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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6B1B it is the complementary color #2594E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6B1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6B1B shade: #DF6B16, #F07D29, #FF8F3C, #FFA14F and #FFB362

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6B1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6B1B shade: #DA6B1B, #C95908, #B84700, #A73500 and #962300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6B1B shade: #DA6B1B, #DA371B and #DA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6B1B shade: #DA6B1B, #DA9E1B, #DAD21B, #AEDA1B and #7BDA1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6B1B shade matches the following richer shades: #DA6B1B and #EE6807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6B1B shade: #DA6B1B, #C66E2F, #B27143, #9E7556 and #8B786A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6B1B shade: #DA1B31, #DA381B, #DA6A1B, #DA9D1B and #DAD01B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6B1B shade: #904712, #B55916, #DA6B1B, #E68138 and #EB985C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6B1B shade: #DA6B1B, #64DA1B and #1E1BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6B1B shade: #DA6B1B, #1BDA6A and #6A1BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6B1B shade: #DA6B1B, #64DA1B, #1B8ADA and #911BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6B1B shade: #DA6B1B, #2BDA1B, #1B8ADA and #CA1BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

Complementary color

CMYK 84 / 35 / 0 / 11

HEX #2594E4

RGB 37 148 228

HSL 205.13, 0.78%, 0.52%

LAB 59.14, -1.99, -48.88

 

CMYK 0 / 52 / 90 / 13

HEX #DF6B16

RGB 223 107 22

HSL 25.37, 0.82%, 0.48%

LAB 58.28, 41.02, 61.93

 

CMYK 0 / 48 / 83 / 6

HEX #F07D29

RGB 240 125 41

HSL 25.33, 0.87%, 0.55%

LAB 64.45, 39.07, 61.62

 

CMYK 0 / 44 / 76 / 0

HEX #FF8F3C

RGB 255 143 60

HSL 25.54, 1%, 0.62%

LAB 70.34, 36.47, 60.16

 

CMYK 0 / 37 / 69 / 0

HEX #FFA14F

RGB 255 161 79

HSL 27.95, 1%, 0.65%

LAB 74.39, 28.04, 55.85

 

CMYK 0 / 30 / 62 / 0

HEX #FFB362

RGB 255 179 98

HSL 30.96, 1%, 0.69%

LAB 78.68, 19.76, 51.66

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 0 / 56 / 96 / 21

HEX #C95908

RGB 201 89 8

HSL 25.18, 0.92%, 0.41%

LAB 51.36, 41.18, 58.92

 

CMYK 0 / 61 / 100 / 28

HEX #B84700

RGB 184 71 0

HSL 23.15, 1%, 0.36%

LAB 45.22, 43.23, 55.79

 

CMYK 0 / 68 / 100 / 35

HEX #A73500

RGB 167 53 0

HSL 19.04, 1%, 0.33%

LAB 39.18, 45.04, 51

 

CMYK 0 / 77 / 100 / 41

HEX #962300

RGB 150 35 0

HSL 14, 1%, 0.29%

LAB 33.32, 46.2, 46.16

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 0 / 75 / 88 / 15

HEX #DA371B

RGB 218 55 27

HSL 8.8, 0.78%, 0.48%

LAB 49.15, 61.41, 52.94

 

CMYK 0 / 88 / 88 / 15

HEX #DA1B1B

RGB 218 27 27

HSL 0, 0.78%, 0.48%

LAB 46.67, 68.42, 51.01

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 0 / 28 / 88 / 15

HEX #DA9E1B

RGB 218 158 27

HSL 41.15, 0.78%, 0.48%

LAB 69.07, 12.16, 68.62

 

CMYK 0 / 4 / 88 / 15

HEX #DAD21B

RGB 218 210 27

HSL 57.49, 0.78%, 0.48%

LAB 82.42, -14.87, 79.22

 

CMYK 20 / 0 / 88 / 15

HEX #AEDA1B

RGB 174 218 27

HSL 73.82, 0.78%, 0.48%

LAB 81.41, -36.87, 77.07

 

CMYK 44 / 0 / 88 / 15

HEX #7BDA1B

RGB 123 218 27

HSL 89.84, 0.78%, 0.48%

LAB 78.71, -55.28, 73.73

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 0 / 56 / 97 / 7

HEX #EE6807

RGB 238 104 7

HSL 25.19, 0.94%, 0.48%

LAB 59.97, 48, 67.38

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 0 / 44 / 76 / 22

HEX #C66E2F

RGB 198 110 47

HSL 25.03, 0.62%, 0.48%

LAB 55.44, 30.11, 48.58

 

