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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6EBF it is the complementary color #259140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6EBF shade: #DF6EBA, #F080CD, #FF92E0, #FFA4F3 and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6EBF shade: #DA6EBF, #C95CAC, #B84A99, #A73886 and #962673

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6EBF shade: #D96DBE, #D96DA1, #D96D84 and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6EBF shade: #D96DBE, #D76DD9, #BA6DD9, #9D6DD9 and #806DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6EBF shade matches the following richer shades: #D96DBE, #E85EC6 and #F74FCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6EBF shade: #D96DBE, #CB7CB7, #BC8BAF, #AD9AA8 and #9EA8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6EBF shade: #BB6DD9, #D86DD9, #D96DBE, #D96DA1 and #D96D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6EBF shade: #C2329E, #D14CB0, #D96DBE, #E28ECD and #EAAFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6EBF shade: #DA6EBF, #D99E6D and #6DD9C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6EBF shade: #DA6EBF, #BED96D and #6DBED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6EBF shade: #DA6EBF, #D99E6D, #6DD988 and #6DA9D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6EBF shade: #DA6EBF, #D9BE6D, #6DD988 and #6D88D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 12 / 15

HEX #DA6EBF

RGB 218 110 191

HSL 315, 0.59%, 0.64%

LAB 61.5, 52.44, -23.44

 

Complementary color

CMYK 74 / 0 / 56 / 43

HEX #259140

RGB 37 145 64

HSL 135, 0.59%, 0.36%

LAB 52.97, -47.74, 34.16

 

CMYK 0 / 51 / 17 / 13

HEX #DF6EBA

RGB 223 110 186

HSL 319.65, 0.64%, 0.65%

LAB 61.99, 53.18, -19.8

 

CMYK 0 / 47 / 15 / 6

HEX #F080CD

RGB 240 128 205

HSL 318.75, 0.79%, 0.72%

LAB 68.29, 52.5, -20.69

 

CMYK 0 / 43 / 12 / 0

HEX #FF92E0

RGB 255 146 224

HSL 317.06, 1%, 0.79%

LAB 74.32, 51.16, -21.85

 

CMYK 0 / 36 / 5 / 0

HEX #FFA4F3

RGB 255 164 243

HSL 307.91, 1%, 0.82%

LAB 78.63, 45.15, -25.62

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 50 / 12 / 15

HEX #DA6EBF

RGB 218 110 191

HSL 315, 0.59%, 0.64%

LAB 61.5, 52.44, -23.44

 

CMYK 0 / 54 / 14 / 21

HEX #C95CAC

RGB 201 92 172

HSL 315.96, 0.5%, 0.57%

LAB 55.12, 53.04, -22.51

 

CMYK 0 / 60 / 17 / 28

HEX #B84A99

RGB 184 74 153

HSL 316.91, 0.44%, 0.51%

LAB 48.75, 53.48, -21.37

 

CMYK 0 / 66 / 20 / 35

HEX #A73886

RGB 167 56 134

HSL 317.84, 0.5%, 0.44%

LAB 42.41, 53.62, -19.9

 

CMYK 0 / 75 / 23 / 41

HEX #962673

RGB 150 38 115

HSL 318.75, 0.6%, 0.37%

LAB 36.19, 53.2, -17.95

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 50 / 39 / 15

HEX #D96D84

RGB 217 109 132

HSL 347.22, 0.59%, 0.64%

LAB 59.3, 44.57, 7.21

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 1 / 50 / 0 / 15

HEX #D76DD9

RGB 215 109 217

HSL 298.89, 0.59%, 0.64%

LAB 61.99, 56.44, -37.39

 

CMYK 14 / 50 / 0 / 15

HEX #BA6DD9

RGB 186 109 217

HSL 282.78, 0.59%, 0.64%

LAB 58.4, 48.43, -43.28

 

CMYK 28 / 50 / 0 / 15

HEX #9D6DD9

RGB 157 109 217

HSL 266.67, 0.59%, 0.64%

LAB 55.19, 40.61, -48.57

 

CMYK 41 / 50 / 0 / 15

HEX #806DD9

RGB 128 109 217

HSL 250.56, 0.59%, 0.64%

LAB 52.44, 33.27, -53.12

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 0 / 59 / 15 / 9

HEX #E85EC6

RGB 232 94 198

HSL 314.78, 0.75%, 0.64%

LAB 60.99, 64.85, -28.04

 

CMYK 0 / 68 / 17 / 3

HEX #F74FCD

RGB 247 79 205

HSL 315, 0.91%, 0.64%

LAB 61.46, 75.52, -31.1

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 0 / 39 / 10 / 20

HEX #CB7CB7

RGB 203 124 183

HSL 315.19, 0.43%, 0.64%

LAB 62.11, 39.21, -18.14

 

