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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA60B3 it is the complementary color #259F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA60B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA60B3 shade: #DF60AE, #F072C1, #FF84D4, #FF96E7 and #FFA8FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA60B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA60B3 shade: #DA60B3, #C94EA0, #B83C8D, #A72A7A and #961867

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA60B3 shade: #DA62B4, #DA6293, #DA6273 and #DA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA60B3 shade: #DA62B4, #DA62D4, #C062DA, #9F62DA and #7F62DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA60B3 shade matches the following richer shades: #DA62B4, #EA52B9 and #FA43BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA60B3 shade: #DA62B4, #CA72AE, #BB81A8, #AB91A3 and #9BA19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA60B3 shade: #C062DA, #DA62D4, #DA62B4, #DA6294 and #DA6274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA60B3 shade: #BD2C8F, #D241A4, #DA62B4, #E283C4 and #EAA5D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA60B3 shade: #DA60B3, #DAA062 and #62DAD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA60B3 shade: #DA60B3, #B4DA62 and #62B4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA60B3 shade: #DA60B3, #DAA062, #62DA88 and #629CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA60B3 shade: #DA60B3, #DAC462, #62DA88 and #6278DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 18 / 15

HEX #DA60B3

RGB 218 96 179

HSL 319.18, 0.62%, 0.62%

LAB 58.53, 57.24, -21.12

 

Complementary color

CMYK 77 / 0 / 52 / 38

HEX #259F4C

RGB 37 159 76

HSL 139.18, 0.62%, 0.38%

LAB 57.76, -50.99, 33.92

 

CMYK 0 / 57 / 22 / 13

HEX #DF60AE

RGB 223 96 174

HSL 323.15, 0.66%, 0.63%

LAB 59.08, 58, -17.35

 

CMYK 0 / 53 / 20 / 6

HEX #F072C1

RGB 240 114 193

HSL 322.38, 0.81%, 0.69%

LAB 65.29, 57.46, -18.53

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 41 / 9 / 0

HEX #FF96E7

RGB 255 150 231

HSL 313.71, 1%, 0.79%

LAB 75.35, 50.27, -24.1

 

CMYK 0 / 34 / 2 / 0

HEX #FFA8FA

RGB 255 168 250

HSL 303.45, 1%, 0.83%

LAB 79.71, 44.3, -27.73

 

CMYK 0 / 56 / 18 / 15

HEX #DA60B3

RGB 218 96 179

HSL 319.18, 0.62%, 0.62%

LAB 58.53, 57.24, -21.12

 

CMYK 0 / 61 / 20 / 21

HEX #C94EA0

RGB 201 78 160

HSL 320, 0.53%, 0.55%

LAB 52.29, 57.62, -19.84

 

CMYK 0 / 67 / 23 / 28

HEX #B83C8D

RGB 184 60 141

HSL 320.81, 0.51%, 0.48%

LAB 46.1, 57.68, -18.23

 

CMYK 0 / 75 / 27 / 35

HEX #A72A7A

RGB 167 42 122

HSL 321.6, 0.6%, 0.41%

LAB 40.04, 57.2, -16.15

 

CMYK 0 / 84 / 31 / 41

HEX #961867

RGB 150 24 103

HSL 322.38, 0.72%, 0.34%

LAB 34.22, 55.82, -13.35

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 55 / 47 / 15

HEX #DA6273

RGB 218 98 115

HSL 351.5, 0.62%, 0.62%

LAB 56.96, 48.55, 13.82

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 55 / 3 / 15

HEX #DA62D4

RGB 218 98 212

HSL 303, 0.62%, 0.62%

LAB 60.24, 61.54, -37.28

 

CMYK 12 / 55 / 0 / 15

HEX #C062DA

RGB 192 98 218

HSL 287, 0.62%, 0.62%

LAB 57.08, 55.79, -45.88

 

CMYK 27 / 55 / 0 / 15

HEX #9F62DA

RGB 159 98 218

HSL 270.5, 0.62%, 0.62%

LAB 53.13, 47.37, -52.4

 

CMYK 42 / 55 / 0 / 15

HEX #7F62DA

RGB 127 98 218

HSL 254.5, 0.62%, 0.62%

LAB 49.87, 39.72, -57.81

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 65 / 21 / 8

HEX #EA52B9

RGB 234 82 185

HSL 319.34, 0.78%, 0.62%

LAB 59, 68.44, -23.65

 

CMYK 0 / 73 / 24 / 2

HEX #FA43BF

RGB 250 67 191

HSL 319.34, 0.95%, 0.62%

LAB 59.98, 78.37, -25.37

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 44 / 14 / 21

HEX #CA72AE

RGB 202 114 174

HSL 319.09, 0.45%, 0.62%

LAB 59.57, 42.66, -16.87

 

