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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA70F0 it is the complementary color #258F0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA70F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA70F0 shade: #DF70EB, #F082FE, #FF94FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA70F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA70F0 shade: #DA70F0, #C95EDD, #B84CCA, #A73AB7 and #9628A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA70F0 shade: #DA70F0, #F070E3, #F070C1, #F0709E and #F0707C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA70F0 shade: #DA70F0, #B770F0, #9570F0, #7270F0 and #7070F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA70F0 shade matches the following richer shades: #DA70F0 and #E263FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA70F0 shade: #DA70F0, #D27DE3, #C98AD6, #C196CA and #B8A3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA70F0 shade: #9470F0, #B670F0, #D970F0, #F070E5 and #F070C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA70F0 shade: #C725E8, #D04BEC, #DA70F0, #E495F4 and #EDBBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA70F0 shade: #DA70F0, #F07270 and #70F0A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA70F0 shade: #DA70F0, #F0D970 and #70F0D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA70F0 shade: #DA70F0, #F07270, #87F070 and #70EEF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA70F0 shade: #DA70F0, #F09870, #87F070 and #70C7F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

Complementary color

CMYK 74 / 0 / 90 / 44

HEX #258F0F

RGB 37 143 15

HSL 109.69, 0.81%, 0.31%

LAB 51.92, -51.54, 51.95

 

CMYK 5 / 52 / 0 / 8

HEX #DF70EB

RGB 223 112 235

HSL 294.15, 0.75%, 0.68%

LAB 64.38, 60.41, -43.61

 

CMYK 6 / 49 / 0 / 0

HEX #F082FE

RGB 240 130 254

HSL 293.23, 0.98%, 0.75%

LAB 70.63, 59.79, -44.1

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 9 / 57 / 0 / 13

HEX #C95EDD

RGB 201 94 221

HSL 290.55, 0.65%, 0.62%

LAB 57.7, 60.57, -46.52

 

CMYK 9 / 62 / 0 / 21

HEX #B84CCA

RGB 184 76 202

HSL 291.43, 0.54%, 0.55%

LAB 51.41, 60.91, -45.83

 

CMYK 9 / 68 / 0 / 28

HEX #A73AB7

RGB 167 58 183

HSL 292.32, 0.52%, 0.47%

LAB 45.17, 60.92, -44.89

 

CMYK 9 / 76 / 0 / 36

HEX #9628A4

RGB 150 40 164

HSL 293.23, 0.61%, 0.4%

LAB 39.04, 60.34, -43.56

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 0 / 53 / 5 / 6

HEX #F070E3

RGB 240 112 227

HSL 306.09, 0.81%, 0.69%

LAB 66.26, 63.59, -36.07

 

CMYK 0 / 53 / 20 / 6

HEX #F070C1

RGB 240 112 193

HSL 322.03, 0.81%, 0.69%

LAB 64.93, 58.39, -19.06

 

CMYK 0 / 53 / 34 / 6

HEX #F0709E

RGB 240 112 158

HSL 338.44, 0.81%, 0.69%

LAB 63.82, 53.84, -0.82

 

CMYK 0 / 53 / 48 / 6

HEX #F0707C

RGB 240 112 124

HSL 354.38, 0.81%, 0.69%

LAB 62.98, 50.3, 17.47

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 24 / 53 / 0 / 6

HEX #B770F0

RGB 183 112 240

HSL 273.28, 0.81%, 0.69%

LAB 59.84, 51.05, -53.88

 

CMYK 38 / 53 / 0 / 6

HEX #9570F0

RGB 149 112 240

HSL 257.34, 0.81%, 0.69%

LAB 56.36, 42.77, -59.64

 

CMYK 53 / 53 / 0 / 6

HEX #7270F0

RGB 114 112 240

HSL 240.94, 0.81%, 0.69%

LAB 53.45, 35.18, -64.48

 

CMYK 53 / 53 / 0 / 6

HEX #7070F0

RGB 112 112 240

HSL 240, 0.81%, 0.69%

LAB 53.3, 34.78, -64.72

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 11 / 61 / 0 / 1

HEX #E263FD

RGB 226 99 253

HSL 289.48, 0.97%, 0.69%

LAB 63.49, 70.33, -54.93

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 7 / 45 / 0 / 11

HEX #D27DE3

RGB 210 125 227

HSL 290, 0.65%, 0.69%

LAB 64.89, 48.87, -38.48

 

CMYK 6 / 36 / 0 / 16

HEX #C98AD6

RGB 201 138 214

HSL 289.74, 0.48%, 0.69%

LAB 66.1, 36.73, -29.47

 

