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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA67C7 it is the complementary color #259838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA67C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA67C7 shade: #DF67C2, #F079D5, #FF8BE8, #FF9DFB and #FFAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA67C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA67C7 shade: #DA67C7, #C955B4, #B843A1, #A7318E and #961F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA67C7 shade: #DA67C7, #DA67A8, #DA6789, #DA676A and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA67C7 shade: #DA67C7, #CE67DA, #AF67DA, #9067DA and #7167DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA67C7 shade matches the following richer shades: #DA67C7, #E957D1 and #F848DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA67C7 shade: #DA67C7, #CA76BC, #BB85B2, #AC94A8 and #9DA49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA67C7 shade: #AE67DA, #CC67DA, #DA67C8, #DA67AA and #DA678B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA67C7 shade: #C02EA8, #D245BA, #DA67C7, #E288D3 and #EAA9DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA67C7 shade: #DA67C7, #DA8F67 and #67DABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA67C7 shade: #DA67C7, #C8DA67 and #67C8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA67C7 shade: #DA67C7, #DA8F67, #67DA78 and #67B1DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA67C7 shade: #DA67C7, #DAB167, #67DA78 and #678FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

Complementary color

CMYK 76 / 0 / 63 / 40

HEX #259838

RGB 37 152 56

HSL 129.91, 0.61%, 0.37%

LAB 55.21, -51.29, 40.66

 

CMYK 0 / 54 / 13 / 13

HEX #DF67C2

RGB 223 103 194

HSL 314.5, 0.65%, 0.64%

LAB 61.03, 57.72, -25.81

 

CMYK 0 / 50 / 11 / 6

HEX #F079D5

RGB 240 121 213

HSL 313.61, 0.8%, 0.71%

LAB 67.28, 57.14, -26.7

 

CMYK 0 / 45 / 9 / 0

HEX #FF8BE8

RGB 255 139 232

HSL 311.9, 1%, 0.77%

LAB 73.25, 55.89, -27.86

 

CMYK 0 / 38 / 2 / 0

HEX #FF9DFB

RGB 255 157 251

HSL 302.45, 1%, 0.81%

LAB 77.48, 50.11, -31.69

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 58 / 10 / 21

HEX #C955B4

RGB 201 85 180

HSL 310.86, 0.52%, 0.56%

LAB 54.25, 57.53, -28.51

 

CMYK 0 / 64 / 13 / 28

HEX #B843A1

RGB 184 67 161

HSL 311.79, 0.47%, 0.49%

LAB 47.98, 57.74, -27.31

 

CMYK 0 / 71 / 15 / 35

HEX #A7318E

RGB 167 49 142

HSL 312.71, 0.55%, 0.42%

LAB 41.79, 57.51, -25.74

 

CMYK 0 / 79 / 18 / 41

HEX #961F7B

RGB 150 31 123

HSL 313.61, 0.66%, 0.35%

LAB 35.78, 56.54, -23.61

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 53 / 23 / 15

HEX #DA67A8

RGB 218 103 168

HSL 326.09, 0.61%, 0.63%

LAB 59.37, 52.39, -13.51

 

CMYK 0 / 53 / 37 / 15

HEX #DA6789

RGB 218 103 137

HSL 342.26, 0.61%, 0.63%

LAB 58.43, 48.44, 3.06

 

CMYK 0 / 53 / 51 / 15

HEX #DA676A

RGB 218 103 106

HSL 358.43, 0.61%, 0.63%

LAB 57.7, 45.31, 20.08

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 6 / 53 / 0 / 15

HEX #CE67DA

RGB 206 103 218

HSL 293.74, 0.61%, 0.63%

LAB 59.78, 57.06, -41.5

 

CMYK 20 / 53 / 0 / 15

HEX #AF67DA

RGB 175 103 218

HSL 277.57, 0.61%, 0.63%

LAB 55.96, 48.82, -47.78

 

CMYK 34 / 53 / 0 / 15

HEX #9067DA

RGB 144 103 218

HSL 261.39, 0.61%, 0.63%

LAB 52.61, 40.9, -53.32

 

CMYK 48 / 53 / 0 / 15

HEX #7167DA

RGB 113 103 218

HSL 245.22, 0.61%, 0.63%

LAB 49.83, 33.68, -57.94

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 63 / 10 / 9

HEX #E957D1

RGB 233 87 209

HSL 309.86, 0.77%, 0.63%

LAB 60.55, 69.63, -34.94

 

CMYK 0 / 71 / 12 / 3

HEX #F848DB

RGB 248 72 219

HSL 309.89, 0.93%, 0.63%

LAB 61.4, 80.02, -39.1

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 42 / 7 / 21

HEX #CA76BC

RGB 202 118 188

HSL 310, 0.44%, 0.63%

LAB 60.91, 42.92, -22.82

 

