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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4FAC it is the complementary color #25B053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4FAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4FAC shade: #DF4FA7, #F061BA, #FF73CD, #FF85E0 and #FF97F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4FAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4FAC shade: #DA4FAC, #C93D99, #B82B86, #A71973 and #960760

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4FAC shade: #DA4EAB, #DA4E86, #DA4E60 and #DA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4FAC shade: #DA4EAB, #DA4ED1, #BD4EDA, #974EDA and #714EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4FAC shade matches the following richer shades: #DA4EAB, #EB3DB1 and #FC2CB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4FAC shade: #DA4EAB, #C860A6, #B771A0, #A6829A and #949494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4FAC shade: #BB4EDA, #DA4ED3, #DA4EAD, #DA4E88 and #DA4E63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4FAC shade: #B02582, #D22D9B, #DA4EAB, #E170BC and #E892CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4FAC shade: #DA4FAC, #DA964E and #4EDACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4FAC shade: #DA4FAC, #ADDA4E and #4EADDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4FAC shade: #DA4FAC, #DA964E, #4EDA7A and #4E92DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4FAC shade: #DA4FAC, #DAC04E, #4EDA7A and #4E68DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 21 / 15

HEX #DA4FAC

RGB 218 79 172

HSL 319.86, 0.65%, 0.58%

LAB 55.56, 63.59, -21.63

 

Complementary color

CMYK 79 / 0 / 53 / 31

HEX #25B053

RGB 37 176 83

HSL 139.86, 0.65%, 0.42%

LAB 63.4, -55.91, 37.33

 

CMYK 0 / 65 / 25 / 13

HEX #DF4FA7

RGB 223 79 167

HSL 323.33, 0.69%, 0.59%

LAB 56.16, 64.3, -17.73

 

CMYK 0 / 60 / 23 / 6

HEX #F061BA

RGB 240 97 186

HSL 322.66, 0.83%, 0.66%

LAB 62.19, 64.11, -19.27

 

CMYK 0 / 55 / 20 / 0

HEX #FF73CD

RGB 255 115 205

HSL 321.43, 1%, 0.73%

LAB 67.97, 63.11, -21

 

CMYK 0 / 48 / 12 / 0

HEX #FF85E0

RGB 255 133 224

HSL 315.25, 1%, 0.76%

LAB 71.84, 57.53, -25.64

 

CMYK 0 / 41 / 5 / 0

HEX #FF97F3

RGB 255 151 243

HSL 306.92, 1%, 0.8%

LAB 75.99, 51.76, -29.66

 

CMYK 0 / 64 / 21 / 15

HEX #DA4FAC

RGB 218 79 172

HSL 319.86, 0.65%, 0.58%

LAB 55.56, 63.59, -21.63

 

CMYK 0 / 70 / 24 / 21

HEX #C93D99

RGB 201 61 153

HSL 320.57, 0.56%, 0.51%

LAB 49.56, 63.44, -19.88

 

CMYK 0 / 77 / 27 / 28

HEX #B82B86

RGB 184 43 134

HSL 321.28, 0.62%, 0.45%

LAB 43.71, 62.7, -17.65

 

CMYK 0 / 85 / 31 / 35

HEX #A71973

RGB 167 25 115

HSL 321.97, 0.74%, 0.38%

LAB 38.11, 61.06, -14.74

 

CMYK 0 / 95 / 36 / 41

HEX #960760

RGB 150 7 96

HSL 322.66, 0.91%, 0.31%

LAB 32.88, 58.11, -10.9

 

CMYK 0 / 64 / 22 / 15

HEX #DA4EAB

RGB 218 78 171

HSL 320.14, 0.65%, 0.58%

LAB 55.37, 63.86, -21.33

 

CMYK 0 / 64 / 39 / 15

HEX #DA4E86

RGB 218 78 134

HSL 336, 0.65%, 0.58%

LAB 54.11, 59.38, -1.46

 

CMYK 0 / 64 / 56 / 15

HEX #DA4E60

RGB 218 78 96

HSL 352.29, 0.65%, 0.58%

LAB 53.17, 55.93, 19.82

 

CMYK 0 / 64 / 64 / 15

HEX #DA4E4E

RGB 218 78 78

HSL 0, 0.65%, 0.58%

LAB 52.84, 54.72, 29.98

 

CMYK 0 / 64 / 22 / 15

HEX #DA4EAB

RGB 218 78 171

HSL 320.14, 0.65%, 0.58%

LAB 55.37, 63.86, -21.33

 

CMYK 0 / 64 / 4 / 15

HEX #DA4ED1

RGB 218 78 209

HSL 303.86, 0.65%, 0.58%

LAB 57.03, 69.47, -40.62

 

CMYK 13 / 64 / 0 / 15

HEX #BD4EDA

RGB 189 78 218

HSL 287.57, 0.65%, 0.58%

LAB 53.31, 64.24, -51.9

 

CMYK 31 / 64 / 0 / 15

HEX #974EDA

RGB 151 78 218

HSL 271.29, 0.65%, 0.58%

LAB 48.37, 55.78, -60.09

 

CMYK 48 / 64 / 0 / 15

HEX #714EDA

RGB 113 78 218

HSL 255, 0.65%, 0.58%

LAB 44.26, 48.12, -66.94

 

CMYK 0 / 64 / 22 / 15

HEX #DA4EAB

RGB 218 78 171

HSL 320.14, 0.65%, 0.58%

LAB 55.37, 63.86, -21.33

 

CMYK 0 / 74 / 25 / 8

HEX #EB3DB1

RGB 235 61 177

HSL 320, 0.81%, 0.58%

LAB 56.26, 74.92, -23.22

 

