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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA52C2 it is the complementary color #25AD3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA52C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA52C2 shade: #DF52BD, #F064D0, #FF76E3, #FF88F6 and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA52C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA52C2 shade: #DA52C2, #C940AF, #B82E9C, #A71C89 and #960A76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA52C2 shade: #DA52C2, #DA529D, #DA5279, #DA5254 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA52C2 shade: #DA52C2, #CD52DA, #A952DA, #8452DA and #5F52DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA52C2 shade matches the following richer shades: #DA52C2, #EB41CD and #FC30D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA52C2 shade: #DA52C2, #C963B7, #B874AC, #A785A1 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA52C2 shade: #A852DA, #CC52DA, #DA52C3, #DA529F and #DA527B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA52C2 shade: #B4269B, #D330B6, #DA52C2, #E174CE and #E896DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA52C2 shade: #DA52C2, #DA8452 and #52DABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA52C2 shade: #DA52C2, #C3DA52 and #52C3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA52C2 shade: #DA52C2, #DA8452, #52DA69 and #52A8DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA52C2 shade: #DA52C2, #DAAD52, #52DA69 and #527FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

Complementary color

CMYK 79 / 0 / 65 / 32

HEX #25AD3D

RGB 37 173 61

HSL 130.59, 0.65%, 0.41%

LAB 62.18, -57.8, 46.24

 

CMYK 0 / 63 / 15 / 13

HEX #DF52BD

RGB 223 82 189

HSL 314.47, 0.69%, 0.6%

LAB 57.46, 66.11, -28.46

 

CMYK 0 / 58 / 13 / 6

HEX #F064D0

RGB 240 100 208

HSL 313.71, 0.82%, 0.67%

LAB 63.5, 65.93, -29.72

 

CMYK 0 / 54 / 11 / 0

HEX #FF76E3

RGB 255 118 227

HSL 312.26, 1%, 0.73%

LAB 69.3, 64.98, -31.2

 

CMYK 0 / 47 / 4 / 0

HEX #FF88F6

RGB 255 136 246

HSL 304.54, 1%, 0.77%

LAB 73.23, 59.65, -35.54

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 68 / 13 / 21

HEX #C940AF

RGB 201 64 175

HSL 311.39, 0.56%, 0.52%

LAB 50.9, 65.4, -30.81

 

CMYK 0 / 75 / 15 / 28

HEX #B82E9C

RGB 184 46 156

HSL 312.17, 0.6%, 0.45%

LAB 45, 64.7, -28.96

 

CMYK 0 / 83 / 18 / 35

HEX #A71C89

RGB 167 28 137

HSL 312.95, 0.71%, 0.38%

LAB 39.33, 63.14, -26.52

 

CMYK 0 / 93 / 21 / 41

HEX #960A76

RGB 150 10 118

HSL 313.71, 0.88%, 0.31%

LAB 34, 60.3, -23.24

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 62 / 28 / 15

HEX #DA529D

RGB 218 82 157

HSL 326.91, 0.65%, 0.59%

LAB 55.46, 60.4, -13.02

 

CMYK 0 / 62 / 44 / 15

HEX #DA5279

RGB 218 82 121

HSL 342.79, 0.65%, 0.59%

LAB 54.37, 56.38, 6.63

 

CMYK 0 / 62 / 61 / 15

HEX #DA5254

RGB 218 82 84

HSL 359.12, 0.65%, 0.59%

LAB 53.58, 53.39, 27.42

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 6 / 62 / 0 / 15

HEX #CD52DA

RGB 205 82 218

HSL 294.26, 0.65%, 0.59%

LAB 56.16, 66.28, -47.22

 

CMYK 22 / 62 / 0 / 15

HEX #A952DA

RGB 169 82 218

HSL 278.38, 0.65%, 0.59%

LAB 51.3, 57.86, -55.26

 

CMYK 39 / 62 / 0 / 15

HEX #8452DA

RGB 132 82 218

HSL 262.06, 0.65%, 0.59%

LAB 46.98, 49.71, -62.45

 

CMYK 56 / 62 / 0 / 15

HEX #5F52DA

RGB 95 82 218

HSL 245.74, 0.65%, 0.59%

LAB 43.55, 42.64, -68.17

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 72 / 13 / 8

HEX #EB41CD

RGB 235 65 205

HSL 310.59, 0.81%, 0.59%

LAB 57.89, 77.35, -36.8

 

