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Color name
HEX #DA5237

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5237 it is the complementary color #25ADC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5237 shade: #DF5232, #F06445, #FF7658, #FF886B and #FF9A7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5237 shade: #DA5237, #C94024, #B82E11, #A71C00 and #960A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5237 shade: #DB5439 and #DB3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5237 shade: #DB5439, #DB7F39, #DBAB39, #DBD739 and #B3DB39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5237 shade matches the following richer shades: #DB5439 and #EE4726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5237 shade: #DB5439, #C8604C, #B56D5F, #A27A72 and #8F8685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5237 shade: #DB3977, #DB394C, #DB5139, #DB7C39 and #DBA739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5237 shade: #A3341E, #C63F24, #DB5439, #E1725C and #E7907E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5237 shade: #DA5237, #A2DB39 and #3961DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5237 shade: #DA5237, #39DB51 and #5139DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5237 shade: #DA5237, #A2DB39, #39C2DB and #7139DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5237 shade: #DA5237, #71DB39, #39C2DB and #A239DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 75 / 15

HEX #DA5237

RGB 218 82 55

HSL 9.94, 0.69%, 0.54%

LAB 53.18, 51.86, 43.22

 

Complementary color

CMYK 82 / 14 / 0 / 22

HEX #25ADC8

RGB 37 173 200

HSL 189.94, 0.69%, 0.46%

LAB 65.32, -25.39, -23.69

 

CMYK 0 / 63 / 78 / 13

HEX #DF5232

RGB 223 82 50

HSL 11.1, 0.73%, 0.54%

LAB 53.98, 53.4, 46.89

 

CMYK 0 / 58 / 71 / 6

HEX #F06445

RGB 240 100 69

HSL 10.88, 0.85%, 0.61%

LAB 59.95, 52.15, 44.29

 

CMYK 0 / 54 / 65 / 0

HEX #FF7658

RGB 255 118 88

HSL 10.78, 1%, 0.67%

LAB 65.69, 50.12, 41.44

 

CMYK 0 / 47 / 58 / 0

HEX #FF886B

RGB 255 136 107

HSL 11.76, 1%, 0.71%

LAB 69.42, 42.57, 35.83

 

CMYK 0 / 40 / 51 / 0

HEX #FF9A7E

RGB 255 154 126

HSL 13.02, 1%, 0.75%

LAB 73.47, 34.93, 30.79

 

CMYK 0 / 62 / 75 / 15

HEX #DA5237

RGB 218 82 55

HSL 9.94, 0.69%, 0.54%

LAB 53.18, 51.86, 43.22

 

CMYK 0 / 68 / 82 / 21

HEX #C94024

RGB 201 64 36

HSL 10.18, 0.7%, 0.46%

LAB 47.25, 52.93, 45.98

 

CMYK 0 / 75 / 91 / 28

HEX #B82E11

RGB 184 46 17

HSL 10.42, 0.83%, 0.39%

LAB 41.51, 53.65, 48.36

 

CMYK 0 / 83 / 100 / 35

HEX #A71C00

RGB 167 28 0

HSL 10.06, 1%, 0.33%

LAB 36.07, 53.63, 49.55

 

CMYK 0 / 93 / 100 / 41

HEX #960A00

RGB 150 10 0

HSL 4, 1%, 0.29%

LAB 31.12, 52.44, 44.71

 

CMYK 0 / 62 / 74 / 14

HEX #DB5439

RGB 219 84 57

HSL 10, 0.69%, 0.54%

LAB 53.7, 51.41, 42.77

 

CMYK 0 / 74 / 74 / 14

HEX #DB3939

RGB 219 57 57

HSL 0, 0.69%, 0.54%

LAB 49.84, 61.93, 38.5

 

CMYK 0 / 62 / 74 / 14

HEX #DB5439

RGB 219 84 57

HSL 10, 0.69%, 0.54%

LAB 53.7, 51.41, 42.77

 

CMYK 0 / 42 / 74 / 14

HEX #DB7F39

RGB 219 127 57

HSL 25.93, 0.69%, 0.54%

LAB 62.11, 30.16, 51.66

 

CMYK 0 / 22 / 74 / 14

HEX #DBAB39

RGB 219 171 57

HSL 42.22, 0.69%, 0.54%

LAB 72.55, 6.62, 62.1

 

CMYK 0 / 2 / 74 / 14

HEX #DBD739

RGB 219 215 57

HSL 58.52, 0.69%, 0.54%

LAB 83.94, -16.03, 72.94

 

CMYK 18 / 0 / 74 / 14

HEX #B3DB39

RGB 179 219 57

HSL 74.81, 0.69%, 0.54%

LAB 82.13, -34.27, 70.2

 

CMYK 0 / 62 / 74 / 14

HEX #DB5439

RGB 219 84 57

HSL 10, 0.69%, 0.54%

LAB 53.7, 51.41, 42.77

 

CMYK 0 / 70 / 84 / 7

HEX #EE4726

RGB 238 71 38

HSL 9.9, 0.85%, 0.54%

LAB 54.89, 62.34, 54.42

 

CMYK 0 / 62 / 74 / 14

HEX #DB5439

RGB 219 84 57

HSL 10, 0.69%, 0.54%

LAB 53.7, 51.41, 42.77

 

CMYK 0 / 52 / 62 / 22

HEX #C8604C

RGB 200 96 76

HSL 9.68, 0.53%, 0.54%

LAB 53.13, 39.81, 30.87

 

