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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA64C0 it is the complementary color #259B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA64C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA64C0 shade: #DF64BB, #F076CE, #FF88E1, #FF9AF4 and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA64C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA64C0 shade: #DA64C0, #C952AD, #B8409A, #A72E87 and #961C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA64C0 shade: #D963BF, #D9639F, #D9637F and #D96363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA64C0 shade: #D963BF, #D363D9, #B363D9, #9463D9 and #7463D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA64C0 shade matches the following richer shades: #D963BF, #E953C8 and #F944D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA64C0 shade: #D963BF, #CA73B6, #BA82AE, #AA92A5 and #9AA29C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA64C0 shade: #B463D9, #D363D9, #D963C0, #D963A0 and #D96381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA64C0 shade: #BC2E9D, #D142B2, #D963BF, #E184CD and #E9A5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA64C0 shade: #DA64C0, #D99463 and #63D9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA64C0 shade: #DA64C0, #C0D963 and #63C0D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA64C0 shade: #DA64C0, #D99463, #63D97D and #63A8D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA64C0 shade: #DA64C0, #D9B863, #63D97D and #6384D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 12 / 15

HEX #DA64C0

RGB 218 100 192

HSL 313.22, 0.61%, 0.62%

LAB 59.73, 57.37, -26.73

 

Complementary color

CMYK 76 / 0 / 59 / 39

HEX #259B3F

RGB 37 155 63

HSL 133.22, 0.61%, 0.38%

LAB 56.28, -51.45, 38.59

 

CMYK 0 / 55 / 16 / 13

HEX #DF64BB

RGB 223 100 187

HSL 317.56, 0.66%, 0.63%

LAB 60.24, 58.05, -23.03

 

CMYK 0 / 51 / 14 / 6

HEX #F076CE

RGB 240 118 206

HSL 316.72, 0.8%, 0.7%

LAB 66.47, 57.49, -24.03

 

CMYK 0 / 47 / 12 / 0

HEX #FF88E1

RGB 255 136 225

HSL 315.13, 1%, 0.77%

LAB 72.43, 56.24, -25.28

 

CMYK 0 / 40 / 4 / 0

HEX #FF9AF4

RGB 255 154 244

HSL 306.53, 1%, 0.8%

LAB 76.62, 50.42, -29.23

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 54 / 12 / 15

HEX #DA64C0

RGB 218 100 192

HSL 313.22, 0.61%, 0.62%

LAB 59.73, 57.37, -26.73

 

CMYK 0 / 59 / 14 / 21

HEX #C952AD

RGB 201 82 173

HSL 314.12, 0.52%, 0.55%

LAB 53.46, 57.78, -25.66

 

CMYK 0 / 65 / 16 / 28

HEX #B8409A

RGB 184 64 154

HSL 315, 0.48%, 0.49%

LAB 47.22, 57.92, -24.31

 

CMYK 0 / 72 / 19 / 35

HEX #A72E87

RGB 167 46 135

HSL 315.87, 0.57%, 0.42%

LAB 41.09, 57.58, -22.56

 

CMYK 0 / 81 / 23 / 41

HEX #961C74

RGB 150 28 116

HSL 316.72, 0.69%, 0.35%

LAB 35.15, 56.42, -20.18

 

CMYK 0 / 54 / 12 / 15

HEX #D963BF

RGB 217 99 191

HSL 313.22, 0.61%, 0.62%

LAB 59.38, 57.39, -26.72

 

CMYK 0 / 54 / 27 / 15

HEX #D9639F

RGB 217 99 159

HSL 329.49, 0.61%, 0.62%

LAB 58.21, 52.75, -10.07

 

CMYK 0 / 54 / 41 / 15

HEX #D9637F

RGB 217 99 127

HSL 345.76, 0.61%, 0.62%

LAB 57.28, 48.93, 7.23

 

CMYK 0 / 54 / 54 / 15

HEX #D96363

RGB 217 99 99

HSL 0, 0.61%, 0.62%

LAB 56.66, 46.31, 22.71

 

CMYK 0 / 54 / 12 / 15

HEX #D963BF

RGB 217 99 191

HSL 313.22, 0.61%, 0.62%

LAB 59.38, 57.39, -26.72

 

CMYK 3 / 54 / 0 / 15

HEX #D363D9

RGB 211 99 217

HSL 296.95, 0.61%, 0.62%

LAB 59.69, 60.09, -41.03

 

CMYK 18 / 54 / 0 / 15

HEX #B363D9

RGB 179 99 217

HSL 280.68, 0.61%, 0.62%

LAB 55.6, 51.71, -47.76

 

CMYK 32 / 54 / 0 / 15

HEX #9463D9

RGB 148 99 217

HSL 264.92, 0.61%, 0.62%

LAB 52.1, 43.86, -53.56

 

CMYK 47 / 54 / 0 / 15

HEX #7463D9

RGB 116 99 217

HSL 248.64, 0.61%, 0.62%

LAB 49.06, 36.41, -58.59

 

CMYK 0 / 54 / 12 / 15

HEX #D963BF

RGB 217 99 191

HSL 313.22, 0.61%, 0.62%

LAB 59.38, 57.39, -26.72

 

CMYK 0 / 64 / 14 / 9

HEX #E953C8

RGB 233 83 200

HSL 313.2, 0.77%, 0.62%

LAB 59.6, 69.88, -31.32

 

CMYK 0 / 73 / 16 / 2

HEX #F944D1

RGB 249 68 209

HSL 313.26, 0.94%, 0.62%

LAB 60.67, 80.13, -34.57

 

CMYK 0 / 54 / 12 / 15

HEX #D963BF

RGB 217 99 191

HSL 313.22, 0.61%, 0.62%

LAB 59.38, 57.39, -26.72

 

