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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6ABB it is the complementary color #259544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6ABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6ABB shade: #DF6AB6, #F07CC9, #FF8EDC, #FFA0EF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6ABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6ABB shade: #DA6ABB, #C958A8, #B84695, #A73482 and #96226F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6ABB shade: #DA6CBC, #DA6C9E, #DA6C80 and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6ABB shade: #DA6CBC, #DA6CD9, #BD6CDA, #A06CDA and #826CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6ABB shade matches the following richer shades: #DA6CBC, #E95DC2 and #F84EC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6ABB shade: #DA6CBC, #CB7BB5, #BD8AAF, #AE99A8 and #9FA8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6ABB shade: #BD6CDA, #DA6CDA, #DA6CBD, #DA6CA0 and #DA6C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6ABB shade: #C3319B, #D24BAD, #DA6CBC, #E38DCB and #EBAEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6ABB shade: #DA6ABB, #DAA06C and #6CDACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6ABB shade: #DA6ABB, #BDDA6C and #6CBDDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6ABB shade: #DA6ABB, #DAA06C, #6CDA89 and #6CA7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6ABB shade: #DA6ABB, #DAC16C, #6CDA89 and #6C86DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 14 / 15

HEX #DA6ABB

RGB 218 106 187

HSL 316.61, 0.6%, 0.64%

LAB 60.61, 53.75, -22.53

 

Complementary color

CMYK 75 / 0 / 54 / 42

HEX #259544

RGB 37 149 68

HSL 136.61, 0.6%, 0.36%

LAB 54.35, -48.6, 33.81

 

CMYK 0 / 52 / 18 / 13

HEX #DF6AB6

RGB 223 106 182

HSL 321.03, 0.65%, 0.65%

LAB 61.11, 54.5, -18.85

 

CMYK 0 / 48 / 16 / 6

HEX #F07CC9

RGB 240 124 201

HSL 320.17, 0.79%, 0.71%

LAB 67.4, 53.85, -19.82

 

CMYK 0 / 44 / 14 / 0

HEX #FF8EDC

RGB 255 142 220

HSL 318.58, 1%, 0.78%

LAB 73.4, 52.52, -21.06

 

CMYK 0 / 37 / 6 / 0

HEX #FFA0EF

RGB 255 160 239

HSL 310.11, 1%, 0.81%

LAB 77.66, 46.52, -24.93

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 51 / 14 / 15

HEX #DA6ABB

RGB 218 106 187

HSL 316.61, 0.6%, 0.64%

LAB 60.61, 53.75, -22.53

 

CMYK 0 / 56 / 16 / 21

HEX #C958A8

RGB 201 88 168

HSL 317.52, 0.51%, 0.57%

LAB 54.26, 54.3, -21.51

 

CMYK 0 / 62 / 19 / 28

HEX #B84695

RGB 184 70 149

HSL 318.42, 0.45%, 0.5%

LAB 47.93, 54.66, -20.24

 

CMYK 0 / 69 / 22 / 35

HEX #A73482

RGB 167 52 130

HSL 319.3, 0.53%, 0.43%

LAB 41.66, 54.65, -18.6

 

CMYK 0 / 77 / 26 / 41

HEX #96226F

RGB 150 34 111

HSL 320.17, 0.63%, 0.36%

LAB 35.55, 53.99, -16.42

 

CMYK 0 / 50 / 14 / 15

HEX #DA6CBC

RGB 218 108 188

HSL 316.36, 0.6%, 0.64%

LAB 61.01, 52.94, -22.48

 

CMYK 0 / 50 / 28 / 15

HEX #DA6C9E

RGB 218 108 158

HSL 332.73, 0.6%, 0.64%

LAB 59.98, 48.59, -6.84

 

CMYK 0 / 50 / 41 / 15

HEX #DA6C80

RGB 218 108 128

HSL 349.09, 0.6%, 0.64%

LAB 59.15, 44.98, 9.33

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 50 / 14 / 15

HEX #DA6CBC

RGB 218 108 188

HSL 316.36, 0.6%, 0.64%

LAB 61.01, 52.94, -22.48

 

CMYK 0 / 50 / 0 / 15

HEX #DA6CD9

RGB 218 108 217

HSL 300.55, 0.6%, 0.64%

LAB 62.2, 57.75, -37.03

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CDA

RGB 189 108 218

HSL 284.18, 0.6%, 0.64%

LAB 58.61, 49.97, -43.49

 

CMYK 27 / 50 / 0 / 15

HEX #A06CDA

RGB 160 108 218

HSL 268.36, 0.6%, 0.64%

LAB 55.34, 42.19, -48.88

 

CMYK 40 / 50 / 0 / 15

HEX #826CDA

RGB 130 108 218

HSL 252, 0.6%, 0.64%

LAB 52.43, 34.61, -53.68

 

CMYK 0 / 50 / 14 / 15

HEX #DA6CBC

RGB 218 108 188

HSL 316.36, 0.6%, 0.64%

LAB 61.01, 52.94, -22.48

 

CMYK 0 / 60 / 17 / 9

HEX #E95DC2

RGB 233 93 194

HSL 316.71, 0.76%, 0.64%

LAB 60.82, 64.97, -26.01

 

CMYK 0 / 69 / 19 / 3

HEX #F84EC9

RGB 248 78 201

HSL 316.59, 0.92%, 0.64%

LAB 61.33, 75.58, -29.02

 

CMYK 0 / 50 / 14 / 15

HEX #DA6CBC

RGB 218 108 188

HSL 316.36, 0.6%, 0.64%

LAB 61.01, 52.94, -22.48

 

