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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5D1B it is the complementary color #25A2E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5D1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5D1B shade: #DF5D16, #F06F29, #FF813C, #FF934F and #FFA562

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5D1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5D1B shade: #DA5D1B, #C94B08, #B83900, #A72700 and #961500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5D1B shade: #DA5D1B, #DA291B and #DA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5D1B shade: #DA5D1B, #DA901B, #DAC41B, #BCDA1B and #89DA1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5D1B shade matches the following richer shades: #DA5D1B and #EE5707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5D1B shade: #DA5D1B, #C6632F, #B26943, #9E6F56 and #8B756A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5D1B shade: #DA1B41, #DA281B, #DA5B1B, #DA8D1B and #DAC01B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5D1B shade: #903E12, #B54D16, #DA5D1B, #E67438 and #EB8E5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5D1B shade: #DA5D1B, #74DA1B and #1B28DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5D1B shade: #DA5D1B, #1BDA5B and #5B1BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5D1B shade: #DA5D1B, #74DA1B, #1B9ADA and #811BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5D1B shade: #DA5D1B, #3BDA1B, #1B9ADA and #BA1BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

Complementary color

CMYK 84 / 29 / 0 / 11

HEX #25A2E4

RGB 37 162 228

HSL 200.73, 0.78%, 0.52%

LAB 63.21, -9.96, -42.46

 

CMYK 0 / 58 / 90 / 13

HEX #DF5D16

RGB 223 93 22

HSL 21.19, 0.82%, 0.48%

LAB 55.66, 47.76, 60.01

 

CMYK 0 / 54 / 83 / 6

HEX #F06F29

RGB 240 111 41

HSL 21.11, 0.87%, 0.55%

LAB 61.7, 45.98, 59.22

 

CMYK 0 / 49 / 76 / 0

HEX #FF813C

RGB 255 129 60

HSL 21.23, 1%, 0.62%

LAB 67.49, 43.5, 57.34

 

CMYK 0 / 42 / 69 / 0

HEX #FF934F

RGB 255 147 79

HSL 23.18, 1%, 0.65%

LAB 71.35, 35.27, 52.52

 

CMYK 0 / 35 / 62 / 0

HEX #FFA562

RGB 255 165 98

HSL 25.61, 1%, 0.69%

LAB 75.48, 27.07, 47.92

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 0 / 63 / 96 / 21

HEX #C94B08

RGB 201 75 8

HSL 20.83, 0.92%, 0.41%

LAB 48.84, 47.75, 57.35

 

CMYK 0 / 69 / 100 / 28

HEX #B83900

RGB 184 57 0

HSL 18.59, 1%, 0.36%

LAB 42.94, 49.33, 54.62

 

CMYK 0 / 77 / 100 / 35

HEX #A72700

RGB 167 39 0

HSL 14.01, 1%, 0.33%

LAB 37.24, 50.36, 50.08

 

CMYK 0 / 86 / 100 / 41

HEX #961500

RGB 150 21 0

HSL 8.4, 1%, 0.29%

LAB 31.85, 50.33, 45.22

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 0 / 81 / 88 / 15

HEX #DA291B

RGB 218 41 27

HSL 4.4, 0.78%, 0.48%

LAB 47.71, 65.44, 51.83

 

CMYK 0 / 88 / 88 / 15

HEX #DA1B1B

RGB 218 27 27

HSL 0, 0.78%, 0.48%

LAB 46.67, 68.42, 51.01

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 0 / 34 / 88 / 15

HEX #DA901B

RGB 218 144 27

HSL 36.75, 0.78%, 0.48%

LAB 65.69, 19.68, 65.95

 

CMYK 0 / 10 / 88 / 15

HEX #DAC41B

RGB 218 196 27

HSL 53.09, 0.78%, 0.48%

LAB 78.73, -7.81, 76.29

 

CMYK 14 / 0 / 88 / 15

HEX #BCDA1B

RGB 188 218 27

HSL 69.42, 0.78%, 0.48%

LAB 82.33, -31.26, 78.2

 

CMYK 37 / 0 / 88 / 15

HEX #89DA1B

RGB 137 218 27

HSL 85.45, 0.78%, 0.48%

LAB 79.35, -50.63, 74.52

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 0 / 63 / 97 / 7

HEX #EE5707

RGB 238 87 7

HSL 20.78, 0.94%, 0.48%

LAB 57.08, 55.59, 65.68

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 0 / 50 / 76 / 22

HEX #C6632F

RGB 198 99 47

HSL 20.66, 0.62%, 0.48%

LAB 53.1, 35.9, 46.2

 

