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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6EF1 it is the complementary color #25910E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6EF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6EF1 shade: #DF6EEC, #F080FF, #FF92FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6EF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6EF1 shade: #DA6EF1, #C95CDE, #B84ACB, #A738B8 and #9626A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6EF1 shade: #DA6FF1, #F16FE5, #F16FC2, #F16F9F and #F16F7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6EF1 shade: #DA6FF1, #B76FF1, #946FF1, #716FF1 and #6F6FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6EF1 shade matches the following richer shades: #DA6FF1 and #E262FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6EF1 shade: #DA6FF1, #D27CE4, #C989D7, #C195CA and #B9A2BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6EF1 shade: #946FF1, #B66FF1, #D96FF1, #F16FE6 and #F16FC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6EF1 shade: #C724E9, #D04AED, #DA6FF1, #E495F4 and #EDBAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6EF1 shade: #DA6EF1, #F1716F and #6FF1A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6EF1 shade: #DA6EF1, #F1D96F and #6FF1D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6EF1 shade: #DA6EF1, #F1716F, #87F16F and #6FEFF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6EF1 shade: #DA6EF1, #F1986F, #87F16F and #6FC8F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 54 / 0 / 5

HEX #DA6EF1

RGB 218 110 241

HSL 289.47, 0.82%, 0.69%

LAB 63.68, 61.17, -48.08

 

Complementary color

CMYK 74 / 0 / 90 / 43

HEX #25910E

RGB 37 145 14

HSL 109.47, 0.82%, 0.31%

LAB 52.59, -52.24, 52.74

 

CMYK 6 / 53 / 0 / 7

HEX #DF6EEC

RGB 223 110 236

HSL 293.81, 0.77%, 0.68%

LAB 64.08, 61.53, -44.64

 

CMYK 6 / 50 / 0 / 0

HEX #F080FF

RGB 240 128 255

HSL 292.91, 1%, 0.75%

LAB 70.3, 60.94, -45.15

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 10 / 54 / 0 / 5

HEX #DA6EF1

RGB 218 110 241

HSL 289.47, 0.82%, 0.69%

LAB 63.68, 61.17, -48.08

 

CMYK 9 / 59 / 0 / 13

HEX #C95CDE

RGB 201 92 222

HSL 290.31, 0.66%, 0.62%

LAB 57.41, 61.67, -47.54

 

CMYK 9 / 64 / 0 / 20

HEX #B84ACB

RGB 184 74 203

HSL 291.16, 0.55%, 0.54%

LAB 51.15, 61.96, -46.82

 

CMYK 9 / 70 / 0 / 28

HEX #A738B8

RGB 167 56 184

HSL 292.03, 0.53%, 0.47%

LAB 44.95, 61.88, -45.83

 

CMYK 9 / 77 / 0 / 35

HEX #9626A5

RGB 150 38 165

HSL 292.91, 0.63%, 0.4%

LAB 38.88, 61.17, -44.43

 

CMYK 10 / 54 / 0 / 5

HEX #DA6FF1

RGB 218 111 241

HSL 289.38, 0.82%, 0.69%

LAB 63.86, 60.69, -47.8

 

CMYK 0 / 54 / 5 / 5

HEX #F16FE5

RGB 241 111 229

HSL 305.54, 0.82%, 0.69%

LAB 66.31, 64.64, -37.09

 

CMYK 0 / 54 / 20 / 5

HEX #F16FC2

RGB 241 111 194

HSL 321.69, 0.82%, 0.69%

LAB 64.93, 59.29, -19.61

 

CMYK 0 / 54 / 34 / 5

HEX #F16F9F

RGB 241 111 159

HSL 337.85, 0.82%, 0.69%

LAB 63.81, 54.75, -1.38

 

CMYK 0 / 54 / 49 / 5

HEX #F16F7C

RGB 241 111 124

HSL 354, 0.82%, 0.69%

LAB 62.95, 51.12, 17.44

 

CMYK 10 / 54 / 0 / 5

HEX #DA6FF1

RGB 218 111 241

HSL 289.38, 0.82%, 0.69%

LAB 63.86, 60.69, -47.8

 

CMYK 24 / 54 / 0 / 5

HEX #B76FF1

RGB 183 111 241

HSL 273.23, 0.82%, 0.69%

LAB 59.7, 51.79, -54.66

 

CMYK 39 / 54 / 0 / 5

HEX #946FF1

RGB 148 111 241

HSL 257.08, 0.82%, 0.69%

LAB 56.1, 43.36, -60.61

 

CMYK 53 / 54 / 0 / 5

HEX #716FF1

RGB 113 111 241

HSL 240.92, 0.82%, 0.69%

LAB 53.2, 35.88, -65.43

 

CMYK 54 / 54 / 0 / 5

HEX #6F6FF1

RGB 111 111 241

HSL 240, 0.82%, 0.69%

LAB 53.06, 35.49, -65.67

 

CMYK 10 / 54 / 0 / 5

HEX #DA6FF1

RGB 218 111 241

HSL 289.38, 0.82%, 0.69%

LAB 63.86, 60.69, -47.8

 

CMYK 11 / 61 / 0 / 0

HEX #E262FE

RGB 226 98 254

HSL 289.23, 0.99%, 0.69%

LAB 63.39, 70.94, -55.64

 

CMYK 10 / 54 / 0 / 5

HEX #DA6FF1

RGB 218 111 241

HSL 289.38, 0.82%, 0.69%

LAB 63.86, 60.69, -47.8

 

