGB 167 59 0

HSL 21.2, 1%, 0.33%

LAB 40.15, 42.41, 51.49

 

CMYK 0 / 73 / 100 / 41

HEX #962900

RGB 150 41 0

HSL 16.4, 1%, 0.29%

LAB 34.13, 43.97, 46.64

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C15

RGB 218 60 21

HSL 11.88, 0.82%, 0.47%

LAB 49.73, 59.62, 55.7

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 24 / 90 / 15

HEX #DAA615

RGB 218 166 21

HSL 44.16, 0.82%, 0.47%

LAB 71.03, 7.77, 71.44

 

CMYK 1 / 0 / 90 / 15

HEX #D8DA15

RGB 216 218 21

HSL 60.61, 0.82%, 0.47%

LAB 84.38, -19.77, 81.66

 

CMYK 25 / 0 / 90 / 15

HEX #A3DA15

RGB 163 218 21

HSL 76.75, 0.82%, 0.47%

LAB 80.73, -41.27, 77.22

 

CMYK 50 / 0 / 90 / 15

HEX #6EDA15

RGB 110 218 21

HSL 92.89, 0.82%, 0.47%

LAB 78.18, -59.42, 74.07

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 53 / 99 / 7

HEX #ED7002

RGB 237 112 2

HSL 28.09, 0.98%, 0.47%

LAB 61.31, 43.75, 68.95

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 42 / 80 / 22

HEX #C67228

RGB 198 114 40

HSL 28.1, 0.66%, 0.47%

LAB 56.28, 27.7, 52.47

 

CMYK 0 / 36 / 66 / 30

HEX #B3733C

RGB 179 115 60

HSL 27.73, 0.5%, 0.47%

LAB 54.21, 20.01, 40.14

 

CMYK 0 / 26 / 50 / 38

HEX #9F754F

RGB 159 117 79

HSL 28.5, 0.34%, 0.47%

LAB 52.57, 11.75, 27.33

 

CMYK 0 / 16 / 29 / 45

HEX #8C7663

RGB 140 118 99

HSL 27.8, 0.17%, 0.47%

LAB 51.19, 5.51, 13.65

 

CMYK 0 / 90 / 84 / 15

HEX #DA1522

RGB 218 21 34

HSL 356.04, 0.82%, 0.47%

LAB 46.39, 69.5, 47.41

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C15

RGB 218 60 21

HSL 11.88, 0.82%, 0.47%

LAB 49.73, 59.62, 55.7

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 24 / 90 / 15

HEX #DAA515

RGB 218 165 21

HSL 43.86, 0.82%, 0.47%

LAB 70.78, 8.3, 71.25

 

CMYK 0 / 0 / 90 / 15

HEX #DADA15

RGB 218 218 21

HSL 60, 0.82%, 0.47%

LAB 84.54, -18.92, 81.85

 

CMYK 0 / 48 / 90 / 44

HEX #8F4A0E

RGB 143 74 14

HSL 27.91, 0.82%, 0.31%

LAB 39.19, 25.27, 44.55

 

CMYK 0 / 48 / 91 / 29

HEX #B45D11

RGB 180 93 17

HSL 27.98, 0.83%, 0.39%

LAB 48.97, 30.79, 53.57

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 0 / 43 / 80 / 8

HEX #EA862E

RGB 234 134 46

HSL 28.09, 0.82%, 0.55%

LAB 65.55, 32.2, 60.37

 

CMYK 0 / 34 / 65 / 7

HEX #EE9C54

RGB 238 156 84

HSL 28.05, 0.82%, 0.63%

LAB 71.28, 24.03, 49.44

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 60 / 0 / 90 / 15

HEX #57DA15

RGB 87 218 21

HSL 99.9, 0.82%, 0.47%

LAB 77.41, -65.51, 73.13

 

CMYK 84 / 90 / 0 / 15

HEX #2215DA

RGB 34 21 218

HSL 243.96, 0.82%, 0.47%

LAB 29.26, 66.34, -91.88

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 90 / 0 / 48 / 15

HEX #15DA71

RGB 21 218 113

HSL 148.02, 0.82%, 0.47%

LAB 76.98, -66.65, 39.38

 

CMYK 48 / 90 / 0 / 15

HEX #7115DA

RGB 113 21 218

HSL 268.02, 0.82%, 0.47%

LAB 36.19, 71.1, -80.16

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 60 / 0 / 90 / 15

HEX #57DA15

RGB 87 218 21

HSL 99.9, 0.82%, 0.47%

LAB 77.41, -65.51, 73.13

 

CMYK 90 / 42 / 0 / 15

HEX #157EDA

RGB 21 126 218

HSL 208.02, 0.82%, 0.47%

LAB 52, 6.39, -54.67

 

CMYK 30 / 90 / 0 / 15

HEX #9815DA

RGB 152 21 218

HSL 279.9, 0.82%, 0.47%

LAB 41.65, 75.56, -71

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 87 / 0 / 90 / 15

HEX #1CDA15

RGB 28 218 21

HSL 117.87, 0.82%, 0.47%

LAB 76.34, -74.76, 71.79

 

CMYK 90 / 42 / 0 / 15

HEX #157EDA

RGB 21 126 218

HSL 208.02, 0.82%, 0.47%

LAB 52, 6.39, -54.67

 

CMYK 3 / 90 / 0 / 15

HEX #D315DA

RGB 211 21 218

HSL 297.87, 0.82%, 0.47%

LAB 51.21, 84.35, -55.07

 

Description

Color code: HEX #DA7115 | qconv.com Color code: HEX #DA7115 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 113 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 113 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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