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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA62A8 it is the complementary color #259D57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA62A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA62A8 shade: #DF62A3, #F074B6, #FF86C9, #FF98DC and #FFAAEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA62A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA62A8 shade: #DA62A8, #C95095, #B83E82, #A72C6F and #961A5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA62A8 shade: #DA62A8, #DA6287, #DA6267 and #DA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA62A8 shade: #DA62A8, #DA62C8, #CB62DA, #AB62DA and #8A62DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA62A8 shade matches the following richer shades: #DA62A8, #E952AA and #F942AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA62A8 shade: #DA62A8, #CA71A5, #BA81A2, #AB91A0 and #9BA09D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA62A8 shade: #CC62DA, #DA62C8, #DA62A8, #DA6288 and #DA6268

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA62A8 shade: #BD2C80, #D24095, #DA62A8, #E283BA and #E9A4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA62A8 shade: #DA62A8, #DAAC62 and #62D8DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA62A8 shade: #DA62A8, #A8DA62 and #62A8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA62A8 shade: #DA62A8, #DAAC62, #62DA94 and #6290DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA62A8 shade: #DA62A8, #DAD062, #62DA94 and #626CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

Complementary color

CMYK 76 / 0 / 45 / 38

HEX #259D57

RGB 37 157 87

HSL 145, 0.62%, 0.38%

LAB 57.27, -48.39, 27.55

 

CMYK 0 / 56 / 27 / 13

HEX #DF62A3

RGB 223 98 163

HSL 328.8, 0.66%, 0.63%

LAB 59.04, 55.61, -11.06

 

CMYK 0 / 52 / 24 / 6

HEX #F074B6

RGB 240 116 182

HSL 328.06, 0.81%, 0.7%

LAB 65.27, 54.98, -12.33

 

CMYK 0 / 47 / 21 / 0

HEX #FF86C9

RGB 255 134 201

HSL 326.78, 1%, 0.76%

LAB 71.23, 53.65, -13.83

 

CMYK 0 / 40 / 14 / 0

HEX #FF98DC

RGB 255 152 220

HSL 320.39, 1%, 0.8%

LAB 75.38, 47.51, -18.05

 

CMYK 0 / 33 / 6 / 0

HEX #FFAAEF

RGB 255 170 239

HSL 311.29, 1%, 0.83%

LAB 79.75, 41.37, -21.75

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 60 / 26 / 21

HEX #C95095

RGB 201 80 149

HSL 325.79, 0.53%, 0.55%

LAB 52.2, 55.23, -13.48

 

CMYK 0 / 66 / 29 / 28

HEX #B83E82

RGB 184 62 130

HSL 326.56, 0.5%, 0.48%

LAB 45.97, 55.44, -11.77

 

CMYK 0 / 74 / 34 / 35

HEX #A72C6F

RGB 167 44 111

HSL 327.32, 0.58%, 0.41%

LAB 39.86, 55.17, -9.58

 

CMYK 0 / 83 / 39 / 41

HEX #961A5C

RGB 150 26 92

HSL 328.06, 0.7%, 0.35%

LAB 33.97, 54.07, -6.66

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 55 / 38 / 15

HEX #DA6287

RGB 218 98 135

HSL 341.5, 0.62%, 0.62%

LAB 57.45, 50.61, 2.82

 

CMYK 0 / 55 / 53 / 15

HEX #DA6267

RGB 218 98 103

HSL 357.5, 0.62%, 0.62%

LAB 56.7, 47.48, 20.47

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 7 / 55 / 0 / 15

HEX #CB62DA

RGB 203 98 218

HSL 292.5, 0.62%, 0.62%

LAB 58.5, 58.65, -43.54

 

CMYK 22 / 55 / 0 / 15

HEX #AB62DA

RGB 171 98 218

HSL 276.5, 0.62%, 0.62%

LAB 54.51, 50.39, -50.13

 

CMYK 37 / 55 / 0 / 15

HEX #8A62DA

RGB 138 98 218

HSL 260, 0.62%, 0.62%

LAB 50.92, 42.26, -56.06

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 65 / 27 / 9

HEX #E952AA

RGB 233 82 170

HSL 325.03, 0.77%, 0.62%

LAB 58.28, 66.24, -16.1

 

