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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA53AD it is the complementary color #25AC52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA53AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA53AD shade: #DF53A8, #F065BB, #FF77CE, #FF89E1 and #FF9BF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA53AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA53AD shade: #DA53AD, #C9419A, #B82F87, #A71D74 and #960B61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA53AD shade: #DA52AD, #DA5288, #DA5263 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA53AD shade: #DA52AD, #DA52D1, #BE52DA, #9952DA and #7552DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA53AD shade matches the following richer shades: #DA52AD, #EB41B2 and #FC30B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA53AD shade: #DA52AD, #C963A7, #B874A1, #A7859C and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA53AD shade: #BF52DA, #DA52D1, #DA52AD, #DA5288 and #DA5264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA53AD shade: #B42684, #D3309C, #DA52AD, #E174BD and #E896CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA53AD shade: #DA53AD, #DA9A52 and #52DAD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA53AD shade: #DA53AD, #ADDA52 and #52ADDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA53AD shade: #DA53AD, #DA9A52, #52DA7F and #5291DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA53AD shade: #DA53AD, #DAC352, #52DA7F and #5269DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 21 / 15

HEX #DA53AD

RGB 218 83 173

HSL 320, 0.65%, 0.59%

LAB 56.2, 62.09, -21.23

 

Complementary color

CMYK 78 / 0 / 52 / 33

HEX #25AC52

RGB 37 172 82

HSL 140, 0.65%, 0.41%

LAB 62.09, -54.67, 36.22

 

CMYK 0 / 63 / 25 / 13

HEX #DF53A8

RGB 223 83 168

HSL 323.57, 0.69%, 0.6%

LAB 56.78, 62.81, -17.36

 

CMYK 0 / 58 / 22 / 6

HEX #F065BB

RGB 240 101 187

HSL 322.88, 0.82%, 0.67%

LAB 62.86, 62.52, -18.81

 

CMYK 0 / 53 / 19 / 0

HEX #FF77CE

RGB 255 119 206

HSL 321.62, 1%, 0.73%

LAB 68.69, 61.44, -20.47

 

CMYK 0 / 46 / 12 / 0

HEX #FF89E1

RGB 255 137 225

HSL 315.25, 1%, 0.77%

LAB 72.62, 55.75, -24.99

 

CMYK 0 / 39 / 4 / 0

HEX #FF9BF4

RGB 255 155 244

HSL 306.6, 1%, 0.8%

LAB 76.82, 49.91, -28.92

 

CMYK 0 / 62 / 21 / 15

HEX #DA53AD

RGB 218 83 173

HSL 320, 0.65%, 0.59%

LAB 56.2, 62.09, -21.23

 

CMYK 0 / 68 / 23 / 21

HEX #C9419A

RGB 201 65 154

HSL 320.74, 0.56%, 0.52%

LAB 50.13, 62.09, -19.6

 

CMYK 0 / 74 / 27 / 28

HEX #B82F87

RGB 184 47 135

HSL 321.46, 0.59%, 0.45%

LAB 44.19, 61.57, -17.52

 

CMYK 0 / 83 / 31 / 35

HEX #A71D74

RGB 167 29 116

HSL 322.17, 0.7%, 0.38%

LAB 38.47, 60.24, -14.81

 

CMYK 0 / 93 / 35 / 41

HEX #960B61

RGB 150 11 97

HSL 322.88, 0.86%, 0.32%

LAB 33.11, 57.66, -11.2

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 62 / 38 / 15

HEX #DA5288

RGB 218 82 136

HSL 336.18, 0.65%, 0.59%

LAB 54.78, 57.93, -1.66

 

CMYK 0 / 62 / 55 / 15

HEX #DA5263

RGB 218 82 99

HSL 352.5, 0.65%, 0.59%

LAB 53.86, 54.46, 18.98

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 62 / 4 / 15

HEX #DA52D1

RGB 218 82 209

HSL 303.97, 0.65%, 0.59%

LAB 57.6, 67.89, -39.73

 

CMYK 13 / 62 / 0 / 15

HEX #BE52DA

RGB 190 82 218

HSL 287.65, 0.65%, 0.59%

LAB 54.07, 62.74, -50.67

 

CMYK 30 / 62 / 0 / 15

HEX #9952DA

RGB 153 82 218

HSL 271.32, 0.65%, 0.59%

LAB 49.34, 54.24, -58.52

 

CMYK 46 / 62 / 0 / 15

HEX #7552DA

RGB 117 82 218

HSL 255.44, 0.65%, 0.59%

LAB 45.47, 46.67, -64.97

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 72 / 24 / 8

HEX #EB41B2

RGB 235 65 178

HSL 320.12, 0.81%, 0.59%

LAB 56.74, 73.8, -23.06

 

CMYK 0 / 81 / 27 / 1

HEX #FC30B8

RGB 252 48 184

HSL 320, 0.97%, 0.59%

LAB 58.29, 83.01, -23.9

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 51 / 17 / 21

HEX #C963A7

RGB 201 99 167

HSL 320, 0.49%, 0.59%

LAB 56.22, 48.87, -17.94

 

