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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4DE2 it is the complementary color #25B21D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4DE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4DE2 shade: #DF4DDD, #F05FF0, #FF71FF, #FF83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4DE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4DE2 shade: #DA4DE2, #C93BCF, #B829BC, #A717A9 and #960596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4DE2 shade: #D94BE1, #E14BC1, #E14B98, #E14B70 and #E14B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4DE2 shade: #D94BE1, #B14BE1, #884BE1, #5F4BE1 and #4B4BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4DE2 shade matches the following richer shades: #D94BE1 and #E83AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4DE2 shade: #D94BE1, #CA5CD0, #BB6DBF, #AC7DAE and #9D8E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4DE2 shade: #874BE1, #AF4BE1, #D74BE1, #E14BC3 and #E14B9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4DE2 shade: #B31EBB, #D227DB, #D94BE1, #E16EE7 and #E892ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4DE2 shade: #DA4DE2, #E15F4B and #4BE19B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4DE2 shade: #DA4DE2, #E1D74B and #4BE1D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4DE2 shade: #DA4DE2, #E15F4B, #55E14B and #4BCDE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4DE2 shade: #DA4DE2, #E18C4B, #55E14B and #4BA0E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 66 / 0 / 11

HEX #DA4DE2

RGB 218 77 226

HSL 296.78, 0.72%, 0.59%

LAB 57.76, 72.64, -49.09

 

Complementary color

CMYK 79 / 0 / 84 / 30

HEX #25B21D

RGB 37 178 29

HSL 116.78, 0.72%, 0.41%

LAB 63.61, -61.95, 59.05

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDD

RGB 223 77 221

HSL 300.82, 0.7%, 0.59%

LAB 58.24, 72.94, -45.46

 

CMYK 0 / 60 / 0 / 6

HEX #F05FF0

RGB 240 95 240

HSL 300, 0.83%, 0.66%

LAB 64.16, 73.03, -46.57

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 4 / 66 / 0 / 11

HEX #DA4DE2

RGB 218 77 226

HSL 296.78, 0.72%, 0.59%

LAB 57.76, 72.64, -49.09

 

CMYK 3 / 71 / 0 / 19

HEX #C93BCF

RGB 201 59 207

HSL 297.57, 0.61%, 0.52%

LAB 51.89, 72.15, -47.78

 

CMYK 2 / 78 / 0 / 26

HEX #B829BC

RGB 184 41 188

HSL 298.37, 0.64%, 0.45%

LAB 46.19, 71.01, -46.03

 

CMYK 1 / 86 / 0 / 34

HEX #A717A9

RGB 167 23 169

HSL 299.18, 0.76%, 0.38%

LAB 40.72, 68.89, -43.7

 

CMYK 0 / 97 / 0 / 41

HEX #960596

RGB 150 5 150

HSL 300, 0.94%, 0.3%

LAB 35.59, 65.51, -40.61

 

CMYK 4 / 67 / 0 / 12

HEX #D94BE1

RGB 217 75 225

HSL 296.8, 0.71%, 0.59%

LAB 57.29, 72.99, -49.28

 

CMYK 0 / 67 / 14 / 12

HEX #E14BC1

RGB 225 75 193

HSL 312.8, 0.71%, 0.59%

LAB 56.97, 69.89, -31.5

 

CMYK 0 / 67 / 32 / 12

HEX #E14B98

RGB 225 75 152

HSL 329.2, 0.71%, 0.59%

LAB 55.39, 64.59, -10.08

 

CMYK 0 / 67 / 50 / 12

HEX #E14B70

RGB 225 75 112

HSL 345.2, 0.71%, 0.59%

LAB 54.25, 60.61, 11.98

 

CMYK 0 / 67 / 67 / 12

HEX #E14B4B

RGB 225 75 75

HSL 0, 0.71%, 0.59%

LAB 53.54, 58.07, 32.85

 

CMYK 4 / 67 / 0 / 12

HEX #D94BE1

RGB 217 75 225

HSL 296.8, 0.71%, 0.59%

LAB 57.29, 72.99, -49.28

 

CMYK 21 / 67 / 0 / 12

HEX #B14BE1

RGB 177 75 225

HSL 280.8, 0.71%, 0.59%

LAB 51.63, 64.26, -58.65

 

CMYK 40 / 67 / 0 / 12

HEX #884BE1

RGB 136 75 225

HSL 264.4, 0.71%, 0.59%

LAB 46.58, 55.9, -67.05

 

CMYK 58 / 67 / 0 / 12

HEX #5F4BE1

RGB 95 75 225

HSL 248, 0.71%, 0.59%

LAB 42.61, 48.79, -73.69

 

CMYK 67 / 67 / 0 / 12

HEX #4B4BE1

RGB 75 75 225

HSL 240, 0.71%, 0.59%

LAB 41.16, 46.02, -76.13

 

CMYK 4 / 67 / 0 / 12

HEX #D94BE1

RGB 217 75 225

HSL 296.8, 0.71%, 0.59%

LAB 57.29, 72.99, -49.28

 

CMYK 4 / 76 / 0 / 5

HEX #E83AF2

RGB 232 58 242

HSL 296.74, 0.88%, 0.59%

LAB 58.6, 84.29, -56.59

 

CMYK 4 / 67 / 0 / 12

HEX #D94BE1

RGB 217 75 225

HSL 296.8, 0.71%, 0.59%

LAB 57.29, 72.99, -49.28

 

