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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA58E9 it is the complementary color #25A716. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA58E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA58E9 shade: #DF58E4, #F06AF7, #FF7CFF, #FF8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA58E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA58E9 shade: #DA58E9, #C946D6, #B834C3, #A722B0 and #96109D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA58E9 shade: #DA58E9, #E958D1, #E958A9, #E95882 and #E9585B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA58E9 shade: #DA58E9, #B358E9, #8B58E9, #6458E9 and #5858E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA58E9 shade matches the following richer shades: #DA58E9 and #E648F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA58E9 shade: #DA58E9, #CE67DA, #C276CA, #B585BB and #A995AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA58E9 shade: #8A58E9, #B158E9, #D858E9, #E958D3 and #E958AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA58E9 shade: #C01BD3, #D233E4, #DA58E9, #E27CEE and #EAA1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA58E9 shade: #DA58E9, #E96458 and #58E99E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA58E9 shade: #DA58E9, #E9D858 and #58E9D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA58E9 shade: #DA58E9, #E96458, #68E958 and #58DDE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA58E9 shade: #DA58E9, #E98F58, #68E958 and #58B1E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

Complementary color

CMYK 78 / 0 / 87 / 35

HEX #25A716

RGB 37 167 22

HSL 113.79, 0.77%, 0.37%

LAB 59.97, -58.9, 57.48

 

CMYK 2 / 61 / 0 / 11

HEX #DF58E4

RGB 223 88 228

HSL 297.86, 0.72%, 0.62%

LAB 60.13, 69.81, -46.41

 

CMYK 3 / 57 / 0 / 3

HEX #F06AF7

RGB 240 106 247

HSL 297.02, 0.9%, 0.69%

LAB 66.17, 69.6, -47.27

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 6 / 67 / 0 / 16

HEX #C946D6

RGB 201 70 214

HSL 294.58, 0.64%, 0.56%

LAB 53.66, 69.43, -48.97

 

CMYK 6 / 73 / 0 / 24

HEX #B834C3

RGB 184 52 195

HSL 295.38, 0.58%, 0.48%

LAB 47.73, 68.88, -47.64

 

CMYK 5 / 81 / 0 / 31

HEX #A722B0

RGB 167 34 176

HSL 296.2, 0.68%, 0.41%

LAB 41.99, 67.58, -45.84

 

CMYK 4 / 90 / 0 / 38

HEX #96109D

RGB 150 16 157

HSL 297.02, 0.82%, 0.34%

LAB 36.53, 65.13, -43.35

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 0 / 62 / 10 / 9

HEX #E958D1

RGB 233 88 209

HSL 309.93, 0.77%, 0.63%

LAB 60.7, 69.23, -34.72

 

CMYK 0 / 62 / 27 / 9

HEX #E958A9

RGB 233 88 169

HSL 326.48, 0.77%, 0.63%

LAB 59.13, 63.7, -14.24

 

CMYK 0 / 62 / 44 / 9

HEX #E95882

RGB 233 88 130

HSL 342.62, 0.77%, 0.63%

LAB 57.96, 59.39, 6.78

 

CMYK 0 / 62 / 61 / 9

HEX #E9585B

RGB 233 88 91

HSL 358.76, 0.77%, 0.63%

LAB 57.13, 56.26, 28.42

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 23 / 62 / 0 / 9

HEX #B358E9

RGB 179 88 233

HSL 277.66, 0.77%, 0.63%

LAB 54.5, 60.52, -58.53

 

CMYK 40 / 62 / 0 / 9

HEX #8B58E9

RGB 139 88 233

HSL 261.1, 0.77%, 0.63%

LAB 49.92, 51.87, -66.15

 

CMYK 57 / 62 / 0 / 9

HEX #6458E9

RGB 100 88 233

HSL 244.97, 0.77%, 0.63%

LAB 46.41, 44.61, -72.01

 

CMYK 62 / 62 / 0 / 9

HEX #5858E9

RGB 88 88 233

HSL 240, 0.77%, 0.63%

LAB 45.55, 42.73, -73.45

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 7 / 71 / 0 / 3

HEX #E648F8

RGB 230 72 248

HSL 293.86, 0.93%, 0.63%

LAB 60.1, 80.64, -57.54

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 6 / 53 / 0 / 15

HEX #CE67DA

RGB 206 103 218

HSL 293.74, 0.61%, 0.63%

LAB 59.78, 57.06, -41.5

 