CMYK 0 / 39 / 11 / 20

HEX #CB7BB5

RGB 203 123 181

HSL 316.5, 0.43%, 0.64%

LAB 61.83, 39.4, -17.43

 

CMYK 0 / 27 / 7 / 26

HEX #BD8AAF

RGB 189 138 175

HSL 316.47, 0.28%, 0.64%

LAB 63.42, 25.42, -11.78

 

CMYK 0 / 12 / 3 / 32

HEX #AE99A8

RGB 174 153 168

HSL 317.14, 0.11%, 0.64%

LAB 65.44, 10.43, -4.98

 

CMYK 5 / 0 / 4 / 34

HEX #9FA8A1

RGB 159 168 161

HSL 133.33, 0.05%, 0.64%

LAB 67.98, -4.53, 2.51

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CDA

RGB 189 108 218

HSL 284.18, 0.6%, 0.64%

LAB 58.61, 49.97, -43.49

 

CMYK 0 / 50 / 0 / 15

HEX #DA6CDA

RGB 218 108 218

HSL 300, 0.6%, 0.64%

LAB 62.25, 57.92, -37.52

 

CMYK 0 / 50 / 13 / 15

HEX #DA6CBD

RGB 218 108 189

HSL 315.82, 0.6%, 0.64%

LAB 61.05, 53.09, -22.99

 

CMYK 0 / 50 / 27 / 15

HEX #DA6CA0

RGB 218 108 160

HSL 331.64, 0.6%, 0.64%

LAB 60.04, 48.86, -7.9

 

CMYK 0 / 50 / 40 / 15

HEX #DA6C82

RGB 218 108 130

HSL 348, 0.6%, 0.64%

LAB 59.2, 45.2, 8.24

 

CMYK 0 / 75 / 21 / 24

HEX #C3319B

RGB 195 49 155

HSL 316.44, 0.6%, 0.48%

LAB 47.19, 66.24, -24.81

 

CMYK 0 / 64 / 18 / 18

HEX #D24BAD

RGB 210 75 173

HSL 316.44, 0.6%, 0.56%

LAB 53.76, 63.19, -25.08

 

CMYK 0 / 50 / 14 / 15

HEX #DA6CBC

RGB 218 108 188

HSL 316.36, 0.6%, 0.64%

LAB 61.01, 52.94, -22.48

 

CMYK 0 / 38 / 11 / 11

HEX #E38DCB

RGB 227 141 203

HSL 316.74, 0.61%, 0.72%

LAB 69.25, 41.44, -18.27

 

CMYK 0 / 26 / 7 / 8

HEX #EBAEDA

RGB 235 174 218

HSL 316.72, 0.6%, 0.8%

LAB 77.87, 29.13, -13.43

 

CMYK 0 / 51 / 14 / 15

HEX #DA6ABB

RGB 218 106 187

HSL 316.61, 0.6%, 0.64%

LAB 60.61, 53.75, -22.53

 

CMYK 0 / 27 / 50 / 15

HEX #DAA06C

RGB 218 160 108

HSL 28.36, 0.6%, 0.64%

LAB 70.27, 15.51, 35.43

 

CMYK 50 / 0 / 6 / 15

HEX #6CDACC

RGB 108 218 204

HSL 172.36, 0.6%, 0.64%

LAB 80.57, -34.93, -2.8

 

CMYK 0 / 51 / 14 / 15

HEX #DA6ABB

RGB 218 106 187

HSL 316.61, 0.6%, 0.64%

LAB 60.61, 53.75, -22.53

 

CMYK 13 / 0 / 50 / 15

HEX #BDDA6C

RGB 189 218 108

HSL 75.82, 0.6%, 0.64%

LAB 82.94, -26.18, 50.45

 

CMYK 50 / 13 / 0 / 15

HEX #6CBDDA

RGB 108 189 218

HSL 195.82, 0.6%, 0.64%

LAB 72.66, -16.94, -22.18

 

CMYK 0 / 51 / 14 / 15

HEX #DA6ABB

RGB 218 106 187

HSL 316.61, 0.6%, 0.64%

LAB 60.61, 53.75, -22.53

 

CMYK 0 / 27 / 50 / 15

HEX #DAA06C

RGB 218 160 108

HSL 28.36, 0.6%, 0.64%

LAB 70.27, 15.51, 35.43

 

CMYK 50 / 0 / 37 / 15

HEX #6CDA89

RGB 108 218 137

HSL 135.82, 0.6%, 0.64%

LAB 79.12, -49.01, 30.44

 

CMYK 50 / 23 / 0 / 15

HEX #6CA7DA

RGB 108 167 218

HSL 207.82, 0.6%, 0.64%

LAB 66.43, -5.12, -31.74

 

CMYK 0 / 51 / 14 / 15

HEX #DA6ABB

RGB 218 106 187

HSL 316.61, 0.6%, 0.64%

LAB 60.61, 53.75, -22.53

 

CMYK 0 / 11 / 50 / 15

HEX #DAC16C

RGB 218 193 108

HSL 46.36, 0.6%, 0.64%

LAB 78.54, -2.01, 45.7

 

CMYK 50 / 0 / 37 / 15

HEX #6CDA89

RGB 108 218 137

HSL 135.82, 0.6%, 0.64%

LAB 79.12, -49.01, 30.44

 

CMYK 50 / 39 / 0 / 15

HEX #6C86DA

RGB 108 134 218

HSL 225.82, 0.6%, 0.64%

LAB 57.37, 13.92, -45.93

 

Description

Color code: HEX #DA6ABB | qconv.com Color code: HEX #DA6ABB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 106 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 106 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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