CMYK 0 / 81 / 14 / 1

HEX #FC30D8

RGB 252 48 216

HSL 310.59, 0.97%, 0.59%

LAB 59.68, 86.88, -40.06

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 51 / 9 / 21

HEX #C963B7

RGB 201 99 183

HSL 310.59, 0.49%, 0.59%

LAB 56.84, 51.43, -26.23

 

CMYK 0 / 37 / 7 / 28

HEX #B874AC

RGB 184 116 172

HSL 310.59, 0.32%, 0.59%

LAB 57.71, 35.32, -18.75

 

CMYK 0 / 20 / 4 / 35

HEX #A785A1

RGB 167 133 161

HSL 310.59, 0.16%, 0.59%

LAB 59.49, 17.87, -9.93

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 23 / 62 / 0 / 15

HEX #A852DA

RGB 168 82 218

HSL 277.94, 0.65%, 0.59%

LAB 51.18, 57.63, -55.47

 

CMYK 6 / 62 / 0 / 15

HEX #CC52DA

RGB 204 82 218

HSL 293.82, 0.65%, 0.59%

LAB 56.02, 66.04, -47.46

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C3

RGB 218 82 195

HSL 310.15, 0.65%, 0.59%

LAB 56.96, 65.7, -32.74

 

CMYK 0 / 62 / 27 / 15

HEX #DA529F

RGB 218 82 159

HSL 326.03, 0.65%, 0.59%

LAB 55.53, 60.65, -14.09

 

CMYK 0 / 62 / 44 / 15

HEX #DA527B

RGB 218 82 123

HSL 341.91, 0.65%, 0.59%

LAB 54.42, 56.58, 5.52

 

CMYK 0 / 79 / 14 / 29

HEX #B4269B

RGB 180 38 155

HSL 310.56, 0.65%, 0.43%

LAB 43.44, 65.98, -30.85

 

CMYK 0 / 77 / 14 / 17

HEX #D330B6

RGB 211 48 182

HSL 310.67, 0.65%, 0.51%

LAB 51.08, 73.83, -34.49

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 48 / 8 / 12

HEX #E174CE

RGB 225 116 206

HSL 310.46, 0.64%, 0.67%

LAB 64.12, 54.02, -27.8

 

CMYK 0 / 35 / 6 / 9

HEX #E896DA

RGB 232 150 218

HSL 310.24, 0.64%, 0.75%

LAB 72.25, 40.87, -21.95

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 39 / 62 / 15

HEX #DA8452

RGB 218 132 82

HSL 22.06, 0.65%, 0.59%

LAB 63.36, 28.49, 40.61

 

CMYK 62 / 0 / 15 / 15

HEX #52DABA

RGB 82 218 186

HSL 165.88, 0.65%, 0.59%

LAB 79.32, -44.41, 4.88

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 11 / 0 / 62 / 15

HEX #C3DA52

RGB 195 218 82

HSL 70.15, 0.65%, 0.59%

LAB 83.1, -25.97, 62.27

 

CMYK 62 / 11 / 0 / 15

HEX #52C3DA

RGB 82 195 218

HSL 190.15, 0.65%, 0.59%

LAB 73.47, -25.07, -21.03

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 39 / 62 / 15

HEX #DA8452

RGB 218 132 82

HSL 22.06, 0.65%, 0.59%

LAB 63.36, 28.49, 40.61

 

CMYK 62 / 0 / 52 / 15

HEX #52DA69

RGB 82 218 105

HSL 130.15, 0.65%, 0.59%

LAB 77.85, -59.98, 44.54

 

CMYK 62 / 23 / 0 / 15

HEX #52A8DA

RGB 82 168 218

HSL 202.06, 0.65%, 0.59%

LAB 65.64, -10.95, -33.05

 

CMYK 0 / 62 / 11 / 15

HEX #DA52C2

RGB 218 82 194

HSL 310.59, 0.65%, 0.59%

LAB 56.91, 65.55, -32.24

 

CMYK 0 / 21 / 62 / 15

HEX #DAAD52

RGB 218 173 82

HSL 40.15, 0.65%, 0.59%

LAB 73.16, 6.5, 51.93

 

CMYK 62 / 0 / 52 / 15

HEX #52DA69

RGB 82 218 105

HSL 130.15, 0.65%, 0.59%

LAB 77.85, -59.98, 44.54

 

CMYK 62 / 42 / 0 / 15

HEX #527FDA

RGB 82 127 218

HSL 220.15, 0.65%, 0.59%

LAB 54.06, 12.81, -51.26

 

Description

Color code: HEX #DA52C2 | qconv.com Color code: HEX #DA52C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 82 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 82 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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