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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA538B it is the complementary color #25AC74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA538B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA538B shade: #DF5386, #F06599, #FF77AC, #FF89BF and #FF9BD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA538B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA538B shade: #DA538B, #C94178, #B82F65, #A71D52 and #960B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA538B shade: #DA528A, #DA5266 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA538B shade: #DA528A, #DA52AF, #DA52D4, #BB52DA and #9752DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA538B shade matches the following richer shades: #DA528A, #EB4187 and #FC3085

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA538B shade: #DA528A, #C9638D, #B87490, #A78593 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA538B shade: #DA52D3, #DA52AF, #DA528B, #DA5266 and #DA6252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA538B shade: #B42661, #D33073, #DA528A, #E174A1 and #E896B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA538B shade: #DA538B, #DABC52 and #52C1DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA538B shade: #DA538B, #8BDA52 and #528BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA538B shade: #DA538B, #DABC52, #52DAA1 and #526FDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA538B shade: #DA538B, #CFDA52, #52DAA1 and #5D52DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 36 / 15

HEX #DA538B

RGB 218 83 139

HSL 335.11, 0.65%, 0.59%

LAB 55.03, 57.83, -3.07

 

Complementary color

CMYK 78 / 0 / 33 / 33

HEX #25AC74

RGB 37 172 116

HSL 155.11, 0.65%, 0.41%

LAB 62.64, -48.33, 19.03

 

CMYK 0 / 63 / 40 / 13

HEX #DF5386

RGB 223 83 134

HSL 338.14, 0.69%, 0.6%

LAB 55.68, 58.82, 0.93

 

CMYK 0 / 58 / 36 / 6

HEX #F06599

RGB 240 101 153

HSL 337.55, 0.82%, 0.67%

LAB 61.77, 58.32, -0.95

 

CMYK 0 / 53 / 33 / 0

HEX #FF77AC

RGB 255 119 172

HSL 336.62, 1%, 0.73%

LAB 67.6, 57.03, -2.98

 

CMYK 0 / 46 / 25 / 0

HEX #FF89BF

RGB 255 137 191

HSL 332.54, 1%, 0.77%

LAB 71.5, 50.8, -7.88

 

CMYK 0 / 39 / 18 / 0

HEX #FF9BD2

RGB 255 155 210

HSL 327, 1%, 0.8%

LAB 75.67, 44.46, -12.14

 

CMYK 0 / 62 / 36 / 15

HEX #DA538B

RGB 218 83 139

HSL 335.11, 0.65%, 0.59%

LAB 55.03, 57.83, -3.07

 

CMYK 0 / 68 / 40 / 21

HEX #C94178

RGB 201 65 120

HSL 335.74, 0.56%, 0.52%

LAB 48.95, 58.06, -0.96

 

CMYK 0 / 74 / 45 / 28

HEX #B82F65

RGB 184 47 101

HSL 336.35, 0.59%, 0.45%

LAB 43.01, 57.83, 1.68

 

CMYK 0 / 83 / 51 / 35

HEX #A71D52

RGB 167 29 82

HSL 336.96, 0.7%, 0.38%

LAB 37.3, 56.83, 5.07

 

CMYK 0 / 93 / 58 / 41

HEX #960B3F

RGB 150 11 63

HSL 337.55, 0.86%, 0.32%

LAB 31.99, 54.62, 9.48

 

CMYK 0 / 62 / 37 / 15

HEX #DA528A

RGB 218 82 138

HSL 335.29, 0.65%, 0.59%

LAB 54.84, 58.15, -2.76

 

CMYK 0 / 62 / 53 / 15

HEX #DA5266

RGB 218 82 102

HSL 351.18, 0.65%, 0.59%

LAB 53.92, 54.7, 17.29

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 62 / 37 / 15

HEX #DA528A

RGB 218 82 138

HSL 335.29, 0.65%, 0.59%

LAB 54.84, 58.15, -2.76

 

CMYK 0 / 62 / 20 / 15

HEX #DA52AF

RGB 218 82 175

HSL 318.97, 0.65%, 0.59%

LAB 56.12, 62.78, -22.51

 

CMYK 0 / 62 / 3 / 15

HEX #DA52D4

RGB 218 82 212

HSL 302.65, 0.65%, 0.59%

LAB 57.74, 68.38, -41.2

 

CMYK 14 / 62 / 0 / 15

HEX #BB52DA

RGB 187 82 218

HSL 286.32, 0.65%, 0.59%

LAB 53.67, 62.03, -51.35

 

CMYK 31 / 62 / 0 / 15

HEX #9752DA

RGB 151 82 218

HSL 270.44, 0.65%, 0.59%

LAB 49.1, 53.8, -58.91

 

CMYK 0 / 62 / 37 / 15

HEX #DA528A

RGB 218 82 138

HSL 335.29, 0.65%, 0.59%

LAB 54.84, 58.15, -2.76

 

CMYK 0 / 72 / 43 / 8

HEX #EB4187

RGB 235 65 135

HSL 335.29, 0.81%, 0.59%

LAB 55.27, 69.13, -0.02

 

CMYK 0 / 81 / 47 / 1

HEX #FC3085

RGB 252 48 133

HSL 335, 0.97%, 0.59%

LAB 56.59, 78.07, 3.46

 

CMYK 0 / 62 / 37 / 15

HEX #DA528A

RGB 218 82 138

HSL 335.29, 0.65%, 0.59%

LAB 54.84, 58.15, -2.76

 