CMYK 0 / 37 / 62 / 30

HEX #B27143

RGB 178 113 67

HSL 24.86, 0.45%, 0.48%

LAB 53.69, 21.17, 35.82

 

CMYK 0 / 26 / 46 / 38

HEX #9E7556

RGB 158 117 86

HSL 25.83, 0.3%, 0.48%

LAB 52.58, 12.05, 23.36

 

CMYK 0 / 14 / 24 / 45

HEX #8B786A

RGB 139 120 106

HSL 25.45, 0.13%, 0.48%

LAB 51.79, 5, 10.4

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 74 / 88 / 15

HEX #DA381B

RGB 218 56 27

HSL 9.11, 0.78%, 0.48%

LAB 49.27, 61.08, 53.04

 

CMYK 0 / 51 / 88 / 15

HEX #DA6A1B

RGB 218 106 27

HSL 24.82, 0.78%, 0.48%

LAB 57.36, 39.65, 59.38

 

CMYK 0 / 28 / 88 / 15

HEX #DA9D1B

RGB 218 157 27

HSL 40.84, 0.78%, 0.48%

LAB 68.82, 12.69, 68.43

 

CMYK 0 / 5 / 88 / 15

HEX #DAD01B

RGB 218 208 27

HSL 56.86, 0.78%, 0.48%

LAB 81.89, -13.88, 78.8

 

CMYK 0 / 51 / 88 / 44

HEX #904712

RGB 144 71 18

HSL 25.24, 0.78%, 0.32%

LAB 38.69, 27.47, 42.74

 

CMYK 0 / 51 / 88 / 29

HEX #B55916

RGB 181 89 22

HSL 25.28, 0.78%, 0.4%

LAB 48.29, 33.42, 51.5

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 0 / 44 / 76 / 10

HEX #E68138

RGB 230 129 56

HSL 25.17, 0.78%, 0.56%

LAB 64.01, 33.54, 54.51

 

CMYK 0 / 35 / 61 / 8

HEX #EB985C

RGB 235 152 92

HSL 25.17, 0.78%, 0.64%

LAB 70.1, 25.45, 43.98

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 54 / 0 / 88 / 15

HEX #64DA1B

RGB 100 218 27

HSL 97.07, 0.78%, 0.48%

LAB 77.83, -62.05, 72.63

 

CMYK 86 / 88 / 0 / 15

HEX #1E1BDA

RGB 30 27 218

HSL 240.94, 0.78%, 0.48%

LAB 29.72, 64.35, -91.11

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 88 / 0 / 51 / 15

HEX #1BDA6A

RGB 27 218 106

HSL 144.82, 0.78%, 0.48%

LAB 76.93, -67.38, 42.73

 

CMYK 51 / 88 / 0 / 15

HEX #6A1BDA

RGB 106 27 218

HSL 264.82, 0.78%, 0.48%

LAB 35.81, 68.98, -80.82

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 54 / 0 / 88 / 15

HEX #64DA1B

RGB 100 218 27

HSL 97.07, 0.78%, 0.48%

LAB 77.83, -62.05, 72.63

 

CMYK 88 / 37 / 0 / 15

HEX #1B8ADA

RGB 27 138 218

HSL 205.13, 0.78%, 0.48%

LAB 55.56, -0.53, -48.99

 

CMYK 33 / 88 / 0 / 15

HEX #911BDA

RGB 145 27 218

HSL 277.07, 0.78%, 0.48%

LAB 41, 73.48, -72.1

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1B

RGB 218 107 27

HSL 25.13, 0.78%, 0.48%

LAB 57.56, 39.15, 59.53

 

CMYK 80 / 0 / 88 / 15

HEX #2BDA1B

RGB 43 218 27

HSL 114.97, 0.78%, 0.48%

LAB 76.52, -73.11, 70.98

 

CMYK 88 / 37 / 0 / 15

HEX #1B8ADA

RGB 27 138 218

HSL 205.13, 0.78%, 0.48%

LAB 55.56, -0.53, -48.99

 

CMYK 7 / 88 / 0 / 15

HEX #CA1BDA

RGB 202 27 218

HSL 294.97, 0.78%, 0.48%

LAB 49.98, 82.01, -57.12

 

Description

Color code: HEX #DA6B1B | qconv.com Color code: HEX #DA6B1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 107 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 107 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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