CMYK 0 / 31 / 10 / 27

HEX #BB81A8

RGB 187 129 168

HSL 319.66, 0.3%, 0.62%

LAB 60.86, 28.48, -11.66

 

CMYK 0 / 15 / 5 / 33

HEX #AB91A3

RGB 171 145 163

HSL 318.46, 0.13%, 0.62%

LAB 62.97, 12.9, -5.85

 

CMYK 4 / 0 / 2 / 37

HEX #9BA19D

RGB 155 161 157

HSL 140, 0.03%, 0.62%

LAB 65.66, -2.91, 1.33

 

CMYK 12 / 55 / 0 / 15

HEX #C062DA

RGB 192 98 218

HSL 287, 0.62%, 0.62%

LAB 57.08, 55.79, -45.88

 

CMYK 0 / 55 / 3 / 15

HEX #DA62D4

RGB 218 98 212

HSL 303, 0.62%, 0.62%

LAB 60.24, 61.54, -37.28

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 55 / 32 / 15

HEX #DA6294

RGB 218 98 148

HSL 335, 0.62%, 0.62%

LAB 57.83, 52.14, -4.22

 

CMYK 0 / 55 / 47 / 15

HEX #DA6274

RGB 218 98 116

HSL 351, 0.62%, 0.62%

LAB 56.98, 48.64, 13.27

 

CMYK 0 / 77 / 24 / 26

HEX #BD2C8F

RGB 189 44 143

HSL 319.03, 0.62%, 0.46%

LAB 45.09, 64.75, -20.93

 

CMYK 0 / 69 / 22 / 18

HEX #D241A4

RGB 210 65 164

HSL 319.03, 0.62%, 0.54%

LAB 52.02, 65.77, -22.49

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 42 / 13 / 11

HEX #E283C4

RGB 226 131 196

HSL 318.95, 0.62%, 0.7%

LAB 66.81, 45.17, -18.07

 

CMYK 0 / 29 / 9 / 8

HEX #EAA5D4

RGB 234 165 212

HSL 319.13, 0.62%, 0.78%

LAB 75.55, 32.57, -13.66

 

CMYK 0 / 56 / 18 / 15

HEX #DA60B3

RGB 218 96 179

HSL 319.18, 0.62%, 0.62%

LAB 58.53, 57.24, -21.12

 

CMYK 0 / 27 / 55 / 15

HEX #DAA062

RGB 218 160 98

HSL 31, 0.62%, 0.62%

LAB 70.13, 14.64, 40.48

 

CMYK 55 / 0 / 5 / 15

HEX #62DAD0

RGB 98 218 208

HSL 175, 0.62%, 0.62%

LAB 80.34, -35.98, -5.3

 

CMYK 0 / 56 / 18 / 15

HEX #DA60B3

RGB 218 96 179

HSL 319.18, 0.62%, 0.62%

LAB 58.53, 57.24, -21.12

 

CMYK 17 / 0 / 55 / 15

HEX #B4DA62

RGB 180 218 98

HSL 79, 0.62%, 0.62%

LAB 82.23, -30.57, 54.09

 

CMYK 55 / 17 / 0 / 15

HEX #62B4DA

RGB 98 180 218

HSL 199, 0.62%, 0.62%

LAB 69.68, -14.34, -26.77

 

CMYK 0 / 56 / 18 / 15

HEX #DA60B3

RGB 218 96 179

HSL 319.18, 0.62%, 0.62%

LAB 58.53, 57.24, -21.12

 

CMYK 0 / 27 / 55 / 15

HEX #DAA062

RGB 218 160 98

HSL 31, 0.62%, 0.62%

LAB 70.13, 14.64, 40.48

 

CMYK 55 / 0 / 38 / 15

HEX #62DA88

RGB 98 218 136

HSL 139, 0.62%, 0.62%

LAB 78.76, -51.61, 30.42

 

CMYK 55 / 28 / 0 / 15

HEX #629CDA

RGB 98 156 218

HSL 211, 0.62%, 0.62%

LAB 62.87, -1.13, -37.31

 

CMYK 0 / 56 / 18 / 15

HEX #DA60B3

RGB 218 96 179

HSL 319.18, 0.62%, 0.62%

LAB 58.53, 57.24, -21.12

 

CMYK 0 / 10 / 55 / 15

HEX #DAC462

RGB 218 196 98

HSL 49, 0.62%, 0.62%

LAB 79.19, -4.4, 51.31

 

CMYK 55 / 0 / 38 / 15

HEX #62DA88

RGB 98 218 136

HSL 139, 0.62%, 0.62%

LAB 78.76, -51.61, 30.42

 

CMYK 55 / 45 / 0 / 15

HEX #6278DA

RGB 98 120 218

HSL 229, 0.62%, 0.62%

LAB 53.05, 20.18, -52.83

 

Description

Color code: HEX #DA60B3 | qconv.com Color code: HEX #DA60B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 96 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 96 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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