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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA52A0 it is the complementary color #25AD5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA52A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA52A0 shade: #DF529B, #F064AE, #FF76C1, #FF88D4 and #FF9AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA52A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA52A0 shade: #DA52A0, #C9408D, #B82E7A, #A71C67 and #960A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA52A0 shade: #DA52A0, #DA527B, #DA5257 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA52A0 shade: #DA52A0, #DA52C5, #CB52DA, #A652DA and #8152DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA52A0 shade matches the following richer shades: #DA52A0, #EB41A2 and #FC30A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA52A0 shade: #DA52A0, #C9639D, #B8749B, #A78598 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA52A0 shade: #CA52DA, #DA52C6, #DA52A1, #DA527D and #DA5259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA52A0 shade: #B42677, #D3308D, #DA52A0, #E174B3 and #E896C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA52A0 shade: #DA52A0, #DAA652 and #52D8DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA52A0 shade: #DA52A0, #A1DA52 and #52A1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA52A0 shade: #DA52A0, #DAA652, #52DA8B and #5286DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA52A0 shade: #DA52A0, #DACF52, #52DA8B and #525DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

Complementary color

CMYK 79 / 0 / 45 / 32

HEX #25AD5F

RGB 37 173 95

HSL 145.59, 0.65%, 0.41%

LAB 62.6, -52.87, 30.21

 

CMYK 0 / 63 / 30 / 13

HEX #DF529B

RGB 223 82 155

HSL 328.94, 0.69%, 0.6%

LAB 56.18, 61.59, -10.69

 

CMYK 0 / 58 / 28 / 6

HEX #F064AE

RGB 240 100 174

HSL 328.29, 0.82%, 0.67%

LAB 62.25, 61.25, -12.31

 

CMYK 0 / 54 / 24 / 0

HEX #FF76C1

RGB 255 118 193

HSL 327.15, 1%, 0.73%

LAB 68.07, 60.12, -14.12

 

CMYK 0 / 47 / 17 / 0

HEX #FF88D4

RGB 255 136 212

HSL 321.68, 1%, 0.77%

LAB 71.97, 54.26, -18.81

 

CMYK 0 / 40 / 9 / 0

HEX #FF9AE7

RGB 255 154 231

HSL 314.26, 1%, 0.8%

LAB 76.16, 48.25, -22.88

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 68 / 30 / 21

HEX #C9408D

RGB 201 64 141

HSL 326.28, 0.56%, 0.52%

LAB 49.51, 60.82, -12.8

 

CMYK 0 / 75 / 34 / 28

HEX #B82E7A

RGB 184 46 122

HSL 326.96, 0.6%, 0.45%

LAB 43.58, 60.34, -10.49

 

CMYK 0 / 83 / 38 / 35

HEX #A71C67

RGB 167 28 103

HSL 327.63, 0.71%, 0.38%

LAB 37.89, 59.05, -7.49

 

CMYK 0 / 93 / 44 / 41

HEX #960A54

RGB 150 10 84

HSL 328.29, 0.88%, 0.31%

LAB 32.57, 56.49, -3.54

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 62 / 44 / 15

HEX #DA527B

RGB 218 82 123

HSL 341.91, 0.65%, 0.59%

LAB 54.42, 56.58, 5.52

 

CMYK 0 / 62 / 60 / 15

HEX #DA5257

RGB 218 82 87

HSL 357.79, 0.65%, 0.59%

LAB 53.63, 53.59, 25.74

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 62 / 10 / 15

HEX #DA52C5

RGB 218 82 197

HSL 309.26, 0.65%, 0.59%

LAB 57.05, 66.01, -33.75

 

CMYK 7 / 62 / 0 / 15

HEX #CB52DA

RGB 203 82 218

HSL 293.38, 0.65%, 0.59%

LAB 55.88, 65.8, -47.69

 

CMYK 24 / 62 / 0 / 15

HEX #A652DA

RGB 166 82 218

HSL 277.06, 0.65%, 0.59%

LAB 50.92, 57.17, -55.89

 

CMYK 41 / 62 / 0 / 15

HEX #8152DA

RGB 129 82 218

HSL 260.74, 0.65%, 0.59%

LAB 46.66, 49.08, -62.97

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 72 / 31 / 8

HEX #EB41A2

RGB 235 65 162

HSL 325.76, 0.81%, 0.59%

LAB 56.14, 71.92, -14.65

 