CMYK 0 / 51 / 30 / 21

HEX #C9638D

RGB 201 99 141

HSL 335.29, 0.49%, 0.59%

LAB 55.34, 45.17, -4.07

 

CMYK 0 / 37 / 22 / 28

HEX #B87490

RGB 184 116 144

HSL 335.29, 0.32%, 0.59%

LAB 56.78, 30.65, -3.96

 

CMYK 0 / 20 / 12 / 35

HEX #A78593

RGB 167 133 147

HSL 335.29, 0.16%, 0.59%

LAB 59.06, 15.32, -2.54

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 0 / 62 / 3 / 15

HEX #DA52D3

RGB 218 82 211

HSL 303.09, 0.65%, 0.59%

LAB 57.7, 68.22, -40.71

 

CMYK 0 / 62 / 20 / 15

HEX #DA52AF

RGB 218 82 175

HSL 318.97, 0.65%, 0.59%

LAB 56.12, 62.78, -22.51

 

CMYK 0 / 62 / 36 / 15

HEX #DA528B

RGB 218 82 139

HSL 334.85, 0.65%, 0.59%

LAB 54.87, 58.26, -3.3

 

CMYK 0 / 62 / 53 / 15

HEX #DA5266

RGB 218 82 102

HSL 351.18, 0.65%, 0.59%

LAB 53.92, 54.7, 17.29

 

CMYK 0 / 55 / 62 / 15

HEX #DA6252

RGB 218 98 82

HSL 7.06, 0.65%, 0.59%

LAB 56.34, 45.91, 32.06

 

CMYK 0 / 79 / 46 / 29

HEX #B42661

RGB 180 38 97

HSL 335.07, 0.65%, 0.43%

LAB 41.14, 59.17, 1.38

 

CMYK 0 / 77 / 45 / 17

HEX #D33073

RGB 211 48 115

HSL 335.34, 0.65%, 0.51%

LAB 48.51, 66.16, 1.65

 

CMYK 0 / 62 / 37 / 15

HEX #DA528A

RGB 218 82 138

HSL 335.29, 0.65%, 0.59%

LAB 54.84, 58.15, -2.76

 

CMYK 0 / 48 / 28 / 12

HEX #E174A1

RGB 225 116 161

HSL 335.23, 0.64%, 0.67%

LAB 62.57, 47.34, -4.62

 

CMYK 0 / 35 / 21 / 9

HEX #E896B8

RGB 232 150 184

HSL 335.12, 0.64%, 0.75%

LAB 71.17, 35.41, -4.78

 

CMYK 0 / 62 / 36 / 15

HEX #DA538B

RGB 218 83 139

HSL 335.11, 0.65%, 0.59%

LAB 55.03, 57.83, -3.07

 

CMYK 0 / 14 / 62 / 15

HEX #DABC52

RGB 218 188 82

HSL 46.76, 0.65%, 0.59%

LAB 76.97, -1.4, 56.16

 

CMYK 62 / 11 / 0 / 15

HEX #52C1DA

RGB 82 193 218

HSL 191.03, 0.65%, 0.59%

LAB 72.89, -24.06, -21.92

 

CMYK 0 / 62 / 36 / 15

HEX #DA538B

RGB 218 83 139

HSL 335.11, 0.65%, 0.59%

LAB 55.03, 57.83, -3.07

 

CMYK 36 / 0 / 62 / 15

HEX #8BDA52

RGB 139 218 82

HSL 94.85, 0.65%, 0.59%

LAB 79.75, -46.84, 57.66

 

CMYK 62 / 36 / 0 / 15

HEX #528BDA

RGB 82 139 218

HSL 214.85, 0.65%, 0.59%

LAB 57.39, 5.6, -45.99

 

CMYK 0 / 62 / 36 / 15

HEX #DA538B

RGB 218 83 139

HSL 335.11, 0.65%, 0.59%

LAB 55.03, 57.83, -3.07

 

CMYK 0 / 14 / 62 / 15

HEX #DABC52

RGB 218 188 82

HSL 46.76, 0.65%, 0.59%

LAB 76.97, -1.4, 56.16

 

CMYK 62 / 0 / 26 / 15

HEX #52DAA1

RGB 82 218 161

HSL 154.85, 0.65%, 0.59%

LAB 78.76, -50.11, 17.33

 

CMYK 62 / 49 / 0 / 15

HEX #526FDA

RGB 82 111 218

HSL 227.21, 0.65%, 0.59%

LAB 49.77, 22.67, -58.14

 

CMYK 0 / 62 / 36 / 15

HEX #DA538B

RGB 218 83 139

HSL 335.11, 0.65%, 0.59%

LAB 55.03, 57.83, -3.07

 

CMYK 5 / 0 / 62 / 15

HEX #CFDA52

RGB 207 218 82

HSL 64.85, 0.65%, 0.59%

LAB 83.97, -21.13, 63.46

 

CMYK 62 / 0 / 26 / 15

HEX #52DAA1

RGB 82 218 161

HSL 154.85, 0.65%, 0.59%

LAB 78.76, -50.11, 17.33

 

CMYK 57 / 62 / 0 / 15

HEX #5D52DA

RGB 93 82 218

HSL 244.85, 0.65%, 0.59%

LAB 43.39, 42.3, -68.43

 

Description

Color code: HEX #DA538B | qconv.com Color code: HEX #DA538B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 83 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 83 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 36 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 36% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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