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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5CAE it is the complementary color #25A351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5CAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5CAE shade: #DF5CA9, #F06EBC, #FF80CF, #FF92E2 and #FFA4F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5CAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5CAE shade: #DA5CAE, #C94A9B, #B83888, #A72675 and #961462

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5CAE shade: #DA5CAE, #DA5C8C, #DA5C6A and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5CAE shade: #DA5CAE, #DA5CD0, #C25CDA, #A05CDA and #7E5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5CAE shade matches the following richer shades: #DA5CAE, #EA4CB3 and #FA3CB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5CAE shade: #DA5CAE, #CA6CA9, #BA7DA4, #A98D9F and #999D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5CAE shade: #C15CDA, #DA5CD1, #DA5CB0, #DA5C8F and #DA5C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5CAE shade: #BA2A88, #D23B9D, #DA5CAE, #E17EBF and #E9A0CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5CAE shade: #DA5CAE, #DA9F5C and #5CDAD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5CAE shade: #DA5CAE, #B0DA5C and #5CB0DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5CAE shade: #DA5CAE, #DA9F5C, #5CDA86 and #5C97DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5CAE shade: #DA5CAE, #DAC55C, #5CDA86 and #5C71DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

Complementary color

CMYK 77 / 0 / 50 / 36

HEX #25A351

RGB 37 163 81

HSL 140.95, 0.63%, 0.39%

LAB 59.14, -51.63, 33.08

 

CMYK 0 / 59 / 24 / 13

HEX #DF5CA9

RGB 223 92 169

HSL 324.73, 0.67%, 0.62%

LAB 58.23, 59.11, -15.74

 

CMYK 0 / 54 / 22 / 6

HEX #F06EBC

RGB 240 110 188

HSL 324, 0.81%, 0.69%

LAB 64.41, 58.61, -17.03

 

CMYK 0 / 50 / 19 / 0

HEX #FF80CF

RGB 255 128 207

HSL 322.68, 1%, 0.75%

LAB 70.32, 57.38, -18.54

 

CMYK 0 / 43 / 11 / 0

HEX #FF92E2

RGB 255 146 226

HSL 315.96, 1%, 0.79%

LAB 74.39, 51.47, -22.84

 

CMYK 0 / 36 / 4 / 0

HEX #FFA4F5

RGB 255 164 245

HSL 306.59, 1%, 0.82%

LAB 78.7, 45.49, -26.59

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 63 / 23 / 21

HEX #C94A9B

RGB 201 74 155

HSL 321.73, 0.54%, 0.54%

LAB 51.48, 58.63, -18.14

 

CMYK 0 / 70 / 26 / 28

HEX #B83888

RGB 184 56 136

HSL 322.5, 0.53%, 0.47%

LAB 45.35, 58.55, -16.35

 

CMYK 0 / 77 / 30 / 35

HEX #A72675

RGB 167 38 117

HSL 323.26, 0.63%, 0.4%

LAB 39.39, 57.86, -14.04

 

CMYK 0 / 87 / 35 / 41

HEX #961462

RGB 150 20 98

HSL 324, 0.76%, 0.33%

LAB 33.7, 56.16, -10.94

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 58 / 36 / 15

HEX #DA5C8C

RGB 218 92 140

HSL 337.14, 0.63%, 0.61%

LAB 56.54, 53.97, -1.44

 

CMYK 0 / 58 / 51 / 15

HEX #DA5C6A

RGB 218 92 106

HSL 353.33, 0.63%, 0.61%

LAB 55.69, 50.56, 17.34

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CD0

RGB 218 92 208

HSL 304.76, 0.63%, 0.61%

LAB 59.08, 63.54, -36.84

 

CMYK 11 / 58 / 0 / 15

HEX #C25CDA

RGB 194 92 218

HSL 288.57, 0.63%, 0.61%

LAB 56.27, 59.16, -47.14

 

CMYK 27 / 58 / 0 / 15

HEX #A05CDA

RGB 160 92 218

HSL 272.38, 0.63%, 0.61%

LAB 52.05, 50.77, -54.12

 

CMYK 42 / 58 / 0 / 15

HEX #7E5CDA

RGB 126 92 218

HSL 256.19, 0.63%, 0.61%

LAB 48.45, 42.92, -60.1

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 68 / 24 / 8

HEX #EA4CB3

RGB 234 76 179

HSL 320.89, 0.79%, 0.61%

LAB 57.96, 69.91, -21.79

 

