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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6251 it is the complementary color #259DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6251 shade: #DF624C, #F0745F, #FF8672, #FF9885 and #FFAA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6251 shade: #DA6251, #C9503E, #B83E2B, #A72C18 and #961A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6251 shade: #DA6352 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6251 shade: #DA6352, #DA8852, #DAAD52, #DAD152 and #BFDA52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6251 shade matches the following richer shades: #DA6352, #EB5742 and #FC4A31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6251 shade: #DA6352, #C97063, #B97D74, #A88A85 and #979696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6251 shade: #DA528B, #DA5267, #DA6252, #DA8752 and #DAAB52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6251 shade: #B43826, #D34530, #DA6352, #E28275 and #E9A197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6251 shade: #DA6251, #AFDA52 and #5279DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6251 shade: #DA6251, #52DA62 and #6252DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6251 shade: #DA6251, #AFDA52, #52CBDA and #7E52DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6251 shade: #DA6251, #87DA52, #52CBDA and #A652DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 63 / 15

HEX #DA6251

RGB 218 98 81

HSL 7.45, 0.65%, 0.59%

LAB 56.32, 45.85, 32.6

 

Complementary color

CMYK 79 / 10 / 0 / 32

HEX #259DAE

RGB 37 157 174

HSL 187.45, 0.65%, 0.41%

LAB 59.49, -25.74, -18.02

 

CMYK 0 / 56 / 66 / 13

HEX #DF624C

RGB 223 98 76

HSL 8.98, 0.7%, 0.59%

LAB 57.02, 47.36, 36.42

 

CMYK 0 / 52 / 60 / 6

HEX #F0745F

RGB 240 116 95

HSL 8.69, 0.83%, 0.66%

LAB 63.21, 46.08, 34.11

 

CMYK 0 / 47 / 55 / 0

HEX #FF8672

RGB 255 134 114

HSL 8.51, 1%, 0.72%

LAB 69.13, 44.09, 31.65

 

CMYK 0 / 40 / 48 / 0

HEX #FF9885

RGB 255 152 133

HSL 9.34, 1%, 0.76%

LAB 73.16, 36.6, 26.59

 

CMYK 0 / 33 / 40 / 0

HEX #FFAA98

RGB 255 170 152

HSL 10.49, 1%, 0.8%

LAB 77.45, 29.17, 22.1

 

CMYK 0 / 55 / 63 / 15

HEX #DA6251

RGB 218 98 81

HSL 7.45, 0.65%, 0.59%

LAB 56.32, 45.85, 32.6

 

CMYK 0 / 60 / 69 / 21

HEX #C9503E

RGB 201 80 62

HSL 7.77, 0.56%, 0.52%

LAB 50.1, 47.09, 35.16

 

CMYK 0 / 66 / 77 / 28

HEX #B83E2B

RGB 184 62 43

HSL 8.09, 0.62%, 0.45%

LAB 43.96, 48.2, 38.05

 

CMYK 0 / 74 / 86 / 35

HEX #A72C18

RGB 167 44 24

HSL 8.39, 0.75%, 0.37%

LAB 37.99, 49.01, 41.08

 

CMYK 0 / 83 / 97 / 41

HEX #961A05

RGB 150 26 5

HSL 8.69, 0.94%, 0.3%

LAB 32.33, 49.11, 43.5

 

CMYK 0 / 55 / 62 / 15

HEX #DA6352

RGB 218 99 82

HSL 7.5, 0.65%, 0.59%

LAB 56.52, 45.43, 32.29

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 55 / 62 / 15

HEX #DA6352

RGB 218 99 82

HSL 7.5, 0.65%, 0.59%

LAB 56.52, 45.43, 32.29

 

CMYK 0 / 38 / 62 / 15

HEX #DA8852

RGB 218 136 82

HSL 23.82, 0.65%, 0.59%

LAB 64.26, 26.36, 41.68

 

CMYK 0 / 21 / 62 / 15

HEX #DAAD52

RGB 218 173 82

HSL 40.15, 0.65%, 0.59%

LAB 73.16, 6.5, 51.93

 

CMYK 0 / 4 / 62 / 15

HEX #DAD152

RGB 218 209 82

HSL 56.03, 0.65%, 0.59%

LAB 82.44, -12.16, 62.09

 

CMYK 12 / 0 / 62 / 15

HEX #BFDA52

RGB 191 218 82

HSL 71.91, 0.65%, 0.59%

LAB 82.82, -27.56, 61.89

 

CMYK 0 / 55 / 62 / 15

HEX #DA6352

RGB 218 99 82

HSL 7.5, 0.65%, 0.59%

LAB 56.52, 45.43, 32.29

 

CMYK 0 / 63 / 72 / 8

HEX #EB5742

RGB 235 87 66

HSL 7.46, 0.81%, 0.59%

LAB 56.95, 56, 42.3

 

CMYK 0 / 71 / 81 / 1

HEX #FC4A31

RGB 252 74 49

HSL 7.39, 0.97%, 0.59%

LAB 57.86, 65.91, 52.91

 

CMYK 0 / 55 / 62 / 15

HEX #DA6352

RGB 218 99 82

HSL 7.5, 0.65%, 0.59%

LAB 56.52, 45.43, 32.29

 

CMYK 0 / 44 / 51 / 21

HEX #C97063

RGB 201 112 99

HSL 7.65, 0.49%, 0.59%

LAB 56.98, 33.73, 22.73

 

