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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA64B5 it is the complementary color #259B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA64B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA64B5 shade: #DF64B0, #F076C3, #FF88D6, #FF9AE9 and #FFACFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA64B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA64B5 shade: #DA64B5, #C952A2, #B8408F, #A72E7C and #961C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA64B5 shade: #D963B4, #D96394, #D96374 and #D96363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA64B5 shade: #D963B4, #D963D4, #BF63D9, #9F63D9 and #7F63D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA64B5 shade matches the following richer shades: #D963B4, #E953BA and #F944C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA64B5 shade: #D963B4, #CA73AE, #BA82A8, #AA92A3 and #9AA29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA64B5 shade: #BE63D9, #D963D5, #D963B6, #D96396 and #D96377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA64B5 shade: #BC2E8F, #D142A4, #D963B4, #E184C4 and #E9A5D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA64B5 shade: #DA64B5, #D99E63 and #63D9CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA64B5 shade: #DA64B5, #B6D963 and #63B6D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA64B5 shade: #DA64B5, #D99E63, #63D986 and #639ED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA64B5 shade: #DA64B5, #D9C263, #63D986 and #637BD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 17 / 15

HEX #DA64B5

RGB 218 100 181

HSL 318.81, 0.61%, 0.62%

LAB 59.3, 55.69, -21.1

 

Complementary color

CMYK 76 / 0 / 52 / 39

HEX #259B4A

RGB 37 155 74

HSL 138.81, 0.61%, 0.38%

LAB 56.42, -49.85, 33.28

 

CMYK 0 / 55 / 21 / 13

HEX #DF64B0

RGB 223 100 176

HSL 322.93, 0.66%, 0.63%

LAB 59.83, 56.45, -17.35

 

CMYK 0 / 51 / 19 / 6

HEX #F076C3

RGB 240 118 195

HSL 322.13, 0.8%, 0.7%

LAB 66.08, 55.85, -18.46

 

CMYK 0 / 47 / 16 / 0

HEX #FF88D6

RGB 255 136 214

HSL 320.67, 1%, 0.77%

LAB 72.04, 54.56, -19.81

 

CMYK 0 / 40 / 9 / 0

HEX #FF9AE9

RGB 255 154 233

HSL 313.07, 1%, 0.8%

LAB 76.23, 48.58, -23.86

 

CMYK 0 / 33 / 1 / 0

HEX #FFACFC

RGB 255 172 252

HSL 302.17, 1%, 0.84%

LAB 80.62, 42.59, -27.41

 

CMYK 0 / 54 / 17 / 15

HEX #DA64B5

RGB 218 100 181

HSL 318.81, 0.61%, 0.62%

LAB 59.3, 55.69, -21.1

 

CMYK 0 / 59 / 19 / 21

HEX #C952A2

RGB 201 82 162

HSL 319.66, 0.52%, 0.55%

LAB 53.02, 56.15, -19.91

 

CMYK 0 / 65 / 22 / 28

HEX #B8408F

RGB 184 64 143

HSL 320.5, 0.48%, 0.49%

LAB 46.76, 56.35, -18.43

 

CMYK 0 / 72 / 26 / 35

HEX #A72E7C

RGB 167 46 124

HSL 321.32, 0.57%, 0.42%

LAB 40.61, 56.08, -16.51

 

CMYK 0 / 81 / 30 / 41

HEX #961C69

RGB 150 28 105

HSL 322.13, 0.69%, 0.35%

LAB 34.67, 55.02, -13.95

 

CMYK 0 / 54 / 17 / 15

HEX #D963B4

RGB 217 99 180

HSL 318.81, 0.61%, 0.62%

LAB 58.95, 55.71, -21.08

 

CMYK 0 / 54 / 32 / 15

HEX #D96394

RGB 217 99 148

HSL 335.08, 0.61%, 0.62%

LAB 57.86, 51.34, -4.19

 

