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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4D2E it is the complementary color #25B2D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4D2E shade: #DF4D29, #F05F3C, #FF714F, #FF8362 and #FF9575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4D2E shade: #DA4D2E, #C93B1B, #B82908, #A71700 and #960500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4D2E shade: #DA4D2E and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4D2E shade: #DA4D2E, #DA7C2E, #DAAA2E, #DAD82E and #ADDA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4D2E shade matches the following richer shades: #DA4D2E and #EE411B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4D2E shade: #DA4D2E, #C65A42, #B26756, #9E736A and #8B807E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4D2E shade: #DA2E6D, #DA2E40, #DA4B2E, #DA792E and #DAA62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4D2E shade: #9B321B, #BE3D21, #DA4D2E, #E06B51 and #E68975

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4D2E shade: #DA4D2E, #9BDA2E and #2E56DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4D2E shade: #DA4D2E, #2EDA4B and #4B2EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4D2E shade: #DA4D2E, #9BDA2E, #2EBDDA and #6D2EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4D2E shade: #DA4D2E, #68DA2E, #2EBDDA and #A12EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

Complementary color

CMYK 82 / 15 / 0 / 18

HEX #25B2D1

RGB 37 178 209

HSL 190.81, 0.7%, 0.48%

LAB 67.15, -24.98, -25.84

 

CMYK 0 / 65 / 82 / 13

HEX #DF4D29

RGB 223 77 41

HSL 11.87, 0.74%, 0.52%

LAB 53.12, 55.21, 50.45

 

CMYK 0 / 60 / 75 / 6

HEX #F05F3C

RGB 240 95 60

HSL 11.67, 0.86%, 0.59%

LAB 59.01, 54, 47.92

 

CMYK 0 / 56 / 69 / 0

HEX #FF714F

RGB 255 113 79

HSL 11.59, 1%, 0.65%

LAB 64.67, 51.98, 45.02

 

CMYK 0 / 49 / 62 / 0

HEX #FF8362

RGB 255 131 98

HSL 12.61, 1%, 0.69%

LAB 68.3, 44.44, 39.26

 

CMYK 0 / 42 / 54 / 0

HEX #FF9575

RGB 255 149 117

HSL 13.91, 1%, 0.73%

LAB 72.25, 36.75, 34.06

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 0 / 71 / 87 / 21

HEX #C93B1B

RGB 201 59 27

HSL 11.03, 0.76%, 0.45%

LAB 46.48, 54.64, 49.47

 

CMYK 0 / 78 / 96 / 28

HEX #B82908

RGB 184 41 8

HSL 11.25, 0.92%, 0.38%

LAB 40.89, 55.16, 51

 

CMYK 0 / 86 / 100 / 35

HEX #A71700

RGB 167 23 0

HSL 8.26, 1%, 0.33%

LAB 35.65, 54.83, 49.34

 

CMYK 0 / 97 / 100 / 41

HEX #960500

RGB 150 5 0

HSL 2, 1%, 0.29%

LAB 30.86, 53.17, 44.53

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 0 / 43 / 79 / 15

HEX #DA7C2E

RGB 218 124 46

HSL 27.21, 0.7%, 0.52%

LAB 61.24, 30.9, 55.6

 

CMYK 0 / 22 / 79 / 15

HEX #DAAA2E

RGB 218 170 46

HSL 43.26, 0.7%, 0.52%

LAB 72.13, 6.28, 65.67

 

CMYK 0 / 1 / 79 / 15

HEX #DAD82E

RGB 218 216 46

HSL 59.3, 0.7%, 0.52%

LAB 84.08, -17.35, 76.3

 

CMYK 21 / 0 / 79 / 15

HEX #ADDA2E

RGB 173 218 46

HSL 75.7, 0.7%, 0.52%

LAB 81.41, -36.66, 72.71

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 0 / 73 / 89 / 7

HEX #EE411B

RGB 238 65 27

HSL 10.81, 0.86%, 0.52%

LAB 54.07, 64.21, 58.31

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 0 / 55 / 67 / 22

HEX #C65A42

RGB 198 90 66

HSL 10.91, 0.54%, 0.52%

LAB 51.51, 41.42, 34.46

 

CMYK 0 / 42 / 52 / 30

HEX #B26756

RGB 178 103 86

HSL 11.09, 0.37%, 0.52%

LAB 51.65, 28.28, 22.6

 