CMYK 0 / 41 / 62 / 30

HEX #B26943

RGB 178 105 67

HSL 20.54, 0.45%, 0.48%

LAB 51.81, 25.61, 33.57

 

CMYK 0 / 30 / 46 / 38

HEX #9E6F56

RGB 158 111 86

HSL 20.83, 0.3%, 0.48%

LAB 51.05, 15.49, 21.34

 

CMYK 0 / 16 / 24 / 45

HEX #8B756A

RGB 139 117 106

HSL 20, 0.13%, 0.48%

LAB 50.98, 6.74, 9.25

 

CMYK 0 / 88 / 70 / 15

HEX #DA1B41

RGB 218 27 65

HSL 348.06, 0.78%, 0.48%

LAB 47.07, 69.57, 30.54

 

CMYK 0 / 82 / 88 / 15

HEX #DA281B

RGB 218 40 27

HSL 4.08, 0.78%, 0.48%

LAB 47.63, 65.69, 51.76

 

CMYK 0 / 58 / 88 / 15

HEX #DA5B1B

RGB 218 91 27

HSL 20.1, 0.78%, 0.48%

LAB 54.52, 46.94, 57.14

 

CMYK 0 / 35 / 88 / 15

HEX #DA8D1B

RGB 218 141 27

HSL 35.81, 0.78%, 0.48%

LAB 64.99, 21.29, 65.39

 

CMYK 0 / 12 / 88 / 15

HEX #DAC01B

RGB 218 192 27

HSL 51.83, 0.78%, 0.48%

LAB 77.69, -5.76, 75.46

 

CMYK 0 / 57 / 88 / 44

HEX #903E12

RGB 144 62 18

HSL 20.95, 0.78%, 0.32%

LAB 36.78, 32.31, 41.13

 

CMYK 0 / 57 / 88 / 29

HEX #B54D16

RGB 181 77 22

HSL 20.75, 0.78%, 0.4%

LAB 45.89, 39.54, 49.57

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 0 / 50 / 76 / 10

HEX #E67438

RGB 230 116 56

HSL 20.69, 0.78%, 0.56%

LAB 61.31, 40.2, 51.79

 

CMYK 0 / 40 / 61 / 8

HEX #EB8E5C

RGB 235 142 92

HSL 20.98, 0.78%, 0.64%

LAB 67.86, 30.72, 41.29

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 47 / 0 / 88 / 15

HEX #74DA1B

RGB 116 218 27

HSL 92.04, 0.78%, 0.48%

LAB 78.42, -57.46, 73.37

 

CMYK 88 / 82 / 0 / 15

HEX #1B28DA

RGB 27 40 218

HSL 235.92, 0.78%, 0.48%

LAB 31.38, 59, -88.36

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 88 / 0 / 58 / 15

HEX #1BDA5B

RGB 27 218 91

HSL 140.1, 0.78%, 0.48%

LAB 76.76, -69.47, 49.51

 

CMYK 58 / 88 / 0 / 15

HEX #5B1BDA

RGB 91 27 218

HSL 260.1, 0.78%, 0.48%

LAB 34.13, 67.62, -83.66

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 47 / 0 / 88 / 15

HEX #74DA1B

RGB 116 218 27

HSL 92.04, 0.78%, 0.48%

LAB 78.42, -57.46, 73.37

 

CMYK 88 / 29 / 0 / 15

HEX #1B9ADA

RGB 27 154 218

HSL 200.1, 0.78%, 0.48%

LAB 60.25, -9.77, -41.56

 

CMYK 41 / 88 / 0 / 15

HEX #811BDA

RGB 129 27 218

HSL 272.04, 0.78%, 0.48%

LAB 38.75, 71.48, -75.88

 

CMYK 0 / 57 / 88 / 15

HEX #DA5D1B

RGB 218 93 27

HSL 20.73, 0.78%, 0.48%

LAB 54.88, 46, 57.43

 

CMYK 73 / 0 / 88 / 15

HEX #3BDA1B

RGB 59 218 27

HSL 109.95, 0.78%, 0.48%

LAB 76.77, -70.89, 71.3

 

CMYK 88 / 29 / 0 / 15

HEX #1B9ADA

RGB 27 154 218

HSL 200.1, 0.78%, 0.48%

LAB 60.25, -9.77, -41.56

 

CMYK 15 / 88 / 0 / 15

HEX #BA1BDA

RGB 186 27 218

HSL 289.95, 0.78%, 0.48%

LAB 47.35, 79.43, -61.5

 

Description

Color code: HEX #DA5D1B | qconv.com Color code: HEX #DA5D1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 93 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 93 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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