CMYK 0 / 29 / 5 / 27

HEX #BB85B2

RGB 187 133 178

HSL 310, 0.28%, 0.63%

LAB 62.13, 28.04, -15.44

 

CMYK 0 / 14 / 2 / 33

HEX #AC94A8

RGB 172 148 168

HSL 310, 0.13%, 0.63%

LAB 63.98, 12.51, -7.16

 

CMYK 4 / 0 / 4 / 36

HEX #9DA49E

RGB 157 164 158

HSL 128.57, 0.04%, 0.63%

LAB 66.66, -3.64, 2.24

 

CMYK 20 / 53 / 0 / 15

HEX #AE67DA

RGB 174 103 218

HSL 277.04, 0.61%, 0.63%

LAB 55.85, 48.56, -47.97

 

CMYK 6 / 53 / 0 / 15

HEX #CC67DA

RGB 204 103 218

HSL 292.7, 0.61%, 0.63%

LAB 59.53, 56.52, -41.92

 

CMYK 0 / 53 / 8 / 15

HEX #DA67C8

RGB 218 103 200

HSL 309.39, 0.61%, 0.63%

LAB 60.58, 57.24, -29.96

 

CMYK 0 / 53 / 22 / 15

HEX #DA67AA

RGB 218 103 170

HSL 325.04, 0.61%, 0.63%

LAB 59.44, 52.67, -14.56

 

CMYK 0 / 53 / 36 / 15

HEX #DA678B

RGB 218 103 139

HSL 341.22, 0.61%, 0.63%

LAB 58.48, 48.67, 1.98

 

CMYK 0 / 76 / 13 / 25

HEX #C02EA8

RGB 192 46 168

HSL 309.86, 0.61%, 0.47%

LAB 46.96, 68.24, -32.95

 

CMYK 0 / 67 / 11 / 18

HEX #D245BA

RGB 210 69 186

HSL 310.21, 0.61%, 0.55%

LAB 53.5, 67.4, -33.05

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 40 / 7 / 11

HEX #E288D3

RGB 226 136 211

HSL 310, 0.61%, 0.71%

LAB 68.37, 45.07, -24.06

 

CMYK 0 / 28 / 5 / 8

HEX #EAA9DF

RGB 234 169 223

HSL 310.15, 0.61%, 0.79%

LAB 76.8, 32.33, -17.77

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 34 / 53 / 15

HEX #DA8F67

RGB 218 143 103

HSL 20.87, 0.61%, 0.63%

LAB 66.16, 24.22, 32.87

 

CMYK 53 / 0 / 13 / 15

HEX #67DABD

RGB 103 218 189

HSL 164.87, 0.61%, 0.63%

LAB 80.01, -39.61, 4.36

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 8 / 0 / 53 / 15

HEX #C8DA67

RGB 200 218 103

HSL 69.39, 0.61%, 0.63%

LAB 83.65, -22.34, 53.81

 

CMYK 53 / 8 / 0 / 15

HEX #67C8DA

RGB 103 200 218

HSL 189.39, 0.61%, 0.63%

LAB 75.61, -23.63, -17.72

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 34 / 53 / 15

HEX #DA8F67

RGB 218 143 103

HSL 20.87, 0.61%, 0.63%

LAB 66.16, 24.22, 32.87

 

CMYK 53 / 0 / 45 / 15

HEX #67DA78

RGB 103 218 120

HSL 128.87, 0.61%, 0.63%

LAB 78.68, -52.99, 38.42

 

CMYK 53 / 19 / 0 / 15

HEX #67B1DA

RGB 103 177 218

HSL 201.39, 0.61%, 0.63%

LAB 69.03, -11.69, -27.75

 

CMYK 0 / 53 / 9 / 15

HEX #DA67C7

RGB 218 103 199

HSL 309.91, 0.61%, 0.63%

LAB 60.54, 57.08, -29.46

 

CMYK 0 / 19 / 53 / 15

HEX #DAB167

RGB 218 177 103

HSL 38.61, 0.61%, 0.63%

LAB 74.4, 5.97, 43.15

 

CMYK 53 / 0 / 45 / 15

HEX #67DA78

RGB 103 218 120

HSL 128.87, 0.61%, 0.63%

LAB 78.68, -52.99, 38.42

 

CMYK 53 / 34 / 0 / 15

HEX #678FDA

RGB 103 143 218

HSL 219.13, 0.61%, 0.63%

LAB 59.52, 7.47, -42.56

 

Description

Color code: HEX #DA67C7 | qconv.com Color code: HEX #DA67C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 103 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 103 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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