CMYK 0 / 76 / 26 / 2

HEX #FA3CB8

RGB 250 60 184

HSL 320.84, 0.95%, 0.61%

LAB 58.99, 79.57, -22.86

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 47 / 16 / 21

HEX #CA6CA9

RGB 202 108 169

HSL 321.06, 0.47%, 0.61%

LAB 58.18, 44.97, -16.11

 

CMYK 0 / 33 / 12 / 27

HEX #BA7DA4

RGB 186 125 164

HSL 321.64, 0.31%, 0.61%

LAB 59.7, 29.65, -11.13

 

CMYK 0 / 17 / 6 / 34

HEX #A98D9F

RGB 169 141 159

HSL 321.43, 0.14%, 0.61%

LAB 61.64, 13.69, -5.56

 

CMYK 3 / 0 / 1 / 38

HEX #999D9B

RGB 153 157 155

HSL 150, 0.02%, 0.61%

LAB 64.37, -1.82, 0.53

 

CMYK 11 / 58 / 0 / 15

HEX #C15CDA

RGB 193 92 218

HSL 288.1, 0.63%, 0.61%

LAB 56.14, 58.91, -47.36

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 0 / 58 / 19 / 15

HEX #DA5CB0

RGB 218 92 176

HSL 320, 0.63%, 0.61%

LAB 57.75, 58.62, -20.6

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 58 / 50 / 15

HEX #DA5C6D

RGB 218 92 109

HSL 351.9, 0.63%, 0.61%

LAB 55.75, 50.82, 15.67

 

CMYK 0 / 77 / 27 / 27

HEX #BA2A88

RGB 186 42 136

HSL 320.83, 0.63%, 0.45%

LAB 44.05, 63.74, -18.32

 

CMYK 0 / 72 / 25 / 18

HEX #D23B9D

RGB 210 59 157

HSL 321.06, 0.63%, 0.53%

LAB 50.99, 66.96, -19.93

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 44 / 15 / 12

HEX #E17EBF

RGB 225 126 191

HSL 320.61, 0.62%, 0.69%

LAB 65.51, 46.62, -17.25

 

CMYK 0 / 31 / 11 / 9

HEX #E9A0CF

RGB 233 160 207

HSL 321.37, 0.62%, 0.77%

LAB 74.17, 34.06, -13

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 27 / 58 / 15

HEX #DA9F5C

RGB 218 159 92

HSL 31.9, 0.63%, 0.61%

LAB 69.81, 14.71, 43.16

 

CMYK 58 / 0 / 4 / 15

HEX #5CDAD1

RGB 92 218 209

HSL 175.71, 0.63%, 0.61%

LAB 80.19, -36.85, -6.08

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 19 / 0 / 58 / 15

HEX #B0DA5C

RGB 176 218 92

HSL 80, 0.63%, 0.61%

LAB 81.92, -32.63, 56.34

 

CMYK 58 / 19 / 0 / 15

HEX #5CB0DA

RGB 92 176 218

HSL 200, 0.63%, 0.61%

LAB 68.31, -13.41, -28.91

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 27 / 58 / 15

HEX #DA9F5C

RGB 218 159 92

HSL 31.9, 0.63%, 0.61%

LAB 69.81, 14.71, 43.16

 

CMYK 58 / 0 / 39 / 15

HEX #5CDA86

RGB 92 218 134

HSL 140, 0.63%, 0.61%

LAB 78.54, -53.32, 31.12

 

CMYK 58 / 31 / 0 / 15

HEX #5C97DA

RGB 92 151 218

HSL 211.9, 0.63%, 0.61%

LAB 61.19, 0.49, -39.96

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAE

RGB 218 92 174

HSL 320.95, 0.63%, 0.61%

LAB 57.67, 58.33, -19.56

 

CMYK 0 / 10 / 58 / 15

HEX #DAC55C

RGB 218 197 92

HSL 50, 0.63%, 0.61%

LAB 79.39, -5.37, 54.34

 

CMYK 58 / 0 / 39 / 15

HEX #5CDA86

RGB 92 218 134

HSL 140, 0.63%, 0.61%

LAB 78.54, -53.32, 31.12

 

CMYK 58 / 48 / 0 / 15

HEX #5C71DA

RGB 92 113 218

HSL 230, 0.63%, 0.61%

LAB 50.86, 23.27, -56.36

 

Description

Color code: HEX #DA5CAE | qconv.com Color code: HEX #DA5CAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 20 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 20% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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