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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5CD6 it is the complementary color #25A329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5CD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5CD6 shade: #DF5CD1, #F06EE4, #FF80F7, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5CD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5CD6 shade: #DA5CD6, #C94AC3, #B838B0, #A7269D and #96148A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5CD6 shade: #DA5DD6, #DA5DB4, #DA5D93, #DA5D71 and #DA5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5CD6 shade: #DA5DD6, #BC5DDA, #9B5DDA, #795DDA and #5D5DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5CD6 shade matches the following richer shades: #DA5DD6, #EA4DE5 and #FA3DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5CD6 shade: #DA5DD6, #CA6DC7, #BA7DB8, #AA8DA9 and #9A9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5CD6 shade: #995DDA, #BB5DDA, #DA5DD8, #DA5DB7 and #DA5D95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5CD6 shade: #BA2AB6, #D33BCE, #DA5DD6, #E27FDF and #E9A0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5CD6 shade: #DA5CD6, #DA785D and #5DDAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5CD6 shade: #DA5CD6, #D8DA5D and #5DD8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5CD6 shade: #DA5CD6, #DA785D, #5DDA5F and #5DBFDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5CD6 shade: #DA5CD6, #DA9E5D, #5DDA5F and #5D99DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 2 / 15

HEX #DA5CD6

RGB 218 92 214

HSL 301.9, 0.63%, 0.61%

LAB 59.36, 64.53, -39.8

 

Complementary color

CMYK 77 / 0 / 75 / 36

HEX #25A329

RGB 37 163 41

HSL 121.9, 0.63%, 0.39%

LAB 58.74, -56.47, 50.66

 

CMYK 0 / 59 / 6 / 13

HEX #DF5CD1

RGB 223 92 209

HSL 306.41, 0.67%, 0.62%

LAB 59.84, 65, -36.17

 

CMYK 0 / 54 / 5 / 6

HEX #F06EE4

RGB 240 110 228

HSL 305.54, 0.81%, 0.69%

LAB 65.96, 64.65, -37.08

 

CMYK 0 / 50 / 3 / 0

HEX #FF80F7

RGB 255 128 247

HSL 303.78, 1%, 0.75%

LAB 71.83, 63.6, -38.26

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 58 / 2 / 15

HEX #DA5CD6

RGB 218 92 214

HSL 301.9, 0.63%, 0.61%

LAB 59.36, 64.53, -39.8

 

CMYK 0 / 63 / 3 / 21

HEX #C94AC3

RGB 201 74 195

HSL 302.83, 0.54%, 0.54%

LAB 53.23, 64.66, -38.77

 

CMYK 0 / 70 / 4 / 28

HEX #B838B0

RGB 184 56 176

HSL 303.75, 0.53%, 0.47%

LAB 47.17, 64.37, -37.43

 

CMYK 0 / 77 / 6 / 35

HEX #A7269D

RGB 167 38 157

HSL 304.65, 0.63%, 0.4%

LAB 41.27, 63.42, -35.63

 

CMYK 0 / 87 / 8 / 41

HEX #96148A

RGB 150 20 138

HSL 305.54, 0.76%, 0.33%

LAB 35.63, 61.43, -33.16

 

CMYK 0 / 57 / 2 / 15

HEX #DA5DD6

RGB 218 93 214

HSL 301.92, 0.63%, 0.61%

LAB 59.52, 64.1, -39.55

 

CMYK 0 / 57 / 17 / 15

HEX #DA5DB4

RGB 218 93 180

HSL 318.24, 0.63%, 0.61%

LAB 58.06, 58.75, -22.42

 

CMYK 0 / 57 / 33 / 15

HEX #DA5D93

RGB 218 93 147

HSL 334.08, 0.63%, 0.61%

LAB 56.92, 54.34, -4.98

 

CMYK 0 / 57 / 48 / 15

HEX #DA5D71

RGB 218 93 113

HSL 350.4, 0.63%, 0.61%

LAB 56.01, 50.72, 13.68

 

CMYK 0 / 57 / 57 / 15

HEX #DA5D5D

RGB 218 93 93

HSL 0, 0.63%, 0.61%

LAB 55.61, 49.05, 24.82

 

CMYK 0 / 57 / 2 / 15

HEX #DA5DD6

RGB 218 93 214

HSL 301.92, 0.63%, 0.61%

LAB 59.52, 64.1, -39.55

 

CMYK 14 / 57 / 0 / 15

HEX #BC5DDA

RGB 188 93 218

HSL 285.6, 0.63%, 0.61%

LAB 55.67, 57.18, -48.15

 

CMYK 29 / 57 / 0 / 15

HEX #9B5DDA

RGB 155 93 218

HSL 269.76, 0.63%, 0.61%

LAB 51.68, 49.05, -54.75

 

CMYK 44 / 57 / 0 / 15

HEX #795DDA

RGB 121 93 218

HSL 253.44, 0.63%, 0.61%

LAB 48.2, 41.27, -60.52

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DDA

RGB 93 93 218

HSL 240, 0.63%, 0.61%

LAB 45.93, 35.73, -64.31

 

CMYK 0 / 57 / 2 / 15

HEX #DA5DD6

RGB 218 93 214

HSL 301.92, 0.63%, 0.61%

LAB 59.52, 64.1, -39.55

 

CMYK 0 / 67 / 2 / 8

HEX #EA4DE5

RGB 234 77 229

HSL 301.91, 0.79%, 0.61%

LAB 60.3, 76.7, -46.59

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF4

RGB 250 61 244

HSL 301.9, 0.95%, 0.61%

LAB 61.82, 87.25, -52.4

 

CMYK 0 / 57 / 2 / 15

HEX #DA5DD6

RGB 218 93 214

HSL 301.92, 0.63%, 0.61%

LAB 59.52, 64.1, -39.55

 

