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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA488E it is the complementary color #25B771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA488E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA488E shade: #DF4889, #F05A9C, #FF6CAF, #FF7EC2 and #FF90D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA488E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA488E shade: #DA488E, #C9367B, #B82468, #A71255 and #960042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA488E shade: #D9488E, #D94867 and #D94848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA488E shade: #D9488E, #D948B5, #D648D9, #AF48D9 and #8848D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA488E shade matches the following richer shades: #D9488E, #EB378D and #FD258C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA488E shade: #D9488E, #C75A8F, #B66C8F, #A47E90 and #928F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA488E shade: #D748D9, #D948B5, #D9488E, #D94868 and #D95048

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA488E shade: #AC2365, #CF2A79, #D9488E, #E06BA3 and #E78DB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA488E shade: #DA488E, #D9B048 and #48C8D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA488E shade: #DA488E, #8ED948 and #488ED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA488E shade: #DA488E, #D9B048, #48D993 and #4871D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA488E shade: #DA488E, #D7D948, #48D993 and #4B48D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 35 / 15

HEX #DA488E

RGB 218 72 142

HSL 331.23, 0.66%, 0.57%

LAB 53.49, 62.64, -7.13

 

Complementary color

CMYK 80 / 0 / 38 / 28

HEX #25B771

RGB 37 183 113

HSL 151.23, 0.66%, 0.43%

LAB 66.1, -53.16, 25.31

 

CMYK 0 / 68 / 39 / 13

HEX #DF4889

RGB 223 72 137

HSL 334.17, 0.7%, 0.58%

LAB 54.16, 63.52, -3.07

 

CMYK 0 / 63 / 35 / 6

HEX #F05A9C

RGB 240 90 156

HSL 333.6, 0.83%, 0.65%

LAB 60.1, 63.37, -5.14

 

CMYK 0 / 58 / 31 / 0

HEX #FF6CAF

RGB 255 108 175

HSL 332.65, 1%, 0.71%

LAB 65.81, 62.35, -7.33

 

CMYK 0 / 51 / 24 / 0

HEX #FF7EC2

RGB 255 126 194

HSL 328.37, 1%, 0.75%

LAB 69.52, 56.53, -12.49

 

CMYK 0 / 44 / 16 / 0

HEX #FF90D5

RGB 255 144 213

HSL 322.7, 1%, 0.78%

LAB 73.55, 50.46, -16.97

 

CMYK 0 / 67 / 35 / 15

HEX #DA488E

RGB 218 72 142

HSL 331.23, 0.66%, 0.57%

LAB 53.49, 62.64, -7.13

 

CMYK 0 / 73 / 39 / 21

HEX #C9367B

RGB 201 54 123

HSL 331.84, 0.58%, 0.5%

LAB 47.61, 62.37, -4.77

 

CMYK 0 / 80 / 43 / 28

HEX #B82468

RGB 184 36 104

HSL 332.43, 0.67%, 0.43%

LAB 41.93, 61.43, -1.77

 

CMYK 0 / 89 / 49 / 35

HEX #A71255

RGB 167 18 85

HSL 333.02, 0.81%, 0.36%

LAB 36.56, 59.46, 2.07

 

CMYK 0 / 100 / 56 / 41

HEX #960042

RGB 150 0 66

HSL 333.6, 1%, 0.29%

LAB 31.53, 56.42, 6.83

 

CMYK 0 / 67 / 35 / 15

HEX #D9488E

RGB 217 72 142

HSL 331.03, 0.66%, 0.57%

LAB 53.32, 62.35, -7.4

 

CMYK 0 / 67 / 53 / 15

HEX #D94867

RGB 217 72 103

HSL 347.17, 0.66%, 0.57%

LAB 52.25, 58.59, 14.37

 

CMYK 0 / 67 / 67 / 15

HEX #D94848

RGB 217 72 72

HSL 0, 0.66%, 0.57%

LAB 51.67, 56.52, 31.97

 

CMYK 0 / 67 / 35 / 15

HEX #D9488E

RGB 217 72 142

HSL 331.03, 0.66%, 0.57%

LAB 53.32, 62.35, -7.4

 

CMYK 0 / 67 / 17 / 15

HEX #D948B5

RGB 217 72 181

HSL 314.9, 0.66%, 0.57%

LAB 54.79, 67.3, -28.06

 

CMYK 1 / 67 / 0 / 15

HEX #D648D9

RGB 214 72 217

HSL 298.76, 0.66%, 0.57%

LAB 56.03, 72.1, -46.79

 

CMYK 19 / 67 / 0 / 15

HEX #AF48D9

RGB 175 72 217

HSL 282.62, 0.66%, 0.57%

LAB 50.4, 63.49, -56.09

 

CMYK 37 / 67 / 0 / 15

HEX #8848D9

RGB 136 72 217

HSL 266.48, 0.66%, 0.57%

LAB 45.47, 55.39, -64.3

 

CMYK 0 / 67 / 35 / 15

HEX #D9488E

RGB 217 72 142

HSL 331.03, 0.66%, 0.57%

LAB 53.32, 62.35, -7.4

 

CMYK 0 / 77 / 40 / 8

HEX #EB378D

RGB 235 55 141

HSL 331.33, 0.82%, 0.57%

LAB 54.36, 72.76, -4.92

 

CMYK 0 / 85 / 45 / 1

HEX #FD258C

RGB 253 37 140

HSL 331.39, 0.98%, 0.57%

LAB 56.19, 81.14, -1.26

 

CMYK 0 / 67 / 35 / 15

HEX #D9488E

RGB 217 72 142

HSL 331.03, 0.66%, 0.57%

LAB 53.32, 62.35, -7.4

 

