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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4D85 it is the complementary color #25B27A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4D85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4D85 shade: #DF4D80, #F05F93, #FF71A6, #FF83B9 and #FF95CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4D85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4D85 shade: #DA4D85, #C93B72, #B8295F, #A7174C and #960539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4D85 shade: #DA4D85, #DA4D5F and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4D85 shade: #DA4D85, #DA4DAB, #DA4DD1, #BD4DDA and #974DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4D85 shade matches the following richer shades: #DA4D85, #EB3B81 and #FD2A7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4D85 shade: #DA4D85, #C95E88, #B76F8C, #A68190 and #959293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4D85 shade: #DA4DD1, #DA4DAB, #DA4D85, #DA4D60 and #DA604D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4D85 shade: #B1245C, #D32B6D, #DA4D85, #E16F9C and #E891B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4D85 shade: #DA4D85, #DABE4D and #4DBEDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4D85 shade: #DA4D85, #85DA4D and #4D85DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4D85 shade: #DA4D85, #DABE4D, #4DDAA2 and #4D69DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4D85 shade: #DA4D85, #CCDA4D, #4DDAA2 and #5B4DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

Complementary color

CMYK 79 / 0 / 31 / 30

HEX #25B27A

RGB 37 178 122

HSL 156.17, 0.66%, 0.42%

LAB 64.68, -49.37, 18.55

 

CMYK 0 / 65 / 43 / 13

HEX #DF4D80

RGB 223 77 128

HSL 339.04, 0.7%, 0.59%

LAB 54.61, 60.67, 2.93

 

CMYK 0 / 60 / 39 / 6

HEX #F05F93

RGB 240 95 147

HSL 338.48, 0.83%, 0.66%

LAB 60.62, 60.29, 0.84

 

CMYK 0 / 56 / 35 / 0

HEX #FF71A6

RGB 255 113 166

HSL 337.61, 1%, 0.72%

LAB 66.38, 59.08, -1.37

 

CMYK 0 / 49 / 27 / 0

HEX #FF83B9

RGB 255 131 185

HSL 333.87, 1%, 0.76%

LAB 70.17, 52.94, -6.49

 

CMYK 0 / 42 / 20 / 0

HEX #FF95CC

RGB 255 149 204

HSL 328.87, 1%, 0.79%

LAB 74.26, 46.62, -10.95

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 71 / 43 / 21

HEX #C93B72

RGB 201 59 114

HSL 336.76, 0.57%, 0.51%

LAB 47.96, 59.72, 1.24

 

CMYK 0 / 78 / 48 / 28

HEX #B8295F

RGB 184 41 95

HSL 337.34, 0.64%, 0.44%

LAB 42.16, 59.2, 4.21

 

CMYK 0 / 86 / 54 / 35

HEX #A7174C

RGB 167 23 76

HSL 337.92, 0.76%, 0.37%

LAB 36.65, 57.77, 8.01

 

CMYK 0 / 97 / 62 / 41

HEX #960539

RGB 150 5 57

HSL 338.48, 0.94%, 0.3%

LAB 31.55, 55.08, 12.86

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 65 / 56 / 15

HEX #DA4D5F

RGB 218 77 95

HSL 352.34, 0.66%, 0.58%

LAB 52.99, 56.27, 20.18

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 65 / 22 / 15

HEX #DA4DAB

RGB 218 77 171

HSL 320, 0.66%, 0.58%

LAB 55.23, 64.26, -21.55

 

CMYK 0 / 65 / 4 / 15

HEX #DA4DD1

RGB 218 77 209

HSL 303.83, 0.66%, 0.58%

LAB 56.9, 69.85, -40.83

 

CMYK 13 / 65 / 0 / 15

HEX #BD4DDA

RGB 189 77 218

HSL 287.66, 0.66%, 0.58%

LAB 53.16, 64.67, -52.14

 

CMYK 31 / 65 / 0 / 15

HEX #974DDA

RGB 151 77 218

HSL 271.49, 0.66%, 0.58%

LAB 48.2, 56.27, -60.37

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 75 / 45 / 8

HEX #EB3B81

RGB 235 59 129

HSL 336.14, 0.81%, 0.58%

LAB 54.42, 70.48, 2.32

 

CMYK 0 / 83 / 50 / 1

HEX #FD2A7E

RGB 253 42 126

HSL 336.11, 0.98%, 0.58%

LAB 56.13, 79.07, 7

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 53 / 32 / 21

HEX #C95E88

RGB 201 94 136

HSL 336.45, 0.5%, 0.58%

LAB 54.24, 47.01, -2.76

 

