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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4D36 it is the complementary color #25B2C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4D36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4D36 shade: #DF4D31, #F05F44, #FF7157, #FF836A and #FF957D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4D36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4D36 shade: #DA4D36, #C93B23, #B82910, #A71700 and #960500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4D36 shade: #DA4C34 and #DA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4D36 shade: #DA4C34, #DA7834, #DAA534, #DAD134 and #B6DA34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4D36 shade matches the following richer shades: #DA4C34 and #ED3E21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4D36 shade: #DA4C34, #C65A48, #B3685B, #A0766F and #8C8382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4D36 shade: #DA3477, #DA344B, #DA4B34, #DA7734 and #DAA334

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4D36 shade: #9F2F1D, #C23A24, #DA4C34, #E06B57 and #E7897A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4D36 shade: #DA4D36, #A3DA34 and #3461DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4D36 shade: #DA4D36, #34DA4B and #4B34DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4D36 shade: #DA4D36, #A3DA34, #34C4DA and #6C34DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4D36 shade: #DA4D36, #71DA34, #34C4DA and #9D34DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 75 / 15

HEX #DA4D36

RGB 218 77 54

HSL 8.41, 0.69%, 0.53%

LAB 52.38, 53.96, 42.88

 

Complementary color

CMYK 82 / 11 / 0 / 21

HEX #25B2C9

RGB 37 178 201

HSL 188.41, 0.69%, 0.47%

LAB 66.86, -27.57, -21.88

 

CMYK 0 / 65 / 78 / 13

HEX #DF4D31

RGB 223 77 49

HSL 9.66, 0.73%, 0.53%

LAB 53.19, 55.46, 46.59

 

CMYK 0 / 60 / 72 / 6

HEX #F05F44

RGB 240 95 68

HSL 9.42, 0.85%, 0.6%

LAB 59.09, 54.34, 43.86

 

CMYK 0 / 56 / 66 / 0

HEX #FF7157

RGB 255 113 87

HSL 9.29, 1%, 0.67%

LAB 64.77, 52.4, 40.88

 

CMYK 0 / 49 / 58 / 0

HEX #FF836A

RGB 255 131 106

HSL 10.07, 1%, 0.71%

LAB 68.41, 44.98, 35.1

 

CMYK 0 / 42 / 51 / 0

HEX #FF957D

RGB 255 149 125

HSL 11.08, 1%, 0.75%

LAB 72.39, 37.42, 29.91

 

CMYK 0 / 65 / 75 / 15

HEX #DA4D36

RGB 218 77 54

HSL 8.41, 0.69%, 0.53%

LAB 52.38, 53.96, 42.88

 

CMYK 0 / 71 / 83 / 21

HEX #C93B23

RGB 201 59 35

HSL 8.67, 0.7%, 0.46%

LAB 46.53, 54.84, 45.8

 

CMYK 0 / 78 / 91 / 28

HEX #B82910

RGB 184 41 16

HSL 8.93, 0.84%, 0.39%

LAB 40.92, 55.26, 48.33

 

CMYK 0 / 86 / 100 / 35

HEX #A71700

RGB 167 23 0

HSL 8.26, 1%, 0.33%

LAB 35.65, 54.83, 49.34

 

CMYK 0 / 97 / 100 / 41

HEX #960500

RGB 150 5 0

HSL 2, 1%, 0.29%

LAB 30.86, 53.17, 44.53

 

CMYK 0 / 65 / 76 / 15

HEX #DA4C34

RGB 218 76 52

HSL 8.67, 0.69%, 0.53%

LAB 52.2, 54.3, 43.75

 

CMYK 0 / 76 / 76 / 15

HEX #DA3434

RGB 218 52 52

HSL 0, 0.69%, 0.53%

LAB 49.02, 63.03, 40.36

 

CMYK 0 / 65 / 76 / 15

HEX #DA4C34

RGB 218 76 52

HSL 8.67, 0.69%, 0.53%

LAB 52.2, 54.3, 43.75

 

CMYK 0 / 45 / 76 / 15

HEX #DA7834

RGB 218 120 52

HSL 24.58, 0.69%, 0.53%

LAB 60.41, 33.22, 52.18

 

CMYK 0 / 24 / 76 / 15

HEX #DAA534

RGB 218 165 52

HSL 40.84, 0.69%, 0.53%

LAB 70.91, 9.17, 62.4

 

CMYK 0 / 4 / 76 / 15

HEX #DAD134

RGB 218 209 52

HSL 56.75, 0.69%, 0.53%

LAB 82.25, -13.66, 72.93

 

CMYK 17 / 0 / 76 / 15

HEX #B6DA34

RGB 182 218 52

HSL 73.01, 0.69%, 0.53%

LAB 82.02, -32.85, 71.74

 

CMYK 0 / 65 / 76 / 15

HEX #DA4C34

RGB 218 76 52

HSL 8.67, 0.69%, 0.53%

LAB 52.2, 54.3, 43.75

 

CMYK 0 / 74 / 86 / 7

HEX #ED3E21

RGB 237 62 33

HSL 8.53, 0.85%, 0.53%

LAB 53.56, 65.01, 55.41

 

CMYK 0 / 65 / 76 / 15

HEX #DA4C34

RGB 218 76 52

HSL 8.67, 0.69%, 0.53%

LAB 52.2, 54.3, 43.75

 

CMYK 0 / 55 / 64 / 22

HEX #C65A48

RGB 198 90 72

HSL 8.57, 0.53%, 0.53%

LAB 51.59, 41.79, 31.17

 