CMYK 0 / 26 / 7 / 26

HEX #BC8BAF

RGB 188 139 175

HSL 315.92, 0.27%, 0.64%

LAB 63.55, 24.51, -11.59

 

CMYK 0 / 11 / 3 / 32

HEX #AD9AA8

RGB 173 154 168

HSL 315.79, 0.1%, 0.64%

LAB 65.61, 9.52, -4.74

 

CMYK 6 / 0 / 4 / 34

HEX #9EA8A1

RGB 158 168 161

HSL 138, 0.05%, 0.64%

LAB 67.91, -4.88, 2.39

 

CMYK 14 / 50 / 0 / 15

HEX #BB6DD9

RGB 187 109 217

HSL 283.33, 0.59%, 0.64%

LAB 58.52, 48.7, -43.09

 

CMYK 0 / 50 / 0 / 15

HEX #D86DD9

RGB 216 109 217

HSL 299.44, 0.59%, 0.64%

LAB 62.12, 56.71, -37.18

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 50 / 39 / 15

HEX #D96D85

RGB 217 109 133

HSL 346.67, 0.59%, 0.64%

LAB 59.33, 44.68, 6.67

 

CMYK 0 / 74 / 19 / 24

HEX #C2329E

RGB 194 50 158

HSL 315, 0.59%, 0.48%

LAB 47.26, 66.09, -26.51

 

CMYK 0 / 64 / 16 / 18

HEX #D14CB0

RGB 209 76 176

HSL 314.89, 0.59%, 0.56%

LAB 53.88, 62.95, -26.66

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 0 / 37 / 9 / 11

HEX #E28ECD

RGB 226 142 205

HSL 315, 0.59%, 0.72%

LAB 69.41, 40.92, -19.14

 

CMYK 0 / 25 / 6 / 8

HEX #EAAFDB

RGB 234 175 219

HSL 315.25, 0.58%, 0.8%

LAB 78.03, 28.43, -13.74

 

CMYK 0 / 50 / 12 / 15

HEX #DA6EBF

RGB 218 110 191

HSL 315, 0.59%, 0.64%

LAB 61.5, 52.44, -23.44

 

CMYK 0 / 27 / 50 / 15

HEX #D99E6D

RGB 217 158 109

HSL 27.22, 0.59%, 0.64%

LAB 69.69, 16.27, 34.15

 

CMYK 50 / 0 / 7 / 15

HEX #6DD9C9

RGB 109 217 201

HSL 171.11, 0.59%, 0.64%

LAB 80.23, -34.98, -1.69

 

CMYK 0 / 50 / 12 / 15

HEX #DA6EBF

RGB 218 110 191

HSL 315, 0.59%, 0.64%

LAB 61.5, 52.44, -23.44

 

CMYK 12 / 0 / 50 / 15

HEX #BED96D

RGB 190 217 109

HSL 75, 0.59%, 0.64%

LAB 82.74, -25.21, 49.77

 

CMYK 50 / 12 / 0 / 15

HEX #6DBED9

RGB 109 190 217

HSL 195, 0.59%, 0.64%

LAB 72.95, -17.52, -21.19

 

CMYK 0 / 50 / 12 / 15

HEX #DA6EBF

RGB 218 110 191

HSL 315, 0.59%, 0.64%

LAB 61.5, 52.44, -23.44

 

CMYK 0 / 27 / 50 / 15

HEX #D99E6D

RGB 217 158 109

HSL 27.22, 0.59%, 0.64%

LAB 69.69, 16.27, 34.15

 

CMYK 50 / 0 / 37 / 15

HEX #6DD988

RGB 109 217 136

HSL 135, 0.59%, 0.64%

LAB 78.84, -48.51, 30.59

 

CMYK 50 / 22 / 0 / 15

HEX #6DA9D9

RGB 109 169 217

HSL 206.67, 0.59%, 0.64%

LAB 67, -6.29, -30.3

 

CMYK 0 / 50 / 12 / 15

HEX #DA6EBF

RGB 218 110 191

HSL 315, 0.59%, 0.64%

LAB 61.5, 52.44, -23.44

 

CMYK 0 / 12 / 50 / 15

HEX #D9BE6D

RGB 217 190 109

HSL 45, 0.59%, 0.64%

LAB 77.69, -0.77, 44.15

 

CMYK 50 / 0 / 37 / 15

HEX #6DD988

RGB 109 217 136

HSL 135, 0.59%, 0.64%

LAB 78.84, -48.51, 30.59

 

CMYK 50 / 37 / 0 / 15

HEX #6D88D9

RGB 109 136 217

HSL 225, 0.59%, 0.64%

LAB 57.91, 12.65, -44.5

 

Description

Color code: HEX #DA6EBF | qconv.com Color code: HEX #DA6EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 110 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 110 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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