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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5D7E it is the complementary color #25A281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5D7E shade: #DF5D79, #F06F8C, #FF819F, #FF93B2 and #FFA5C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5D7E shade: #DA5D7E, #C94B6B, #B83958, #A72745 and #961532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5D7E shade: #DA5C7D and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5D7E shade: #DA5C7D, #DA5C9F, #DA5CC1, #D15CDA and #AF5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5D7E shade matches the following richer shades: #DA5C7D, #EA4C76 and #FA3C6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5D7E shade: #DA5C7D, #CA6C85, #BA7D8D, #A98D94 and #999D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5D7E shade: #DA5CC1, #DA5C9F, #DA5C7E, #DA5C5C and #DA7E5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5D7E shade: #BA2A50, #D23B63, #DA5C7D, #E17E98 and #E9A0B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5D7E shade: #DA5D7E, #DAD15C and #5CB0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5D7E shade: #DA5D7E, #7EDA5C and #5C7EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5D7E shade: #DA5D7E, #DAD15C, #5CDAB8 and #5C65DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5D7E shade: #DA5D7E, #BCDA5C, #5CDAB8 and #7A5CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 42 / 15

HEX #DA5D7E

RGB 218 93 126

HSL 344.16, 0.63%, 0.61%

LAB 56.33, 51.98, 6.48

 

Complementary color

CMYK 77 / 0 / 20 / 36

HEX #25A281

RGB 37 162 129

HSL 164.16, 0.63%, 0.39%

LAB 59.72, -41.16, 7.75

 

CMYK 0 / 58 / 46 / 13

HEX #DF5D79

RGB 223 93 121

HSL 347.08, 0.67%, 0.62%

LAB 56.98, 53.14, 10.44

 

CMYK 0 / 54 / 42 / 6

HEX #F06F8C

RGB 240 111 140

HSL 346.51, 0.81%, 0.69%

LAB 63.17, 52.33, 8.55

 

CMYK 0 / 49 / 38 / 0

HEX #FF819F

RGB 255 129 159

HSL 345.71, 1%, 0.75%

LAB 69.09, 50.78, 6.51

 

CMYK 0 / 42 / 30 / 0

HEX #FF93B2

RGB 255 147 178

HSL 342.78, 1%, 0.79%

LAB 73.12, 44.1, 1.73

 

CMYK 0 / 35 / 23 / 0

HEX #FFA5C5

RGB 255 165 197

HSL 338.67, 1%, 0.82%

LAB 77.4, 37.41, -2.46

 

CMYK 0 / 57 / 42 / 15

HEX #DA5D7E

RGB 218 93 126

HSL 344.16, 0.63%, 0.61%

LAB 56.33, 51.98, 6.48

 

CMYK 0 / 63 / 47 / 21

HEX #C94B6B

RGB 201 75 107

HSL 344.76, 0.54%, 0.54%

LAB 50.11, 52.64, 8.57

 

CMYK 0 / 69 / 52 / 28

HEX #B83958

RGB 184 57 88

HSL 345.35, 0.53%, 0.47%

LAB 43.98, 53.03, 11.15

 

CMYK 0 / 77 / 59 / 35

HEX #A72745

RGB 167 39 69

HSL 345.94, 0.62%, 0.4%

LAB 38.01, 52.9, 14.39

 

CMYK 0 / 86 / 67 / 41

HEX #961532

RGB 150 21 50

HSL 346.51, 0.75%, 0.34%

LAB 32.37, 51.88, 18.56

 

CMYK 0 / 58 / 43 / 15

HEX #DA5C7D

RGB 218 92 125

HSL 344.29, 0.63%, 0.61%

LAB 56.13, 52.34, 6.78

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 43 / 15

HEX #DA5C7D

RGB 218 92 125

HSL 344.29, 0.63%, 0.61%

LAB 56.13, 52.34, 6.78

 

CMYK 0 / 58 / 27 / 15

HEX #DA5C9F

RGB 218 92 159

HSL 328.1, 0.63%, 0.61%

LAB 57.14, 56.3, -11.66

 

CMYK 0 / 58 / 11 / 15

HEX #DA5CC1

RGB 218 92 193

HSL 311.9, 0.63%, 0.61%

LAB 58.42, 61.15, -29.32

 

CMYK 4 / 58 / 0 / 15

HEX #D15CDA

RGB 209 92 218

HSL 295.71, 0.63%, 0.61%

LAB 58.29, 62.94, -43.82

 

CMYK 20 / 58 / 0 / 15

HEX #AF5CDA

RGB 175 92 218

HSL 279.52, 0.63%, 0.61%

LAB 53.85, 54.43, -51.15

 

CMYK 0 / 58 / 43 / 15

HEX #DA5C7D

RGB 218 92 125

HSL 344.29, 0.63%, 0.61%

LAB 56.13, 52.34, 6.78

 

CMYK 0 / 68 / 50 / 8

HEX #EA4C76

RGB 234 76 118

HSL 344.05, 0.79%, 0.61%

LAB 56.06, 63.43, 11.18

 

CMYK 0 / 76 / 56 / 2

HEX #FA3C6E

RGB 250 60 110

HSL 344.21, 0.95%, 0.61%

LAB 56.76, 72.73, 17.33

 

CMYK 0 / 58 / 43 / 15

HEX #DA5C7D

RGB 218 92 125

HSL 344.29, 0.63%, 0.61%

LAB 56.13, 52.34, 6.78

 

