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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA61C8 it is the complementary color #259E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA61C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA61C8 shade: #DF61C3, #F073D6, #FF85E9, #FF97FC and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA61C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA61C8 shade: #DA61C8, #C94FB5, #B83DA2, #A72B8F and #96197C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA61C8 shade: #DA62C8, #DA62A7, #DA6287, #DA6267 and #DA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA61C8 shade: #DA62C8, #CB62DA, #AB62DA, #8A62DA and #6A62DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA61C8 shade matches the following richer shades: #DA62C8, #E952D3 and #F942DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA61C8 shade: #DA62C8, #CA71BD, #BA81B2, #AB91A7 and #9BA09C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA61C8 shade: #AA62DA, #CA62DA, #DA62CA, #DA62AA and #DA628A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA61C8 shade: #BD2CA7, #D240BC, #DA62C8, #E283D3 and #E9A4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA61C8 shade: #DA61C8, #DA8A62 and #62DABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA61C8 shade: #DA61C8, #CADA62 and #62CADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA61C8 shade: #DA61C8, #DA8A62, #62DA72 and #62B2DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA61C8 shade: #DA61C8, #DAAE62, #62DA72 and #628EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 8 / 15

HEX #DA61C8

RGB 218 97 200

HSL 308.93, 0.62%, 0.62%

LAB 59.55, 60.01, -31.57

 

Complementary color

CMYK 77 / 0 / 65 / 38

HEX #259E37

RGB 37 158 55

HSL 128.93, 0.62%, 0.38%

LAB 57.19, -53.47, 43.34

 

CMYK 0 / 57 / 13 / 13

HEX #DF61C3

RGB 223 97 195

HSL 313.33, 0.66%, 0.63%

LAB 60.05, 60.62, -27.89

 

CMYK 0 / 52 / 11 / 6

HEX #F073D6

RGB 240 115 214

HSL 312.48, 0.81%, 0.7%

LAB 66.25, 60.13, -28.85

 

CMYK 0 / 48 / 9 / 0

HEX #FF85E9

RGB 255 133 233

HSL 310.82, 1%, 0.76%

LAB 72.17, 58.95, -30.07

 

CMYK 0 / 41 / 1 / 0

HEX #FF97FC

RGB 255 151 252

HSL 301.73, 1%, 0.8%

LAB 76.33, 53.31, -34.01

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 56 / 8 / 15

HEX #DA61C8

RGB 218 97 200

HSL 308.93, 0.62%, 0.62%

LAB 59.55, 60.01, -31.57

 

CMYK 0 / 61 / 10 / 21

HEX #C94FB5

RGB 201 79 181

HSL 309.84, 0.53%, 0.55%

LAB 53.33, 60.33, -30.52

 

CMYK 0 / 67 / 12 / 28

HEX #B83DA2

RGB 184 61 162

HSL 310.73, 0.5%, 0.48%

LAB 47.15, 60.31, -29.19

 

CMYK 0 / 74 / 14 / 35

HEX #A72B8F

RGB 167 43 143

HSL 311.61, 0.59%, 0.41%

LAB 41.1, 59.75, -27.42

 

CMYK 0 / 83 / 17 / 41

HEX #96197C

RGB 150 25 124

HSL 312.48, 0.71%, 0.34%

LAB 35.27, 58.29, -25.03

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 0 / 55 / 23 / 15

HEX #DA62A7

RGB 218 98 167

HSL 325.5, 0.62%, 0.62%

LAB 58.44, 54.61, -14.34

 

CMYK 0 / 55 / 38 / 15

HEX #DA6287

RGB 218 98 135

HSL 341.5, 0.62%, 0.62%

LAB 57.45, 50.61, 2.82

 

CMYK 0 / 55 / 53 / 15

HEX #DA6267

RGB 218 98 103

HSL 357.5, 0.62%, 0.62%

LAB 56.7, 47.48, 20.47

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 7 / 55 / 0 / 15

HEX #CB62DA

RGB 203 98 218

HSL 292.5, 0.62%, 0.62%

LAB 58.5, 58.65, -43.54

 

CMYK 22 / 55 / 0 / 15

HEX #AB62DA

RGB 171 98 218

HSL 276.5, 0.62%, 0.62%

LAB 54.51, 50.39, -50.13

 

CMYK 37 / 55 / 0 / 15

HEX #8A62DA

RGB 138 98 218

HSL 260, 0.62%, 0.62%

LAB 50.92, 42.26, -56.06

 

CMYK 51 / 55 / 0 / 15

HEX #6A62DA

RGB 106 98 218

HSL 244, 0.62%, 0.62%

LAB 48.09, 35.2, -60.78

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 0 / 65 / 9 / 9

HEX #E952D3

RGB 233 82 211

HSL 308.74, 0.77%, 0.62%

LAB 59.94, 71.87, -37.03

 

CMYK 0 / 73 / 11 / 2

HEX #F942DE

RGB 249 66 222

HSL 308.85, 0.94%, 0.62%

LAB 61.05, 82.5, -41.32

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 0 / 44 / 6 / 21

HEX #CA71BD

RGB 202 113 189

HSL 308.76, 0.46%, 0.62%

LAB 59.93, 45.7, -24.9

 

