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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6EC7 it is the complementary color #259138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6EC7 shade: #DF6EC2, #F080D5, #FF92E8, #FFA4FB and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6EC7 shade: #DA6EC7, #C95CB4, #B84AA1, #A7388E and #96267B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6EC7 shade: #D96DC6, #D96DA9, #D96D8C, #D96D6F and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6EC7 shade: #D96DC6, #CF6DD9, #B26DD9, #956DD9 and #786DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6EC7 shade matches the following richer shades: #D96DC6, #E85ED0 and #F74FDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6EC7 shade: #D96DC6, #CB7CBD, #BC8BB3, #AD9AA9 and #9EA8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6EC7 shade: #B26DD9, #CF6DD9, #D96DC7, #D96DAA and #D96D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6EC7 shade: #C232A9, #D14CBA, #D96DC6, #E28ED3 and #EAAFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6EC7 shade: #DA6EC7, #D9956D and #6DD9C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6EC7 shade: #DA6EC7, #C7D96D and #6DC7D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6EC7 shade: #DA6EC7, #D9956D, #6DD97F and #6DB2D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6EC7 shade: #DA6EC7, #D9B56D, #6DD97F and #6D91D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 9 / 15

HEX #DA6EC7

RGB 218 110 199

HSL 310.56, 0.59%, 0.64%

LAB 61.81, 53.73, -27.5

 

Complementary color

CMYK 74 / 0 / 61 / 43

HEX #259138

RGB 37 145 56

HSL 130.56, 0.59%, 0.36%

LAB 52.87, -48.83, 37.98

 

CMYK 0 / 51 / 13 / 13

HEX #DF6EC2

RGB 223 110 194

HSL 315.4, 0.64%, 0.65%

LAB 62.28, 54.41, -23.88

 

CMYK 0 / 47 / 11 / 6

HEX #F080D5

RGB 240 128 213

HSL 314.46, 0.79%, 0.72%

LAB 68.58, 53.75, -24.7

 

CMYK 0 / 43 / 9 / 0

HEX #FF92E8

RGB 255 146 232

HSL 312.66, 1%, 0.79%

LAB 74.6, 52.44, -25.8

 

CMYK 0 / 36 / 2 / 0

HEX #FFA4FB

RGB 255 164 251

HSL 302.64, 1%, 0.82%

LAB 78.91, 46.54, -29.49

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 50 / 9 / 15

HEX #DA6EC7

RGB 218 110 199

HSL 310.56, 0.59%, 0.64%

LAB 61.81, 53.73, -27.5

 

CMYK 0 / 54 / 10 / 21

HEX #C95CB4

RGB 201 92 180

HSL 311.56, 0.5%, 0.57%

LAB 55.45, 54.31, -26.65

 

CMYK 0 / 60 / 13 / 28

HEX #B84AA1

RGB 184 74 161

HSL 312.55, 0.44%, 0.51%

LAB 49.08, 54.72, -25.59

 

CMYK 0 / 66 / 15 / 35

HEX #A7388E

RGB 167 56 142

HSL 313.51, 0.5%, 0.44%

LAB 42.76, 54.81, -24.23

 

CMYK 0 / 75 / 18 / 41

HEX #96267B

RGB 150 38 123

HSL 314.46, 0.6%, 0.37%

LAB 36.56, 54.32, -22.4

 

CMYK 0 / 50 / 9 / 15

HEX #D96DC6

RGB 217 109 198

HSL 310.56, 0.59%, 0.64%

LAB 61.45, 53.75, -27.5

 

CMYK 0 / 50 / 22 / 15

HEX #D96DA9

RGB 217 109 169

HSL 326.67, 0.59%, 0.64%

LAB 60.39, 49.3, -12.58

 

CMYK 0 / 50 / 35 / 15

HEX #D96D8C

RGB 217 109 140

HSL 342.78, 0.59%, 0.64%

LAB 59.51, 45.49, 2.87

 

CMYK 0 / 50 / 49 / 15

HEX #D96D6F

RGB 217 109 111

HSL 358.89, 0.59%, 0.64%

LAB 58.82, 42.42, 18.69

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 50 / 9 / 15

HEX #D96DC6

RGB 217 109 198

HSL 310.56, 0.59%, 0.64%

LAB 61.45, 53.75, -27.5

 

CMYK 5 / 50 / 0 / 15

HEX #CF6DD9

RGB 207 109 217

HSL 294.44, 0.59%, 0.64%

LAB 60.97, 54.22, -39.07

 

CMYK 18 / 50 / 0 / 15

HEX #B26DD9

RGB 178 109 217

HSL 278.33, 0.59%, 0.64%

LAB 57.47, 46.24, -44.8

 

CMYK 31 / 50 / 0 / 15

HEX #956DD9

RGB 149 109 217

HSL 262.22, 0.59%, 0.64%

LAB 54.38, 38.52, -49.9

 

CMYK 45 / 50 / 0 / 15

HEX #786DD9

RGB 120 109 217

HSL 246.11, 0.59%, 0.64%

LAB 51.77, 31.37, -54.23

 

CMYK 0 / 50 / 9 / 15

HEX #D96DC6

RGB 217 109 198

HSL 310.56, 0.59%, 0.64%

LAB 61.45, 53.75, -27.5

 

CMYK 0 / 59 / 10 / 9

HEX #E85ED0

RGB 232 94 208

HSL 310.43, 0.75%, 0.64%

LAB 61.41, 66.35, -33.06

 

CMYK 0 / 68 / 12 / 3

HEX #F74FDA

RGB 247 79 218

HSL 310.36, 0.91%, 0.64%

LAB 62.02, 77.33, -37.57

 