CMYK 0 / 37 / 13 / 28

HEX #B874A1

RGB 184 116 161

HSL 320.29, 0.32%, 0.59%

LAB 57.32, 33.4, -13

 

CMYK 0 / 20 / 7 / 35

HEX #A7859C

RGB 167 133 156

HSL 319.41, 0.16%, 0.59%

LAB 59.33, 16.94, -7.3

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 12 / 62 / 0 / 15

HEX #BF52DA

RGB 191 82 218

HSL 288.09, 0.65%, 0.59%

LAB 54.21, 62.97, -50.45

 

CMYK 0 / 62 / 4 / 15

HEX #DA52D1

RGB 218 82 209

HSL 303.97, 0.65%, 0.59%

LAB 57.6, 67.89, -39.73

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 62 / 38 / 15

HEX #DA5288

RGB 218 82 136

HSL 336.18, 0.65%, 0.59%

LAB 54.78, 57.93, -1.66

 

CMYK 0 / 62 / 54 / 15

HEX #DA5264

RGB 218 82 100

HSL 352.06, 0.65%, 0.59%

LAB 53.88, 54.54, 18.41

 

CMYK 0 / 79 / 27 / 29

HEX #B42684

RGB 180 38 132

HSL 320.28, 0.65%, 0.43%

LAB 42.39, 62.93, -18.51

 

CMYK 0 / 77 / 26 / 17

HEX #D3309C

RGB 211 48 156

HSL 320.25, 0.65%, 0.51%

LAB 49.93, 70.47, -20.95

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 48 / 16 / 12

HEX #E174BD

RGB 225 116 189

HSL 319.82, 0.64%, 0.67%

LAB 63.49, 51.32, -19.19

 

CMYK 0 / 35 / 12 / 9

HEX #E896CD

RGB 232 150 205

HSL 319.76, 0.64%, 0.75%

LAB 71.81, 38.68, -15.46

 

CMYK 0 / 62 / 21 / 15

HEX #DA53AD

RGB 218 83 173

HSL 320, 0.65%, 0.59%

LAB 56.2, 62.09, -21.23

 

CMYK 0 / 29 / 62 / 15

HEX #DA9A52

RGB 218 154 82

HSL 31.76, 0.65%, 0.59%

LAB 68.48, 16.68, 46.61

 

CMYK 62 / 0 / 4 / 15

HEX #52DAD1

RGB 82 218 209

HSL 176.03, 0.65%, 0.59%

LAB 79.92, -38.57, -6.51

 

CMYK 0 / 62 / 21 / 15

HEX #DA53AD

RGB 218 83 173

HSL 320, 0.65%, 0.59%

LAB 56.2, 62.09, -21.23

 

CMYK 21 / 0 / 62 / 15

HEX #ADDA52

RGB 173 218 82

HSL 79.85, 0.65%, 0.59%

LAB 81.64, -34.58, 60.26

 

CMYK 62 / 21 / 0 / 15

HEX #52ADDA

RGB 82 173 218

HSL 199.85, 0.65%, 0.59%

LAB 67.08, -13.66, -30.82

 

CMYK 0 / 62 / 21 / 15

HEX #DA53AD

RGB 218 83 173

HSL 320, 0.65%, 0.59%

LAB 56.2, 62.09, -21.23

 

CMYK 0 / 29 / 62 / 15

HEX #DA9A52

RGB 218 154 82

HSL 31.76, 0.65%, 0.59%

LAB 68.48, 16.68, 46.61

 

CMYK 62 / 0 / 42 / 15

HEX #52DA7F

RGB 82 218 127

HSL 139.85, 0.65%, 0.59%

LAB 78.15, -56.61, 34.11

 

CMYK 62 / 33 / 0 / 15

HEX #5291DA

RGB 82 145 218

HSL 212.21, 0.65%, 0.59%

LAB 59.07, 2.06, -43.32

 

CMYK 0 / 62 / 21 / 15

HEX #DA53AD

RGB 218 83 173

HSL 320, 0.65%, 0.59%

LAB 56.2, 62.09, -21.23

 

CMYK 0 / 11 / 62 / 15

HEX #DAC352

RGB 218 195 82

HSL 49.85, 0.65%, 0.59%

LAB 78.78, -5.03, 58.14

 

CMYK 62 / 0 / 42 / 15

HEX #52DA7F

RGB 82 218 127

HSL 139.85, 0.65%, 0.59%

LAB 78.15, -56.61, 34.11

 

CMYK 62 / 52 / 0 / 15

HEX #5269DA

RGB 82 105 218

HSL 229.85, 0.65%, 0.59%

LAB 48.21, 26.4, -60.66

 

Description

Color code: HEX #DA53AD | qconv.com Color code: HEX #DA53AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 83 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 83 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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