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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA682B it is the complementary color #2597D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA682B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA682B shade: #DF6826, #F07A39, #FF8C4C, #FF9E5F and #FFB072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA682B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA682B shade: #DA682B, #C95618, #B84405, #A73200 and #962000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA682B shade: #DA682B, #DA382B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA682B shade: #DA682B, #DA972B, #DAC62B, #BEDA2B and #8FDA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA682B shade matches the following richer shades: #DA682B and #EE6116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA682B shade: #DA682B, #C56E3F, #B17453, #9D7A67 and #89807B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA682B shade: #DA2B4E, #DA362B, #DA652B, #DA942B and #DAC22B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA682B shade: #97461B, #BA5621, #DA682B, #E0814E and #E69A71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA682B shade: #DA682B, #7CDA2B and #2B36DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA682B shade: #DA682B, #2BDA65 and #652BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA682B shade: #DA682B, #7CDA2B, #2B9FDA and #882BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA682B shade: #DA682B, #48DA2B, #2B9FDA and #BC2BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

Complementary color

CMYK 83 / 29 / 0 / 17

HEX #2597D4

RGB 37 151 212

HSL 200.91, 0.7%, 0.49%

LAB 59.23, -9.51, -39.81

 

CMYK 0 / 53 / 83 / 13

HEX #DF6826

RGB 223 104 38

HSL 21.41, 0.74%, 0.51%

LAB 57.78, 42.85, 55.99

 

CMYK 0 / 49 / 76 / 6

HEX #F07A39

RGB 240 122 57

HSL 21.31, 0.86%, 0.58%

LAB 63.95, 41.1, 54.46

 

CMYK 0 / 45 / 70 / 0

HEX #FF8C4C

RGB 255 140 76

HSL 21.45, 1%, 0.65%

LAB 69.85, 38.69, 52.33

 

CMYK 0 / 38 / 63 / 0

HEX #FF9E5F

RGB 255 158 95

HSL 23.63, 1%, 0.69%

LAB 73.89, 30.52, 47.54

 

CMYK 0 / 31 / 55 / 0

HEX #FFB072

RGB 255 176 114

HSL 26.38, 1%, 0.72%

LAB 78.18, 22.48, 43.1

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 0 / 57 / 88 / 21

HEX #C95618

RGB 201 86 24

HSL 21.02, 0.79%, 0.44%

LAB 50.85, 42.88, 54.16

 

CMYK 0 / 63 / 97 / 28

HEX #B84405

RGB 184 68 5

HSL 21.12, 0.95%, 0.37%

LAB 44.71, 44.67, 54.12

 

CMYK 0 / 70 / 100 / 35

HEX #A73200

RGB 167 50 0

HSL 17.96, 1%, 0.33%

LAB 38.72, 46.28, 50.77

 

CMYK 0 / 79 / 100 / 41

HEX #962000

RGB 150 32 0

HSL 12.8, 1%, 0.29%

LAB 32.96, 47.22, 45.94

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 0 / 74 / 80 / 15

HEX #DA382B

RGB 218 56 43

HSL 4.46, 0.7%, 0.51%

LAB 49.38, 61.47, 45.58

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 0 / 31 / 80 / 15

HEX #DA972B

RGB 218 151 43

HSL 37.03, 0.7%, 0.51%

LAB 67.44, 16.35, 62.47

 

CMYK 0 / 9 / 80 / 15

HEX #DAC62B

RGB 218 198 43

HSL 53.14, 0.7%, 0.51%

LAB 79.31, -8.42, 72.96

 

CMYK 13 / 0 / 80 / 15

HEX #BEDA2B

RGB 190 218 43

HSL 69.6, 0.7%, 0.51%

LAB 82.52, -29.99, 74.92

 

CMYK 34 / 0 / 80 / 15

HEX #8FDA2B

RGB 143 218 43

HSL 85.71, 0.7%, 0.51%

LAB 79.7, -47.97, 71.34

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 0 / 59 / 91 / 7

HEX #EE6116

RGB 238 97 22

HSL 20.83, 0.86%, 0.51%

LAB 58.77, 51.39, 63.35

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 0 / 44 / 68 / 23

HEX #C56E3F

RGB 197 110 63

HSL 21.04, 0.54%, 0.51%

LAB 55.46, 30.5, 40.65

 

CMYK 0 / 34 / 53 / 31

HEX #B17453

RGB 177 116 83

HSL 21.06, 0.38%, 0.51%

LAB 54.51, 20.38, 28

 