CMYK 0 / 43 / 10 / 21

HEX #CA73B6

RGB 202 115 182

HSL 313.79, 0.45%, 0.62%

LAB 60.06, 43.46, -20.69

 

CMYK 0 / 30 / 6 / 27

HEX #BA82AE

RGB 186 130 174

HSL 312.86, 0.29%, 0.62%

LAB 61.19, 28.64, -14.61

 

CMYK 0 / 14 / 3 / 33

HEX #AA92A5

RGB 170 146 165

HSL 312.5, 0.12%, 0.62%

LAB 63.19, 12.35, -6.66

 

CMYK 5 / 0 / 4 / 36

HEX #9AA29C

RGB 154 162 156

HSL 135, 0.04%, 0.62%

LAB 65.83, -4.01, 2.12

 

CMYK 17 / 54 / 0 / 15

HEX #B463D9

RGB 180 99 217

HSL 281.19, 0.61%, 0.62%

LAB 55.72, 51.97, -47.56

 

CMYK 3 / 54 / 0 / 15

HEX #D363D9

RGB 211 99 217

HSL 296.95, 0.61%, 0.62%

LAB 59.69, 60.09, -41.03

 

CMYK 0 / 54 / 12 / 15

HEX #D963C0

RGB 217 99 192

HSL 312.71, 0.61%, 0.62%

LAB 59.42, 57.54, -27.23

 

CMYK 0 / 54 / 26 / 15

HEX #D963A0

RGB 217 99 160

HSL 328.98, 0.61%, 0.62%

LAB 58.24, 52.89, -10.6

 

CMYK 0 / 54 / 41 / 15

HEX #D96381

RGB 217 99 129

HSL 344.75, 0.61%, 0.62%

LAB 57.33, 49.14, 6.13

 

CMYK 0 / 76 / 16 / 26

HEX #BC2E9D

RGB 188 46 157

HSL 313.1, 0.61%, 0.46%

LAB 45.74, 65.77, -28.35

 

CMYK 0 / 68 / 15 / 18

HEX #D142B2

RGB 209 66 178

HSL 313.01, 0.61%, 0.54%

LAB 52.58, 67.08, -29.84

 

CMYK 0 / 54 / 12 / 15

HEX #D963BF

RGB 217 99 191

HSL 313.22, 0.61%, 0.62%

LAB 59.38, 57.39, -26.72

 

CMYK 0 / 41 / 9 / 12

HEX #E184CD

RGB 225 132 205

HSL 312.9, 0.61%, 0.7%

LAB 67.22, 45.81, -22.5

 

CMYK 0 / 29 / 6 / 9

HEX #E9A5DA

RGB 233 165 218

HSL 313.24, 0.61%, 0.78%

LAB 75.64, 33.26, -16.81

 

CMYK 0 / 54 / 12 / 15

HEX #DA64C0

RGB 218 100 192

HSL 313.22, 0.61%, 0.62%

LAB 59.73, 57.37, -26.73

 

CMYK 0 / 32 / 54 / 15

HEX #D99463

RGB 217 148 99

HSL 24.92, 0.61%, 0.62%

LAB 67.15, 20.78, 36.25

 

CMYK 54 / 0 / 10 / 15

HEX #63D9C4

RGB 99 217 196

HSL 169.32, 0.61%, 0.62%

LAB 79.76, -38.32, 0.25

 

CMYK 0 / 54 / 12 / 15

HEX #DA64C0

RGB 218 100 192

HSL 313.22, 0.61%, 0.62%

LAB 59.73, 57.37, -26.73

 

CMYK 12 / 0 / 54 / 15

HEX #C0D963

RGB 192 217 99

HSL 72.71, 0.61%, 0.62%

LAB 82.77, -25.36, 54.47

 

CMYK 54 / 12 / 0 / 15

HEX #63C0D9

RGB 99 192 217

HSL 192.71, 0.61%, 0.62%

LAB 73.13, -20.68, -20.95

 

CMYK 0 / 54 / 12 / 15

HEX #DA64C0

RGB 218 100 192

HSL 313.22, 0.61%, 0.62%

LAB 59.73, 57.37, -26.73

 

CMYK 0 / 32 / 54 / 15

HEX #D99463

RGB 217 148 99

HSL 24.92, 0.61%, 0.62%

LAB 67.15, 20.78, 36.25

 

CMYK 54 / 0 / 42 / 15

HEX #63D97D

RGB 99 217 125

HSL 133.22, 0.61%, 0.62%

LAB 78.32, -52.81, 35.43

 

CMYK 54 / 23 / 0 / 15

HEX #63A8D9

RGB 99 168 217

HSL 204.92, 0.61%, 0.62%

LAB 66.27, -7.95, -31.48

 

CMYK 0 / 54 / 12 / 15

HEX #DA64C0

RGB 218 100 192

HSL 313.22, 0.61%, 0.62%

LAB 59.73, 57.37, -26.73

 

CMYK 0 / 15 / 54 / 15

HEX #D9B863

RGB 217 184 99

HSL 43.22, 0.61%, 0.62%

LAB 76.03, 1.52, 47.08

 

CMYK 54 / 0 / 42 / 15

HEX #63D97D

RGB 99 217 125

HSL 133.22, 0.61%, 0.62%

LAB 78.32, -52.81, 35.43

 

CMYK 54 / 39 / 0 / 15

HEX #6384D9

RGB 99 132 217

HSL 223.22, 0.61%, 0.62%

LAB 56.25, 12.81, -47.17

 

Description

Color code: HEX #DA64C0 | qconv.com Color code: HEX #DA64C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 100 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 100 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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