CMYK 0 / 54 / 47 / 15

HEX #D96374

RGB 217 99 116

HSL 351.36, 0.61%, 0.62%

LAB 57.01, 47.82, 13.29

 

CMYK 0 / 54 / 54 / 15

HEX #D96363

RGB 217 99 99

HSL 0, 0.61%, 0.62%

LAB 56.66, 46.31, 22.71

 

CMYK 0 / 54 / 17 / 15

HEX #D963B4

RGB 217 99 180

HSL 318.81, 0.61%, 0.62%

LAB 58.95, 55.71, -21.08

 

CMYK 0 / 54 / 2 / 15

HEX #D963D4

RGB 217 99 212

HSL 302.54, 0.61%, 0.62%

LAB 60.27, 60.82, -37.24

 

CMYK 12 / 54 / 0 / 15

HEX #BF63D9

RGB 191 99 217

HSL 286.78, 0.61%, 0.62%

LAB 57.08, 54.84, -45.32

 

CMYK 27 / 54 / 0 / 15

HEX #9F63D9

RGB 159 99 217

HSL 270.51, 0.61%, 0.62%

LAB 53.28, 46.6, -51.6

 

CMYK 41 / 54 / 0 / 15

HEX #7F63D9

RGB 127 99 217

HSL 254.24, 0.61%, 0.62%

LAB 50.03, 38.86, -56.98

 

CMYK 0 / 54 / 17 / 15

HEX #D963B4

RGB 217 99 180

HSL 318.81, 0.61%, 0.62%

LAB 58.95, 55.71, -21.08

 

CMYK 0 / 64 / 20 / 9

HEX #E953BA

RGB 233 83 186

HSL 318.8, 0.77%, 0.62%

LAB 59.03, 67.92, -24.2

 

CMYK 0 / 73 / 23 / 2

HEX #F944C0

RGB 249 68 192

HSL 318.9, 0.94%, 0.62%

LAB 59.96, 77.95, -25.98

 

CMYK 0 / 54 / 17 / 15

HEX #D963B4

RGB 217 99 180

HSL 318.81, 0.61%, 0.62%

LAB 58.95, 55.71, -21.08

 

CMYK 0 / 43 / 14 / 21

HEX #CA73AE

RGB 202 115 174

HSL 319.31, 0.45%, 0.62%

LAB 59.77, 42.14, -16.56

 

CMYK 0 / 30 / 10 / 27

HEX #BA82A8

RGB 186 130 168

HSL 319.29, 0.29%, 0.62%

LAB 60.99, 27.57, -11.49

 

CMYK 0 / 14 / 4 / 33

HEX #AA92A3

RGB 170 146 163

HSL 317.5, 0.12%, 0.62%

LAB 63.13, 11.98, -5.62

 

CMYK 5 / 0 / 3 / 36

HEX #9AA29D

RGB 154 162 157

HSL 142.5, 0.04%, 0.62%

LAB 65.86, -3.81, 1.6

 

CMYK 12 / 54 / 0 / 15

HEX #BE63D9

RGB 190 99 217

HSL 286.27, 0.61%, 0.62%

LAB 56.96, 54.58, -45.53

 

CMYK 0 / 54 / 2 / 15

HEX #D963D5

RGB 217 99 213

HSL 302.03, 0.61%, 0.62%

LAB 60.32, 60.99, -37.74

 

CMYK 0 / 54 / 16 / 15

HEX #D963B6

RGB 217 99 182

HSL 317.8, 0.61%, 0.62%

LAB 59.02, 56.01, -22.11

 

CMYK 0 / 54 / 31 / 15

HEX #D96396

RGB 217 99 150

HSL 334.07, 0.61%, 0.62%

LAB 57.92, 51.59, -5.27

 

CMYK 0 / 54 / 45 / 15

HEX #D96377

RGB 217 99 119

HSL 349.83, 0.61%, 0.62%

LAB 57.08, 48.11, 11.64

 

