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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6DB2 it is the complementary color #25924D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6DB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6DB2 shade: #DF6DAD, #F07FC0, #FF91D3, #FFA3E6 and #FFB5F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6DB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6DB2 shade: #DA6DB2, #C95B9F, #B8498C, #A73779 and #962566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6DB2 shade: #DA6CB1, #DA6C94, #DA6C76 and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6DB2 shade: #DA6CB1, #DA6CCF, #C76CDA, #A96CDA and #8B6CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6DB2 shade matches the following richer shades: #DA6CB1, #E95DB5 and #F74EB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6DB2 shade: #DA6CB1, #CB7AAD, #BC89A9, #AD98A5 and #9EA7A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6DB2 shade: #C76CDA, #DA6CCF, #DA6CB1, #DA6C94 and #DA6C77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6DB2 shade: #C3308D, #D24BA0, #DA6CB1, #E28DC3 and #EAAED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6DB2 shade: #DA6DB2, #DAAA6C and #6CDAD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6DB2 shade: #DA6DB2, #B1DA6C and #6CB1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6DB2 shade: #DA6DB2, #DAAA6C, #6CDA94 and #6C9BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6DB2 shade: #DA6DB2, #DACB6C, #6CDA94 and #6C7ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 18 / 15

HEX #DA6DB2

RGB 218 109 178

HSL 322.02, 0.6%, 0.64%

LAB 60.83, 50.92, -17.05

 

Complementary color

CMYK 75 / 0 / 47 / 43

HEX #25924D

RGB 37 146 77

HSL 142.02, 0.6%, 0.36%

LAB 53.48, -46.01, 28.03

 

CMYK 0 / 51 / 22 / 13

HEX #DF6DAD

RGB 223 109 173

HSL 326.32, 0.64%, 0.65%

LAB 61.34, 51.77, -13.34

 

CMYK 0 / 47 / 20 / 6

HEX #F07FC0

RGB 240 127 192

HSL 325.49, 0.79%, 0.72%

LAB 67.66, 51.05, -14.38

 

CMYK 0 / 43 / 17 / 0

HEX #FF91D3

RGB 255 145 211

HSL 324, 1%, 0.78%

LAB 73.68, 49.67, -15.67

 

CMYK 0 / 36 / 10 / 0

HEX #FFA3E6

RGB 255 163 230

HSL 316.3, 1%, 0.82%

LAB 77.97, 43.49, -19.57

 

CMYK 0 / 29 / 2 / 0

HEX #FFB5F9

RGB 255 181 249

HSL 304.86, 1%, 0.85%

LAB 82.46, 37.37, -23

 

CMYK 0 / 50 / 18 / 15

HEX #DA6DB2

RGB 218 109 178

HSL 322.02, 0.6%, 0.64%

LAB 60.83, 50.92, -17.05

 

CMYK 0 / 55 / 21 / 21

HEX #C95B9F

RGB 201 91 159

HSL 322.91, 0.5%, 0.57%

LAB 54.45, 51.56, -15.96

 

CMYK 0 / 60 / 24 / 28

HEX #B8498C

RGB 184 73 140

HSL 323.78, 0.44%, 0.5%

LAB 48.07, 52.05, -14.64

 

CMYK 0 / 67 / 28 / 35

HEX #A73779

RGB 167 55 121

HSL 324.64, 0.5%, 0.44%

LAB 41.73, 52.23, -12.95

 

CMYK 0 / 75 / 32 / 41

HEX #962566

RGB 150 37 102

HSL 325.49, 0.6%, 0.37%

LAB 35.53, 51.86, -10.73

 

CMYK 0 / 50 / 19 / 15

HEX #DA6CB1

RGB 218 108 177

HSL 322.36, 0.6%, 0.64%

LAB 60.61, 51.27, -16.81

 

CMYK 0 / 50 / 32 / 15

HEX #DA6C94

RGB 218 108 148

HSL 338.18, 0.6%, 0.64%

LAB 59.68, 47.3, -1.5

 

CMYK 0 / 50 / 46 / 15

HEX #DA6C76

RGB 218 108 118

HSL 354.55, 0.6%, 0.64%

LAB 58.92, 43.95, 14.8

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 50 / 19 / 15

HEX #DA6CB1

RGB 218 108 177

HSL 322.36, 0.6%, 0.64%

LAB 60.61, 51.27, -16.81

 

CMYK 0 / 50 / 5 / 15

HEX #DA6CCF

RGB 218 108 207

HSL 306, 0.6%, 0.64%

LAB 61.77, 56.03, -32.08

 

CMYK 9 / 50 / 0 / 15

HEX #C76CDA

RGB 199 108 218

HSL 289.64, 0.6%, 0.64%

LAB 59.82, 52.71, -41.49

 

CMYK 22 / 50 / 0 / 15

HEX #A96CDA

RGB 169 108 218

HSL 273.27, 0.6%, 0.64%

LAB 56.31, 44.57, -47.28

 

CMYK 36 / 50 / 0 / 15

HEX #8B6CDA

RGB 139 108 218

HSL 256.91, 0.6%, 0.64%

LAB 53.25, 36.81, -52.33

 

CMYK 0 / 50 / 19 / 15

HEX #DA6CB1

RGB 218 108 177

HSL 322.36, 0.6%, 0.64%

LAB 60.61, 51.27, -16.81

 

CMYK 0 / 60 / 22 / 9

HEX #E95DB5

RGB 233 93 181

HSL 322.29, 0.76%, 0.64%

LAB 60.33, 63.16, -19.33

 

