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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4DAE it is the complementary color #25B251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4DAE shade: #DF4DA9, #F05FBC, #FF71CF, #FF83E2 and #FF95F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4DAE shade: #DA4DAE, #C93B9B, #B82988, #A71775 and #960562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4DAE shade: #DB4DAE, #DB4D88, #DB4D62 and #DB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4DAE shade: #DB4DAE, #DB4DD5, #BA4DDB, #944DDB and #6E4DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4DAE shade matches the following richer shades: #DB4DAE, #EC3CB5 and #FD2BBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4DAE shade: #DB4DAE, #C95FA8, #B870A1, #A7819B and #959394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4DAE shade: #BA4DDB, #DB4DD6, #DB4DB0, #DB4D8A and #DB4D65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4DAE shade: #B12485, #D32B9F, #DB4DAE, #E26FBE and #E992CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4DAE shade: #DA4DAE, #DB944D and #4DDBCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4DAE shade: #DA4DAE, #B0DB4D and #4DB0DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4DAE shade: #DA4DAE, #DB944D, #4DDB78 and #4D94DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4DAE shade: #DA4DAE, #DBBE4D, #4DDB78 and #4D69DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 20 / 15

HEX #DA4DAE

RGB 218 77 174

HSL 318.72, 0.66%, 0.58%

LAB 55.35, 64.67, -23.11

 

Complementary color

CMYK 79 / 0 / 54 / 30

HEX #25B251

RGB 37 178 81

HSL 138.72, 0.66%, 0.42%

LAB 64.02, -56.9, 39.07

 

CMYK 0 / 65 / 24 / 13

HEX #DF4DA9

RGB 223 77 169

HSL 322.19, 0.7%, 0.59%

LAB 55.95, 65.34, -19.22

 

CMYK 0 / 60 / 22 / 6

HEX #F05FBC

RGB 240 95 188

HSL 321.52, 0.83%, 0.66%

LAB 61.95, 65.22, -20.77

 

CMYK 0 / 56 / 19 / 0

HEX #FF71CF

RGB 255 113 207

HSL 320.28, 1%, 0.72%

LAB 67.71, 64.29, -22.52

 

CMYK 0 / 49 / 11 / 0

HEX #FF83E2

RGB 255 131 226

HSL 314.03, 1%, 0.76%

LAB 71.54, 58.8, -27.19

 

CMYK 0 / 42 / 4 / 0

HEX #FF95F5

RGB 255 149 245

HSL 305.66, 1%, 0.79%

LAB 75.67, 53.1, -31.24

 

CMYK 0 / 65 / 20 / 15

HEX #DA4DAE

RGB 218 77 174

HSL 318.72, 0.66%, 0.58%

LAB 55.35, 64.67, -23.11

 

CMYK 0 / 71 / 23 / 21

HEX #C93B9B

RGB 201 59 155

HSL 319.44, 0.57%, 0.51%

LAB 49.39, 64.41, -21.34

 

CMYK 0 / 78 / 26 / 28

HEX #B82988

RGB 184 41 136

HSL 320.14, 0.64%, 0.44%

LAB 43.59, 63.54, -19.06

 

CMYK 0 / 86 / 30 / 35

HEX #A71775

RGB 167 23 117

HSL 320.83, 0.76%, 0.37%

LAB 38.04, 61.71, -16.09

 

CMYK 0 / 97 / 35 / 41

HEX #960562

RGB 150 5 98

HSL 321.52, 0.94%, 0.3%

LAB 32.86, 58.6, -12.21

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 65 / 38 / 14

HEX #DB4D88

RGB 219 77 136

HSL 335.07, 0.66%, 0.58%

LAB 54.18, 60.3, -2.52

 

CMYK 0 / 65 / 55 / 14

HEX #DB4D62

RGB 219 77 98

HSL 351.13, 0.66%, 0.58%

LAB 53.22, 56.82, 18.74

 

CMYK 0 / 65 / 65 / 14

HEX #DB4D4D

RGB 219 77 77

HSL 0, 0.66%, 0.58%

LAB 52.84, 55.41, 30.6

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 65 / 3 / 14

HEX #DB4DD5

RGB 219 77 213

HSL 302.54, 0.66%, 0.58%

LAB 57.24, 70.73, -42.55

 

CMYK 15 / 65 / 0 / 14

HEX #BA4DDB

RGB 186 77 219

HSL 286.06, 0.66%, 0.58%

LAB 52.8, 64.18, -53.31

 

CMYK 32 / 65 / 0 / 14

HEX #944DDB

RGB 148 77 219

HSL 270, 0.66%, 0.58%

LAB 47.9, 55.87, -61.43

 

CMYK 50 / 65 / 0 / 14

HEX #6E4DDB

RGB 110 77 219

HSL 253.94, 0.66%, 0.58%

LAB 43.85, 48.4, -68.19

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 75 / 23 / 7

HEX #EC3CB5

RGB 236 60 181

HSL 318.75, 0.82%, 0.58%

LAB 56.49, 75.95, -25.18

 

