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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5FE7 it is the complementary color #25A018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5FE7 shade: #DF5FE2, #F071F5, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5FE7 shade: #DA5FE7, #C94DD4, #B83BC1, #A729AE and #96179B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5FE7 shade: #DA5FE7, #E75FCF, #E75FAB, #E75F86 and #E75F62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5FE7 shade: #DA5FE7, #B55FE7, #915FE7, #6C5FE7 and #5F5FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5FE7 shade matches the following richer shades: #DA5FE7 and #E650F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5FE7 shade: #DA5FE7, #CE6ED8, #C27DC9, #B68CBB and #AA9BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5FE7 shade: #915FE7, #B55FE7, #DA5FE7, #E75FD0 and #E75FAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5FE7 shade: #C320D4, #D23BE2, #DA5FE7, #E283EC and #EBA7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5FE7 shade: #DA5FE7, #E76D5F and #5FE7A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5FE7 shade: #DA5FE7, #E7DA5F and #5FE7DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5FE7 shade: #DA5FE7, #E76D5F, #6DE75F and #5FDAE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5FE7 shade: #DA5FE7, #E7965F, #6DE75F and #5FB1E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

Complementary color

CMYK 77 / 0 / 85 / 37

HEX #25A018

RGB 37 160 24

HSL 114.26, 0.74%, 0.36%

LAB 57.66, -56.62, 54.93

 

CMYK 1 / 58 / 0 / 11

HEX #DF5FE2

RGB 223 95 226

HSL 298.63, 0.69%, 0.63%

LAB 61.1, 66.53, -43.76

 

CMYK 2 / 54 / 0 / 4

HEX #F071F5

RGB 240 113 245

HSL 297.73, 0.87%, 0.7%

LAB 67.22, 66.16, -44.51

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 5 / 64 / 0 / 17

HEX #C94DD4

RGB 201 77 212

HSL 295.11, 0.61%, 0.57%

LAB 54.53, 66.34, -46.44

 

CMYK 5 / 69 / 0 / 24

HEX #B83BC1

RGB 184 59 193

HSL 295.97, 0.53%, 0.49%

LAB 48.47, 66.12, -45.31

 

CMYK 4 / 76 / 0 / 32

HEX #A729AE

RGB 167 41 174

HSL 296.84, 0.62%, 0.42%

LAB 42.55, 65.28, -43.76

 

CMYK 3 / 85 / 0 / 39

HEX #96179B

RGB 150 23 155

HSL 297.73, 0.74%, 0.35%

LAB 36.86, 63.47, -41.62

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 0 / 59 / 10 / 9

HEX #E75FCF

RGB 231 95 207

HSL 310.59, 0.74%, 0.64%

LAB 61.38, 65.51, -32.55

 

CMYK 0 / 59 / 26 / 9

HEX #E75FAB

RGB 231 95 171

HSL 326.47, 0.74%, 0.64%

LAB 59.99, 60.4, -14.12

 

CMYK 0 / 59 / 42 / 9

HEX #E75F86

RGB 231 95 134

HSL 342.79, 0.74%, 0.64%

LAB 58.88, 56.12, 5.71

 

CMYK 0 / 59 / 58 / 9

HEX #E75F62

RGB 231 95 98

HSL 358.68, 0.74%, 0.64%

LAB 58.09, 52.99, 25.57

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 22 / 59 / 0 / 9

HEX #B55FE7

RGB 181 95 231

HSL 277.94, 0.74%, 0.64%

LAB 55.86, 57.19, -55.21

 

CMYK 37 / 59 / 0 / 9

HEX #915FE7

RGB 145 95 231

HSL 262.06, 0.74%, 0.64%

LAB 51.81, 48.89, -61.94

 

CMYK 53 / 59 / 0 / 9

HEX #6C5FE7

RGB 108 95 231

HSL 245.74, 0.74%, 0.64%

LAB 48.44, 41.32, -67.55

 

CMYK 59 / 59 / 0 / 9

HEX #5F5FE7

RGB 95 95 231

HSL 240, 0.74%, 0.64%

LAB 47.48, 39.02, -69.16

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 7 / 67 / 0 / 4

HEX #E650F6

RGB 230 80 246

HSL 294.22, 0.9%, 0.64%

LAB 60.97, 77.53, -55.05

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 5 / 49 / 0 / 15

HEX #CE6ED8

RGB 206 110 216

HSL 294.34, 0.58%, 0.64%

LAB 60.99, 53.26, -38.49

 