CMYK 0 / 22 / 34 / 38

HEX #9D7A67

RGB 157 122 103

HSL 21.11, 0.22%, 0.51%

LAB 54.1, 10.84, 15.62

 

CMYK 0 / 7 / 10 / 46

HEX #89807B

RGB 137 128 123

HSL 21.43, 0.06%, 0.51%

LAB 54.22, 2.48, 3.93

 

CMYK 0 / 80 / 64 / 15

HEX #DA2B4E

RGB 218 43 78

HSL 348, 0.7%, 0.51%

LAB 48.49, 66.76, 24.45

 

CMYK 0 / 75 / 80 / 15

HEX #DA362B

RGB 218 54 43

HSL 3.77, 0.7%, 0.51%

LAB 49.15, 62.11, 45.36

 

CMYK 0 / 54 / 80 / 15

HEX #DA652B

RGB 218 101 43

HSL 19.89, 0.7%, 0.51%

LAB 56.47, 42.56, 52.39

 

CMYK 0 / 32 / 80 / 15

HEX #DA942B

RGB 218 148 43

HSL 36, 0.7%, 0.51%

LAB 66.72, 17.96, 61.82

 

CMYK 0 / 11 / 80 / 15

HEX #DAC22B

RGB 218 194 43

HSL 51.77, 0.7%, 0.51%

LAB 78.27, -6.38, 72.05

 

CMYK 0 / 54 / 82 / 41

HEX #97461B

RGB 151 70 27

HSL 20.81, 0.7%, 0.35%

LAB 39.65, 31.25, 40.11

 

CMYK 0 / 54 / 82 / 27

HEX #BA5621

RGB 186 86 33

HSL 20.78, 0.7%, 0.43%

LAB 48.52, 37.29, 47.63

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 0 / 42 / 65 / 12

HEX #E0814E

RGB 224 129 78

HSL 20.96, 0.7%, 0.59%

LAB 63.42, 32.24, 42.96

 

CMYK 0 / 33 / 51 / 10

HEX #E69A71

RGB 230 154 113

HSL 21.03, 0.7%, 0.67%

LAB 70.26, 24.03, 33.04

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 43 / 0 / 80 / 15

HEX #7CDA2B

RGB 124 218 43

HSL 92.23, 0.7%, 0.51%

LAB 78.81, -54.36, 70.2

 

CMYK 80 / 75 / 0 / 15

HEX #2B36DA

RGB 43 54 218

HSL 236.23, 0.7%, 0.51%

LAB 34.42, 52.68, -83.28

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 80 / 0 / 54 / 15

HEX #2BDA65

RGB 43 218 101

HSL 139.89, 0.7%, 0.51%

LAB 77.04, -66.69, 45.28

 

CMYK 54 / 80 / 0 / 15

HEX #652BDA

RGB 101 43 218

HSL 259.89, 0.7%, 0.51%

LAB 37.03, 63.17, -78.82

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 43 / 0 / 80 / 15

HEX #7CDA2B

RGB 124 218 43

HSL 92.23, 0.7%, 0.51%

LAB 78.81, -54.36, 70.2

 

CMYK 80 / 27 / 0 / 15

HEX #2B9FDA

RGB 43 159 218

HSL 200.23, 0.7%, 0.51%

LAB 61.97, -11.31, -38.85

 

CMYK 38 / 80 / 0 / 15

HEX #882BDA

RGB 136 43 218

HSL 271.89, 0.7%, 0.51%

LAB 41.25, 67.8, -71.74

 

CMYK 0 / 52 / 80 / 15

HEX #DA682B

RGB 218 104 43

HSL 20.91, 0.7%, 0.51%

LAB 57.06, 41.08, 52.94

 

CMYK 67 / 0 / 80 / 15

HEX #48DA2B

RGB 72 218 43

HSL 110.06, 0.7%, 0.51%

LAB 77.1, -67.88, 68

 

CMYK 80 / 27 / 0 / 15

HEX #2B9FDA

RGB 43 159 218

HSL 200.23, 0.7%, 0.51%

LAB 61.97, -11.31, -38.85

 

CMYK 14 / 80 / 0 / 15

HEX #BC2BDA

RGB 188 43 218

HSL 289.71, 0.7%, 0.51%

LAB 48.86, 76.26, -59.04

 

Description

Color code: HEX #DA682B | qconv.com Color code: HEX #DA682B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 104 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 104 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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