CMYK 4 / 26 / 0 / 21

HEX #C196CA

RGB 193 150 202

HSL 289.62, 0.33%, 0.69%

LAB 67.59, 25.21, -20.58

 

CMYK 3 / 14 / 0 / 26

HEX #B8A3BD

RGB 184 163 189

HSL 288.46, 0.16%, 0.69%

LAB 69.51, 12.4, -10.54

 

CMYK 38 / 53 / 0 / 6

HEX #9470F0

RGB 148 112 240

HSL 256.88, 0.81%, 0.69%

LAB 56.26, 42.53, -59.8

 

CMYK 24 / 53 / 0 / 6

HEX #B670F0

RGB 182 112 240

HSL 272.81, 0.81%, 0.69%

LAB 59.73, 50.8, -54.06

 

CMYK 10 / 53 / 0 / 6

HEX #D970F0

RGB 217 112 240

HSL 289.22, 0.81%, 0.69%

LAB 63.86, 59.77, -47.25

 

CMYK 0 / 53 / 5 / 6

HEX #F070E5

RGB 240 112 229

HSL 305.16, 0.81%, 0.69%

LAB 66.34, 63.91, -37.05

 

CMYK 0 / 53 / 19 / 6

HEX #F070C3

RGB 240 112 195

HSL 321.09, 0.81%, 0.69%

LAB 65.01, 58.67, -20.08

 

CMYK 14 / 84 / 0 / 9

HEX #C725E8

RGB 199 37 232

HSL 289.85, 0.81%, 0.53%

LAB 51.03, 81.94, -63.41

 

CMYK 12 / 68 / 0 / 7

HEX #D04BEC

RGB 208 75 236

HSL 289.57, 0.81%, 0.61%

LAB 56.58, 72.96, -56.66

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 7 / 39 / 0 / 4

HEX #E495F4

RGB 228 149 244

HSL 289.89, 0.81%, 0.77%

LAB 72.58, 44.9, -35.72

 

CMYK 4 / 25 / 0 / 3

HEX #EDBBF8

RGB 237 187 248

HSL 289.18, 0.81%, 0.85%

LAB 82.01, 28.28, -23.31

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 0 / 53 / 53 / 6

HEX #F07270

RGB 240 114 112

HSL 0.94, 0.81%, 0.69%

LAB 63.12, 48.31, 24.48

 

CMYK 53 / 0 / 31 / 6

HEX #70F0A5

RGB 112 240 165

HSL 144.84, 0.81%, 0.69%

LAB 86.25, -52.08, 25.71

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 0 / 10 / 53 / 6

HEX #F0D970

RGB 240 217 112

HSL 49.22, 0.81%, 0.69%

LAB 86.66, -5.01, 53.96

 

CMYK 53 / 0 / 10 / 6

HEX #70F0D9

RGB 112 240 217

HSL 169.22, 0.81%, 0.69%

LAB 87.38, -40.97, 0.32

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 0 / 53 / 53 / 6

HEX #F07270

RGB 240 114 112

HSL 0.94, 0.81%, 0.69%

LAB 63.12, 48.31, 24.48

 

CMYK 44 / 0 / 53 / 6

HEX #87F070

RGB 135 240 112

HSL 109.22, 0.81%, 0.69%

LAB 86.33, -54.05, 51.94

 

CMYK 53 / 1 / 0 / 6

HEX #70EEF0

RGB 112 238 240

HSL 180.94, 0.81%, 0.69%

LAB 87.43, -34.31, -11.66

 

CMYK 9 / 53 / 0 / 6

HEX #DA70F0

RGB 218 112 240

HSL 289.69, 0.81%, 0.69%

LAB 63.99, 60.03, -47.04

 

CMYK 0 / 37 / 53 / 6

HEX #F09870

RGB 240 152 112

HSL 18.75, 0.81%, 0.69%

LAB 70.98, 28.97, 34.73

 

CMYK 44 / 0 / 53 / 6

HEX #87F070

RGB 135 240 112

HSL 109.22, 0.81%, 0.69%

LAB 86.33, -54.05, 51.94

 

CMYK 53 / 17 / 0 / 6

HEX #70C7F0

RGB 112 199 240

HSL 199.22, 0.81%, 0.69%

LAB 76.43, -15.04, -28.3

 

Description

Color code: HEX #DA70F0 | qconv.com Color code: HEX #DA70F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 112 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 112 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 53 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 53% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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