CMYK 0 / 39 / 23 / 28

HEX #B76F8C

RGB 183 111 140

HSL 335.83, 0.33%, 0.58%

LAB 55.41, 32.43, -3.66

 

CMYK 0 / 22 / 13 / 35

HEX #A68190

RGB 166 129 144

HSL 335.68, 0.17%, 0.58%

LAB 57.87, 16.7, -2.58

 

CMYK 0 / 2 / 1 / 42

HEX #959293

RGB 149 146 147

HSL 340, 0.01%, 0.58%

LAB 60.83, 1.29, -0.15

 

CMYK 0 / 65 / 4 / 15

HEX #DA4DD1

RGB 218 77 209

HSL 303.83, 0.66%, 0.58%

LAB 56.9, 69.85, -40.83

 

CMYK 0 / 65 / 22 / 15

HEX #DA4DAB

RGB 218 77 171

HSL 320, 0.66%, 0.58%

LAB 55.23, 64.26, -21.55

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 65 / 56 / 15

HEX #DA4D60

RGB 218 77 96

HSL 351.91, 0.66%, 0.58%

LAB 53.01, 56.35, 19.61

 

CMYK 0 / 56 / 65 / 15

HEX #DA604D

RGB 218 96 77

HSL 8.09, 0.66%, 0.58%

LAB 55.89, 46.56, 34.32

 

CMYK 0 / 80 / 48 / 31

HEX #B1245C

RGB 177 36 92

HSL 336.17, 0.66%, 0.42%

LAB 40.22, 58.49, 3.13

 

CMYK 0 / 80 / 48 / 17

HEX #D32B6D

RGB 211 43 109

HSL 336.43, 0.66%, 0.5%

LAB 47.86, 67.03, 4.38

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 51 / 31 / 12

HEX #E16F9C

RGB 225 111 156

HSL 336.32, 0.66%, 0.66%

LAB 61.46, 49.17, -3.38

 

CMYK 0 / 38 / 22 / 9

HEX #E891B4

RGB 232 145 180

HSL 335.86, 0.65%, 0.74%

LAB 69.97, 37.45, -4.33

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 13 / 65 / 15

HEX #DABE4D

RGB 218 190 77

HSL 48.09, 0.66%, 0.58%

LAB 77.44, -2.76, 58.87

 

CMYK 65 / 13 / 0 / 15

HEX #4DBEDA

RGB 77 190 218

HSL 191.91, 0.66%, 0.58%

LAB 71.87, -23.37, -23.48

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 39 / 0 / 65 / 15

HEX #85DA4D

RGB 133 218 77

HSL 96.17, 0.66%, 0.58%

LAB 79.42, -49.26, 59.28

 

CMYK 65 / 39 / 0 / 15

HEX #4D85DA

RGB 77 133 218

HSL 216.17, 0.66%, 0.58%

LAB 55.5, 8.3, -49

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 0 / 13 / 65 / 15

HEX #DABE4D

RGB 218 190 77

HSL 48.09, 0.66%, 0.58%

LAB 77.44, -2.76, 58.87

 

CMYK 65 / 0 / 26 / 15

HEX #4DDAA2

RGB 77 218 162

HSL 156.17, 0.66%, 0.58%

LAB 78.65, -50.79, 16.64

 

CMYK 65 / 52 / 0 / 15

HEX #4D69DA

RGB 77 105 218

HSL 228.09, 0.66%, 0.58%

LAB 47.93, 25.57, -61.11

 

CMYK 0 / 65 / 39 / 15

HEX #DA4D85

RGB 218 77 133

HSL 336.17, 0.66%, 0.58%

LAB 53.93, 59.68, -1.13

 

CMYK 6 / 0 / 65 / 15

HEX #CCDA4D

RGB 204 218 77

HSL 65.96, 0.66%, 0.58%

LAB 83.71, -22.67, 65.13

 

CMYK 65 / 0 / 26 / 15

HEX #4DDAA2

RGB 77 218 162

HSL 156.17, 0.66%, 0.58%

LAB 78.65, -50.79, 16.64

 

CMYK 58 / 65 / 0 / 15

HEX #5B4DDA

RGB 91 77 218

HSL 245.96, 0.66%, 0.58%

LAB 42.14, 44.89, -70.47

 

Description

Color code: HEX #DA4D85 | qconv.com Color code: HEX #DA4D85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 39 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 39% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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