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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA690F it is the complementary color #2596F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA690F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA690F shade: #DF690A, #F07B1D, #FF8D30, #FF9F43 and #FFB156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA690F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA690F shade: #DA690F, #C95700, #B84500, #A73300 and #962100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA690F shade: #DB690F, #DB320F and #DB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA690F shade: #DB690F, #DBA00F, #DBD70F, #A7DB0F and #70DB0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA690F shade matches the following richer shades: #DB690F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA690F shade: #DB690F, #C86B22, #B56E35, #A27048 and #8F725B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA690F shade: #DB0F23, #DB310F, #DB670F, #DB9E0F and #DBD40F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA690F shade: #8E4409, #B4570C, #DB690F, #EF7E24 and #F2954A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA690F shade: #DA690F, #5ADB0F and #160FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA690F shade: #DA690F, #0FDB67 and #670FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA690F shade: #DA690F, #5ADB0F, #0F82DB and #900FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA690F shade: #DA690F, #1CDB0F, #0F82DB and #CD0FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 93 / 15

HEX #DA690F

RGB 218 105 15

HSL 26.6, 0.87%, 0.46%

LAB 57.12, 39.95, 62.53

 

Complementary color

CMYK 85 / 38 / 0 / 6

HEX #2596F0

RGB 37 150 240

HSL 206.6, 0.87%, 0.54%

LAB 60.34, 1.26, -53.62

 

CMYK 0 / 53 / 96 / 13

HEX #DF690A

RGB 223 105 10

HSL 26.76, 0.91%, 0.46%

LAB 57.86, 41.85, 64.38

 

CMYK 0 / 49 / 88 / 6

HEX #F07B1D

RGB 240 123 29

HSL 26.73, 0.88%, 0.53%

LAB 63.98, 39.8, 65.29

 

CMYK 0 / 45 / 81 / 0

HEX #FF8D30

RGB 255 141 48

HSL 26.96, 1%, 0.59%

LAB 69.84, 37.09, 64.53

 

CMYK 0 / 38 / 74 / 0

HEX #FF9F43

RGB 255 159 67

HSL 29.36, 1%, 0.63%

LAB 73.84, 28.52, 60.65

 

CMYK 0 / 31 / 66 / 0

HEX #FFB156

RGB 255 177 86

HSL 32.31, 1%, 0.67%

LAB 78.1, 20.07, 56.66

 

CMYK 0 / 52 / 93 / 15

HEX #DA690F

RGB 218 105 15

HSL 26.6, 0.87%, 0.46%

LAB 57.12, 39.95, 62.53

 

CMYK 0 / 57 / 100 / 21

HEX #C95700

RGB 201 87 0

HSL 25.97, 1%, 0.39%

LAB 50.96, 42.06, 60.46

 

CMYK 0 / 63 / 100 / 28

HEX #B84500

RGB 184 69 0

HSL 22.5, 1%, 0.36%

LAB 44.87, 44.15, 55.61

 

CMYK 0 / 69 / 100 / 35

HEX #A73300

RGB 167 51 0

HSL 18.32, 1%, 0.33%

LAB 38.87, 45.87, 50.84

 

CMYK 0 / 78 / 100 / 41

HEX #962100

RGB 150 33 0

HSL 13.2, 1%, 0.29%

LAB 33.07, 46.89, 46.01

 

CMYK 0 / 52 / 93 / 14

HEX #DB690F

RGB 219 105 15

HSL 26.47, 0.87%, 0.46%

LAB 57.27, 40.35, 62.7

 

CMYK 0 / 77 / 93 / 14

HEX #DB320F

RGB 219 50 15

HSL 10.29, 0.87%, 0.46%

LAB 48.73, 63.08, 57.12

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 52 / 93 / 14

HEX #DB690F

RGB 219 105 15

HSL 26.47, 0.87%, 0.46%

LAB 57.27, 40.35, 62.7

 

CMYK 0 / 27 / 93 / 14

HEX #DBA00F

RGB 219 160 15

HSL 42.65, 0.87%, 0.46%

LAB 69.64, 11.32, 71.49

 

CMYK 0 / 2 / 93 / 14

HEX #DBD70F

RGB 219 215 15

HSL 58.82, 0.87%, 0.46%

LAB 83.81, -17.11, 82.08

 

CMYK 24 / 0 / 93 / 14

HEX #A7DB0F

RGB 167 219 15

HSL 75.29, 0.87%, 0.46%

LAB 81.24, -40.28, 78.51

 

CMYK 49 / 0 / 93 / 14

HEX #70DB0F

RGB 112 219 15

HSL 91.47, 0.87%, 0.46%

LAB 78.54, -59.32, 75.21

 

CMYK 0 / 52 / 93 / 14

HEX #DB690F

RGB 219 105 15

HSL 26.47, 0.87%, 0.46%

LAB 57.27, 40.35, 62.7

 

CMYK 0 / 52 / 93 / 14

HEX #DB690F

RGB 219 105 15

HSL 26.47, 0.87%, 0.46%

LAB 57.27, 40.35, 62.7

 

CMYK 0 / 47 / 83 / 22

HEX #C86B22

RGB 200 107 34

HSL 26.39, 0.71%, 0.46%

LAB 54.98, 32.07, 53.81

 