CMYK 0 / 32 / 37 / 27

HEX #B97D74

RGB 185 125 116

HSL 7.83, 0.33%, 0.59%

LAB 58.27, 22.18, 14.39

 

CMYK 0 / 18 / 21 / 34

HEX #A88A85

RGB 168 138 133

HSL 8.57, 0.17%, 0.59%

LAB 60.06, 10.55, 6.94

 

CMYK 0 / 1 / 1 / 41

HEX #979696

RGB 151 150 150

HSL 0, 0%, 0.59%

LAB 62.16, 0.37, 0.12

 

CMYK 0 / 62 / 36 / 15

HEX #DA528B

RGB 218 82 139

HSL 334.85, 0.65%, 0.59%

LAB 54.87, 58.26, -3.3

 

CMYK 0 / 62 / 53 / 15

HEX #DA5267

RGB 218 82 103

HSL 350.74, 0.65%, 0.59%

LAB 53.94, 54.78, 16.72

 

CMYK 0 / 55 / 62 / 15

HEX #DA6252

RGB 218 98 82

HSL 7.06, 0.65%, 0.59%

LAB 56.34, 45.91, 32.06

 

CMYK 0 / 38 / 62 / 15

HEX #DA8752

RGB 218 135 82

HSL 23.38, 0.65%, 0.59%

LAB 64.03, 26.89, 41.41

 

CMYK 0 / 22 / 62 / 15

HEX #DAAB52

RGB 218 171 82

HSL 39.26, 0.65%, 0.59%

LAB 72.65, 7.56, 51.36

 

CMYK 0 / 69 / 79 / 29

HEX #B43826

RGB 180 56 38

HSL 7.61, 0.65%, 0.43%

LAB 42.26, 49.14, 38.77

 

CMYK 0 / 67 / 77 / 17

HEX #D34530

RGB 211 69 48

HSL 7.73, 0.65%, 0.51%

LAB 49.88, 54.66, 43.05

 

CMYK 0 / 55 / 62 / 15

HEX #DA6352

RGB 218 99 82

HSL 7.5, 0.65%, 0.59%

LAB 56.52, 45.43, 32.29

 

CMYK 0 / 42 / 48 / 11

HEX #E28275

RGB 226 130 117

HSL 7.16, 0.65%, 0.67%

LAB 64.5, 35.54, 23.17

 

CMYK 0 / 31 / 35 / 9

HEX #E9A197

RGB 233 161 151

HSL 7.32, 0.65%, 0.75%

LAB 72.92, 25.48, 16.01

 

CMYK 0 / 55 / 63 / 15

HEX #DA6251

RGB 218 98 81

HSL 7.45, 0.65%, 0.59%

LAB 56.32, 45.85, 32.6

 

CMYK 20 / 0 / 62 / 15

HEX #AFDA52

RGB 175 218 82

HSL 78.97, 0.65%, 0.59%

LAB 81.77, -33.81, 60.44

 

CMYK 62 / 44 / 0 / 15

HEX #5279DA

RGB 82 121 218

HSL 222.79, 0.65%, 0.59%

LAB 52.43, 16.49, -53.87

 

CMYK 0 / 55 / 63 / 15

HEX #DA6251

RGB 218 98 81

HSL 7.45, 0.65%, 0.59%

LAB 56.32, 45.85, 32.6

 

CMYK 62 / 0 / 55 / 15

HEX #52DA62

RGB 82 218 98

HSL 127.06, 0.65%, 0.59%

LAB 77.77, -60.9, 47.73

 

CMYK 55 / 62 / 0 / 15

HEX #6252DA

RGB 98 82 218

HSL 247.06, 0.65%, 0.59%

LAB 43.79, 43.16, -67.77

 

CMYK 0 / 55 / 63 / 15

HEX #DA6251

RGB 218 98 81

HSL 7.45, 0.65%, 0.59%

LAB 56.32, 45.85, 32.6

 

CMYK 20 / 0 / 62 / 15

HEX #AFDA52

RGB 175 218 82

HSL 78.97, 0.65%, 0.59%

LAB 81.77, -33.81, 60.44

 

CMYK 62 / 7 / 0 / 15

HEX #52CBDA

RGB 82 203 218

HSL 186.62, 0.65%, 0.59%

LAB 75.8, -29.01, -17.5

 

CMYK 42 / 62 / 0 / 15

HEX #7E52DA

RGB 126 82 218

HSL 259.41, 0.65%, 0.59%

LAB 46.35, 48.47, -63.49

 

CMYK 0 / 55 / 63 / 15

HEX #DA6251

RGB 218 98 81

HSL 7.45, 0.65%, 0.59%

LAB 56.32, 45.85, 32.6

 

CMYK 38 / 0 / 62 / 15

HEX #87DA52

RGB 135 218 82

HSL 96.62, 0.65%, 0.59%

LAB 79.56, -48.17, 57.39

 

CMYK 62 / 7 / 0 / 15

HEX #52CBDA

RGB 82 203 218

HSL 186.62, 0.65%, 0.59%

LAB 75.8, -29.01, -17.5

 

CMYK 24 / 62 / 0 / 15

HEX #A652DA

RGB 166 82 218

HSL 277.06, 0.65%, 0.59%

LAB 50.92, 57.17, -55.89

 

Description

Color code: HEX #DA6251 | qconv.com Color code: HEX #DA6251 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 98 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 98 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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