CMYK 3 / 56 / 0 / 18

HEX #CA5CD0

RGB 202 92 208

HSL 296.9, 0.55%, 0.59%

LAB 56.85, 59.36, -40.5

 

CMYK 2 / 43 / 0 / 25

HEX #BB6DBF

RGB 187 109 191

HSL 297.07, 0.39%, 0.59%

LAB 57.33, 43.54, -30.2

 

CMYK 1 / 28 / 0 / 32

HEX #AC7DAE

RGB 172 125 174

HSL 297.55, 0.23%, 0.59%

LAB 58.5, 26.65, -18.82

 

CMYK 1 / 10 / 0 / 38

HEX #9D8E9E

RGB 157 142 158

HSL 296.25, 0.08%, 0.59%

LAB 60.77, 8.59, -6.42

 

CMYK 40 / 67 / 0 / 12

HEX #874BE1

RGB 135 75 225

HSL 264, 0.71%, 0.59%

LAB 46.47, 55.71, -67.24

 

CMYK 22 / 67 / 0 / 12

HEX #AF4BE1

RGB 175 75 225

HSL 280, 0.71%, 0.59%

LAB 51.36, 63.84, -59.09

 

CMYK 4 / 67 / 0 / 12

HEX #D74BE1

RGB 215 75 225

HSL 296, 0.71%, 0.59%

LAB 56.99, 72.55, -49.77

 

CMYK 0 / 67 / 13 / 12

HEX #E14BC3

RGB 225 75 195

HSL 312, 0.71%, 0.59%

LAB 57.06, 70.18, -32.51

 

CMYK 0 / 67 / 31 / 12

HEX #E14B9B

RGB 225 75 155

HSL 328, 0.71%, 0.59%

LAB 55.49, 64.94, -11.69

 

CMYK 4 / 84 / 0 / 27

HEX #B31EBB

RGB 179 30 187

HSL 296.94, 0.72%, 0.43%

LAB 44.38, 72.55, -48.39

 

CMYK 4 / 82 / 0 / 14

HEX #D227DB

RGB 210 39 219

HSL 297, 0.71%, 0.51%

LAB 52.14, 81.28, -54.16

 

CMYK 4 / 67 / 0 / 12

HEX #D94BE1

RGB 217 75 225

HSL 296.8, 0.71%, 0.59%

LAB 57.29, 72.99, -49.28

 

CMYK 3 / 52 / 0 / 9

HEX #E16EE7

RGB 225 110 231

HSL 297.02, 0.72%, 0.67%

LAB 64.1, 61.16, -41.81

 

CMYK 2 / 38 / 0 / 7

HEX #E892ED

RGB 232 146 237

HSL 296.7, 0.72%, 0.75%

LAB 72.11, 46.35, -32.58

 

CMYK 4 / 66 / 0 / 11

HEX #DA4DE2

RGB 218 77 226

HSL 296.78, 0.72%, 0.59%

LAB 57.76, 72.64, -49.09

 

CMYK 0 / 58 / 67 / 12

HEX #E15F4B

RGB 225 95 75

HSL 8, 0.71%, 0.59%

LAB 56.78, 49.43, 36.76

 

CMYK 67 / 0 / 31 / 12

HEX #4BE19B

RGB 75 225 155

HSL 152, 0.71%, 0.59%

LAB 80.58, -55.39, 22.96

 

CMYK 4 / 66 / 0 / 11

HEX #DA4DE2

RGB 218 77 226

HSL 296.78, 0.72%, 0.59%

LAB 57.76, 72.64, -49.09

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 67 / 0 / 4 / 12

HEX #4BE1D7

RGB 75 225 215

HSL 176, 0.71%, 0.59%

LAB 81.98, -41.19, -6.68

 

CMYK 4 / 66 / 0 / 11

HEX #DA4DE2

RGB 218 77 226

HSL 296.78, 0.72%, 0.59%

LAB 57.76, 72.64, -49.09

 

CMYK 0 / 58 / 67 / 12

HEX #E15F4B

RGB 225 95 75

HSL 8, 0.71%, 0.59%

LAB 56.78, 49.43, 36.76

 

CMYK 62 / 0 / 67 / 12

HEX #55E14B

RGB 85 225 75

HSL 116, 0.71%, 0.59%

LAB 79.78, -65.21, 59.95

 

CMYK 67 / 9 / 0 / 12

HEX #4BCDE1

RGB 75 205 225

HSL 188, 0.71%, 0.59%

LAB 76.43, -29.03, -20.33

 

CMYK 4 / 66 / 0 / 11

HEX #DA4DE2

RGB 218 77 226

HSL 296.78, 0.72%, 0.59%

LAB 57.76, 72.64, -49.09

 

CMYK 0 / 38 / 67 / 12

HEX #E18C4B

RGB 225 140 75

HSL 26, 0.71%, 0.59%

LAB 65.96, 26.65, 47.41

 

CMYK 62 / 0 / 67 / 12

HEX #55E14B

RGB 85 225 75

HSL 116, 0.71%, 0.59%

LAB 79.78, -65.21, 59.95

 

CMYK 67 / 29 / 0 / 12

HEX #4BA0E1

RGB 75 160 225

HSL 206, 0.71%, 0.59%

LAB 63.4, -5.41, -40.43

 

Description

Color code: HEX #DA4DE2 | qconv.com Color code: HEX #DA4DE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 66 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 66% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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