CMYK 0 / 68 / 25 / 3

HEX #F74EB9

RGB 247 78 185

HSL 322.01, 0.91%, 0.64%

LAB 60.54, 73.29, -21.11

 

CMYK 0 / 50 / 19 / 15

HEX #DA6CB1

RGB 218 108 177

HSL 322.36, 0.6%, 0.64%

LAB 60.61, 51.27, -16.81

 

CMYK 0 / 40 / 15 / 20

HEX #CB7AAD

RGB 203 122 173

HSL 322.22, 0.44%, 0.64%

LAB 61.34, 38.62, -13.62

 

CMYK 0 / 27 / 10 / 26

HEX #BC89A9

RGB 188 137 169

HSL 322.35, 0.28%, 0.64%

LAB 62.88, 24.56, -9.19

 

CMYK 0 / 12 / 5 / 32

HEX #AD98A5

RGB 173 152 165

HSL 322.86, 0.11%, 0.64%

LAB 65.01, 10.07, -3.94

 

CMYK 5 / 0 / 3 / 35

HEX #9EA7A2

RGB 158 167 162

HSL 146.67, 0.05%, 0.64%

LAB 67.66, -4.15, 1.47

 

CMYK 9 / 50 / 0 / 15

HEX #C76CDA

RGB 199 108 218

HSL 289.64, 0.6%, 0.64%

LAB 59.82, 52.71, -41.49

 

CMYK 0 / 50 / 5 / 15

HEX #DA6CCF

RGB 218 108 207

HSL 306, 0.6%, 0.64%

LAB 61.77, 56.03, -32.08

 

CMYK 0 / 50 / 19 / 15

HEX #DA6CB1

RGB 218 108 177

HSL 322.36, 0.6%, 0.64%

LAB 60.61, 51.27, -16.81

 

CMYK 0 / 50 / 32 / 15

HEX #DA6C94

RGB 218 108 148

HSL 338.18, 0.6%, 0.64%

LAB 59.68, 47.3, -1.5

 

CMYK 0 / 50 / 45 / 15

HEX #DA6C77

RGB 218 108 119

HSL 354, 0.6%, 0.64%

LAB 58.94, 44.05, 14.25

 

CMYK 0 / 75 / 28 / 24

HEX #C3308D

RGB 195 48 141

HSL 322.04, 0.6%, 0.48%

LAB 46.5, 64.77, -17.46

 

CMYK 0 / 64 / 24 / 18

HEX #D24BA0

RGB 210 75 160

HSL 322.22, 0.6%, 0.56%

LAB 53.25, 61.4, -18.26

 

CMYK 0 / 50 / 19 / 15

HEX #DA6CB1

RGB 218 108 177

HSL 322.36, 0.6%, 0.64%

LAB 60.61, 51.27, -16.81

 

CMYK 0 / 38 / 14 / 11

HEX #E28DC3

RGB 226 141 195

HSL 321.88, 0.59%, 0.72%

LAB 68.87, 39.8, -14.41

 

CMYK 0 / 26 / 9 / 8

HEX #EAAED4

RGB 234 174 212

HSL 322, 0.59%, 0.8%

LAB 77.59, 27.77, -10.6

 

CMYK 0 / 50 / 18 / 15

HEX #DA6DB2

RGB 218 109 178

HSL 322.02, 0.6%, 0.64%

LAB 60.83, 50.92, -17.05

 

CMYK 0 / 22 / 50 / 15

HEX #DAAA6C

RGB 218 170 108

HSL 33.82, 0.6%, 0.64%

LAB 72.72, 10.14, 38.52

 

CMYK 50 / 0 / 2 / 15

HEX #6CDAD6

RGB 108 218 214

HSL 177.82, 0.6%, 0.64%

LAB 80.84, -32.42, -7.73

 

CMYK 0 / 50 / 18 / 15

HEX #DA6DB2

RGB 218 109 178

HSL 322.02, 0.6%, 0.64%

LAB 60.83, 50.92, -17.05

 

CMYK 19 / 0 / 50 / 15

HEX #B1DA6C

RGB 177 218 108

HSL 82.36, 0.6%, 0.64%

LAB 82.15, -30.75, 49.32

 

CMYK 50 / 19 / 0 / 15

HEX #6CB1DA

RGB 108 177 218

HSL 202.36, 0.6%, 0.64%

LAB 69.25, -10.58, -27.39

 

CMYK 0 / 50 / 18 / 15

HEX #DA6DB2

RGB 218 109 178

HSL 322.02, 0.6%, 0.64%

LAB 60.83, 50.92, -17.05

 

CMYK 0 / 22 / 50 / 15

HEX #DAAA6C

RGB 218 170 108

HSL 33.82, 0.6%, 0.64%

LAB 72.72, 10.14, 38.52

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 29 / 0 / 15

HEX #6C9BDA

RGB 108 155 218

HSL 214.36, 0.6%, 0.64%

LAB 63.09, 1.64, -36.94

 

CMYK 0 / 50 / 18 / 15

HEX #DA6DB2

RGB 218 109 178

HSL 322.02, 0.6%, 0.64%

LAB 60.83, 50.92, -17.05

 

CMYK 0 / 7 / 50 / 15

HEX #DACB6C

RGB 218 203 108

HSL 51.82, 0.6%, 0.64%

LAB 81.13, -7.17, 48.82

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 44 / 0 / 15

HEX #6C7ADA

RGB 108 122 218

HSL 232.36, 0.6%, 0.64%

LAB 54.21, 21.12, -50.95

 

Description

Color code: HEX #DA6DB2 | qconv.com Color code: HEX #DA6DB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 109 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 109 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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