CMYK 0 / 73 / 31 / 2

HEX #F942AD

RGB 249 66 173

HSL 324.92, 0.94%, 0.62%

LAB 59.02, 76.33, -16.47

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 44 / 18 / 21

HEX #CA71A5

RGB 202 113 165

HSL 324.94, 0.46%, 0.62%

LAB 59.05, 41.76, -12.48

 

CMYK 0 / 31 / 13 / 27

HEX #BA81A2

RGB 186 129 162

HSL 325.26, 0.29%, 0.62%

LAB 60.56, 27.09, -8.7

 

CMYK 0 / 15 / 6 / 33

HEX #AB91A0

RGB 171 145 160

HSL 325.38, 0.13%, 0.62%

LAB 62.88, 12.35, -4.28

 

CMYK 3 / 0 / 2 / 37

HEX #9BA09D

RGB 155 160 157

HSL 144, 0.03%, 0.62%

LAB 65.39, -2.36, 0.93

 

CMYK 6 / 55 / 0 / 15

HEX #CC62DA

RGB 204 98 218

HSL 293, 0.62%, 0.62%

LAB 58.63, 58.91, -43.32

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 55 / 38 / 15

HEX #DA6288

RGB 218 98 136

HSL 341, 0.62%, 0.62%

LAB 57.48, 50.72, 2.28

 

CMYK 0 / 55 / 52 / 15

HEX #DA6268

RGB 218 98 104

HSL 357, 0.62%, 0.62%

LAB 56.72, 47.56, 19.92

 

CMYK 0 / 77 / 32 / 26

HEX #BD2C80

RGB 189 44 128

HSL 325.24, 0.62%, 0.46%

LAB 44.49, 62.95, -12.71

 

CMYK 0 / 70 / 29 / 18

HEX #D24095

RGB 210 64 149

HSL 325.07, 0.62%, 0.54%

LAB 51.31, 64.23, -14.69

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 42 / 18 / 11

HEX #E283BA

RGB 226 131 186

HSL 325.26, 0.62%, 0.7%

LAB 66.48, 43.61, -12.96

 

CMYK 0 / 30 / 12 / 9

HEX #E9A4CD

RGB 233 164 205

HSL 324.35, 0.61%, 0.78%

LAB 75, 31.6, -10.66

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 21 / 55 / 15

HEX #DAAC62

RGB 218 172 98

HSL 37, 0.62%, 0.62%

LAB 73.08, 8.21, 44.07

 

CMYK 55 / 1 / 0 / 15

HEX #62D8DA

RGB 98 216 218

HSL 181, 0.62%, 0.62%

LAB 80.05, -32.42, -11.07

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 23 / 0 / 55 / 15

HEX #A8DA62

RGB 168 218 98

HSL 85, 0.62%, 0.62%

LAB 81.48, -35.09, 53.03

 

CMYK 55 / 23 / 0 / 15

HEX #62A8DA

RGB 98 168 218

HSL 205, 0.62%, 0.62%

LAB 66.26, -7.85, -32.04

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 21 / 55 / 15

HEX #DAAC62

RGB 218 172 98

HSL 37, 0.62%, 0.62%

LAB 73.08, 8.21, 44.07

 

CMYK 55 / 0 / 32 / 15

HEX #62DA94

RGB 98 218 148

HSL 145, 0.62%, 0.62%

LAB 78.97, -49.43, 24.5

 

CMYK 55 / 34 / 0 / 15

HEX #6290DA

RGB 98 144 218

HSL 217, 0.62%, 0.62%

LAB 59.53, 5.8, -42.55

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A8

RGB 218 98 168

HSL 325, 0.62%, 0.62%

LAB 58.48, 54.75, -14.86

 

CMYK 0 / 5 / 55 / 15

HEX #DAD062

RGB 218 208 98

HSL 55, 0.62%, 0.62%

LAB 82.32, -10.53, 54.93

 

CMYK 55 / 0 / 32 / 15

HEX #62DA94

RGB 98 218 148

HSL 145, 0.62%, 0.62%

LAB 78.97, -49.43, 24.5

 

CMYK 55 / 50 / 0 / 15

HEX #626CDA

RGB 98 108 218

HSL 235, 0.62%, 0.62%

LAB 49.96, 27.52, -57.79

 

Description

Color code: HEX #DA62A8 | qconv.com Color code: HEX #DA62A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 98 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 98 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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