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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6B2E it is the complementary color #2594D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6B2E shade: #DF6B29, #F07D3C, #FF8F4F, #FFA162 and #FFB375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6B2E shade: #DA6B2E, #C9591B, #B84708, #A73500 and #962300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6B2E shade: #DA6B2E, #DA3D2E and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6B2E shade: #DA6B2E, #DA992E, #DAC82E, #BEDA2E and #90DA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6B2E shade matches the following richer shades: #DA6B2E and #EE651B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6B2E shade: #DA6B2E, #C67142, #B27756, #9E7C6A and #8B827E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6B2E shade: #DA2E4E, #DA3D2E, #DA6A2E, #DA982E and #DAC62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6B2E shade: #9B481B, #BE5921, #DA6B2E, #E08451 and #E69D75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6B2E shade: #DA6B2E, #7CDA2E and #2E37DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6B2E shade: #DA6B2E, #2EDA6A and #6A2EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6B2E shade: #DA6B2E, #7CDA2E, #2E9EDA and #8D2EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6B2E shade: #DA6B2E, #48DA2E, #2E9EDA and #C02EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

Complementary color

CMYK 82 / 29 / 0 / 18

HEX #2594D1

RGB 37 148 209

HSL 201.28, 0.7%, 0.48%

LAB 58.2, -8.9, -39.74

 

CMYK 0 / 52 / 82 / 13

HEX #DF6B29

RGB 223 107 41

HSL 21.76, 0.74%, 0.52%

LAB 58.38, 41.46, 55.29

 

CMYK 0 / 48 / 75 / 6

HEX #F07D3C

RGB 240 125 60

HSL 21.67, 0.86%, 0.59%

LAB 64.58, 39.71, 53.72

 

CMYK 0 / 44 / 69 / 0

HEX #FF8F4F

RGB 255 143 79

HSL 21.82, 1%, 0.65%

LAB 70.5, 37.32, 51.59

 

CMYK 0 / 37 / 62 / 0

HEX #FFA162

RGB 255 161 98

HSL 24.08, 1%, 0.69%

LAB 74.59, 29.16, 46.86

 

CMYK 0 / 30 / 54 / 0

HEX #FFB375

RGB 255 179 117

HSL 26.96, 1%, 0.73%

LAB 78.92, 21.15, 42.48

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 0 / 56 / 87 / 21

HEX #C9591B

RGB 201 89 27

HSL 21.38, 0.76%, 0.45%

LAB 51.43, 41.48, 53.53

 

CMYK 0 / 61 / 96 / 28

HEX #B84708

RGB 184 71 8

HSL 21.48, 0.92%, 0.38%

LAB 45.24, 43.33, 53.65

 

CMYK 0 / 68 / 100 / 35

HEX #A73500

RGB 167 53 0

HSL 19.04, 1%, 0.33%

LAB 39.18, 45.04, 51

 

CMYK 0 / 77 / 100 / 41

HEX #962300

RGB 150 35 0

HSL 14, 1%, 0.29%

LAB 33.32, 46.2, 46.16

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 0 / 72 / 79 / 15

HEX #DA3D2E

RGB 218 61 46

HSL 5.23, 0.7%, 0.52%

LAB 50.03, 59.86, 44.66

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 0 / 30 / 79 / 15

HEX #DA992E

RGB 218 153 46

HSL 37.33, 0.7%, 0.52%

LAB 67.94, 15.38, 61.84

 

CMYK 0 / 8 / 79 / 15

HEX #DAC82E

RGB 218 200 46

HSL 53.72, 0.7%, 0.52%

LAB 79.85, -9.34, 72.57

 

CMYK 13 / 0 / 79 / 15

HEX #BEDA2E

RGB 190 218 46

HSL 69.77, 0.7%, 0.52%

LAB 82.53, -29.89, 74.13

 

CMYK 34 / 0 / 79 / 15

HEX #90DA2E

RGB 144 218 46

HSL 85.81, 0.7%, 0.52%

LAB 79.77, -47.49, 70.6

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 0 / 58 / 89 / 7

HEX #EE651B

RGB 238 101 27

HSL 21.04, 0.86%, 0.52%

LAB 59.49, 49.64, 62.35

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 0 / 43 / 67 / 22

HEX #C67142

RGB 198 113 66

HSL 21.36, 0.54%, 0.52%

LAB 56.3, 29.48, 40.06

 

CMYK 0 / 33 / 52 / 30

HEX #B27756

RGB 178 119 86

HSL 21.52, 0.37%, 0.52%

LAB 55.41, 19.4, 27.49

 