CMYK 0 / 42 / 49 / 30

HEX #B3685B

RGB 179 104 91

HSL 8.86, 0.37%, 0.53%

LAB 52.11, 28.62, 20.32

 

CMYK 0 / 26 / 31 / 37

HEX #A0766F

RGB 160 118 111

HSL 8.57, 0.21%, 0.53%

LAB 53.58, 15.45, 10.3

 

CMYK 0 / 6 / 7 / 45

HEX #8C8382

RGB 140 131 130

HSL 6, 0.04%, 0.53%

LAB 55.5, 3.2, 1.75

 

CMYK 0 / 76 / 45 / 15

HEX #DA3477

RGB 218 52 119

HSL 335.78, 0.69%, 0.53%

LAB 50.33, 67.2, 2.01

 

CMYK 0 / 76 / 66 / 15

HEX #DA344B

RGB 218 52 75

HSL 351.69, 0.69%, 0.53%

LAB 49.34, 64.06, 27.34

 

CMYK 0 / 66 / 76 / 15

HEX #DA4B34

RGB 218 75 52

HSL 8.31, 0.69%, 0.53%

LAB 52.05, 54.71, 43.59

 

CMYK 0 / 45 / 76 / 15

HEX #DA7734

RGB 218 119 52

HSL 24.22, 0.69%, 0.53%

LAB 60.2, 33.75, 51.97

 

CMYK 0 / 25 / 76 / 15

HEX #DAA334

RGB 218 163 52

HSL 40.12, 0.69%, 0.53%

LAB 70.42, 10.24, 61.93

 

CMYK 0 / 70 / 82 / 38

HEX #9F2F1D

RGB 159 47 29

HSL 8.31, 0.69%, 0.37%

LAB 36.92, 45.3, 36.96

 

CMYK 0 / 70 / 81 / 24

HEX #C23A24

RGB 194 58 36

HSL 8.35, 0.69%, 0.45%

LAB 45.11, 52.96, 43.5

 

CMYK 0 / 65 / 76 / 15

HEX #DA4C34

RGB 218 76 52

HSL 8.67, 0.69%, 0.53%

LAB 52.2, 54.3, 43.75

 

CMYK 0 / 52 / 61 / 12

HEX #E06B57

RGB 224 107 87

HSL 8.76, 0.69%, 0.61%

LAB 59.02, 44.06, 32.8

 

CMYK 0 / 41 / 47 / 9

HEX #E7897A

RGB 231 137 122

HSL 8.26, 0.69%, 0.69%

LAB 66.74, 34.26, 23.5

 

CMYK 0 / 65 / 75 / 15

HEX #DA4D36

RGB 218 77 54

HSL 8.41, 0.69%, 0.53%

LAB 52.38, 53.96, 42.88

 

CMYK 25 / 0 / 76 / 15

HEX #A3DA34

RGB 163 218 52

HSL 79.88, 0.69%, 0.53%

LAB 80.84, -40.24, 70.21

 

CMYK 76 / 56 / 0 / 15

HEX #3461DA

RGB 52 97 218

HSL 223.73, 0.69%, 0.53%

LAB 44.72, 27.24, -66.38

 

CMYK 0 / 65 / 75 / 15

HEX #DA4D36

RGB 218 77 54

HSL 8.41, 0.69%, 0.53%

LAB 52.38, 53.96, 42.88

 

CMYK 76 / 0 / 66 / 15

HEX #34DA4B

RGB 52 218 75

HSL 128.31, 0.69%, 0.53%

LAB 76.91, -68.74, 56.64

 

CMYK 66 / 76 / 0 / 15

HEX #4B34DA

RGB 75 52 218

HSL 248.31, 0.69%, 0.53%

LAB 36.01, 56.33, -80.59

 

CMYK 0 / 65 / 75 / 15

HEX #DA4D36

RGB 218 77 54

HSL 8.41, 0.69%, 0.53%

LAB 52.38, 53.96, 42.88

 

CMYK 25 / 0 / 76 / 15

HEX #A3DA34

RGB 163 218 52

HSL 79.88, 0.69%, 0.53%

LAB 80.84, -40.24, 70.21

 

CMYK 76 / 10 / 0 / 15

HEX #34C4DA

RGB 52 196 218

HSL 187.95, 0.69%, 0.53%

LAB 73.07, -29.65, -21.7

 

CMYK 50 / 76 / 0 / 15

HEX #6C34DA

RGB 108 52 218

HSL 260.24, 0.69%, 0.53%

LAB 39.08, 60.31, -75.43

 

CMYK 0 / 65 / 75 / 15

HEX #DA4D36

RGB 218 77 54

HSL 8.41, 0.69%, 0.53%

LAB 52.38, 53.96, 42.88

 

CMYK 48 / 0 / 76 / 15

HEX #71DA34

RGB 113 218 52

HSL 97.95, 0.69%, 0.53%

LAB 78.4, -57.27, 67.04

 

CMYK 76 / 10 / 0 / 15

HEX #34C4DA

RGB 52 196 218

HSL 187.95, 0.69%, 0.53%

LAB 73.07, -29.65, -21.7

 

CMYK 28 / 76 / 0 / 15

HEX #9D34DA

RGB 157 52 218

HSL 277.95, 0.69%, 0.53%

LAB 45.2, 68.05, -65.18

 

Description

Color code: HEX #DA4D36 | qconv.com Color code: HEX #DA4D36 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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