CMYK 0 / 47 / 34 / 21

HEX #CA6C85

RGB 202 108 133

HSL 344.04, 0.47%, 0.61%

LAB 57.05, 39.9, 3.12

 

CMYK 0 / 33 / 24 / 27

HEX #BA7D8D

RGB 186 125 141

HSL 344.26, 0.31%, 0.61%

LAB 59, 25.96, 1.06

 

CMYK 0 / 17 / 12 / 34

HEX #A98D94

RGB 169 141 148

HSL 345, 0.14%, 0.61%

LAB 61.33, 11.72, 0.23

 

CMYK 3 / 0 / 1 / 38

HEX #999D9C

RGB 153 157 156

HSL 165, 0.02%, 0.61%

LAB 64.39, -1.63, 0.01

 

CMYK 0 / 58 / 11 / 15

HEX #DA5CC1

RGB 218 92 193

HSL 311.9, 0.63%, 0.61%

LAB 58.42, 61.15, -29.32

 

CMYK 0 / 58 / 27 / 15

HEX #DA5C9F

RGB 218 92 159

HSL 328.1, 0.63%, 0.61%

LAB 57.14, 56.3, -11.66

 

CMYK 0 / 58 / 42 / 15

HEX #DA5C7E

RGB 218 92 126

HSL 343.81, 0.63%, 0.61%

LAB 56.15, 52.44, 6.23

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 42 / 58 / 15

HEX #DA7E5C

RGB 218 126 92

HSL 16.19, 0.63%, 0.61%

LAB 62.17, 32.4, 33.8

 

CMYK 0 / 77 / 57 / 27

HEX #BA2A50

RGB 186 42 80

HSL 344.17, 0.63%, 0.45%

LAB 42.27, 58.26, 13.83

 

CMYK 0 / 72 / 53 / 18

HEX #D23B63

RGB 210 59 99

HSL 344.11, 0.63%, 0.53%

LAB 49.17, 61.02, 12.32

 

CMYK 0 / 58 / 43 / 15

HEX #DA5C7D

RGB 218 92 125

HSL 344.29, 0.63%, 0.61%

LAB 56.13, 52.34, 6.78

 

CMYK 0 / 44 / 32 / 12

HEX #E17E98

RGB 225 126 152

HSL 344.24, 0.62%, 0.69%

LAB 64.32, 41.11, 3.08

 

CMYK 0 / 31 / 23 / 9

HEX #E9A0B3

RGB 233 160 179

HSL 344.38, 0.62%, 0.77%

LAB 73.36, 29.72, 1.22

 

CMYK 0 / 57 / 42 / 15

HEX #DA5D7E

RGB 218 93 126

HSL 344.16, 0.63%, 0.61%

LAB 56.33, 51.98, 6.48

 

CMYK 0 / 4 / 58 / 15

HEX #DAD15C

RGB 218 209 92

HSL 55.71, 0.63%, 0.61%

LAB 82.53, -11.48, 57.87

 

CMYK 58 / 19 / 0 / 15

HEX #5CB0DA

RGB 92 176 218

HSL 200, 0.63%, 0.61%

LAB 68.31, -13.41, -28.91

 

CMYK 0 / 57 / 42 / 15

HEX #DA5D7E

RGB 218 93 126

HSL 344.16, 0.63%, 0.61%

LAB 56.33, 51.98, 6.48

 

CMYK 42 / 0 / 58 / 15

HEX #7EDA5C

RGB 126 218 92

HSL 103.81, 0.63%, 0.61%

LAB 79.24, -50.09, 52.58

 

CMYK 58 / 42 / 0 / 15

HEX #5C7EDA

RGB 92 126 218

HSL 223.81, 0.63%, 0.61%

LAB 54.3, 15.32, -50.86

 

CMYK 0 / 57 / 42 / 15

HEX #DA5D7E

RGB 218 93 126

HSL 344.16, 0.63%, 0.61%

LAB 56.33, 51.98, 6.48

 

CMYK 0 / 4 / 58 / 15

HEX #DAD15C

RGB 218 209 92

HSL 55.71, 0.63%, 0.61%

LAB 82.53, -11.48, 57.87

 

CMYK 58 / 0 / 16 / 15

HEX #5CDAB8

RGB 92 218 184

HSL 163.81, 0.63%, 0.61%

LAB 79.54, -43.05, 6.3

 

CMYK 58 / 54 / 0 / 15

HEX #5C65DA

RGB 92 101 218

HSL 235.71, 0.63%, 0.61%

LAB 47.81, 30.66, -61.27

 

CMYK 0 / 57 / 42 / 15

HEX #DA5D7E

RGB 218 93 126

HSL 344.16, 0.63%, 0.61%

LAB 56.33, 51.98, 6.48

 

CMYK 14 / 0 / 58 / 15

HEX #BCDA5C

RGB 188 218 92

HSL 74.29, 0.63%, 0.61%

LAB 82.7, -27.99, 57.44

 

CMYK 58 / 0 / 16 / 15

HEX #5CDAB8

RGB 92 218 184

HSL 163.81, 0.63%, 0.61%

LAB 79.54, -43.05, 6.3

 

CMYK 44 / 58 / 0 / 15

HEX #7A5CDA

RGB 122 92 218

HSL 254.29, 0.63%, 0.61%

LAB 48.08, 42.06, -60.72

 

Description

Color code: HEX #DA5D7E | qconv.com Color code: HEX #DA5D7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 93 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 93 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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