CMYK 0 / 83 / 26 / 1

HEX #FD2BBC

RGB 253 43 188

HSL 318.57, 0.98%, 0.58%

LAB 58.27, 84.72, -26.24

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 53 / 16 / 21

HEX #C95FA8

RGB 201 95 168

HSL 318.68, 0.5%, 0.58%

LAB 55.51, 50.99, -19.6

 

CMYK 0 / 39 / 13 / 28

HEX #B870A1

RGB 184 112 161

HSL 319.17, 0.34%, 0.58%

LAB 56.44, 35.58, -14.33

 

CMYK 0 / 23 / 7 / 35

HEX #A7819B

RGB 167 129 155

HSL 318.95, 0.18%, 0.58%

LAB 58.3, 19.03, -8.26

 

CMYK 0 / 1 / 1 / 42

HEX #959394

RGB 149 147 148

HSL 330, 0.01%, 0.58%

LAB 61.13, 0.93, -0.28

 

CMYK 15 / 65 / 0 / 14

HEX #BA4DDB

RGB 186 77 219

HSL 286.06, 0.66%, 0.58%

LAB 52.8, 64.18, -53.31

 

CMYK 0 / 65 / 2 / 14

HEX #DB4DD6

RGB 219 77 214

HSL 302.11, 0.66%, 0.58%

LAB 57.29, 70.89, -43.04

 

CMYK 0 / 65 / 20 / 14

HEX #DB4DB0

RGB 219 77 176

HSL 318.17, 0.66%, 0.58%

LAB 55.59, 65.21, -23.9

 

CMYK 0 / 65 / 37 / 14

HEX #DB4D8A

RGB 219 77 138

HSL 334.23, 0.66%, 0.58%

LAB 54.24, 60.52, -3.62

 

CMYK 0 / 65 / 54 / 14

HEX #DB4D65

RGB 219 77 101

HSL 349.86, 0.66%, 0.58%

LAB 53.28, 57.05, 17.04

 

CMYK 0 / 80 / 25 / 31

HEX #B12485

RGB 177 36 133

HSL 318.72, 0.66%, 0.42%

LAB 41.69, 62.88, -20.25

 

CMYK 0 / 80 / 25 / 17

HEX #D32B9F

RGB 211 43 159

HSL 318.57, 0.66%, 0.5%

LAB 49.59, 72.16, -23.26

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 51 / 16 / 11

HEX #E26FBE

RGB 226 111 190

HSL 318.78, 0.66%, 0.66%

LAB 62.72, 54.21, -20.91

 

CMYK 0 / 37 / 12 / 9

HEX #E992CD

RGB 233 146 205

HSL 319.31, 0.66%, 0.74%

LAB 71.07, 41.11, -16.56

 

CMYK 0 / 65 / 20 / 15

HEX #DA4DAE

RGB 218 77 174

HSL 318.72, 0.66%, 0.58%

LAB 55.35, 64.67, -23.11

 

CMYK 0 / 32 / 65 / 14

HEX #DB944D

RGB 219 148 77

HSL 30, 0.66%, 0.58%

LAB 67.11, 20, 47.53

 

CMYK 65 / 0 / 7 / 14

HEX #4DDBCC

RGB 77 219 204

HSL 173.66, 0.66%, 0.58%

LAB 79.95, -41.13, -3.81

 

CMYK 0 / 65 / 20 / 15

HEX #DA4DAE

RGB 218 77 174

HSL 318.72, 0.66%, 0.58%

LAB 55.35, 64.67, -23.11

 

CMYK 20 / 0 / 65 / 14

HEX #B0DB4D

RGB 176 219 77

HSL 78.17, 0.66%, 0.58%

LAB 82.07, -34.25, 62.81

 

CMYK 65 / 20 / 0 / 14

HEX #4DB0DB

RGB 77 176 219

HSL 198.17, 0.66%, 0.58%

LAB 67.83, -15.79, -30.23

 

CMYK 0 / 65 / 20 / 15

HEX #DA4DAE

RGB 218 77 174

HSL 318.72, 0.66%, 0.58%

LAB 55.35, 64.67, -23.11

 

CMYK 0 / 32 / 65 / 14

HEX #DB944D

RGB 219 148 77

HSL 30, 0.66%, 0.58%

LAB 67.11, 20, 47.53

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 65 / 32 / 0 / 14

HEX #4D94DB

RGB 77 148 219

HSL 210, 0.66%, 0.58%

LAB 59.77, -0.23, -42.79

 

CMYK 0 / 65 / 20 / 15

HEX #DA4DAE

RGB 218 77 174

HSL 318.72, 0.66%, 0.58%

LAB 55.35, 64.67, -23.11

 

CMYK 0 / 13 / 65 / 14

HEX #DBBE4D

RGB 219 190 77

HSL 47.75, 0.66%, 0.58%

LAB 77.53, -2.33, 58.99

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 65 / 52 / 0 / 14

HEX #4D69DB

RGB 77 105 219

HSL 228.17, 0.66%, 0.58%

LAB 48, 25.92, -61.57

 

Description

Color code: HEX #DA4DAE | qconv.com Color code: HEX #DA4DAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 20 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 20% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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