CMYK 0 / 55 / 28 / 22

HEX #C75A8F

RGB 199 90 143

HSL 330.83, 0.49%, 0.57%

LAB 53.43, 49.19, -8.13

 

CMYK 0 / 41 / 21 / 29

HEX #B66C8F

RGB 182 108 143

HSL 331.62, 0.34%, 0.57%

LAB 54.71, 34.16, -6.46

 

CMYK 0 / 23 / 12 / 36

HEX #A47E90

RGB 164 126 144

HSL 331.58, 0.17%, 0.57%

LAB 56.91, 17.66, -4.02

 

CMYK 0 / 2 / 1 / 43

HEX #928F91

RGB 146 143 145

HSL 320, 0.01%, 0.57%

LAB 59.71, 1.49, -0.68

 

CMYK 1 / 67 / 0 / 15

HEX #D748D9

RGB 215 72 217

HSL 299.17, 0.66%, 0.57%

LAB 56.18, 72.32, -46.54

 

CMYK 0 / 67 / 17 / 15

HEX #D948B5

RGB 217 72 181

HSL 314.9, 0.66%, 0.57%

LAB 54.79, 67.3, -28.06

 

CMYK 0 / 67 / 35 / 15

HEX #D9488E

RGB 217 72 142

HSL 331.03, 0.66%, 0.57%

LAB 53.32, 62.35, -7.4

 

CMYK 0 / 67 / 52 / 15

HEX #D94868

RGB 217 72 104

HSL 346.76, 0.66%, 0.57%

LAB 52.27, 58.68, 13.8

 

CMYK 0 / 63 / 67 / 15

HEX #D95048

RGB 217 80 72

HSL 3.31, 0.66%, 0.57%

LAB 52.9, 53.2, 33.47

 

CMYK 0 / 80 / 41 / 33

HEX #AC2365

RGB 172 35 101

HSL 331.09, 0.66%, 0.41%

LAB 39.43, 58.28, -3.82

 

CMYK 0 / 80 / 42 / 19

HEX #CF2A79

RGB 207 42 121

HSL 331.27, 0.66%, 0.49%

LAB 47.37, 67.34, -3.77

 

CMYK 0 / 67 / 35 / 15

HEX #D9488E

RGB 217 72 142

HSL 331.03, 0.66%, 0.57%

LAB 53.32, 62.35, -7.4

 

CMYK 0 / 52 / 27 / 12

HEX #E06BA3

RGB 224 107 163

HSL 331.28, 0.65%, 0.65%

LAB 60.79, 51.69, -8.42

 

CMYK 0 / 39 / 20 / 9

HEX #E78DB8

RGB 231 141 184

HSL 331.33, 0.65%, 0.73%

LAB 69.11, 39.79, -7.84

 

CMYK 0 / 67 / 35 / 15

HEX #DA488E

RGB 218 72 142

HSL 331.23, 0.66%, 0.57%

LAB 53.49, 62.64, -7.13

 

CMYK 0 / 19 / 67 / 15

HEX #D9B048

RGB 217 176 72

HSL 43.03, 0.66%, 0.57%

LAB 73.72, 3.87, 57.04

 

CMYK 67 / 8 / 0 / 15

HEX #48C8D9

RGB 72 200 217

HSL 187.03, 0.66%, 0.57%

LAB 74.63, -29.39, -18.75

 

CMYK 0 / 67 / 35 / 15

HEX #DA488E

RGB 218 72 142

HSL 331.23, 0.66%, 0.57%

LAB 53.49, 62.64, -7.13

 

CMYK 35 / 0 / 67 / 15

HEX #8ED948

RGB 142 217 72

HSL 91.03, 0.66%, 0.57%

LAB 79.53, -46.21, 61.51

 

CMYK 67 / 35 / 0 / 15

HEX #488ED9

RGB 72 142 217

HSL 211.03, 0.66%, 0.57%

LAB 57.78, 1.77, -44.83

 

CMYK 0 / 67 / 35 / 15

HEX #DA488E

RGB 218 72 142

HSL 331.23, 0.66%, 0.57%

LAB 53.49, 62.64, -7.13

 

CMYK 0 / 19 / 67 / 15

HEX #D9B048

RGB 217 176 72

HSL 43.03, 0.66%, 0.57%

LAB 73.72, 3.87, 57.04

 

CMYK 67 / 0 / 32 / 15

HEX #48D993

RGB 72 217 147

HSL 151.03, 0.66%, 0.57%

LAB 77.94, -54.37, 23.5

 

CMYK 67 / 48 / 0 / 15

HEX #4871D9

RGB 72 113 217

HSL 223.03, 0.66%, 0.57%

LAB 49.74, 19.42, -57.66

 

CMYK 0 / 67 / 35 / 15

HEX #DA488E

RGB 218 72 142

HSL 331.23, 0.66%, 0.57%

LAB 53.49, 62.64, -7.13

 

CMYK 1 / 0 / 67 / 15

HEX #D7D948

RGB 215 217 72

HSL 60.83, 0.66%, 0.57%

LAB 84.25, -17.96, 67.87

 

CMYK 67 / 0 / 32 / 15

HEX #48D993

RGB 72 217 147

HSL 151.03, 0.66%, 0.57%

LAB 77.94, -54.37, 23.5

 

CMYK 65 / 67 / 0 / 15

HEX #4B48D9

RGB 75 72 217

HSL 241.24, 0.66%, 0.57%

LAB 39.82, 45.18, -73.76

 

Description

Color code: HEX #DA488E | qconv.com Color code: HEX #DA488E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 72 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 72 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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