CMYK 3 / 38 / 0 / 21

HEX #C27DC9

RGB 194 125 201

HSL 294.47, 0.41%, 0.64%

LAB 61.96, 39.06, -28.64

 

CMYK 3 / 25 / 0 / 27

HEX #B68CBB

RGB 182 140 187

HSL 293.62, 0.26%, 0.64%

LAB 63.58, 24.15, -18.38

 

CMYK 1 / 10 / 0 / 33

HEX #AA9BAC

RGB 170 155 172

HSL 292.94, 0.09%, 0.64%

LAB 65.72, 8.65, -6.84

 

CMYK 37 / 59 / 0 / 9

HEX #915FE7

RGB 145 95 231

HSL 262.06, 0.74%, 0.64%

LAB 51.81, 48.89, -61.94

 

CMYK 22 / 59 / 0 / 9

HEX #B55FE7

RGB 181 95 231

HSL 277.94, 0.74%, 0.64%

LAB 55.86, 57.19, -55.21

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 0 / 59 / 10 / 9

HEX #E75FD0

RGB 231 95 208

HSL 310.15, 0.74%, 0.64%

LAB 61.42, 65.66, -33.05

 

CMYK 0 / 59 / 26 / 9

HEX #E75FAC

RGB 231 95 172

HSL 326.03, 0.74%, 0.64%

LAB 60.03, 60.53, -14.65

 

CMYK 8 / 85 / 0 / 17

HEX #C320D4

RGB 195 32 212

HSL 294.33, 0.74%, 0.48%

LAB 48.75, 78.98, -55.73

 

CMYK 7 / 74 / 0 / 11

HEX #D23BE2

RGB 210 59 226

HSL 294.25, 0.74%, 0.56%

LAB 54.37, 77.14, -54.56

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 4 / 44 / 0 / 7

HEX #E283EC

RGB 226 131 236

HSL 294.29, 0.73%, 0.72%

LAB 68.36, 52.09, -37.92

 

CMYK 3 / 31 / 0 / 5

HEX #EBA7F2

RGB 235 167 242

HSL 294.4, 0.74%, 0.8%

LAB 77.11, 37.16, -27.59

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 0 / 53 / 59 / 9

HEX #E76D5F

RGB 231 109 95

HSL 6.18, 0.74%, 0.64%

LAB 60.56, 46.2, 30.48

 

CMYK 59 / 0 / 29 / 9

HEX #5FE7A3

RGB 95 231 163

HSL 150, 0.74%, 0.64%

LAB 83.04, -52.47, 22.26

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 0 / 6 / 59 / 9

HEX #E7DA5F

RGB 231 218 95

HSL 54.26, 0.74%, 0.64%

LAB 85.99, -10.46, 60.69

 

CMYK 59 / 0 / 6 / 9

HEX #5FE7DA

RGB 95 231 218

HSL 174.26, 0.74%, 0.64%

LAB 84.3, -39.91, -4.78

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 0 / 53 / 59 / 9

HEX #E76D5F

RGB 231 109 95

HSL 6.18, 0.74%, 0.64%

LAB 60.56, 46.2, 30.48

 

CMYK 53 / 0 / 59 / 9

HEX #6DE75F

RGB 109 231 95

HSL 113.82, 0.74%, 0.64%

LAB 82.5, -59.66, 54.83

 

CMYK 59 / 6 / 0 / 9

HEX #5FDAE7

RGB 95 218 231

HSL 185.74, 0.74%, 0.64%

LAB 80.93, -30.39, -16.7

 

CMYK 6 / 59 / 0 / 9

HEX #DA5FE7

RGB 218 95 231

HSL 294.26, 0.74%, 0.64%

LAB 60.66, 66.17, -47.3

 

CMYK 0 / 35 / 59 / 9

HEX #E7965F

RGB 231 150 95

HSL 24.26, 0.74%, 0.64%

LAB 69.2, 25.1, 41.24

 

CMYK 53 / 0 / 59 / 9

HEX #6DE75F

RGB 109 231 95

HSL 113.82, 0.74%, 0.64%

LAB 82.5, -59.66, 54.83

 

CMYK 59 / 23 / 0 / 9

HEX #5FB1E7

RGB 95 177 231

HSL 203.82, 0.74%, 0.64%

LAB 69.22, -9.39, -34.6

 

Description

Color code: HEX #DA5FE7 | qconv.com Color code: HEX #DA5FE7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 95 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 95 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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