CMYK 0 / 46 / 1 / 21

HEX #CA6DC7

RGB 202 109 199

HSL 301.94, 0.47%, 0.61%

LAB 59.54, 49.5, -31.18

 

CMYK 0 / 33 / 1 / 27

HEX #BA7DB8

RGB 186 125 184

HSL 301.97, 0.31%, 0.61%

LAB 60.4, 33.25, -21.49

 

CMYK 0 / 17 / 1 / 33

HEX #AA8DA9

RGB 170 141 169

HSL 302.07, 0.15%, 0.61%

LAB 62.05, 15.94, -10.63

 

CMYK 2 / 0 / 2 / 38

HEX #9A9D9A

RGB 154 157 154

HSL 120, 0.02%, 0.61%

LAB 64.42, -1.65, 1.18

 

CMYK 30 / 57 / 0 / 15

HEX #995DDA

RGB 153 93 218

HSL 268.8, 0.63%, 0.61%

LAB 51.45, 48.57, -55.12

 

CMYK 14 / 57 / 0 / 15

HEX #BB5DDA

RGB 187 93 218

HSL 285.12, 0.63%, 0.61%

LAB 55.54, 56.93, -48.37

 

CMYK 0 / 57 / 1 / 15

HEX #DA5DD8

RGB 218 93 216

HSL 300.96, 0.63%, 0.61%

LAB 59.61, 64.44, -40.53

 

CMYK 0 / 57 / 16 / 15

HEX #DA5DB7

RGB 218 93 183

HSL 316.8, 0.63%, 0.61%

LAB 58.18, 59.19, -23.96

 

CMYK 0 / 57 / 32 / 15

HEX #DA5D95

RGB 218 93 149

HSL 333.12, 0.63%, 0.61%

LAB 56.98, 54.58, -6.06

 

CMYK 0 / 77 / 2 / 27

HEX #BA2AB6

RGB 186 42 182

HSL 301.67, 0.63%, 0.45%

LAB 46.27, 70.19, -42.36

 

CMYK 0 / 72 / 2 / 17

HEX #D33BCE

RGB 211 59 206

HSL 301.97, 0.63%, 0.53%

LAB 53.42, 74.12, -44.68

 

CMYK 0 / 57 / 2 / 15

HEX #DA5DD6

RGB 218 93 214

HSL 301.92, 0.63%, 0.61%

LAB 59.52, 64.1, -39.55

 

CMYK 0 / 44 / 1 / 11

HEX #E27FDF

RGB 226 127 223

HSL 301.82, 0.63%, 0.69%

LAB 67.03, 51.75, -32.79

 

CMYK 0 / 31 / 1 / 9

HEX #E9A0E7

RGB 233 160 231

HSL 301.64, 0.62%, 0.77%

LAB 74.97, 38.22, -24.9

 

CMYK 0 / 58 / 2 / 15

HEX #DA5CD6

RGB 218 92 214

HSL 301.9, 0.63%, 0.61%

LAB 59.36, 64.53, -39.8

 

CMYK 0 / 45 / 57 / 15

HEX #DA785D

RGB 218 120 93

HSL 12.96, 0.63%, 0.61%

LAB 60.9, 35.62, 31.64

 

CMYK 57 / 0 / 22 / 15

HEX #5DDAAA

RGB 93 218 170

HSL 156.96, 0.63%, 0.61%

LAB 79.26, -46.02, 13.32

 

CMYK 0 / 58 / 2 / 15

HEX #DA5CD6

RGB 218 92 214

HSL 301.9, 0.63%, 0.61%

LAB 59.36, 64.53, -39.8

 

CMYK 1 / 0 / 57 / 15

HEX #D8DA5D

RGB 216 218 93

HSL 60.96, 0.63%, 0.61%

LAB 84.76, -16.72, 59.87

 

CMYK 57 / 1 / 0 / 15

HEX #5DD8DA

RGB 93 216 218

HSL 180.96, 0.63%, 0.61%

LAB 79.9, -33.35, -11.32

 

CMYK 0 / 58 / 2 / 15

HEX #DA5CD6

RGB 218 92 214

HSL 301.9, 0.63%, 0.61%

LAB 59.36, 64.53, -39.8

 

CMYK 0 / 45 / 57 / 15

HEX #DA785D

RGB 218 120 93

HSL 12.96, 0.63%, 0.61%

LAB 60.9, 35.62, 31.64

 

CMYK 57 / 0 / 56 / 15

HEX #5DDA5F

RGB 93 218 95

HSL 120.96, 0.63%, 0.61%

LAB 78.05, -58.82, 49.53

 

CMYK 57 / 12 / 0 / 15

HEX #5DBFDA

RGB 93 191 218

HSL 192.96, 0.63%, 0.61%

LAB 72.66, -21.07, -22.23

 

CMYK 0 / 58 / 2 / 15

HEX #DA5CD6

RGB 218 92 214

HSL 301.9, 0.63%, 0.61%

LAB 59.36, 64.53, -39.8

 

CMYK 0 / 28 / 57 / 15

HEX #DA9E5D

RGB 218 158 93

HSL 31.2, 0.63%, 0.61%

LAB 69.58, 15.32, 42.37

 

CMYK 57 / 0 / 56 / 15

HEX #5DDA5F

RGB 93 218 95

HSL 120.96, 0.63%, 0.61%

LAB 78.05, -58.82, 49.53

 

CMYK 57 / 30 / 0 / 15

HEX #5D99DA

RGB 93 153 218

HSL 211.2, 0.63%, 0.61%

LAB 61.8, -0.46, -39

 

Description

Color code: HEX #DA5CD6 | qconv.com Color code: HEX #DA5CD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 2 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 2% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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