CMYK 0 / 76 / 24 / 26

HEX #BC2E8F

RGB 188 46 143

HSL 319.01, 0.61%, 0.46%

LAB 45.12, 63.9, -20.89

 

CMYK 0 / 68 / 22 / 18

HEX #D142A4

RGB 209 66 164

HSL 318.88, 0.61%, 0.54%

LAB 51.99, 65.15, -22.56

 

CMYK 0 / 54 / 17 / 15

HEX #D963B4

RGB 217 99 180

HSL 318.81, 0.61%, 0.62%

LAB 58.95, 55.71, -21.08

 

CMYK 0 / 41 / 13 / 12

HEX #E184C4

RGB 225 132 196

HSL 318.71, 0.61%, 0.7%

LAB 66.9, 44.33, -17.95

 

CMYK 0 / 29 / 9 / 9

HEX #E9A5D4

RGB 233 165 212

HSL 318.53, 0.61%, 0.78%

LAB 75.44, 32.23, -13.82

 

CMYK 0 / 54 / 17 / 15

HEX #DA64B5

RGB 218 100 181

HSL 318.81, 0.61%, 0.62%

LAB 59.3, 55.69, -21.1

 

CMYK 0 / 27 / 54 / 15

HEX #D99E63

RGB 217 158 99

HSL 30, 0.61%, 0.62%

LAB 69.55, 15.39, 39.22

 

CMYK 54 / 0 / 6 / 15

HEX #63D9CD

RGB 99 217 205

HSL 173.9, 0.61%, 0.62%

LAB 80, -36.08, -4.2

 

CMYK 0 / 54 / 17 / 15

HEX #DA64B5

RGB 218 100 181

HSL 318.81, 0.61%, 0.62%

LAB 59.3, 55.69, -21.1

 

CMYK 16 / 0 / 54 / 15

HEX #B6D963

RGB 182 217 99

HSL 77.8, 0.61%, 0.62%

LAB 82.09, -29.24, 53.51

 

CMYK 54 / 16 / 0 / 15

HEX #63B6D9

RGB 99 182 217

HSL 197.8, 0.61%, 0.62%

LAB 70.26, -15.49, -25.33

 

CMYK 0 / 54 / 17 / 15

HEX #DA64B5

RGB 218 100 181

HSL 318.81, 0.61%, 0.62%

LAB 59.3, 55.69, -21.1

 

CMYK 0 / 27 / 54 / 15

HEX #D99E63

RGB 217 158 99

HSL 30, 0.61%, 0.62%

LAB 69.55, 15.39, 39.22

 

CMYK 54 / 0 / 38 / 15

HEX #63D986

RGB 99 217 134

HSL 137.8, 0.61%, 0.62%

LAB 78.46, -51.32, 31.05

 

CMYK 54 / 27 / 0 / 15

HEX #639ED9

RGB 99 158 217

HSL 210, 0.61%, 0.62%

LAB 63.44, -2.37, -35.87

 

CMYK 0 / 54 / 17 / 15

HEX #DA64B5

RGB 218 100 181

HSL 318.81, 0.61%, 0.62%

LAB 59.3, 55.69, -21.1

 

CMYK 0 / 11 / 54 / 15

HEX #D9C263

RGB 217 194 99

HSL 48.31, 0.61%, 0.62%

LAB 78.6, -3.7, 50.12

 

CMYK 54 / 0 / 38 / 15

HEX #63D986

RGB 99 217 134

HSL 137.8, 0.61%, 0.62%

LAB 78.46, -51.32, 31.05

 

CMYK 54 / 43 / 0 / 15

HEX #637BD9

RGB 99 123 217

HSL 227.8, 0.61%, 0.62%

LAB 53.84, 18.25, -51

 

Description

Color code: HEX #DA64B5 | qconv.com Color code: HEX #DA64B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 100 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 100 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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