CMYK 0 / 81 / 35 / 1

HEX #FC30A5

RGB 252 48 165

HSL 325.59, 0.97%, 0.59%

LAB 57.58, 80.98, -13.94

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 51 / 22 / 21

HEX #C9639D

RGB 201 99 157

HSL 325.88, 0.49%, 0.59%

LAB 55.86, 47.38, -12.66

 

CMYK 0 / 37 / 16 / 28

HEX #B8749B

RGB 184 116 155

HSL 325.59, 0.32%, 0.59%

LAB 57.12, 32.4, -9.83

 

CMYK 0 / 20 / 9 / 35

HEX #A78598

RGB 167 133 152

HSL 326.47, 0.16%, 0.59%

LAB 59.21, 16.21, -5.19

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 7 / 62 / 0 / 15

HEX #CA52DA

RGB 202 82 218

HSL 292.94, 0.65%, 0.59%

LAB 55.74, 65.57, -47.92

 

CMYK 0 / 62 / 9 / 15

HEX #DA52C6

RGB 218 82 198

HSL 308.82, 0.65%, 0.59%

LAB 57.09, 66.16, -34.25

 

CMYK 0 / 62 / 26 / 15

HEX #DA52A1

RGB 218 82 161

HSL 325.15, 0.65%, 0.59%

LAB 55.6, 60.91, -15.15

 

CMYK 0 / 62 / 43 / 15

HEX #DA527D

RGB 218 82 125

HSL 341.03, 0.65%, 0.59%

LAB 54.47, 56.78, 4.41

 

CMYK 0 / 62 / 59 / 15

HEX #DA5259

RGB 218 82 89

HSL 356.91, 0.65%, 0.59%

LAB 53.67, 53.72, 24.61

 

CMYK 0 / 79 / 34 / 29

HEX #B42677

RGB 180 38 119

HSL 325.77, 0.65%, 0.43%

LAB 41.88, 61.4, -11.27

 

CMYK 0 / 77 / 33 / 17

HEX #D3308D

RGB 211 48 141

HSL 325.77, 0.65%, 0.51%

LAB 49.36, 68.74, -12.85

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 48 / 20 / 12

HEX #E174B3

RGB 225 116 179

HSL 325.32, 0.64%, 0.67%

LAB 63.14, 49.83, -14.04

 

CMYK 0 / 35 / 15 / 9

HEX #E896C5

RGB 232 150 197

HSL 325.61, 0.64%, 0.75%

LAB 71.55, 37.4, -11.41

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 24 / 62 / 15

HEX #DAA652

RGB 218 166 82

HSL 37.06, 0.65%, 0.59%

LAB 71.41, 10.23, 49.96

 

CMYK 62 / 1 / 0 / 15

HEX #52D8DA

RGB 82 216 218

HSL 180.88, 0.65%, 0.59%

LAB 79.6, -35.21, -11.8

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 26 / 0 / 62 / 15

HEX #A1DA52

RGB 161 218 82

HSL 85.15, 0.65%, 0.59%

LAB 80.92, -39.08, 59.27

 

CMYK 62 / 26 / 0 / 15

HEX #52A1DA

RGB 82 161 218

HSL 205.15, 0.65%, 0.59%

LAB 63.63, -7.08, -36.18

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 24 / 62 / 15

HEX #DAA652

RGB 218 166 82

HSL 37.06, 0.65%, 0.59%

LAB 71.41, 10.23, 49.96

 

CMYK 62 / 0 / 36 / 15

HEX #52DA8B

RGB 82 218 139

HSL 145.15, 0.65%, 0.59%

LAB 78.35, -54.49, 28.24

 

CMYK 62 / 39 / 0 / 15

HEX #5286DA

RGB 82 134 218

HSL 217.06, 0.65%, 0.59%

LAB 55.99, 8.58, -48.19

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 5 / 62 / 15

HEX #DACF52

RGB 218 207 82

HSL 55.15, 0.65%, 0.59%

LAB 81.91, -11.15, 61.52

 

CMYK 62 / 0 / 36 / 15

HEX #52DA8B

RGB 82 218 139

HSL 145.15, 0.65%, 0.59%

LAB 78.35, -54.49, 28.24

 

CMYK 62 / 57 / 0 / 15

HEX #525DDA

RGB 82 93 218

HSL 235.15, 0.65%, 0.59%

LAB 45.2, 33.85, -65.53

 

Description

Color code: HEX #DA52A0 | qconv.com Color code: HEX #DA52A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 82 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 82 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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