CMYK 4 / 42 / 0 / 21

HEX #C276CA

RGB 194 118 202

HSL 294.29, 0.44%, 0.63%

LAB 60.51, 43, -31.45

 

CMYK 3 / 29 / 0 / 27

HEX #B585BB

RGB 181 133 187

HSL 293.33, 0.28%, 0.63%

LAB 61.81, 27.73, -21.08

 

CMYK 2 / 13 / 0 / 33

HEX #A995AC

RGB 169 149 172

HSL 292.17, 0.12%, 0.63%

LAB 64.09, 11.66, -9.29

 

CMYK 41 / 62 / 0 / 9

HEX #8A58E9

RGB 138 88 233

HSL 260.69, 0.77%, 0.63%

LAB 49.82, 51.67, -66.32

 

CMYK 24 / 62 / 0 / 9

HEX #B158E9

RGB 177 88 233

HSL 276.83, 0.77%, 0.63%

LAB 54.25, 60.07, -58.95

 

CMYK 7 / 62 / 0 / 9

HEX #D858E9

RGB 216 88 233

HSL 292.97, 0.77%, 0.63%

LAB 59.4, 69.03, -50.43

 

CMYK 0 / 62 / 9 / 9

HEX #E958D3

RGB 233 88 211

HSL 309.1, 0.77%, 0.63%

LAB 60.79, 69.53, -35.71

 

CMYK 0 / 62 / 26 / 9

HEX #E958AC

RGB 233 88 172

HSL 325.24, 0.77%, 0.63%

LAB 59.23, 64.08, -15.81

 

CMYK 9 / 87 / 0 / 17

HEX #C01BD3

RGB 192 27 211

HSL 293.8, 0.77%, 0.47%

LAB 47.87, 79.24, -56.59

 

CMYK 8 / 78 / 0 / 11

HEX #D233E4

RGB 210 51 228

HSL 293.9, 0.77%, 0.55%

LAB 53.68, 79.8, -56.8

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 5 / 48 / 0 / 7

HEX #E27CEE

RGB 226 124 238

HSL 293.68, 0.77%, 0.71%

LAB 67.09, 55.96, -40.99

 

CMYK 3 / 33 / 0 / 5

HEX #EAA1F2

RGB 234 161 242

HSL 294.07, 0.76%, 0.79%

LAB 75.7, 40.03, -29.76

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 0 / 57 / 62 / 9

HEX #E96458

RGB 233 100 88

HSL 4.97, 0.77%, 0.63%

LAB 59.11, 50.72, 32.64

 

CMYK 62 / 0 / 32 / 9

HEX #58E99E

RGB 88 233 158

HSL 148.97, 0.77%, 0.63%

LAB 83.35, -55.62, 25.24

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 0 / 7 / 62 / 9

HEX #E9D858

RGB 233 216 88

HSL 52.97, 0.77%, 0.63%

LAB 85.57, -9.09, 63.3

 

CMYK 62 / 0 / 7 / 9

HEX #58E9D8

RGB 88 233 216

HSL 172.97, 0.77%, 0.63%

LAB 84.64, -42.51, -3.24

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 0 / 57 / 62 / 9

HEX #E96458

RGB 233 100 88

HSL 4.97, 0.77%, 0.63%

LAB 59.11, 50.72, 32.64

 

CMYK 55 / 0 / 62 / 9

HEX #68E958

RGB 104 233 88

HSL 113.38, 0.77%, 0.63%

LAB 82.87, -62.39, 58.21

 

CMYK 62 / 5 / 0 / 9

HEX #58DDE9

RGB 88 221 233

HSL 184.97, 0.77%, 0.63%

LAB 81.66, -32.44, -16.68

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 0 / 39 / 62 / 9

HEX #E98F58

RGB 233 143 88

HSL 22.76, 0.77%, 0.63%

LAB 67.78, 29.12, 43.21

 

CMYK 55 / 0 / 62 / 9

HEX #68E958

RGB 104 233 88

HSL 113.38, 0.77%, 0.63%

LAB 82.87, -62.39, 58.21

 

CMYK 62 / 24 / 0 / 9

HEX #58B1E9

RGB 88 177 233

HSL 203.17, 0.77%, 0.63%

LAB 69.04, -10.05, -35.99

 

Description

Color code: HEX #DA58E9 | qconv.com Color code: HEX #DA58E9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 88 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 88 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 62 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 62% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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