CMYK 0 / 31 / 4 / 27

HEX #BA81B2

RGB 186 129 178

HSL 308.42, 0.29%, 0.62%

LAB 61.09, 29.92, -17.02

 

CMYK 0 / 15 / 2 / 33

HEX #AB91A7

RGB 171 145 167

HSL 309.23, 0.13%, 0.62%

LAB 63.09, 13.65, -7.93

 

CMYK 3 / 0 / 2 / 37

HEX #9BA09C

RGB 155 160 156

HSL 132, 0.03%, 0.62%

LAB 65.37, -2.56, 1.45

 

CMYK 22 / 55 / 0 / 15

HEX #AA62DA

RGB 170 98 218

HSL 276, 0.62%, 0.62%

LAB 54.39, 50.14, -50.32

 

CMYK 7 / 55 / 0 / 15

HEX #CA62DA

RGB 202 98 218

HSL 292, 0.62%, 0.62%

LAB 58.37, 58.39, -43.76

 

CMYK 0 / 55 / 7 / 15

HEX #DA62CA

RGB 218 98 202

HSL 308, 0.62%, 0.62%

LAB 59.8, 59.88, -32.31

 

CMYK 0 / 55 / 22 / 15

HEX #DA62AA

RGB 218 98 170

HSL 324, 0.62%, 0.62%

LAB 58.55, 55.03, -15.91

 

CMYK 0 / 55 / 37 / 15

HEX #DA628A

RGB 218 98 138

HSL 340, 0.62%, 0.62%

LAB 57.54, 50.95, 1.19

 

CMYK 0 / 77 / 12 / 26

HEX #BD2CA7

RGB 189 44 167

HSL 309.1, 0.62%, 0.46%

LAB 46.19, 68.01, -33.6

 

CMYK 0 / 70 / 10 / 18

HEX #D240BC

RGB 210 64 188

HSL 309.04, 0.62%, 0.54%

LAB 52.95, 69.49, -35.07

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 0 / 42 / 7 / 11

HEX #E283D3

RGB 226 131 211

HSL 309.47, 0.62%, 0.7%

LAB 67.36, 47.64, -25.62

 

CMYK 0 / 30 / 4 / 9

HEX #E9A4DF

RGB 233 164 223

HSL 308.7, 0.61%, 0.78%

LAB 75.58, 34.66, -19.63

 

CMYK 0 / 56 / 8 / 15

HEX #DA61C8

RGB 218 97 200

HSL 308.93, 0.62%, 0.62%

LAB 59.55, 60.01, -31.57

 

CMYK 0 / 37 / 55 / 15

HEX #DA8A62

RGB 218 138 98

HSL 20, 0.62%, 0.62%

LAB 64.93, 26.48, 34.02

 

CMYK 55 / 0 / 15 / 15

HEX #62DABA

RGB 98 218 186

HSL 164, 0.62%, 0.62%

LAB 79.78, -41.37, 5.59

 

CMYK 0 / 56 / 8 / 15

HEX #DA61C8

RGB 218 97 200

HSL 308.93, 0.62%, 0.62%

LAB 59.55, 60.01, -31.57

 

CMYK 7 / 0 / 55 / 15

HEX #CADA62

RGB 202 218 98

HSL 68, 0.62%, 0.62%

LAB 83.75, -21.97, 56.23

 

CMYK 55 / 7 / 0 / 15

HEX #62CADA

RGB 98 202 218

HSL 188, 0.62%, 0.62%

LAB 76.01, -25.64, -17.14

 

CMYK 0 / 56 / 8 / 15

HEX #DA61C8

RGB 218 97 200

HSL 308.93, 0.62%, 0.62%

LAB 59.55, 60.01, -31.57

 

CMYK 0 / 37 / 55 / 15

HEX #DA8A62

RGB 218 138 98

HSL 20, 0.62%, 0.62%

LAB 64.93, 26.48, 34.02

 

CMYK 55 / 0 / 48 / 15

HEX #62DA72

RGB 98 218 114

HSL 128, 0.62%, 0.62%

LAB 78.44, -55.11, 41.03

 

CMYK 55 / 18 / 0 / 15

HEX #62B2DA

RGB 98 178 218

HSL 200, 0.62%, 0.62%

LAB 69.11, -13.28, -27.65

 

CMYK 0 / 56 / 8 / 15

HEX #DA61C8

RGB 218 97 200

HSL 308.93, 0.62%, 0.62%

LAB 59.55, 60.01, -31.57

 

CMYK 0 / 20 / 55 / 15

HEX #DAAE62

RGB 218 174 98

HSL 38, 0.62%, 0.62%

LAB 73.58, 7.15, 44.67

 

CMYK 55 / 0 / 48 / 15

HEX #62DA72

RGB 98 218 114

HSL 128, 0.62%, 0.62%

LAB 78.44, -55.11, 41.03

 

CMYK 55 / 35 / 0 / 15

HEX #628EDA

RGB 98 142 218

HSL 218, 0.62%, 0.62%

LAB 58.98, 6.97, -43.42

 

Description

Color code: HEX #DA61C8 | qconv.com Color code: HEX #DA61C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 97 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 97 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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