CMYK 0 / 39 / 71 / 29

HEX #B56E35

RGB 181 110 53

HSL 26.72, 0.55%, 0.46%

LAB 53.2, 23.24, 42.64

 

CMYK 0 / 31 / 56 / 36

HEX #A27048

RGB 162 112 72

HSL 26.67, 0.38%, 0.46%

LAB 51.54, 15.24, 30.01

 

CMYK 0 / 20 / 36 / 44

HEX #8F725B

RGB 143 114 91

HSL 26.54, 0.22%, 0.46%

LAB 50.25, 7.98, 17.08

 

CMYK 0 / 93 / 84 / 14

HEX #DB0F23

RGB 219 15 35

HSL 354.12, 0.87%, 0.46%

LAB 46.34, 70.53, 46.94

 

CMYK 0 / 78 / 93 / 14

HEX #DB310F

RGB 219 49 15

HSL 10, 0.87%, 0.46%

LAB 48.62, 63.38, 57.05

 

CMYK 0 / 53 / 93 / 14

HEX #DB670F

RGB 219 103 15

HSL 25.88, 0.87%, 0.46%

LAB 56.88, 41.34, 62.43

 

CMYK 0 / 28 / 93 / 14

HEX #DB9E0F

RGB 219 158 15

HSL 42.06, 0.87%, 0.46%

LAB 69.15, 12.39, 71.14

 

CMYK 0 / 3 / 93 / 14

HEX #DBD40F

RGB 219 212 15

HSL 57.94, 0.87%, 0.46%

LAB 83.01, -15.63, 81.48

 

CMYK 0 / 52 / 94 / 44

HEX #8E4409

RGB 142 68 9

HSL 26.62, 0.88%, 0.3%

LAB 37.67, 28.06, 44.91

 

CMYK 0 / 52 / 93 / 29

HEX #B4570C

RGB 180 87 12

HSL 26.79, 0.88%, 0.38%

LAB 47.68, 33.87, 53.99

 

CMYK 0 / 52 / 93 / 14

HEX #DB690F

RGB 219 105 15

HSL 26.47, 0.87%, 0.46%

LAB 57.27, 40.35, 62.7

 

CMYK 0 / 47 / 85 / 6

HEX #EF7E24

RGB 239 126 36

HSL 26.6, 0.86%, 0.54%

LAB 64.48, 38.04, 63.38

 

CMYK 0 / 38 / 69 / 5

HEX #F2954A

RGB 242 149 74

HSL 26.79, 0.87%, 0.62%

LAB 70.08, 28.78, 53.05

 

CMYK 0 / 52 / 93 / 15

HEX #DA690F

RGB 218 105 15

HSL 26.6, 0.87%, 0.46%

LAB 57.12, 39.95, 62.53

 

CMYK 59 / 0 / 93 / 14

HEX #5ADB0F

RGB 90 219 15

HSL 97.94, 0.87%, 0.46%

LAB 77.8, -65.26, 74.29

 

CMYK 90 / 93 / 0 / 14

HEX #160FDB

RGB 22 15 219

HSL 242.06, 0.87%, 0.46%

LAB 28.45, 67.91, -93.81

 

CMYK 0 / 52 / 93 / 15

HEX #DA690F

RGB 218 105 15

HSL 26.6, 0.87%, 0.46%

LAB 57.12, 39.95, 62.53

 

CMYK 93 / 0 / 53 / 14

HEX #0FDB67

RGB 15 219 103

HSL 145.88, 0.87%, 0.46%

LAB 77.13, -68.81, 44.38

 

CMYK 53 / 93 / 0 / 14

HEX #670FDB

RGB 103 15 219

HSL 265.88, 0.87%, 0.46%

LAB 34.68, 71.58, -83.28

 

CMYK 0 / 52 / 93 / 15

HEX #DA690F

RGB 218 105 15

HSL 26.6, 0.87%, 0.46%

LAB 57.12, 39.95, 62.53

 

CMYK 59 / 0 / 93 / 14

HEX #5ADB0F

RGB 90 219 15

HSL 97.94, 0.87%, 0.46%

LAB 77.8, -65.26, 74.29

 

CMYK 93 / 41 / 0 / 14

HEX #0F82DB

RGB 15 130 219

HSL 206.18, 0.87%, 0.46%

LAB 53.15, 4.06, -53.4

 

CMYK 34 / 93 / 0 / 14

HEX #900FDB

RGB 144 15 219

HSL 277.94, 0.87%, 0.46%

LAB 40.22, 75.69, -73.96

 

CMYK 0 / 52 / 93 / 15

HEX #DA690F

RGB 218 105 15

HSL 26.6, 0.87%, 0.46%

LAB 57.12, 39.95, 62.53

 

CMYK 87 / 0 / 93 / 14

HEX #1CDB0F

RGB 28 219 15

HSL 116.18, 0.87%, 0.46%

LAB 76.65, -75.19, 72.87

 

CMYK 93 / 41 / 0 / 14

HEX #0F82DB

RGB 15 130 219

HSL 206.18, 0.87%, 0.46%

LAB 53.15, 4.06, -53.4

 

CMYK 6 / 93 / 0 / 14

HEX #CD0FDB

RGB 205 15 219

HSL 295.88, 0.87%, 0.46%

LAB 50.02, 84.21, -57.6

 

Description

Color code: HEX #DA690F | qconv.com Color code: HEX #DA690F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 105 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 105 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 93 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 93% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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