CMYK 0 / 27 / 33 / 38

HEX #9E736A

RGB 158 115 106

HSL 10.38, 0.21%, 0.52%

LAB 52.48, 15.66, 11.65

 

CMYK 0 / 8 / 9 / 45

HEX #8B807E

RGB 139 128 126

HSL 9.23, 0.05%, 0.52%

LAB 54.48, 3.8, 2.58

 

CMYK 0 / 79 / 50 / 15

HEX #DA2E6D

RGB 218 46 109

HSL 338.02, 0.7%, 0.52%

LAB 49.45, 68.06, 6.84

 

CMYK 0 / 79 / 71 / 15

HEX #DA2E40

RGB 218 46 64

HSL 353.72, 0.7%, 0.52%

LAB 48.55, 65.27, 32.92

 

CMYK 0 / 66 / 79 / 15

HEX #DA4B2E

RGB 218 75 46

HSL 10.12, 0.7%, 0.52%

LAB 51.99, 54.5, 46.63

 

CMYK 0 / 44 / 79 / 15

HEX #DA792E

RGB 218 121 46

HSL 26.16, 0.7%, 0.52%

LAB 60.58, 32.47, 54.98

 

CMYK 0 / 24 / 79 / 15

HEX #DAA62E

RGB 218 166 46

HSL 41.86, 0.7%, 0.52%

LAB 71.13, 8.41, 64.76

 

CMYK 0 / 68 / 83 / 39

HEX #9B321B

RGB 155 50 27

HSL 10.78, 0.7%, 0.36%

LAB 36.61, 42.57, 37.46

 

CMYK 0 / 68 / 83 / 25

HEX #BE3D21

RGB 190 61 33

HSL 10.7, 0.7%, 0.44%

LAB 44.79, 50.34, 44.44

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 0 / 52 / 64 / 12

HEX #E06B51

RGB 224 107 81

HSL 10.91, 0.7%, 0.6%

LAB 58.93, 43.67, 36.01

 

CMYK 0 / 40 / 49 / 10

HEX #E68975

RGB 230 137 117

HSL 10.62, 0.69%, 0.68%

LAB 66.52, 33.4, 25.96

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 29 / 0 / 79 / 15

HEX #9BDA2E

RGB 155 218 46

HSL 81.98, 0.7%, 0.52%

LAB 80.35, -43.51, 71.35

 

CMYK 79 / 61 / 0 / 15

HEX #2E56DA

RGB 46 86 218

HSL 226.05, 0.7%, 0.52%

LAB 41.69, 33.67, -71.33

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 79 / 0 / 66 / 15

HEX #2EDA4B

RGB 46 218 75

HSL 130.12, 0.7%, 0.52%

LAB 76.82, -69.51, 56.52

 

CMYK 66 / 79 / 0 / 15

HEX #4B2EDA

RGB 75 46 218

HSL 250.12, 0.7%, 0.52%

LAB 35.03, 59.17, -82.22

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 29 / 0 / 79 / 15

HEX #9BDA2E

RGB 155 218 46

HSL 81.98, 0.7%, 0.52%

LAB 80.35, -43.51, 71.35

 

CMYK 79 / 13 / 0 / 15

HEX #2EBDDA

RGB 46 189 218

HSL 190.12, 0.7%, 0.52%

LAB 70.9, -26.8, -25.03

 

CMYK 50 / 79 / 0 / 15

HEX #6D2EDA

RGB 109 46 218

HSL 261.98, 0.7%, 0.52%

LAB 38.32, 62.96, -76.68

 

CMYK 0 / 65 / 79 / 15

HEX #DA4D2E

RGB 218 77 46

HSL 10.81, 0.7%, 0.52%

LAB 52.3, 53.67, 46.93

 

CMYK 52 / 0 / 79 / 15

HEX #68DA2E

RGB 104 218 46

HSL 99.77, 0.7%, 0.52%

LAB 78.04, -60.17, 68.37

 

CMYK 79 / 13 / 0 / 15

HEX #2EBDDA

RGB 46 189 218

HSL 190.12, 0.7%, 0.52%

LAB 70.9, -26.8, -25.03

 

CMYK 26 / 79 / 0 / 15

HEX #A12EDA

RGB 161 46 218

HSL 280.12, 0.7%, 0.52%

LAB 45.07, 70.75, -65.37

 

Description

Color code: HEX #DA4D2E | qconv.com Color code: HEX #DA4D2E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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