CMYK 8 / 46 / 0 / 11

HEX #D27CE4

RGB 210 124 228

HSL 289.62, 0.66%, 0.69%

LAB 64.74, 49.58, -39.28

 

CMYK 7 / 36 / 0 / 16

HEX #C989D7

RGB 201 137 215

HSL 289.23, 0.49%, 0.69%

LAB 65.92, 37.47, -30.3

 

CMYK 4 / 26 / 0 / 21

HEX #C195CA

RGB 193 149 202

HSL 289.81, 0.33%, 0.69%

LAB 67.35, 25.76, -20.94

 

CMYK 3 / 15 / 0 / 25

HEX #B9A2BE

RGB 185 162 190

HSL 289.29, 0.18%, 0.69%

LAB 69.38, 13.5, -11.29

 

CMYK 39 / 54 / 0 / 5

HEX #946FF1

RGB 148 111 241

HSL 257.08, 0.82%, 0.69%

LAB 56.1, 43.36, -60.61

 

CMYK 24 / 54 / 0 / 5

HEX #B66FF1

RGB 182 111 241

HSL 272.77, 0.82%, 0.69%

LAB 59.58, 51.54, -54.85

 

CMYK 10 / 54 / 0 / 5

HEX #D96FF1

RGB 217 111 241

HSL 288.92, 0.82%, 0.69%

LAB 63.73, 60.44, -48.01

 

CMYK 0 / 54 / 5 / 5

HEX #F16FE6

RGB 241 111 230

HSL 305.08, 0.82%, 0.69%

LAB 66.35, 64.8, -37.58

 

CMYK 0 / 54 / 19 / 5

HEX #F16FC3

RGB 241 111 195

HSL 321.23, 0.82%, 0.69%

LAB 64.97, 59.43, -20.12

 

CMYK 15 / 85 / 0 / 9

HEX #C724E9

RGB 199 36 233

HSL 289.64, 0.82%, 0.53%

LAB 51.02, 82.32, -63.98

 

CMYK 12 / 69 / 0 / 7

HEX #D04AED

RGB 208 74 237

HSL 289.33, 0.82%, 0.61%

LAB 56.51, 73.51, -57.34

 

CMYK 10 / 54 / 0 / 5

HEX #DA6FF1

RGB 218 111 241

HSL 289.38, 0.82%, 0.69%

LAB 63.86, 60.69, -47.8

 

CMYK 7 / 39 / 0 / 4

HEX #E495F4

RGB 228 149 244

HSL 289.89, 0.81%, 0.77%

LAB 72.58, 44.9, -35.72

 

CMYK 4 / 25 / 0 / 3

HEX #EDBAF8

RGB 237 186 248

HSL 289.35, 0.82%, 0.85%

LAB 81.78, 28.82, -23.66

 

CMYK 10 / 54 / 0 / 5

HEX #DA6EF1

RGB 218 110 241

HSL 289.47, 0.82%, 0.69%

LAB 63.68, 61.17, -48.08

 

CMYK 0 / 53 / 54 / 5

HEX #F1716F

RGB 241 113 111

HSL 0.92, 0.82%, 0.69%

LAB 63.06, 49.07, 24.99

 

CMYK 54 / 0 / 32 / 5

HEX #6FF1A5

RGB 111 241 165

HSL 144.92, 0.82%, 0.69%

LAB 86.51, -52.72, 26.06

 

CMYK 10 / 54 / 0 / 5

HEX #DA6EF1

RGB 218 110 241

HSL 289.47, 0.82%, 0.69%

LAB 63.68, 61.17, -48.08

 

CMYK 0 / 10 / 54 / 5

HEX #F1D96F

RGB 241 217 111

HSL 48.92, 0.82%, 0.69%

LAB 86.74, -4.69, 54.54

 

CMYK 54 / 0 / 10 / 5

HEX #6FF1D9

RGB 111 241 217

HSL 168.92, 0.82%, 0.69%

LAB 87.63, -41.62, 0.68

 

CMYK 10 / 54 / 0 / 5

HEX #DA6EF1

RGB 218 110 241

HSL 289.47, 0.82%, 0.69%

LAB 63.68, 61.17, -48.08

 

CMYK 0 / 53 / 54 / 5

HEX #F1716F

RGB 241 113 111

HSL 0.92, 0.82%, 0.69%

LAB 63.06, 49.07, 24.99

 

CMYK 44 / 0 / 54 / 5

HEX #87F16F

RGB 135 241 111

HSL 108.92, 0.82%, 0.69%

LAB 86.61, -54.56, 52.73

 

CMYK 54 / 1 / 0 / 5

HEX #6FEFF1

RGB 111 239 241

HSL 180.92, 0.82%, 0.69%

LAB 87.71, -34.71, -11.77

 

CMYK 10 / 54 / 0 / 5

HEX #DA6EF1

RGB 218 110 241

HSL 289.47, 0.82%, 0.69%

LAB 63.68, 61.17, -48.08

 

CMYK 0 / 37 / 54 / 5

HEX #F1986F

RGB 241 152 111

HSL 18.92, 0.82%, 0.69%

LAB 71.08, 29.28, 35.42

 

CMYK 44 / 0 / 54 / 5

HEX #87F16F

RGB 135 241 111

HSL 108.92, 0.82%, 0.69%

LAB 86.61, -54.56, 52.73

 

CMYK 54 / 17 / 0 / 5

HEX #6FC8F1

RGB 111 200 241

HSL 198.92, 0.82%, 0.69%

LAB 76.7, -15.48, -28.42

 

Description

Color code: HEX #DA6EF1 | qconv.com Color code: HEX #DA6EF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 110 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 110 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 54 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 54% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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