CMYK 0 / 22 / 33 / 38

HEX #9E7C6A

RGB 158 124 106

HSL 20.77, 0.21%, 0.52%

LAB 54.79, 10.51, 14.86

 

CMYK 0 / 6 / 9 / 45

HEX #8B827E

RGB 139 130 126

HSL 18.46, 0.05%, 0.52%

LAB 55.03, 2.65, 3.37

 

CMYK 0 / 79 / 64 / 15

HEX #DA2E4E

RGB 218 46 78

HSL 348.84, 0.7%, 0.52%

LAB 48.77, 65.96, 24.81

 

CMYK 0 / 72 / 79 / 15

HEX #DA3D2E

RGB 218 61 46

HSL 5.23, 0.7%, 0.52%

LAB 50.03, 59.86, 44.66

 

CMYK 0 / 51 / 79 / 15

HEX #DA6A2E

RGB 218 106 46

HSL 20.93, 0.7%, 0.52%

LAB 57.47, 40.18, 52

 

CMYK 0 / 30 / 79 / 15

HEX #DA982E

RGB 218 152 46

HSL 36.98, 0.7%, 0.52%

LAB 67.69, 15.91, 61.62

 

CMYK 0 / 9 / 79 / 15

HEX #DAC62E

RGB 218 198 46

HSL 53.02, 0.7%, 0.52%

LAB 79.32, -8.33, 72.11

 

CMYK 0 / 54 / 83 / 39

HEX #9B481B

RGB 155 72 27

HSL 21.09, 0.7%, 0.36%

LAB 40.71, 31.84, 41.33

 

CMYK 0 / 53 / 83 / 25

HEX #BE5921

RGB 190 89 33

HSL 21.4, 0.7%, 0.44%

LAB 49.74, 37.35, 48.97

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 0 / 41 / 64 / 12

HEX #E08451

RGB 224 132 81

HSL 21.4, 0.7%, 0.6%

LAB 64.12, 30.85, 42.21

 

CMYK 0 / 32 / 49 / 10

HEX #E69D75

RGB 230 157 117

HSL 21.24, 0.69%, 0.68%

LAB 71.02, 22.8, 31.88

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 43 / 0 / 79 / 15

HEX #7CDA2E

RGB 124 218 46

HSL 92.79, 0.7%, 0.52%

LAB 78.82, -54.22, 69.38

 

CMYK 79 / 75 / 0 / 15

HEX #2E37DA

RGB 46 55 218

HSL 236.86, 0.7%, 0.52%

LAB 34.75, 52.33, -82.73

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 79 / 0 / 51 / 15

HEX #2EDA6A

RGB 46 218 106

HSL 140.93, 0.7%, 0.52%

LAB 77.14, -65.63, 43.03

 

CMYK 51 / 79 / 0 / 15

HEX #6A2EDA

RGB 106 46 218

HSL 260.93, 0.7%, 0.52%

LAB 37.99, 62.58, -77.24

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 43 / 0 / 79 / 15

HEX #7CDA2E

RGB 124 218 46

HSL 92.79, 0.7%, 0.52%

LAB 78.82, -54.22, 69.38

 

CMYK 79 / 28 / 0 / 15

HEX #2E9EDA

RGB 46 158 218

HSL 200.93, 0.7%, 0.52%

LAB 61.74, -10.46, -39.21

 

CMYK 35 / 79 / 0 / 15

HEX #8D2EDA

RGB 141 46 218

HSL 273.14, 0.7%, 0.52%

LAB 42.28, 67.53, -70.04

 

CMYK 0 / 51 / 79 / 15

HEX #DA6B2E

RGB 218 107 46

HSL 21.28, 0.7%, 0.52%

LAB 57.67, 39.68, 52.19

 

CMYK 67 / 0 / 79 / 15

HEX #48DA2E

RGB 72 218 46

HSL 110.93, 0.7%, 0.52%

LAB 77.11, -67.72, 67.17

 

CMYK 79 / 28 / 0 / 15

HEX #2E9EDA

RGB 46 158 218

HSL 200.93, 0.7%, 0.52%

LAB 61.74, -10.46, -39.21

 

CMYK 12 / 79 / 0 / 15

HEX #C02EDA

RGB 192 46 218

HSL 290.93, 0.7%, 0.52%

LAB 49.76, 76.17, -57.55

 

Description

Color code: HEX #DA6B2E | qconv.com Color code: HEX #DA6B2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 107 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 107 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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