CMYK 0 / 83 / 27 / 1

HEX #FC2CB7

RGB 252 44 183

HSL 319.9, 0.97%, 0.58%

LAB 57.96, 83.75, -23.84

 

CMYK 0 / 64 / 22 / 15

HEX #DA4EAB

RGB 218 78 171

HSL 320.14, 0.65%, 0.58%

LAB 55.37, 63.86, -21.33

 

CMYK 0 / 52 / 17 / 22

HEX #C860A6

RGB 200 96 166

HSL 319.62, 0.49%, 0.58%

LAB 55.48, 49.89, -18.49

 

CMYK 0 / 38 / 13 / 28

HEX #B771A0

RGB 183 113 160

HSL 319.71, 0.33%, 0.58%

LAB 56.5, 34.53, -13.67

 

CMYK 0 / 22 / 7 / 35

HEX #A6829A

RGB 166 130 154

HSL 320, 0.17%, 0.58%

LAB 58.42, 17.91, -7.52

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 14 / 64 / 0 / 15

HEX #BB4EDA

RGB 187 78 218

HSL 286.71, 0.65%, 0.58%

LAB 53.03, 63.78, -52.36

 

CMYK 0 / 64 / 3 / 15

HEX #DA4ED3

RGB 218 78 211

HSL 303, 0.65%, 0.58%

LAB 57.13, 69.79, -41.6

 

CMYK 0 / 64 / 21 / 15

HEX #DA4EAD

RGB 218 78 173

HSL 319.29, 0.65%, 0.58%

LAB 55.45, 64.13, -22.37

 

CMYK 0 / 64 / 38 / 15

HEX #DA4E88

RGB 218 78 136

HSL 335.14, 0.65%, 0.58%

LAB 54.17, 59.6, -2.56

 

CMYK 0 / 64 / 55 / 15

HEX #DA4E63

RGB 218 78 99

HSL 351, 0.65%, 0.58%

LAB 53.23, 56.16, 18.12

 

CMYK 0 / 79 / 26 / 31

HEX #B02582

RGB 176 37 130

HSL 319.86, 0.65%, 0.42%

LAB 41.48, 61.99, -18.75

 

CMYK 0 / 79 / 26 / 18

HEX #D22D9B

RGB 210 45 155

HSL 320, 0.65%, 0.5%

LAB 49.43, 70.93, -21.14

 

CMYK 0 / 64 / 22 / 15

HEX #DA4EAB

RGB 218 78 171

HSL 320.14, 0.65%, 0.58%

LAB 55.37, 63.86, -21.33

 

CMYK 0 / 50 / 16 / 12

HEX #E170BC

RGB 225 112 188

HSL 319.65, 0.65%, 0.66%

LAB 62.7, 53.13, -19.82

 

CMYK 0 / 37 / 12 / 9

HEX #E892CC

RGB 232 146 204

HSL 319.53, 0.65%, 0.74%

LAB 70.92, 40.62, -16.24

 

CMYK 0 / 64 / 21 / 15

HEX #DA4FAC

RGB 218 79 172

HSL 319.86, 0.65%, 0.58%

LAB 55.56, 63.59, -21.63

 

CMYK 0 / 31 / 64 / 15

HEX #DA964E

RGB 218 150 78

HSL 30.86, 0.65%, 0.58%

LAB 67.48, 18.57, 47.43

 

CMYK 64 / 0 / 6 / 15

HEX #4EDACE

RGB 78 218 206

HSL 174.86, 0.65%, 0.58%

LAB 79.74, -40, -5.19

 

CMYK 0 / 64 / 21 / 15

HEX #DA4FAC

RGB 218 79 172

HSL 319.86, 0.65%, 0.58%

LAB 55.56, 63.59, -21.63

 

CMYK 21 / 0 / 64 / 15

HEX #ADDA4E

RGB 173 218 78

HSL 79.29, 0.65%, 0.58%

LAB 81.61, -34.87, 61.87

 

CMYK 64 / 21 / 0 / 15

HEX #4EADDA

RGB 78 173 218

HSL 199.29, 0.65%, 0.58%

LAB 66.95, -14.34, -31.03

 

CMYK 0 / 64 / 21 / 15

HEX #DA4FAC

RGB 218 79 172

HSL 319.86, 0.65%, 0.58%

LAB 55.56, 63.59, -21.63

 

CMYK 0 / 31 / 64 / 15

HEX #DA964E

RGB 218 150 78

HSL 30.86, 0.65%, 0.58%

LAB 67.48, 18.57, 47.43

 

CMYK 64 / 0 / 44 / 15

HEX #4EDA7A

RGB 78 218 122

HSL 138.86, 0.65%, 0.58%

LAB 77.97, -58.22, 36.37

 

CMYK 64 / 33 / 0 / 15

HEX #4E92DA

RGB 78 146 218

HSL 210.86, 0.65%, 0.58%

LAB 59.2, 0.77, -43.14

 

CMYK 0 / 64 / 21 / 15

HEX #DA4FAC

RGB 218 79 172

HSL 319.86, 0.65%, 0.58%

LAB 55.56, 63.59, -21.63

 

CMYK 0 / 12 / 64 / 15

HEX #DAC04E

RGB 218 192 78

HSL 48.86, 0.65%, 0.58%

LAB 77.97, -3.73, 59

 

CMYK 64 / 0 / 44 / 15

HEX #4EDA7A

RGB 78 218 122

HSL 138.86, 0.65%, 0.58%

LAB 77.97, -58.22, 36.37

 

CMYK 64 / 52 / 0 / 15

HEX #4E68DA

RGB 78 104 218

HSL 228.86, 0.65%, 0.58%

LAB 47.73, 26.36, -61.44

 

Description

Color code: HEX #DA4FAC | qconv.com Color code: HEX #DA4FAC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 79 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 79 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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