CMYK 0 / 50 / 9 / 15

HEX #D96DC6

RGB 217 109 198

HSL 310.56, 0.59%, 0.64%

LAB 61.45, 53.75, -27.5

 

CMYK 0 / 39 / 7 / 20

HEX #CB7CBD

RGB 203 124 189

HSL 310.63, 0.43%, 0.64%

LAB 62.33, 40.24, -21.21

 

CMYK 0 / 26 / 5 / 26

HEX #BC8BB3

RGB 188 139 179

HSL 311.02, 0.27%, 0.64%

LAB 63.68, 25.24, -13.66

 

CMYK 0 / 11 / 2 / 32

HEX #AD9AA9

RGB 173 154 169

HSL 312.63, 0.1%, 0.64%

LAB 65.64, 9.7, -5.26

 

CMYK 6 / 0 / 5 / 34

HEX #9EA8A0

RGB 158 168 160

HSL 132, 0.05%, 0.64%

LAB 67.88, -5.07, 2.9

 

CMYK 18 / 50 / 0 / 15

HEX #B26DD9

RGB 178 109 217

HSL 278.33, 0.59%, 0.64%

LAB 57.47, 46.24, -44.8

 

CMYK 5 / 50 / 0 / 15

HEX #CF6DD9

RGB 207 109 217

HSL 294.44, 0.59%, 0.64%

LAB 60.97, 54.22, -39.07

 

CMYK 0 / 50 / 8 / 15

HEX #D96DC7

RGB 217 109 199

HSL 310, 0.59%, 0.64%

LAB 61.49, 53.92, -28

 

CMYK 0 / 50 / 22 / 15

HEX #D96DAA

RGB 217 109 170

HSL 326.11, 0.59%, 0.64%

LAB 60.42, 49.44, -13.1

 

CMYK 0 / 50 / 35 / 15

HEX #D96D8E

RGB 217 109 142

HSL 341.67, 0.59%, 0.64%

LAB 59.56, 45.73, 1.79

 

CMYK 0 / 74 / 13 / 24

HEX #C232A9

RGB 194 50 169

HSL 310.42, 0.59%, 0.48%

LAB 47.77, 67.62, -32.25

 

CMYK 0 / 64 / 11 / 18

HEX #D14CBA

RGB 209 76 186

HSL 310.38, 0.59%, 0.56%

LAB 54.31, 64.44, -31.79

 

CMYK 0 / 50 / 9 / 15

HEX #D96DC6

RGB 217 109 198

HSL 310.56, 0.59%, 0.64%

LAB 61.45, 53.75, -27.5

 

CMYK 0 / 37 / 7 / 11

HEX #E28ED3

RGB 226 142 211

HSL 310.71, 0.59%, 0.72%

LAB 69.62, 41.94, -22.15

 

CMYK 0 / 25 / 4 / 8

HEX #EAAFE0

RGB 234 175 224

HSL 310.17, 0.58%, 0.8%

LAB 78.19, 29.31, -16.21

 

CMYK 0 / 50 / 9 / 15

HEX #DA6EC7

RGB 218 110 199

HSL 310.56, 0.59%, 0.64%

LAB 61.81, 53.73, -27.5

 

CMYK 0 / 31 / 50 / 15

HEX #D9956D

RGB 217 149 109

HSL 22.22, 0.59%, 0.64%

LAB 67.54, 21.13, 31.38

 

CMYK 50 / 0 / 12 / 15

HEX #6DD9C0

RGB 109 217 192

HSL 166.11, 0.59%, 0.64%

LAB 80, -37.13, 2.77

 

CMYK 0 / 50 / 9 / 15

HEX #DA6EC7

RGB 218 110 199

HSL 310.56, 0.59%, 0.64%

LAB 61.81, 53.73, -27.5

 

CMYK 8 / 0 / 50 / 15

HEX #C7D96D

RGB 199 217 109

HSL 70, 0.59%, 0.64%

LAB 83.37, -21.7, 50.68

 

CMYK 50 / 8 / 0 / 15

HEX #6DC7D9

RGB 109 199 217

HSL 190, 0.59%, 0.64%

LAB 75.52, -22.12, -17.3

 

CMYK 0 / 50 / 9 / 15

HEX #DA6EC7

RGB 218 110 199

HSL 310.56, 0.59%, 0.64%

LAB 61.81, 53.73, -27.5

 

CMYK 0 / 31 / 50 / 15

HEX #D9956D

RGB 217 149 109

HSL 22.22, 0.59%, 0.64%

LAB 67.54, 21.13, 31.38

 

CMYK 50 / 0 / 41 / 15

HEX #6DD97F

RGB 109 217 127

HSL 130, 0.59%, 0.64%

LAB 78.7, -49.98, 34.98

 

CMYK 50 / 18 / 0 / 15

HEX #6DB2D9

RGB 109 178 217

HSL 201.67, 0.59%, 0.64%

LAB 69.54, -11.18, -26.4

 

CMYK 0 / 50 / 9 / 15

HEX #DA6EC7

RGB 218 110 199

HSL 310.56, 0.59%, 0.64%

LAB 61.81, 53.73, -27.5

 

CMYK 0 / 17 / 50 / 15

HEX #D9B56D

RGB 217 181 109

HSL 40, 0.59%, 0.64%

LAB 75.39, 3.97, 41.32

 

CMYK 50 / 0 / 41 / 15

HEX #6DD97F

RGB 109 217 127

HSL 130, 0.59%, 0.64%

LAB 78.7, -49.98, 34.98

 

CMYK 50 / 33 / 0 / 15

HEX #6D91D9

RGB 109 145 217

HSL 220, 0.59%, 0.64%

LAB 60.35, 7.35, -40.67

 

Description

Color code: HEX #DA6EC7 | qconv.com Color code: HEX #DA6EC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 110 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 110 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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