CMYK 0 / 40 / 48 / 29

HEX #B56D5F

RGB 181 109 95

HSL 9.77, 0.37%, 0.54%

LAB 53.59, 27.07, 20.02

 

CMYK 0 / 25 / 30 / 36

HEX #A27A72

RGB 162 122 114

HSL 10, 0.21%, 0.54%

LAB 54.88, 14.39, 10.43

 

CMYK 0 / 6 / 7 / 44

HEX #8F8685

RGB 143 134 133

HSL 6, 0.04%, 0.54%

LAB 56.67, 3.19, 1.74

 

CMYK 0 / 74 / 46 / 14

HEX #DB3977

RGB 219 57 119

HSL 337.04, 0.69%, 0.54%

LAB 51.06, 65.92, 3.1

 

CMYK 0 / 74 / 65 / 14

HEX #DB394C

RGB 219 57 76

HSL 352.96, 0.69%, 0.54%

LAB 50.11, 62.82, 27.75

 

CMYK 0 / 63 / 74 / 14

HEX #DB5139

RGB 219 81 57

HSL 8.89, 0.69%, 0.54%

LAB 53.21, 52.72, 42.23

 

CMYK 0 / 43 / 74 / 14

HEX #DB7C39

RGB 219 124 57

HSL 24.81, 0.69%, 0.54%

LAB 61.46, 31.74, 50.99

 

CMYK 0 / 24 / 74 / 14

HEX #DBA739

RGB 219 167 57

HSL 40.74, 0.69%, 0.54%

LAB 71.55, 8.74, 61.13

 

CMYK 0 / 68 / 82 / 36

HEX #A3341E

RGB 163 52 30

HSL 9.92, 0.69%, 0.38%

LAB 38.44, 44.65, 38.17

 

CMYK 0 / 68 / 82 / 22

HEX #C63F24

RGB 198 63 36

HSL 10, 0.69%, 0.46%

LAB 46.56, 52.33, 45.14

 

CMYK 0 / 62 / 74 / 14

HEX #DB5439

RGB 219 84 57

HSL 10, 0.69%, 0.54%

LAB 53.7, 51.41, 42.77

 

CMYK 0 / 49 / 59 / 12

HEX #E1725C

RGB 225 114 92

HSL 9.92, 0.69%, 0.62%

LAB 60.62, 41.3, 32.05

 

CMYK 0 / 38 / 45 / 9

HEX #E7907E

RGB 231 144 126

HSL 10.29, 0.69%, 0.7%

LAB 68.34, 30.97, 23.45

 

CMYK 0 / 62 / 75 / 15

HEX #DA5237

RGB 218 82 55

HSL 9.94, 0.69%, 0.54%

LAB 53.18, 51.86, 43.22

 

CMYK 26 / 0 / 74 / 14

HEX #A2DB39

RGB 162 219 57

HSL 81.11, 0.69%, 0.54%

LAB 81.09, -40.81, 68.84

 

CMYK 74 / 56 / 0 / 14

HEX #3961DB

RGB 57 97 219

HSL 225.19, 0.69%, 0.54%

LAB 44.99, 28.17, -66.5

 

CMYK 0 / 62 / 75 / 15

HEX #DA5237

RGB 218 82 55

HSL 9.94, 0.69%, 0.54%

LAB 53.18, 51.86, 43.22

 

CMYK 74 / 0 / 63 / 14

HEX #39DB51

RGB 57 219 81

HSL 128.89, 0.69%, 0.54%

LAB 77.36, -67.72, 54.67

 

CMYK 63 / 74 / 0 / 14

HEX #5139DB

RGB 81 57 219

HSL 248.89, 0.69%, 0.54%

LAB 37.46, 54.78, -78.76

 

CMYK 0 / 62 / 75 / 15

HEX #DA5237

RGB 218 82 55

HSL 9.94, 0.69%, 0.54%

LAB 53.18, 51.86, 43.22

 

CMYK 26 / 0 / 74 / 14

HEX #A2DB39

RGB 162 219 57

HSL 81.11, 0.69%, 0.54%

LAB 81.09, -40.81, 68.84

 

CMYK 74 / 11 / 0 / 14

HEX #39C2DB

RGB 57 194 219

HSL 189.26, 0.69%, 0.54%

LAB 72.61, -27.81, -22.95

 

CMYK 48 / 74 / 0 / 14

HEX #7139DB

RGB 113 57 219

HSL 260.74, 0.69%, 0.54%

LAB 40.49, 59.05, -73.67

 

CMYK 0 / 62 / 75 / 15

HEX #DA5237

RGB 218 82 55

HSL 9.94, 0.69%, 0.54%

LAB 53.18, 51.86, 43.22

 

CMYK 48 / 0 / 74 / 14

HEX #71DB39

RGB 113 219 57

HSL 99.26, 0.69%, 0.54%

LAB 78.73, -57.34, 65.74

 

CMYK 74 / 11 / 0 / 14

HEX #39C2DB

RGB 57 194 219

HSL 189.26, 0.69%, 0.54%

LAB 72.61, -27.81, -22.95

 

CMYK 26 / 74 / 0 / 14

HEX #A239DB

RGB 162 57 219

HSL 278.89, 0.69%, 0.54%

LAB 46.61, 67.32, -63.44

 

Description

Color code: HEX #DA5237 | qconv.com Color code: HEX #DA5237 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 82 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 82 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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